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AdmittedFrantišek Kupka · 1910-11
This is Madame Kupka among Verticals, painted by František Kupka between nineteen ten and nineteen eleven. Kupka was among the very first European painters to abandon the subject entirely. His wife Eugénie sits at the centre of a rhythm of verticals that is already closer to music than to portraiture.
Medium Oil on canvas · Dimensions 53 3/8 x 33 5/8" (135.5 x 85.3 cm) · Credit Hillman Periodicals Fund
Hanging beside it in Gallery 503: The Spring, Landscape
Works like this one elsewhere in the museum: The Cross, Self-Portrait with Two Flowers in Her Raised Left Hand, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Self-Portrait with Palette, Self-Portrait with Cropped Hair, The Lovers
More by František Kupka here: Vertical and Diagonal Planes
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Catalogue record: MoMA Collection Notes written for momap — not MoMA curatorial text.