Appearance and Apparition from À l'Infinitif (La Boîte Blanche) (In the Infinitive [The White Box])

Marcel Duchamp · 1912–20, published 1966

Here we have Appearance and Apparition from À l'Infinitif (La Boîte Blanche) (In the Infinitive [The White Box]) — an illustrated book by Duchamp, nineteen twelve to nineteen twenty, published nineteen sixty-six. Folder containing four collotype reproductions of manuscript notes — about 31 by 26 centimeters.

Medium Folder containing four collotype reproductions of manuscript notes · Dimensions folder: 12 5/16 x 10 3/8" (31.2 x 26.3 cm) · Credit Gift of Cordier & Ekstrom, Inc.

Hanging beside it in The Steven and Alexandra Cohen Center for Special Exhibitions: Dictionaries and Atlases from À l'Infinitif (La Boîte Blanche) (In the Infinitive [The White Box]), Duplicate of The Bride (supplementary suite, plate 4) from The Large Glass and Related Works, Vol. 1

Works like this one elsewhere in the museum: Poster for a Dada exhibition at Sidney Janis Gallery, Attention: Oeuvre d'Art, Artist's Shit No. 014, DEC. 18, 1979, Title Page (Titelblatt) from The Lord's Prayer (Das Vater Unser), Text panel for Broadacre City Project

More by Marcel Duchamp here: Why Not Sneeze Rose Sélavy?, In Advance of the Broken Arm, Network of Stoppages, Landscape, The Chess Players, The Passage from Virgin to Bride