{"version":2,"floor":5,"title":"Collection 1880–1950","subtitle":"Artists push boundaries inspired by the energy of a new century.","source":"MoMA collection data (CC0 metadata); images © the artists","geometrySource":"traced from MoMA map--floor-5.svg at 0.37 m/unit (anchored on Gallery 503's verified hang; see extract_rooms.py)","layoutSource":"MoMA's own plan; doorways from shared walls","extent":[101.85,57.38],"garden":null,"rooms":[{"gallery":"500","title":"Six Sculptures","origin":[86.05,4.4],"polygon":[[11.578,0.0],[15.8,0.0],[15.8,15.792],[0.0,15.792],[0.0,2.968],[11.578,2.968]],"size":[15.8,15.79],"ceiling":4.6,"outdoor":false,"doors":[[3,12.82,1.6]],"partitions":[],"cases":[{"x":5.631,"z":7.896,"w":2.391,"d":0.8,"h":0.85},{"x":7.796,"z":7.896,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[15.8,15.792],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,15.25],"height":4.6,"kind":"perimeter","edge":2},{"origin":[15.8,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,15.241999999999999],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.792],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,11.62],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,2.968],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,11.027999999999999],"height":4.6,"kind":"perimeter","edge":4},{"origin":[11.578,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,3.6720000000000015],"height":4.6,"kind":"perimeter","edge":0},{"origin":[11.578,2.968],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,2.418],"height":4.6,"kind":"perimeter","edge":5}],"decor":null,"intro":"7 works, 1915–1980 — David Smith and Elie Nadelman; mostly sculpture.","music":"satie","artworks":[{"id":80953,"title":"Head","artist":"David Smith","artistBio":"(American, 1906–1965)","artistGender":"(male)","date":"1938","medium":"Cast iron and steel","credit":"Gift of Charles E. Merrill","classification":"Sculpture","dimensions":"19 3/4 x 9 5/8 x 7 1/2\" (50.2 x 24.5 x 19.1 cm)","size":[0.245,0.502],"depth":0.191,"sizeSource":"cc0-columns","summary":"Sculpture in cast iron and steel, 1938","blurb":"Sculpture in cast iron and steel, 1938. 50 cm × 24 cm × 19 cm. David Smith (American, 1906–1965). Acquired by the Museum in 1943 — Gift of Charles E. Merrill.","blurbSource":"catalogue","acquired":"1943","cid":"5480","url":"https://www.moma.org/collection/works/80953","imageURL":"https://www.moma.org/media/W1siZiIsIjUzNjc3MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dffd9fb6b57ded4f","placement":{"kind":"case","case":0,"x":4.734,"z":7.896,"y":1.111},"texture":"textures/80953.jpg","thumb":"thumbs/80953.jpg","seen":["abstract shapes","carved figure"],"tags":["1930s","figure","monochrome","sculpture","steel","abstract shapes","carved figure"],"roomTags":["sculptures"],"docent":"You're looking at Head — a sculpture by the American artist David Smith, nineteen thirty-eight. Smith was part of the abstract expressionism movement. Cast iron and steel — about 50 by 24 centimeters. In the picture, look for the abstract shapes and the carved figure."},{"id":81233,"title":"Man in the Open Air","artist":"Elie Nadelman","artistBio":"(American, born Poland. 1882–1946)","artistGender":"(male)","date":"c. 1915","medium":"Bronze","credit":"Gift of William S. Paley (by exchange)","classification":"Sculpture","dimensions":"54 1/2\" (138.4 cm) high, 11 3/4 x 21 1/2\" (29.9 x 54.6 cm) at base","size":[0.546,0.299],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Sculpture in bronze, c. 1915","blurb":"Sculpture in bronze, c. 1915. Elie Nadelman (American, born Poland. 1882–1946). Acquired by the Museum in 1948 — Gift of William S. Paley (by exchange).","blurbSource":"catalogue","acquired":"1948","cid":"4197","url":"https://www.moma.org/collection/works/81233","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDkxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bd16db900f957f90","placement":{"kind":"case","case":0,"x":5.332,"z":7.896,"y":1.009},"texture":"textures/81233.jpg","thumb":"thumbs/81233.jpg","seen":["carved figure"],"tags":["1910s","bronze","figure","monochrome","sculpture","wartime","carved figure"],"roomTags":["sculptures"],"docent":"This one's called Man in the Open Air — a sculpture by Elie Nadelman, around nineteen fifteen. Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."},{"id":81037,"title":"Tiari","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Nice, summer 1930","medium":"Bronze","credit":"A. Conger Goodyear Fund","classification":"Sculpture","dimensions":"8 x 5 5/8 x 7 3/8\" (20.3 x 14.4 x 18.9 cm)","size":[0.143,0.203],"depth":0.187,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Nice, summer 1930","blurb":"Sculpture in bronze, Nice, summer 1930. 20 cm × 14 cm × 19 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1955 — A. Conger Goodyear Fund.","blurbSource":"catalogue","acquired":"1955","cid":"3832","url":"https://www.moma.org/collection/works/81037","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODMyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=79013207857c5ed4","placement":{"kind":"case","case":0,"x":5.93,"z":7.896,"y":0.962},"texture":"textures/81037.jpg","thumb":"thumbs/81037.jpg","seen":["carved figure"],"tags":["1930s","bronze","fauvism","intimate","monochrome","sculpture","carved figure"],"roomTags":["sculptures"],"docent":"This one's called Tiari — a sculpture by the French artist Henri Matisse, from Nice, summer nineteen thirty. Bronze — about 20 by 14 centimeters."},{"id":81223,"title":"Helmet Head Number 1","artist":"Henry Moore","artistBio":"(British, 1898–1986)","artistGender":"(male)","date":"1950","medium":"Bronze","credit":"Gift and Bequest of Nina and Gordon Bunshaft","classification":"Sculpture","dimensions":"13 x 10 1/8 x 9 3/4\" (33 x 25.8 x 24.8 cm), on marble base 2 1/4 x 14 1/8 x 12\" (5.7 x 35.7 x  30.3 cm)","size":[0.257,0.33],"depth":0.248,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1950","blurb":"Sculpture in bronze, 1950. 33 cm × 26 cm × 25 cm. Henry Moore (British, 1898–1986). Acquired by the Museum in 1988 — Gift and Bequest of Nina and Gordon Bunshaft.","blurbSource":"catalogue","acquired":"1988","cid":"4071","url":"https://www.moma.org/collection/works/81223","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODYyNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=66ef8ea8cf21feea","placement":{"kind":"case","case":0,"x":6.528,"z":7.896,"y":1.025},"texture":"textures/81223.jpg","thumb":"thumbs/81223.jpg","seen":["carved figure"],"tags":["1950s","bronze","figure","intimate","monochrome","sculpture","carved figure"],"roomTags":["sculptures"],"docent":"This is Helmet Head Number 1 — a sculpture by Henry Moore, nineteen fifty. Bronze — about 33 by 26 centimeters."},{"id":106989,"title":"Living: You should limit the number of times...","artist":"Jenny Holzer","artistBio":"(American, born 1950)","artistGender":"(female)","date":"1980-82","medium":"Bronze","credit":"Gift of Agnes Gund","classification":"Sculpture","dimensions":"8 x 10\" (20.3 x 25.4 cm)","size":[0.254,0.203],"depth":0.0,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1980-82","blurb":"Sculpture in bronze, 1980-82. 20 cm × 25 cm. Jenny Holzer (American, born 1950). Acquired by the Museum in 2007 — Gift of Agnes Gund.","blurbSource":"catalogue","acquired":"2007","cid":"2714","url":"https://www.moma.org/collection/works/106989","imageURL":"https://www.moma.org/media/W1siZiIsIjUzNTk1MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e9e4b9cf9372cac6","placement":{"kind":"case","case":1,"x":7.796,"z":7.896,"y":0.962},"texture":"textures/106989.jpg","thumb":"thumbs/106989.jpg","seen":["lettering"],"tags":["1980s","bronze","dark","intimate","muted","sculpture","warm","women artists","lettering","dramatic"],"roomTags":["sculptures"],"docent":"You're looking at Living: You should limit the number of times... — a sculpture by Jenny Holzer, nineteen eighty to nineteen eighty-two. Holzer was part of the conceptual art movement. The piece is bronze, about 20 by 25 centimeters. In the picture, look for the lettering."},{"id":81011,"title":"The Impossible, III","artist":"Maria Martins","artistBio":"(Brazilian, 1894–1973)","artistGender":"(female)","date":"1946","medium":"Bronze","credit":"Purchase","classification":"Sculpture","dimensions":"31 1/2 x 32 1/2 x 21\" (80 x 82.5 x 53.3 cm)","size":[0.825,0.8],"depth":0.533,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1946","blurb":"Sculpture in bronze, 1946. 80 cm × 82 cm × 53 cm. Maria Martins (Brazilian, 1894–1973). Acquired by the Museum in 1946 — Purchase.","blurbSource":"catalogue","acquired":"1946","cid":"3767","url":"https://www.moma.org/collection/works/81011","imageURL":"https://www.moma.org/media/W1siZiIsIjE1Mjg1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b99e38158cb41b08","placement":{"kind":"plinth","x":9.354,"z":7.896,"plinth":0.85,"fw":1.175,"fd":0.883,"face":[0,-1]},"texture":"textures/81011.jpg","thumb":"thumbs/81011.jpg","seen":["carved figure"],"tags":["1940s","bright","bronze","monochrome","sculpture","women artists","carved figure","somber"],"roomTags":["sculptures"],"docent":"This one's called The Impossible, three — a sculpture by the Brazilian artist Maria Martins, nineteen forty-six. It's bronze, about 80 by 82 centimeters."},{"id":81268,"title":"Goat Skull and Bottle","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Vallauris, 1951 (cast 1954)","medium":"Painted bronze","credit":"Mrs. Simon Guggenheim Fund","classification":"Sculpture","dimensions":"31 x 37 5/8 x 21 1/2\" (78.8 x 95.3 x 54.5 cm)","size":[0.953,0.788],"depth":0.545,"sizeSource":"cc0-columns","summary":"Sculpture in painted bronze, Vallauris, 1951","blurb":"Sculpture in painted bronze, Vallauris, 1951. 79 cm × 95 cm × 54 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1956 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1956","cid":"4609","url":"https://www.moma.org/collection/works/81268","imageURL":"https://www.moma.org/media/W1siZiIsIjMwODMyMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a2bc1c6794a0763b","placement":{"kind":"plinth","x":10.713,"z":7.896,"plinth":0.856,"fw":1.303,"fd":0.895,"face":[0,-1]},"texture":"textures/81268.jpg","thumb":"thumbs/81268.jpg","tags":["1950s","animals","bright","bronze","cool","cubism","monochrome","sculpture","still life"],"roomTags":["sculptures"],"docent":"You're looking at Goat Skull and Bottle — a sculpture by the Spanish artist Pablo Picasso, from Vallauris, nineteen fifty-one (cast nineteen fifty-four). Picasso was part of the cubism movement. The piece is painted bronze, about 79 by 95 centimeters."}]},{"gallery":"501","title":"French Landscapes and Interiors","origin":[63.38,10.28],"polygon":[[0.0,0.0],[18.556,0.0],[18.556,9.992],[0.0,9.992]],"size":[18.56,9.99],"ceiling":4.6,"outdoor":false,"doors":[[0,3.43,1.6],[0,12.7,1.6],[3,5.0,1.6]],"partitions":[],"cases":[{"x":4.728,"z":4.996,"w":1.7,"d":0.8,"h":0.85},{"x":6.548,"z":4.996,"w":1.7,"d":0.8,"h":0.85},{"x":8.368,"z":4.996,"w":1.7,"d":0.8,"h":0.85},{"x":10.188,"z":4.996,"w":1.7,"d":0.8,"h":0.85},{"x":12.008,"z":4.996,"w":1.7,"d":0.8,"h":0.85},{"x":13.828,"z":4.996,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[18.556,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,18.006],"height":4.6,"kind":"perimeter","edge":2},{"origin":[18.556,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[4.630000000000001,11.499999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[13.9,18.006],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,2.23],"height":4.6,"kind":"perimeter","edge":0}],"decor":null,"intro":"36 works, 1885–1930 — Georges Méliès and Paul Cézanne; mostly design and painting.","music":"ragtime","artworks":[{"id":78296,"title":"The Bather","artist":"Paul Cézanne","artistBio":"(French, 1839–1906)","artistGender":"(male)","date":"c. 1885","medium":"Oil on canvas","credit":"Lillie P. Bliss Collection","classification":"Painting","dimensions":"50 x 38 1/8\" (127 x 96.8 cm)","size":[0.968,1.27],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1885","blurb":"Painting in oil on canvas, c. 1885. 127 cm × 97 cm. Paul Cézanne (French, 1839–1906). Acquired by the Museum in 1934 — Lillie P. Bliss Collection.","blurbSource":"catalogue","acquired":"1934","cid":"1053","url":"https://www.moma.org/collection/works/78296","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0NjEwOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cd908018fb6d0215","placement":{"kind":"wall","wall":0,"lane":0,"u":1.761,"y":1.52},"texture":"textures/78296.jpg","thumb":"thumbs/78296.jpg","tags":["1880s","before the war","canvas","monochrome","nude","oil","painting","post-impressionism","somber"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at The Bather — a painting by Paul Cézanne, around eighteen eighty-five. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. Cézanne was part of the Post-impressionism movement."},{"id":79443,"title":"Embroidery","artist":"Édouard Vuillard","artistBio":"(French, 1868–1940)","artistGender":"(male)","date":"1895-96","medium":"Oil on canvas","credit":"Estate of John Hay Whitney","classification":"Painting","dimensions":"69 7/8 x 25 7/8\" (177.7 x 65.6 cm)","size":[0.656,1.777],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1895-96","blurb":"Painting in oil on canvas, 1895-96. 178 cm × 66 cm. Édouard Vuillard (French, 1868–1940). Acquired by the Museum in 1983 — Estate of John Hay Whitney.","blurbSource":"catalogue","acquired":"1983","cid":"6194","url":"https://www.moma.org/collection/works/79443","imageURL":"https://www.moma.org/media/W1siZiIsIjQ4MjI1NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=549686aaa05e728c","placement":{"kind":"wall","wall":1,"lane":0,"u":2.113,"y":1.52},"texture":"textures/79443.jpg","thumb":"thumbs/79443.jpg","tags":["1890s","before the war","canvas","dark","oil","painting","post-impressionism","warm","somber"],"roomTags":["french","interiors","landscapes"],"docent":"This is Embroidery — a painting by the French artist Édouard Vuillard, eighteen ninety-five to eighteen ninety-six. Oil on canvas — about 1.8 by 0.7 meters."},{"id":78454,"title":"Pines and Rocks (Fontainebleau?)","artist":"Paul Cézanne","artistBio":"(French, 1839–1906)","artistGender":"(male)","date":"c. 1897","medium":"Oil on canvas","credit":"Lillie P. Bliss Collection","classification":"Painting","dimensions":"32 x 25 3/4\" (81.3 x 65.4 cm)","size":[0.654,0.813],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1897","blurb":"Painting in oil on canvas, c. 1897. 81 cm × 65 cm. Paul Cézanne (French, 1839–1906). Acquired by the Museum in 1934 — Lillie P. Bliss Collection.","blurbSource":"catalogue","acquired":"1934","cid":"1053","url":"https://www.moma.org/collection/works/78454","imageURL":"https://www.moma.org/media/W1siZiIsIjQ3NjkwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7905968f6c7bd0f1","placement":{"kind":"wall","wall":2,"lane":0,"u":5.423,"y":1.52},"texture":"textures/78454.jpg","thumb":"thumbs/78454.jpg","seen":["forest"],"tags":["1890s","before the war","canvas","monochrome","oil","painting","post-impressionism","forest","calm"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Pines and Rocks (Fontainebleau?) — a painting by Cézanne, around eighteen ninety-seven. It's oil on canvas, about 81 by 65 centimeters. You can pick out the forest."},{"id":79086,"title":"Boy in a Red Vest","artist":"Paul Cézanne","artistBio":"(French, 1839–1906)","artistGender":"(male)","date":"1888-90","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. David Rockefeller","classification":"Painting","dimensions":"32 x 25 5/8\" (81.2 x 65 cm)","size":[0.65,0.812],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1888-90","blurb":"Painting in oil on canvas, 1888-90. 81 cm × 65 cm. Paul Cézanne (French, 1839–1906). Acquired by the Museum in 1955 — Gift of Mr. and Mrs. David Rockefeller.","blurbSource":"catalogue","acquired":"1955","cid":"1053","url":"https://www.moma.org/collection/works/79086","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NTQ2NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d38e643d1901a16d","placement":{"kind":"wall","wall":3,"lane":0,"u":14.716,"y":1.52},"texture":"textures/79086.jpg","thumb":"thumbs/79086.jpg","seen":["portrait of a person"],"tags":["1880s","before the war","canvas","dark","figure","monochrome","oil","painting","post-impressionism","portrait of a person","somber"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Boy in a Red Vest — a painting by Cézanne, eighteen eighty-eight to eighteen ninety. It's oil on canvas, about 81 by 65 centimeters."},{"id":78616,"title":"Still Life with Three Puppies","artist":"Paul Gauguin","artistBio":"(French, 1848–1903)","artistGender":"(male)","date":"1888","medium":"Oil on wood","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"36 1/8 x 24 5/8\" (91.8 x 62.6 cm)","size":[0.626,0.918],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on wood, 1888","blurb":"Painting in oil on wood, 1888. 92 cm × 63 cm. Paul Gauguin (French, 1848–1903). Acquired by the Museum in 1952 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1952","cid":"2098","url":"https://www.moma.org/collection/works/78616","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTM0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e807ccb559dd75e0","placement":{"kind":"wall","wall":0,"lane":0,"u":4.458,"y":1.52},"texture":"textures/78616.jpg","thumb":"thumbs/78616.jpg","seen":["fruit","food on a table"],"tags":["1880s","before the war","monochrome","oil","painting","still life","warm","wood","fruit","food on a table"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Still Life with Three Puppies — a painting by the French artist Paul Gauguin, eighteen eighty-eight. The piece is oil on wood, about 92 by 63 centimeters. In the picture, look for the fruit and the food on a table."},{"id":78734,"title":"Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890","artist":"Paul Signac","artistBio":"(French, 1863–1935)","artistGender":"(male)","date":"1890","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. David Rockefeller","classification":"Painting","dimensions":"29 x 36 1/2\" (73.5 x 92.5 cm)","size":[0.925,0.735],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1890","blurb":"Painting in oil on canvas, 1890. 74 cm × 92 cm. Paul Signac (French, 1863–1935). Acquired by the Museum in 1991 — Gift of Mr. and Mrs. David Rockefeller.","blurbSource":"catalogue","acquired":"1991","cid":"5421","url":"https://www.moma.org/collection/works/78734","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2ODQwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=80e6ef2b652951a0","placement":{"kind":"wall","wall":1,"lane":0,"u":4.803,"y":1.52},"texture":"textures/78734.jpg","thumb":"thumbs/78734.jpg","seen":["portrait of a person"],"tags":["1890s","before the war","canvas","muted","oil","painting","portrait","post-impressionism","self-portrait","warm","portrait of a person","joyful"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in eighteen ninety — a painting by the French artist Paul Signac, eighteen ninety. The piece is oil on canvas, about 74 by 92 centimeters."},{"id":79802,"title":"The Starry Night","artist":"Vincent van Gogh","artistBio":"(Dutch, 1853–1890)","artistGender":"(male)","date":"Saint Rémy, June 1889","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"29 x 36 1/4\" (73.7 x 92.1 cm)","size":[0.921,0.737],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Saint Rémy, June 1889","blurb":"Painting in oil on canvas, Saint Rémy, June 1889. 74 cm × 92 cm. Vincent van Gogh (Dutch, 1853–1890). Acquired by the Museum in 1941 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1941","cid":"2206","url":"https://www.moma.org/collection/works/79802","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2NzUxNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d518423159c0c0ae","placement":{"kind":"wall","wall":0,"lane":0,"u":7.131,"y":1.52},"texture":"textures/79802.jpg","thumb":"thumbs/79802.jpg","seen":["stars"],"tags":["1880s","before the war","canvas","cool","dark","muted","oil","painting","post-impressionism","stars","dramatic"],"roomTags":["french","interiors","landscapes"],"docent":"This is The Starry Night. Van Gogh painted it in June eighteen eighty-nine from his room at the asylum at Saint-Rémy, looking out through a barred window. The village underneath is invented — stitched together from memory, since there was no village to see."},{"id":80013,"title":"The Olive Trees","artist":"Vincent van Gogh","artistBio":"(Dutch, 1853–1890)","artistGender":"(male)","date":"Saint Rémy, June-July 1889","medium":"Oil on canvas","credit":"Mrs. John Hay Whitney Bequest","classification":"Painting","dimensions":"28 5/8 x 36\" (72.6 x 91.4 cm)","size":[0.914,0.727],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Saint Rémy, June-July 1889","blurb":"Painting in oil on canvas, Saint Rémy, June-July 1889. 73 cm × 91 cm. Vincent van Gogh (Dutch, 1853–1890). Acquired by the Museum in 1998 — Mrs. John Hay Whitney Bequest.","blurbSource":"catalogue","acquired":"1998","cid":"2206","url":"https://www.moma.org/collection/works/80013","imageURL":"https://www.moma.org/media/W1siZiIsIjUwMjEwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8679a4fe3f9741b5","placement":{"kind":"wall","wall":2,"lane":0,"u":8.107,"y":1.52},"texture":"textures/80013.jpg","thumb":"thumbs/80013.jpg","seen":["mountain landscape"],"tags":["1880s","before the war","canvas","cool","monochrome","oil","painting","post-impressionism","mountain landscape"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at The Olive Trees, painted the same June as The Starry Night, from the same asylum, in the same few weeks. Think of it as the daytime twin: the same restless drawing, turned on a hillside in full light."},{"id":79409,"title":"Grandcamp, Evening","artist":"Georges-Pierre Seurat","artistBio":"(French, 1859–1891)","artistGender":"(male)","date":"1885, painted border c. 1888-89","medium":"Oil on canvas","credit":"Estate of John Hay Whitney","classification":"Painting","dimensions":"26 x 32 1/2\" (66.2 x 82.4 cm)","size":[0.824,0.662],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1885, painted border c. 1888-89","blurb":"Painting in oil on canvas, 1885, painted border c. 1888-89. 66 cm × 82 cm. Georges-Pierre Seurat (French, 1859–1891). Acquired by the Museum in 1983 — Estate of John Hay Whitney.","blurbSource":"catalogue","acquired":"1983","cid":"5358","url":"https://www.moma.org/collection/works/79409","imageURL":"https://www.moma.org/media/W1siZiIsIjE1OTIwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1f6e2aca6355de47","placement":{"kind":"wall","wall":0,"lane":0,"u":9.904,"y":1.52},"texture":"textures/79409.jpg","thumb":"thumbs/79409.jpg","seen":["sea"],"tags":["1880s","before the war","canvas","monochrome","oil","painting","post-impressionism","sea","calm"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Grandcamp, Evening — a painting by the French artist Georges-Pierre Seurat, eighteen eighty-five, painted border around eighteen eighty-eight to eighteen eighty-nine. Oil on canvas — about 66 by 82 centimeters."},{"id":79333,"title":"Evening, Honfleur","artist":"Georges-Pierre Seurat","artistBio":"(French, 1859–1891)","artistGender":"(male)","date":"1886","medium":"Oil on canvas, with painted wood frame","credit":"Gift of Mrs. David M. Levy","classification":"Painting","dimensions":"30 3/4 x 37\" (78.3 x 94 cm) including frame","size":[0.811,0.654],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, with painted wood frame, 1886","blurb":"Painting in oil on canvas, with painted wood frame, 1886. 65 cm × 81 cm. Georges-Pierre Seurat (French, 1859–1891). Acquired by the Museum in 1957 — Gift of Mrs. David M. Levy.","blurbSource":"catalogue","acquired":"1957","cid":"5358","url":"https://www.moma.org/collection/works/79333","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NjM4NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c9c836f14cc44ff6","placement":{"kind":"wall","wall":1,"lane":0,"u":7.571,"y":1.52},"texture":"textures/79333.jpg","thumb":"thumbs/79333.jpg","seen":["sea","beach"],"tags":["1880s","before the war","canvas","monochrome","oil","painting","post-impressionism","wood","sea","beach","calm"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Evening, Honfleur — a painting by Seurat, eighteen eighty-six. Oil on canvas, with painted wood frame — about 65 by 81 centimeters. In the picture, look for the sea and the beach."},{"id":45027,"title":"Avenue du Bois de Boulogne, Paris","artist":"Jacques-Henri Lartigue","artistBio":"(French, 1894–1986)","artistGender":"(male)","date":"January 15,1911","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"11 9/16 × 15 11/16\" (29.4 × 39.8 cm)","size":[0.398,0.294],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, January 15,1911","blurb":"Photograph in gelatin silver print, January 15,1911. 29 cm × 40 cm. Jacques-Henri Lartigue (French, 1894–1986). Acquired by the Museum in 1963 — Gift of the artist.","blurbSource":"catalogue","acquired":"1963","cid":"3394","url":"https://www.moma.org/collection/works/45027","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Mjg4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1fdfe48739b06dff","placement":{"kind":"wall","wall":0,"lane":0,"u":12.415,"y":1.52},"texture":"textures/45027.jpg","thumb":"thumbs/45027.jpg","seen":["dog"],"tags":["1910s","before the war","gelatin","intimate","monochrome","photograph","print","silver","dog"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Avenue du Bois de Boulogne, Paris — a photograph by the French artist Jacques-Henri Lartigue, January fifteenth, nineteen eleven. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray."},{"id":38324,"title":"Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the 1902 film A Trip to the Moon (Le Voyage dans la lune)","artist":"Georges Méliès","artistBio":"(French, 1861–1938)","artistGender":"(male)","date":"c. 1930–31","medium":"Ink on paper","credit":"Transferred from the Film Library","classification":"Drawing","dimensions":"9 5/8 x 13 1/2\" (24.3 x 34.3 cm)","size":[0.343,0.244],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in ink on paper, c. 1930–31","blurb":"Drawing in ink on paper, c. 1930–31. 24 cm × 34 cm. Georges Méliès (French, 1861–1938). Acquired by the Museum in 1965 — Transferred from the Film Library.","blurbSource":"catalogue","acquired":"1965","cid":"3918","url":"https://www.moma.org/collection/works/38324","imageURL":"https://www.moma.org/media/W1siZiIsIjM3ODc2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d872247325df3bc9","placement":{"kind":"wall","wall":3,"lane":0,"u":17.113,"y":1.52},"texture":"textures/38324.jpg","thumb":"thumbs/38324.jpg","seen":["war"],"tags":["1930s","drawing","ink","intimate","monochrome","paper","warm","works on paper","war","dramatic"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the nineteen oh two film A Trip to the Moon (Le Voyage dans la lune) — a drawing by the French artist Georges Méliès, around nineteen thirty to nineteen thirty-one. It's ink on paper, about 24 by 34 centimeters."},{"id":38318,"title":"Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the 1902 film A Trip to the Moon (Le Voyage dans la lune)","artist":"Georges Méliès","artistBio":"(French, 1861–1938)","artistGender":"(male)","date":"c. 1930–31","medium":"Ink on paper","credit":"Transferred from the Film Library","classification":"Drawing","dimensions":"9 5/8 x 13 3/8\" (24.3 x 33.8 cm)","size":[0.34,0.244],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in ink on paper, c. 1930–31","blurb":"Drawing in ink on paper, c. 1930–31. 24 cm × 34 cm. Georges Méliès (French, 1861–1938). Acquired by the Museum in 1965 — Transferred from the Film Library.","blurbSource":"catalogue","acquired":"1965","cid":"3918","url":"https://www.moma.org/collection/works/38318","imageURL":"https://www.moma.org/media/W1siZiIsIjM3ODc2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f1f98ec609666abc","placement":{"kind":"wall","wall":0,"lane":0,"u":14.684,"y":1.52},"texture":"textures/38318.jpg","thumb":"thumbs/38318.jpg","seen":["war","forest"],"tags":["1930s","drawing","ink","interior","intimate","monochrome","paper","works on paper","war","forest","eerie"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the nineteen oh two film A Trip to the Moon (Le Voyage dans la lune) — a drawing by Méliès, around nineteen thirty to nineteen thirty-one. It's ink on paper, about 24 by 34 centimeters. In the picture, look for the war."},{"id":38327,"title":"Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the 1902 film A Trip to the Moon (Le Voyage dans la lune)","artist":"Georges Méliès","artistBio":"(French, 1861–1938)","artistGender":"(male)","date":"c. 1930–31","medium":"Ink on paper","credit":"Transferred from the Film Library","classification":"Drawing","dimensions":"9 3/8 x 13 3/8\" (23.7 x 33.9 cm)","size":[0.34,0.238],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in ink on paper, c. 1930–31","blurb":"Drawing in ink on paper, c. 1930–31. 24 cm × 34 cm. Georges Méliès (French, 1861–1938). Acquired by the Museum in 1965 — Transferred from the Film Library.","blurbSource":"catalogue","acquired":"1965","cid":"3918","url":"https://www.moma.org/collection/works/38327","imageURL":"https://www.moma.org/media/W1siZiIsIjM3ODc2MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5e24d24ea87b8bb9","placement":{"kind":"wall","wall":2,"lane":0,"u":10.634,"y":1.52},"texture":"textures/38327.jpg","thumb":"thumbs/38327.jpg","seen":["moon"],"tags":["1930s","drawing","ink","intimate","monochrome","paper","works on paper","moon","eerie"],"roomTags":["french","interiors","landscapes"],"docent":"This is Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the nineteen oh two film A Trip to the Moon (Le Voyage dans la lune) — a drawing by Méliès, around nineteen thirty to nineteen thirty-one. The piece is ink on paper, about 24 by 34 centimeters. In the picture, look for the moon."},{"id":45534,"title":"Avenue du Bois de Boulogne, Paris","artist":"Jacques-Henri Lartigue","artistBio":"(French, 1894–1986)","artistGender":"(male)","date":"1910","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"15 7/16 × 11 5/8\" (39.2 × 29.5 cm)","size":[0.295,0.392],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1910","blurb":"Photograph in gelatin silver print, 1910. 39 cm × 30 cm. Jacques-Henri Lartigue (French, 1894–1986). Acquired by the Museum in 1963 — Gift of the artist.","blurbSource":"catalogue","acquired":"1963","cid":"3394","url":"https://www.moma.org/collection/works/45534","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Mjg4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7bbe5f377f3331a2","placement":{"kind":"wall","wall":0,"lane":0,"u":16.902,"y":1.52},"texture":"textures/45534.jpg","thumb":"thumbs/45534.jpg","seen":["group of people","crowd"],"tags":["1910s","before the war","gelatin","intimate","monochrome","photograph","print","silver","group of people","crowd","joyful"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Avenue du Bois de Boulogne, Paris — a photograph by Lartigue, nineteen ten. It's gelatin silver print, about 39 by 30 centimeters."},{"id":2363,"title":"Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Hand-painted sculptured glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"21 1/2 × 4 3/8 × 4 1/4\" (54.6 × 11.1 × 10.8 cm)","size":[0.111,0.546],"depth":0.108,"sizeSource":"cc0-columns","summary":"Design in hand-painted sculptured glass, c. 1900","blurb":"Design in hand-painted sculptured glass, c. 1900. 55 cm × 11 cm × 11 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2363","imageURL":"https://www.moma.org/media/W1siZiIsIjU1NjIwMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7a3c71ef95e440e1","placement":{"kind":"case","case":0,"x":4.09,"z":4.996,"y":1.133},"texture":"textures/2363.jpg","thumb":"thumbs/2363.jpg","tags":["1900s","before the war","bright","design","glass","monochrome","still life"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Vase — a design object by the French artist Daum Frères, Nancy, France, around nineteen hundred. It's hand-painted sculptured glass, about 55 by 11 centimeters."},{"id":2368,"title":"Le Parthènon Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Painted glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"15 3/16 × 3 1/4 × 3 1/2\" (38.6 × 8.3 × 8.9 cm)","size":[0.083,0.386],"depth":0.089,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1900","blurb":"Design in painted glass, c. 1900. 39 cm × 8 cm × 9 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2368","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODUxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=558a588d4e27c5cd","placement":{"kind":"case","case":0,"x":4.516,"z":4.996,"y":1.053},"texture":"textures/2368.jpg","thumb":"thumbs/2368.jpg","seen":["bottle"],"tags":["1900s","before the war","bright","design","glass","golden","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This is Le Parthènon Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. Painted glass — about 39 by 8 centimeters."},{"id":2373,"title":"Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Painted glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"18 1/8 × 3 1/4 × 2 1/2\" (46 × 8.3 × 6.4 cm)","size":[0.083,0.46],"depth":0.064,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1900","blurb":"Design in painted glass, c. 1900. 46 cm × 8 cm × 6 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2373","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODUxOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e351bfe7021e1a18","placement":{"kind":"case","case":0,"x":4.941,"z":4.996,"y":1.09},"texture":"textures/2373.jpg","thumb":"thumbs/2373.jpg","seen":["lamp"],"tags":["1900s","before the war","design","glass","monochrome","still life","warm","lamp"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. The piece is painted glass, about 46 by 8 centimeters. It is an odd shape for a picture: about 0.5 metres one way and 0.1 the other, so it reads as a band rather than a window. You can pick out the lamp."},{"id":2377,"title":"Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Painted glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"8 1/4 x 3 1/2 x 2 3/4\" (21 x 8.9 x 7 cm)","size":[0.089,0.21],"depth":0.07,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1900","blurb":"Design in painted glass, c. 1900. 21 cm × 9 cm × 7 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2377","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDU1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8fe2792e391d8c24","placement":{"kind":"case","case":0,"x":5.365,"z":4.996,"y":0.965},"texture":"textures/2377.jpg","thumb":"thumbs/2377.jpg","seen":["bottle"],"tags":["1900s","before the war","bright","design","glass","intimate","monochrome","still life","warm","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. The piece is painted glass, about 21 by 9 centimeters. In the picture, look for the bottle."},{"id":2381,"title":"Miniature Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Painted glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"5 7/8 × 1 7/8 × 1 7/8\" (14.9 × 4.8 × 4.8 cm)","size":[0.048,0.149],"depth":0.048,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1900","blurb":"Design in painted glass, c. 1900. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2381","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODUyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4000408274c1db9c","placement":{"kind":"case","case":1,"x":5.911,"z":4.996,"y":0.934},"texture":"textures/2381.jpg","thumb":"thumbs/2381.jpg","seen":["bottle"],"tags":["1900s","before the war","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This is Miniature Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. Painted glass — about 15 by 5 centimeters."},{"id":2384,"title":"Miniature Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Hand-painted sculptured glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"6 × 2 × 2\" (15.2 × 5.1 × 5.1 cm)","size":[0.051,0.152],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in hand-painted sculptured glass, c. 1900","blurb":"Design in hand-painted sculptured glass, c. 1900. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"9682","url":"https://www.moma.org/collection/works/2384","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODU5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=57006abd13064ad0","placement":{"kind":"case","case":1,"x":6.336,"z":4.996,"y":0.936},"texture":"textures/2384.jpg","thumb":"thumbs/2384.jpg","seen":["bottle"],"tags":["1900s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Here we have Miniature Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. It's hand-painted sculptured glass, about 15 by 5 centimeters."},{"id":4379,"title":"Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1900","medium":"Painted glass","credit":"Philip Johnson Fund","classification":"Design","dimensions":"23 1/4 × 5 1/2 × 5 1/2\" (59.1 × 14 × 14 cm)","size":[0.14,0.591],"depth":0.14,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1900","blurb":"Design in painted glass, c. 1900. 59 cm × 14 cm × 14 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1959 — Philip Johnson Fund.","blurbSource":"catalogue","acquired":"1959","cid":"9682","url":"https://www.moma.org/collection/works/4379","imageURL":"https://www.moma.org/media/W1siZiIsIjU1NjIwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6789d16d8b920e79","placement":{"kind":"case","case":1,"x":6.761,"z":4.996,"y":1.155},"texture":"textures/4379.jpg","thumb":"thumbs/4379.jpg","tags":["1900s","before the war","bright","design","glass","monochrome","still life","warm"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Vase — a design object by Daum Frères, Nancy, France, around nineteen hundred. The piece is painted glass, about 59 by 14 centimeters."},{"id":3262,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 × 2 × 2\" (15.2 × 5.1 × 5.1 cm)","size":[0.051,0.152],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3262","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTI0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5758823a9b12138b","placement":{"kind":"case","case":1,"x":7.186,"z":4.996,"y":0.936},"texture":"textures/3262.jpg","thumb":"thumbs/3262.jpg","seen":["bottle"],"tags":["1910s","before the war","design","glass","intimate","monochrome","still life","warm","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Here we have Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is blown painted glass, about 15 by 5 centimeters."},{"id":3266,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 3/8 × 2 × 2\" (16.2 × 5.1 × 5.1 cm)","size":[0.051,0.162],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3266","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTAzNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a997c18f32ff43bc","placement":{"kind":"case","case":2,"x":7.731,"z":4.996,"y":0.941},"texture":"textures/3266.jpg","thumb":"thumbs/3266.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is painted glass, about 16 by 5 centimeters."},{"id":3269,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 1/4 × 2 × 2\" (15.9 × 5.1 × 5.1 cm)","size":[0.051,0.159],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3269","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTI0OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cda7a4c52e6cdcf7","placement":{"kind":"case","case":2,"x":8.155,"z":4.996,"y":0.94},"texture":"textures/3269.jpg","thumb":"thumbs/3269.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","warm","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. It's painted glass, about 16 by 5 centimeters."},{"id":3271,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 × 2 × 2\" (15.2 × 5.1 × 5.1 cm)","size":[0.051,0.152],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3271","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTAzOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4c7be42c32d0fa12","placement":{"kind":"case","case":2,"x":8.581,"z":4.996,"y":0.936},"texture":"textures/3271.jpg","thumb":"thumbs/3271.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. It's painted glass, about 15 by 5 centimeters."},{"id":3274,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 1/4 × 2 × 2\" (15.9 × 5.1 × 5.1 cm)","size":[0.051,0.159],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3274","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a728659970e20fef","placement":{"kind":"case","case":2,"x":9.006,"z":4.996,"y":0.94},"texture":"textures/3274.jpg","thumb":"thumbs/3274.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Here we have Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. Blown painted glass — about 16 by 5 centimeters."},{"id":3277,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 1/4 × 1 3/4 × 1 3/4\" (15.9 × 4.4 × 4.4 cm)","size":[0.044,0.159],"depth":0.044,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 16 cm × 4 cm × 4 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3277","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=56c0cd5b3f0407f9","placement":{"kind":"case","case":3,"x":9.551,"z":4.996,"y":0.94},"texture":"textures/3277.jpg","thumb":"thumbs/3277.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is blown painted glass, about 16 by 4 centimeters."},{"id":3279,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 × 2 × 2\" (15.2 × 5.1 × 5.1 cm)","size":[0.051,0.152],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3279","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA0OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9a263074322c30ce","placement":{"kind":"case","case":3,"x":9.976,"z":4.996,"y":0.936},"texture":"textures/3279.jpg","thumb":"thumbs/3279.jpg","seen":["bottle","flowers"],"tags":["1910s","before the war","design","glass","intimate","monochrome","still life","warm","bottle","flowers"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is painted glass, about 15 by 5 centimeters. You can pick out the flowers."},{"id":3281,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 5/8 × 2 × 2\" (16.8 × 5.1 × 5.1 cm)","size":[0.051,0.168],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 17 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3281","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA1MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8badf08b3bf9bd3a","placement":{"kind":"case","case":3,"x":10.401,"z":4.996,"y":0.944},"texture":"textures/3281.jpg","thumb":"thumbs/3281.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is painted glass, about 17 by 5 centimeters."},{"id":3283,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 1/4 × 1 7/8 × 1 7/8\" (15.9 × 4.8 × 4.8 cm)","size":[0.048,0.159],"depth":0.048,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3283","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA1OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=63284f1d21d21b51","placement":{"kind":"case","case":3,"x":10.826,"z":4.996,"y":0.94},"texture":"textures/3283.jpg","thumb":"thumbs/3283.jpg","seen":["bottle"],"tags":["1910s","before the war","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"This one's called Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is blown painted glass, about 16 by 5 centimeters."},{"id":3285,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 1/4 × 2 1/8 × 2 1/8\" (15.9 × 5.4 × 5.4 cm)","size":[0.054,0.159],"depth":0.054,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3285","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cd5c1a2d248498ea","placement":{"kind":"case","case":4,"x":11.37,"z":4.996,"y":0.94},"texture":"textures/3285.jpg","thumb":"thumbs/3285.jpg","tags":["1910s","before the war","bright","design","glass","intimate","monochrome","still life"],"roomTags":["french","interiors","landscapes"],"docent":"This is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. The piece is blown painted glass, about 16 by 5 centimeters."},{"id":3287,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 × 2 × 2\" (15.2 × 5.1 × 5.1 cm)","size":[0.051,0.152],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 15 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3287","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTI1OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=42e3bbf20bda5fa4","placement":{"kind":"case","case":4,"x":11.795,"z":4.996,"y":0.936},"texture":"textures/3287.jpg","thumb":"thumbs/3287.jpg","seen":["bottle"],"tags":["1910s","before the war","cool","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Here we have Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. Blown painted glass — about 15 by 5 centimeters."},{"id":3289,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"5 1/4 × 2 × 2\" (13.3 × 5.1 × 5.1 cm)","size":[0.051,0.133],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 13 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3289","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTI1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b1c1150542b51640","placement":{"kind":"case","case":4,"x":12.22,"z":4.996,"y":0.926},"texture":"textures/3289.jpg","thumb":"thumbs/3289.jpg","tags":["1910s","before the war","design","glass","intimate","monochrome","still life"],"roomTags":["french","interiors","landscapes"],"docent":"You're looking at Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. Painted glass — about 13 by 5 centimeters. It is among the smallest things here — you could close a hand around it."},{"id":3291,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 5/8 × 1 3/4 × 1 3/4\" (16.8 × 4.4 × 4.4 cm)","size":[0.044,0.168],"depth":0.044,"sizeSource":"cc0-columns","summary":"Design in painted glass, c. 1910","blurb":"Design in painted glass, c. 1910. 17 cm × 4 cm × 4 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3291","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3613f5363e68ece4","placement":{"kind":"case","case":4,"x":12.646,"z":4.996,"y":0.944},"texture":"textures/3291.jpg","thumb":"thumbs/3291.jpg","seen":["bottle"],"tags":["1910s","before the war","design","glass","intimate","monochrome","still life","warm","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. Painted glass — about 17 by 4 centimeters."},{"id":3293,"title":"Bud Vase","artist":"Daum Frères, Nancy, France","artistBio":"(French, established 1875)","artistGender":"()","date":"c. 1910","medium":"Blown painted glass","credit":"Joseph H. Heil Bequest","classification":"Design","dimensions":"6 3/8 × 2 × 2\" (16.2 × 5.1 × 5.1 cm)","size":[0.051,0.162],"depth":0.051,"sizeSource":"cc0-columns","summary":"Design in blown painted glass, c. 1910","blurb":"Design in blown painted glass, c. 1910. 16 cm × 5 cm × 5 cm. Daum Frères, Nancy, France (French, established 1875). Acquired by the Museum in 1977 — Joseph H. Heil Bequest.","blurbSource":"catalogue","acquired":"1977","cid":"9682","url":"https://www.moma.org/collection/works/3293","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA3MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=097194eaa5166df5","placement":{"kind":"case","case":5,"x":13.828,"z":4.996,"y":0.941},"texture":"textures/3293.jpg","thumb":"thumbs/3293.jpg","seen":["bottle"],"tags":["1910s","before the war","bright","cool","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["french","interiors","landscapes"],"docent":"Before you is Bud Vase — a design object by Daum Frères, Nancy, France, around nineteen ten. Blown painted glass — about 16 by 5 centimeters."}]},{"gallery":"502","title":"Picasso's Les Demoiselles d'Avignon","origin":[70.23,0.0],"polygon":[[0.0,0.0],[11.705,0.0],[11.705,10.277],[0.0,10.277]],"size":[11.71,10.28],"ceiling":4.6,"outdoor":false,"doors":[[2,5.85,1.6],[3,5.14,1.6],[1,7.34,1.6]],"partitions":[],"cases":[{"x":5.852,"z":5.139,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,11.155],"height":4.6,"kind":"perimeter","edge":0},{"origin":[11.705,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.14],"height":4.6,"kind":"perimeter","edge":1},{"origin":[11.705,10.277],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[7.05,11.155],"height":4.6,"kind":"perimeter","edge":2},{"origin":[11.705,10.277],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,4.6499999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,10.277],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.94],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,10.277],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.34,9.726999999999999],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"9 works, 1905–1950 — Pablo Picasso; mostly painting and sculpture.","music":"ragtime","artworks":[{"id":79766,"title":"Les Demoiselles d'Avignon","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, June-July 1907","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"8' x 7' 8\" (243.9 x 233.7 cm)","size":[2.337,2.439],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, June-July 1907","blurb":"Painting in oil on canvas, Paris, June-July 1907. 2.44 m × 2.34 m. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1939 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1939","cid":"4609","url":"https://www.moma.org/collection/works/79766","imageURL":"https://www.moma.org/media/W1siZiIsIjYxOTg4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8c09084b964ace88","placement":{"kind":"wall","wall":0,"lane":0,"u":1.719,"y":1.57},"texture":"textures/79766.jpg","thumb":"thumbs/79766.jpg","tags":["1900s","before the war","canvas","cubism","monumental","muted","oil","painting","warm","joyful"],"roomTags":["avignon","demoiselles"],"docent":"Before you is Les Demoiselles d'Avignon, painted in Paris in the summer of nineteen oh seven. It appalled even Picasso's friends, and he rolled it up and kept it in the studio — the public did not see it until nineteen sixteen. Most of what people mean by modern painting starts about here."},{"id":79994,"title":"Boy Leading a Horse","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, 1905-06","medium":"Oil on canvas","credit":"The William S. Paley Collection","classification":"Painting","dimensions":"7' 2 7/8\" x 51 5/8\" (220.6 x 131.2 cm)","size":[1.311,2.203],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, 1905-06","blurb":"Painting in oil on canvas, Paris, 1905-06. 2.20 m × 1.31 m. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1964 — The William S. Paley Collection.","blurbSource":"catalogue","acquired":"1964","cid":"4609","url":"https://www.moma.org/collection/works/79994","imageURL":"https://www.moma.org/media/W1siZiIsIjYxOTkwOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2635d3e530a3b929","placement":{"kind":"wall","wall":1,"lane":0,"u":1.206,"y":1.52},"texture":"textures/79994.jpg","thumb":"thumbs/79994.jpg","seen":["horse"],"tags":["1900s","animals","before the war","canvas","cubism","figure","monumental","muted","oil","painting","warm","horse","somber"],"roomTags":["avignon","demoiselles"],"docent":"This is Boy Leading a Horse — a painting by Picasso, from Paris, nineteen oh five to nineteen oh six. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. Picasso was part of the cubism movement."},{"id":80111,"title":"Two Nudes","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, late 1906","medium":"Oil on canvas","credit":"Gift of G. David Thompson in honor of Alfred H. Barr, Jr.","classification":"Painting","dimensions":"59 5/8 x 36 5/8\" (151.3 x 93 cm)","size":[0.93,1.513],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, late 1906","blurb":"Painting in oil on canvas, Paris, late 1906. 151 cm × 93 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1959 — Gift of G. David Thompson in honor of Alfred H. Barr, Jr.","blurbSource":"catalogue","acquired":"1959","cid":"4609","url":"https://www.moma.org/collection/works/80111","imageURL":"https://www.moma.org/media/W1siZiIsIjYxMjMyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e158487d6a765e75","placement":{"kind":"wall","wall":0,"lane":0,"u":4.763,"y":1.52},"texture":"textures/80111.jpg","thumb":"thumbs/80111.jpg","tags":["1900s","before the war","canvas","cubism","nude","oil","painting","warm"],"roomTags":["avignon","demoiselles"],"docent":"This is Two Nudes — a painting by Picasso, late nineteen oh six. The piece is oil on canvas, about 1.5 by 0.9 meters."},{"id":80393,"title":"Woman Plaiting Her Hair","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, late summer or fall 1906","medium":"Oil on canvas","credit":"Florene May Schoenborn Bequest","classification":"Painting","dimensions":"50 x 35 3/4\" (127 x 90.8 cm)","size":[0.908,1.27],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, late summer or fall 1906","blurb":"Painting in oil on canvas, Paris, late summer or fall 1906. 127 cm × 91 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1996 — Florene May Schoenborn Bequest.","blurbSource":"catalogue","acquired":"1996","cid":"4609","url":"https://www.moma.org/collection/works/80393","imageURL":"https://www.moma.org/media/W1siZiIsIjE3OTUyNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d7fe4af266c4e96d","placement":{"kind":"wall","wall":1,"lane":0,"u":3.647,"y":1.52},"texture":"textures/80393.jpg","thumb":"thumbs/80393.jpg","tags":["1900s","before the war","canvas","cubism","figure","muted","oil","painting","warm","somber"],"roomTags":["avignon","demoiselles"],"docent":"Before you is Woman Plaiting Her Hair — a painting by Picasso, late summer or fall nineteen oh six. Oil on canvas — about 1.3 by 0.9 meters."},{"id":79996,"title":"Repose","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, spring 1908","medium":"Oil on canvas","credit":"Acquired by exchange through the Katherine S. Dreier Bequest, and the Hillman Periodicals, Philip Johnson, Miss Janice Loeb, Abby Aldrich Rockefeller, and Mr. and Mrs. Norbert Schimmel Funds","classification":"Painting","dimensions":"32 x 25 3/4\" (81.2 x 65.4 cm)","size":[0.654,0.812],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, spring 1908","blurb":"Painting in oil on canvas, Paris, spring 1908. 81 cm × 65 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1970 — Acquired by exchange through the Katherine S. Dreier Bequest, and the Hillman Periodicals, Philip Johnson, Miss Janice Loeb, Abby Aldrich Rockefeller, and Mr. and Mrs. Norbert Schimmel Funds.","blurbSource":"catalogue","acquired":"1970","cid":"4609","url":"https://www.moma.org/collection/works/79996","imageURL":"https://www.moma.org/media/W1siZiIsIjI3NjQ4MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9c6286cd5e26b282","placement":{"kind":"wall","wall":0,"lane":0,"u":6.966,"y":1.52},"texture":"textures/79996.jpg","thumb":"thumbs/79996.jpg","tags":["1900s","before the war","canvas","cubism","dark","muted","oil","painting","warm","somber"],"roomTags":["avignon","demoiselles"],"docent":"Here we have Repose — a painting by Picasso, spring nineteen oh eight. Oil on canvas — about 81 by 65 centimeters."},{"id":80391,"title":"Woman's Head","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"early 1908","medium":"Oil on canvas","credit":"Florene May Schoenborn Bequest","classification":"Painting","dimensions":"29 x 23 7/8\" (73.6 x 60.6 cm)","size":[0.606,0.736],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, early 1908","blurb":"Painting in oil on canvas, early 1908. 74 cm × 61 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1996 — Florene May Schoenborn Bequest.","blurbSource":"catalogue","acquired":"1996","cid":"4609","url":"https://www.moma.org/collection/works/80391","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUwNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d21c3ad1e47f48eb","placement":{"kind":"wall","wall":0,"lane":0,"u":9.008,"y":1.52},"texture":"textures/80391.jpg","thumb":"thumbs/80391.jpg","seen":["portrait of a person"],"tags":["1900s","before the war","canvas","cubism","dark","figure","muted","oil","painting","portrait of a person","somber"],"roomTags":["avignon","demoiselles"],"docent":"You're looking at Woman's Head — a painting by Picasso, early nineteen oh eight. Oil on canvas — about 74 by 61 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. You can pick out the portrait of a person."},{"id":79376,"title":"Head of a Sleeping Woman (Study for Nude with Drapery)","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, summer 1907","medium":"Oil on canvas","credit":"Estate of John Hay Whitney","classification":"Painting","dimensions":"24 1/4 x 18 3/4\" (61.4 x 47.6 cm)","size":[0.476,0.614],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, summer 1907","blurb":"Painting in oil on canvas, Paris, summer 1907. 61 cm × 48 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1983 — Estate of John Hay Whitney.","blurbSource":"catalogue","acquired":"1983","cid":"4609","url":"https://www.moma.org/collection/works/79376","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE5MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7a7b7a81d497b12a","placement":{"kind":"wall","wall":1,"lane":0,"u":5.672,"y":1.52},"texture":"textures/79376.jpg","thumb":"thumbs/79376.jpg","tags":["1900s","before the war","canvas","cubism","figure","nude","oil","painting","warm","somber"],"roomTags":["avignon","demoiselles"],"docent":"This one's called Head of a Sleeping Woman (Study for Nude with Drapery) — a painting by Picasso, summer nineteen oh seven. The piece is oil on canvas, about 61 by 48 centimeters."},{"id":79551,"title":"Study for Les Demoiselles D'Avignon","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, early 1907","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"7 1/2 x 8\" (18.5 x 20.3 cm) (irregular)","size":[0.203,0.19],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, early 1907","blurb":"Painting in oil on canvas, Paris, early 1907. 19 cm × 20 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1991 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1991","cid":"4609","url":"https://www.moma.org/collection/works/79551","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTI5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9ba5548eeb130a48","placement":{"kind":"wall","wall":0,"lane":0,"u":10.823,"y":1.52},"texture":"textures/79551.jpg","thumb":"thumbs/79551.jpg","tags":["1900s","before the war","canvas","cubism","intimate","oil","painting","warm","somber"],"roomTags":["avignon","demoiselles"],"docent":"Here we have Study for Les Demoiselles D'Avignon — a painting by Picasso, early nineteen oh seven. The piece is oil on canvas, about 19 by 20 centimeters."},{"id":81870,"title":"The Jester","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"1905 (cast 1950s)","medium":"Bronze","credit":"Louise Reinhardt Smith Bequest","classification":"Sculpture","dimensions":"15 1/4 x 13 3/4 x 8 5/8\" (38.7 x 34.8 x 21.9 cm)","size":[0.349,0.387],"depth":0.219,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1905 (cast 1950s)","blurb":"Sculpture in bronze, 1905 (cast 1950s). 39 cm × 35 cm × 22 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1995 — Louise Reinhardt Smith Bequest.","blurbSource":"catalogue","acquired":"1995","cid":"4609","url":"https://www.moma.org/collection/works/81870","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTI5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=98497259d4aba16f","placement":{"kind":"case","case":0,"x":5.852,"z":5.139,"y":1.053},"texture":"textures/81870.jpg","thumb":"thumbs/81870.jpg","seen":["carved figure","portrait of a person"],"tags":["1900s","before the war","bronze","cubism","intimate","monochrome","sculpture","carved figure","portrait of a person","somber"],"roomTags":["avignon","demoiselles"],"docent":"You're looking at The Jester — a sculpture by Picasso, nineteen oh five (cast nineteen fiftyies). Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal. You can pick out the carved figure."}]},{"gallery":"503","title":"A Cubist Salon","origin":[51.67,0.0],"polygon":[[0.0,0.0],[18.556,0.0],[18.556,10.277],[0.0,10.277]],"size":[18.56,10.28],"ceiling":4.6,"outdoor":false,"doors":[[2,3.43,1.6],[2,12.7,1.6],[1,5.14,1.6],[3,5.14,1.6]],"partitions":[[9.28,1.6,9.28,8.68,3.3]],"cases":[{"x":8.5,"z":5.139,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,18.006],"height":4.6,"kind":"perimeter","edge":0},{"origin":[18.556,10.277],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[6.33,11.499999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[9.28,1.6],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.4,6.68],"height":3.3,"kind":"partition","edge":-1},{"origin":[9.28,1.6],"dir":[0.0,1.0],"normal":[1.0,-0.0],"span":[0.4,6.68],"height":3.3,"kind":"partition","edge":-1},{"origin":[18.556,10.277],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[13.9,18.006],"height":4.6,"kind":"perimeter","edge":2},{"origin":[18.556,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,3.94],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,10.277],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.94],"height":4.6,"kind":"perimeter","edge":3},{"origin":[18.556,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[6.34,9.726999999999999],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,10.277],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.34,9.726999999999999],"height":4.6,"kind":"perimeter","edge":3},{"origin":[18.556,10.277],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,2.23],"height":4.6,"kind":"perimeter","edge":2}],"decor":{"palette":["#a18f61","#66563d","#a4735d","#848c55","#a39f57"],"wallColor":"#e8e8e6","accent":"#605947","dominant":"Painting","benches":[{"x":2.6,"z":7.18,"angle":-3.1416,"l":1.85,"w":0.46,"h":0.42},{"x":15.46,"z":2.25,"angle":-1.5708,"l":1.85,"w":0.46,"h":0.42},{"x":15.46,"z":8.03,"angle":-1.5708,"l":1.85,"w":0.46,"h":0.42}],"tracks":[{"x1":1.86,"z1":2.88,"x2":16.7,"z2":2.88,"lamps":14},{"x1":1.86,"z1":7.4,"x2":16.7,"z2":7.4,"lamps":14}],"intro":{"x":13.251,"z":10.277,"angle":-3.1416,"y":1.55,"w":1.35,"h":0.86,"gallery":"503","title":"A Cubist Salon","text":"Immerse yourself in the international scope of a groundbreaking movement."},"exits":[{"x":15.126,"z":10.077,"angle":-3.1416,"y":2.72}],"glassCases":false},"intro":null,"music":"ragtime","artworks":[{"id":80658,"title":"The Spring","artist":"Francis Picabia","artistBio":"(French, 1879–1953)","artistGender":"(male)","date":"Saint Cloud, spring or summer 1912","medium":"Oil on canvas","credit":"Eugene and Agnes E. Meyer Collection, given by their family","classification":"Painting","dimensions":"8' 2 1/4\" x 8' 2 1/8\" (249.6 x 249.3 cm)","size":[2.493,2.496],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Saint Cloud, spring or summer 1912","blurb":"Painted the year Picabia first exhibited with the Cubists. The figures are still legible, but the palette and rhythm are already pulling toward abstraction.","blurbSource":"authored","acquired":"1975","cid":"4607","url":"https://www.moma.org/collection/works/80658","imageURL":"https://www.moma.org/media/W1siZiIsIjQ4MTgxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b71f9d228a57ecae","placement":{"kind":"wall","wall":0,"lane":0,"u":1.796,"y":1.598},"texture":"textures/80658.jpg","thumb":"thumbs/80658.jpg","seen":["abstract shapes"],"tags":["1910s","before the war","canvas","dada","dark","monumental","muted","oil","painting","warm","abstract shapes","dramatic"],"roomTags":["cubist","salon"],"docent":"Before you is The Spring, painted by Picabia at Saint Cloud in nineteen twelve, the year he first exhibited with the Cubists. The figures are still legible, but the palette and the rhythm are already pulling toward abstraction."},{"id":80009,"title":"Dynamism of a Soccer Player","artist":"Umberto Boccioni","artistBio":"(Italian, 1882–1916)","artistGender":"(male)","date":"1913","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"6' 4 1/8\" x 6' 7 1/8\" (193.2 x 201 cm)","size":[2.01,1.932],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"A body taken apart into the forces acting on it. Boccioni was after what he called dynamism — not a figure caught mid-motion, but motion given a shape of its own.","blurbSource":"authored","acquired":"1967","cid":"624","url":"https://www.moma.org/collection/works/80009","imageURL":"https://www.moma.org/media/W1siZiIsIjI0Njc4NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fcb7a9bbbdc41c3d","placement":{"kind":"wall","wall":2,"lane":0,"u":1.405,"y":1.52},"texture":"textures/80009.jpg","thumb":"thumbs/80009.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1910s","before the war","canvas","futurism","monochrome","monumental","oil","painting","abstract shapes","abstract geometric","dramatic"],"roomTags":["cubist","salon"],"docent":"You're looking at Dynamism of a Soccer Player, by Boccioni, nineteen thirteen — a body taken apart into the forces acting on it. He was after what he called dynamism: not a figure caught mid-motion, but motion given a shape of its own."},{"id":79487,"title":"The Three Windows, the Tower and the Wheel","artist":"Robert Delaunay","artistBio":"(French, 1885–1941)","artistGender":"(male)","date":"1912","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. William A. M. Burden","classification":"Painting","dimensions":"51 1/4 x 6' 5\" (130.2 x 195.6 cm)","size":[1.956,1.302],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912","blurb":"Delaunay was working toward painting where colour alone builds the structure. The Eiffel Tower and the Ferris wheel are still identifiable, but they are dissolving into overlapping transparent planes.","blurbSource":"authored","acquired":"1985","cid":"1479","url":"https://www.moma.org/collection/works/79487","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MDE5MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=33d069f9368b0c51","placement":{"kind":"wall","wall":3,"lane":0,"u":1.378,"y":1.52},"texture":"textures/79487.jpg","thumb":"thumbs/79487.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","abstraction","before the war","canvas","city","interior","muted","oil","painting","warm","abstract geometric","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"You're looking at The Three Windows, the Tower and the Wheel, by Robert Delaunay, nineteen twelve. Delaunay was working toward painting where colour alone builds the structure. The Eiffel Tower and the Ferris wheel are still identifiable, but they are dissolving into overlapping transparent planes."},{"id":79419,"title":"Dynamic Hieroglyphic of the Bal Tabarin","artist":"Gino Severini","artistBio":"(Italian, 1883–1966)","artistGender":"(male)","date":"1912","medium":"Oil on canvas with sequins","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"63 5/8 x 61 1/2\" (161.6 x 156.2 cm)","size":[1.562,1.616],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas with sequins, 1912","blurb":"Severini was living in Paris and took its nightlife as his subject. Sequins were mixed into the paint — the Futurists were happy to use whatever material got the sensation across.","blurbSource":"authored","acquired":"1949","cid":"5360","url":"https://www.moma.org/collection/works/79419","imageURL":"https://www.moma.org/media/W1siZiIsIjE4NDIwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6fdf64029ba92049","placement":{"kind":"wall","wall":1,"lane":0,"u":7.111,"y":1.52},"texture":"textures/79419.jpg","thumb":"thumbs/79419.jpg","seen":["collage of cut paper"],"tags":["1910s","before the war","canvas","futurism","monochrome","oil","painting","warm","collage of cut paper","dramatic"],"roomTags":["cubist","salon"],"docent":"This one's called Dynamic Hieroglyphic of the Bal Tabarin, painted by Gino Severini in nineteen twelve. He was living in Paris and took its nightlife as his subject. Look closely and there are sequins mixed into the paint — the Futurists were happy to use whatever material got the sensation across."},{"id":78984,"title":"I and the Village","artist":"Marc Chagall","artistBio":"(French, born Belarus. 1887–1985)","artistGender":"(male)","date":"1911","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"6' 3 5/8\" x 59 5/8\" (192.1 x 151.4 cm)","size":[1.514,1.921],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1911","blurb":"Chagall painted this in Paris from memories of Vitebsk, where he grew up. The green-faced man and the cow meet along a line of sight that runs straight through the middle of the canvas, and the village behind them turns upside down.","blurbSource":"authored","acquired":"1945","cid":"1055","url":"https://www.moma.org/collection/works/78984","imageURL":"https://www.moma.org/media/W1siZiIsIjYxOTcxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=466fec84f22f73bd","placement":{"kind":"wall","wall":4,"lane":0,"u":14.657,"y":1.52},"texture":"textures/78984.jpg","thumb":"thumbs/78984.jpg","tags":["1910s","before the war","canvas","cool","modernism","muted","oil","painting","joyful"],"roomTags":["cubist","salon"],"docent":"You're looking at I and the Village, painted by Marc Chagall in Paris in nineteen eleven, out of memories of Vitebsk where he grew up. The green-faced man and the cow meet along a line of sight running straight through the canvas, the cow dreams of the milkmaid, and behind them the houses stand upside down."},{"id":95069,"title":"Portrait of Igor Stravinsky","artist":"Albert Gleizes","artistBio":"(French, 1881–1953)","artistGender":"(male)","date":"1914","medium":"Oil on canvas","credit":"Bequest of Richard S. Zeisler","classification":"Painting","dimensions":"51 x 45\" (129.5 x 114.3 cm)","size":[1.143,1.295],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914","blurb":"Gleizes was, with Metzinger, the author of the first book-length account of Cubism — a theorist as much as a painter, which shows in how systematically the composition is worked out.","blurbSource":"authored","acquired":"2009","cid":"2191","url":"https://www.moma.org/collection/works/95069","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MzIyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=da0957441c51bd15","placement":{"kind":"wall","wall":5,"lane":0,"u":1.122,"y":1.52},"texture":"textures/95069.jpg","thumb":"thumbs/95069.jpg","seen":["abstract shapes"],"tags":["1910s","canvas","cubism","dark","muted","oil","painting","portrait","self-portrait","wartime","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"This is Albert Gleizes's Portrait of Igor Stravinsky, nineteen fourteen. Gleizes was, with Metzinger, the author of the first book-length account of Cubism — a theorist as much as a painter, which shows in how systematically the composition is worked out."},{"id":78420,"title":"Exit the Ballets Russes","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1914","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Peter A. Rübel (partly by exchange)","classification":"Painting","dimensions":"53 3/4 x 39 1/2\" (136.5 x 100.3 cm)","size":[1.003,1.365],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914","blurb":"Léger was drawn to the modern crowd and its noise. Colour arrives here in flat, unmodulated blocks — closer to poster printing than to the muted palette of analytic Cubism.","blurbSource":"authored","acquired":"1958","cid":"6624","url":"https://www.moma.org/collection/works/78420","imageURL":"https://www.moma.org/media/W1siZiIsIjQ3ODMxMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4a023173c6bcfe59","placement":{"kind":"wall","wall":6,"lane":0,"u":1.051,"y":1.52},"texture":"textures/78420.jpg","thumb":"thumbs/78420.jpg","seen":["abstract shapes"],"tags":["1910s","canvas","cubism","dance","monochrome","oil","painting","warm","wartime","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"This is Exit the Ballets Russes, painted by Fernand Léger in nineteen fourteen. Léger was drawn to the modern crowd and its noise. The colour arrives in flat, unmodulated blocks — closer to poster printing than to the muted palette of analytic Cubism."},{"id":80357,"title":"Bather","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"winter 1908-09","medium":"Oil on canvas","credit":"Louise Reinhardt Smith Bequest","classification":"Painting","dimensions":"51 1/8 x 38 1/8\" (129.8 x 96.8 cm)","size":[0.968,1.299],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, winter 1908-09","blurb":"A figure worked into blocks and wedges, made in the months when Picasso was pushing hardest against the human body as a stable, describable thing.","blurbSource":"authored","acquired":"1995","cid":"4609","url":"https://www.moma.org/collection/works/80357","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTQ4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=46e88b059aa6eaab","placement":{"kind":"wall","wall":7,"lane":0,"u":6.824,"y":1.52},"texture":"textures/80357.jpg","thumb":"thumbs/80357.jpg","tags":["1900s","before the war","canvas","cubism","monochrome","nude","oil","painting","warm","joyful"],"roomTags":["cubist","salon"],"docent":"You're looking at Bather, painted by Picasso in the winter of nineteen oh eight to nineteen oh nine. The figure is worked into blocks and wedges — these are the months when he was pushing hardest against the human body as a stable, describable thing, and the body is losing."},{"id":80412,"title":"Girl at the Piano","artist":"Jacques Villon","artistBio":"(French, 1875–1963)","artistGender":"(male)","date":"c. 1912-14","medium":"Oil on canvas","credit":"Helen Acheson Bequest","classification":"Painting","dimensions":"51 x 37 7/8\" (129.2 x 96.4 cm)","size":[0.964,1.292],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1912-14","blurb":"Villon, born Gaston Duchamp, was one of three artist brothers alongside Marcel Duchamp and Raymond Duchamp-Villon. His Cubism stayed lyrical, built on fine gradations rather than hard breaks.","blurbSource":"authored","acquired":"1978","cid":"6165","url":"https://www.moma.org/collection/works/80412","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTM0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=88768caa2ecf93f8","placement":{"kind":"wall","wall":8,"lane":0,"u":6.822,"y":1.52},"texture":"textures/80412.jpg","thumb":"thumbs/80412.jpg","tags":["1910s","before the war","canvas","cubism","dark","figure","monochrome","music","oil","painting","somber"],"roomTags":["cubist","salon"],"docent":"Before you is Girl at the Piano, by Jacques Villon, painted around nineteen twelve to nineteen fourteen. Villon was born Gaston Duchamp, one of three artist brothers alongside Marcel Duchamp and Raymond Duchamp-Villon. His Cubism stayed lyrical, built on fine gradations rather than hard breaks."},{"id":79091,"title":"Portuguese Market","artist":"Sonia Delaunay","artistBio":"(French, born Ukraine. 1885–1979)","artistGender":"(female)","date":"1915","medium":"Oil and wax on canvas","credit":"Gift of Theodore R. Racoosin","classification":"Painting","dimensions":"35 5/8 x 35 5/8\" (90.5 x 90.5 cm)","size":[0.905,0.905],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and wax on canvas, 1915","blurb":"Sonia Delaunay applied the same simultaneous colour theory across painting, textiles, book design and clothing, refusing the line between fine and applied art that most of her contemporaries took for granted.","blurbSource":"authored","acquired":"1955","cid":"1480","url":"https://www.moma.org/collection/works/79091","imageURL":"https://www.moma.org/media/W1siZiIsIjQwMzY2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=79b478e78e9d2aa8","placement":{"kind":"wall","wall":9,"lane":0,"u":1.275,"y":1.52},"texture":"textures/79091.jpg","thumb":"thumbs/79091.jpg","seen":["abstract shapes"],"tags":["1910s","abstraction","canvas","monochrome","oil","painting","warm","wartime","women artists","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"You're looking at Portuguese Market, painted by Sonia Delaunay in nineteen fifteen in oil and wax. Delaunay applied the same theory of simultaneous colour across painting, textiles, book design and clothing, refusing the line between fine and applied art that most of her contemporaries took for granted."},{"id":79971,"title":"Mme Kupka among Verticals","artist":"František Kupka","artistBio":"(Czech, 1871–1957)","artistGender":"(male)","date":"1910-11","medium":"Oil on canvas","credit":"Hillman Periodicals Fund","classification":"Painting","dimensions":"53 3/8 x 33 5/8\" (135.5 x 85.3 cm)","size":[0.853,1.355],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1910-11","blurb":"Kupka was among the very first European painters to abandon the subject entirely. His wife Eugénie sits at the centre of a rhythm of verticals that is already closer to music than to portraiture.","blurbSource":"authored","acquired":"1956","cid":"3302","url":"https://www.moma.org/collection/works/79971","imageURL":"https://www.moma.org/media/W1siZiIsIjI0NDAzNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=73b59d3c57cd9fe9","placement":{"kind":"wall","wall":0,"lane":0,"u":3.982,"y":1.52},"texture":"textures/79971.jpg","thumb":"thumbs/79971.jpg","seen":["portrait of a person"],"tags":["1910s","abstraction","before the war","canvas","muted","oil","painting","portrait of a person","somber"],"roomTags":["cubist","salon"],"docent":"This is Madame Kupka among Verticals, painted by František Kupka between nineteen ten and nineteen eleven. Kupka was among the very first European painters to abandon the subject entirely. His wife Eugénie sits at the centre of a rhythm of verticals that is already closer to music than to portraiture."},{"id":80660,"title":"Landscape","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"La Rue des Bois or Paris, August or September 1908","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. David Rockefeller","classification":"Painting","dimensions":"39 5/8 x 32\" (100.8 x 81.3 cm)","size":[0.813,1.008],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, La Rue des Bois or Paris, August or September 1908","blurb":"Painted at La Rue-des-Bois in the summer after Les Demoiselles d'Avignon. Picasso is working through Cézanne — faceting the landscape into green blocks and testing how far structure can replace description.","blurbSource":"authored","acquired":"1975","cid":"4609","url":"https://www.moma.org/collection/works/80660","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTAyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b8625253d6d48767","placement":{"kind":"wall","wall":0,"lane":0,"u":5.328,"y":1.52},"texture":"textures/80660.jpg","thumb":"thumbs/80660.jpg","tags":["1900s","before the war","canvas","cubism","dark","landscape","monochrome","oil","painting","warm","eerie"],"roomTags":["cubist","salon"],"docent":"This is Landscape, painted at La Rue-des-Bois in the summer after Les Demoiselles d'Avignon. Picasso is working through Cézanne here — faceting the landscape into green blocks, testing how far structure can replace description."},{"id":79048,"title":"Man with a Guitar","artist":"Georges Braque","artistBio":"(French, 1882–1963)","artistGender":"(male)","date":"Céret, summer 1911-early 1912","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"45 3/4 x 31 7/8\" (116.2 x 80.9 cm)","size":[0.809,1.162],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Céret, summer 1911-early 1912","blurb":"Made at Céret, where Braque and Picasso worked in such close exchange that their canvases of these months are famously hard to tell apart. The guitar survives only as a few legible fragments in a lattice of grey-brown planes.","blurbSource":"authored","acquired":"1945","cid":"744","url":"https://www.moma.org/collection/works/79048","imageURL":"https://www.moma.org/media/W1siZiIsIjQzODQ0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b5b124486e4eef8c","placement":{"kind":"wall","wall":0,"lane":0,"u":6.652,"y":1.52},"texture":"textures/79048.jpg","thumb":"thumbs/79048.jpg","tags":["1910s","before the war","canvas","cubism","figure","monochrome","music","oil","painting","warm","somber"],"roomTags":["cubist","salon"],"docent":"This is Man with a Guitar, made by Braque at Céret between nineteen eleven and early nineteen twelve. He and Picasso worked there in such close exchange that their canvases from these months are famously hard to tell apart. The guitar survives only as a few legible fragments in a lattice of grey-brown planes."},{"id":80381,"title":"Woman with Pails: Dynamic Arrangement","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1912-13 (dated on reverse 1912)","medium":"Oil on canvas","credit":"1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)","classification":"Painting","dimensions":"31 5/8 x 31 5/8\" (80.3 x 80.3 cm)","size":[0.803,0.803],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912-13","blurb":"Malevich's peasant subjects are built from metallic cones and cylinders — a Russian answer to Cubism that keeps the figure monumental rather than dissolving it.","blurbSource":"authored","acquired":"1935","cid":"3710","url":"https://www.moma.org/collection/works/80381","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTQ5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b5523724bfc0bf18","placement":{"kind":"wall","wall":3,"lane":0,"u":3.374,"y":1.52},"texture":"textures/80381.jpg","thumb":"thumbs/80381.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1910s","before the war","canvas","figure","golden","monochrome","oil","painting","suprematism","abstract shapes","abstract geometric"],"roomTags":["cubist","salon"],"docent":"You're looking at Woman with Pails, painted by Malevich around nineteen twelve. His peasant subjects are built from metallic cones and cylinders — a Russian answer to Cubism that keeps the figure monumental rather than dissolving it."},{"id":80430,"title":"Girl with a Mandolin (Fanny Tellier)","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, late spring 1910","medium":"Oil on canvas","credit":"Nelson A. Rockefeller Bequest","classification":"Painting","dimensions":"39 1/2 x 29\" (100.3 x 73.6 cm)","size":[0.736,1.003],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, late spring 1910","blurb":"One of the most legible pictures of high analytic Cubism — Fanny Tellier's head, shoulders and instrument still readable inside a scaffold of grey and ochre planes. Picasso reportedly left it unfinished.","blurbSource":"authored","acquired":"1979","cid":"4609","url":"https://www.moma.org/collection/works/80430","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c51732b468107af8","placement":{"kind":"wall","wall":2,"lane":0,"u":3.38,"y":1.52},"texture":"textures/80430.jpg","thumb":"thumbs/80430.jpg","tags":["1910s","before the war","canvas","cubism","figure","monochrome","music","oil","painting","somber"],"roomTags":["cubist","salon"],"docent":"This is Girl with a Mandolin, painted in Paris in the late spring of nineteen ten. The sitter was Fanny Tellier, and this is one of the most legible pictures of high analytic Cubism — head, shoulders and instrument still readable inside a scaffold of grey and ochre planes. Picasso is said to have left it unfinished."},{"id":89538,"title":"Visual Synthesis of the Idea: \"War\"","artist":"Gino Severini","artistBio":"(Italian, 1883–1966)","artistGender":"(male)","date":"1914","medium":"Oil on canvas","credit":"Bequest of Sylvia Slifka","classification":"Painting","dimensions":"36 1/2 x 28 3/4\" (92.7 x 73 cm)","size":[0.732,0.93],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914","blurb":"Severini attempted to paint war not as a scene but as a set of simultaneous sensations, in the manner the Futurists had set out for depicting modern experience generally.","blurbSource":"authored","acquired":"2004","cid":"5360","url":"https://www.moma.org/collection/works/89538","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE2NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3128e49e40f2766a","placement":{"kind":"wall","wall":1,"lane":0,"u":9.216,"y":1.52},"texture":"textures/89538.jpg","thumb":"thumbs/89538.jpg","seen":["abstract geometric"],"tags":["1910s","canvas","futurism","monochrome","oil","painting","war","warm","wartime","abstract geometric"],"roomTags":["cubist","salon"],"docent":"Before you is Visual Synthesis of the Idea: War, painted by Gino Severini in nineteen fourteen. Severini set out to paint war not as a scene but as a set of simultaneous sensations, in the manner the Futurists had prescribed for modern experience generally."},{"id":80121,"title":"Bridge","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1908?","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"36 1/2 x 28 5/8\" (92.7 x 72.6 cm)","size":[0.726,0.927],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1908?","blurb":"An early Léger, before the machine forms he became known for. The landscape is already being pushed toward the tubes and cylinders that would dominate his work within a few years.","blurbSource":"authored","acquired":"1967","cid":"6624","url":"https://www.moma.org/collection/works/80121","imageURL":"https://www.moma.org/media/W1siZiIsIjQ4MTgwOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e8b166a3a4e28d3c","placement":{"kind":"wall","wall":0,"lane":0,"u":7.933,"y":1.52},"texture":"textures/80121.jpg","thumb":"thumbs/80121.jpg","seen":["abstract shapes"],"tags":["1900s","before the war","canvas","city","cubism","monochrome","oil","painting","abstract shapes"],"roomTags":["cubist","salon"],"docent":"This is Bridge, an early Léger, painted around nineteen oh eight — before the machine forms he became known for. The landscape is already being pushed toward the tubes and cylinders that would take over his work within a few years."},{"id":78930,"title":"Still Life with Flowers","artist":"Juan Gris","artistBio":"(Spanish, 1887–1927)","artistGender":"(male)","date":"1912","medium":"Oil on canvas","credit":"Bequest of Anna Erickson Levene in memory of her husband, Dr. Phoebus Aaron Theodor Levene","classification":"Painting","dimensions":"44 1/8 x 27 5/8\" (112.1 x 70.2 cm)","size":[0.702,1.121],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912","blurb":"Gris trained as a draughtsman for illustrated magazines, and the precision shows: every facet is placed, nothing is improvised.","blurbSource":"authored","acquired":"1947","cid":"2349","url":"https://www.moma.org/collection/works/78930","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MDUyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0b5ef88136e7b7e7","placement":{"kind":"wall","wall":8,"lane":0,"u":9.146,"y":1.52},"texture":"textures/78930.jpg","thumb":"thumbs/78930.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","before the war","canvas","cubism","golden","muted","oil","painting","still life","abstract geometric","abstract shapes"],"roomTags":["cubist","salon"],"docent":"This is Still Life with Flowers, painted by Juan Gris in nineteen twelve. Gris trained as a draughtsman for illustrated magazines, and the precision shows: every facet is placed, nothing is improvised."},{"id":80024,"title":"Windows","artist":"Robert Delaunay","artistBio":"(French, 1885–1941)","artistGender":"(male)","date":"Paris 1912","medium":"Oil and wax on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"31 1/2 x 27 5/8\" (79.9 x 70 cm)","size":[0.7,0.799],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and wax on canvas, Paris 1912","blurb":"Almost nothing is left of the subject. Delaunay called this way of working simultaneity — colours placed side by side so that the contrast between them, rather than any drawn edge, does the work of composition.","blurbSource":"authored","acquired":"1967","cid":"1479","url":"https://www.moma.org/collection/works/80024","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MDE5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2b25e74cf9e47bb6","placement":{"kind":"wall","wall":7,"lane":0,"u":9.147,"y":1.52},"texture":"textures/80024.jpg","thumb":"thumbs/80024.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","abstraction","before the war","canvas","interior","muted","oil","painting","warm","abstract geometric","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"This is Windows, painted by Robert Delaunay in Paris in nineteen twelve, in oil and wax. Almost nothing is left of the subject. Delaunay called this way of working simultaneity — colours placed side by side so that the contrast between them, rather than any drawn edge, does the work of composition."},{"id":78986,"title":"Still Life with Liqueur Bottle","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Horta de San Joan, August 1909","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"32 1/8 x 25 3/4\" (81.6 x 65.4 cm)","size":[0.654,0.816],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Horta de San Joan, August 1909","blurb":"From the same Spanish summer. The still life is analysed into facets that refuse to settle into a single vantage point.","blurbSource":"authored","acquired":"1951","cid":"4609","url":"https://www.moma.org/collection/works/78986","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTAzNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=afc6d39908619b0c","placement":{"kind":"wall","wall":6,"lane":0,"u":3.383,"y":1.52},"texture":"textures/78986.jpg","thumb":"thumbs/78986.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1900s","before the war","canvas","cubism","monochrome","oil","painting","still life","warm","abstract geometric","abstract shapes","dramatic"],"roomTags":["cubist","salon"],"docent":"You're looking at Still Life with Liqueur Bottle, painted at Horta de San Joan in August nineteen oh nine. The still life is analysed into facets that refuse to settle into any single vantage point."},{"id":80504,"title":"Samovar","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1913","medium":"Oil on canvas","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"35 x 24 1/2\" (88.5 x 62.2 cm)","size":[0.622,0.885],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"Painted shortly before Malevich abandoned the object altogether for Suprematism. The samovar is already close to being nothing but a set of interlocking planes.","blurbSource":"authored","acquired":"1985","cid":"3710","url":"https://www.moma.org/collection/works/80504","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMjcxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d30e20746a3ecaba","placement":{"kind":"wall","wall":0,"lane":0,"u":9.12,"y":1.52},"texture":"textures/80504.jpg","thumb":"thumbs/80504.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","before the war","canvas","monochrome","oil","painting","suprematism","abstract geometric","abstract shapes"],"roomTags":["cubist","salon"],"docent":"You're looking at Samovar, painted by Kazimir Malevich in nineteen thirteen, shortly before he abandoned the object altogether for Suprematism. The samovar is already close to being nothing but a set of interlocking planes."},{"id":78933,"title":"Grapes","artist":"Juan Gris","artistBio":"(Spanish, 1887–1927)","artistGender":"(male)","date":"October 1913","medium":"Oil on canvas","credit":"Bequest of Anna Erickson Levene in memory of her husband, Dr. Phoebus Aaron Theodor Levene","classification":"Painting","dimensions":"36 1/4 x 23 5/8\" (92.1 x 60 cm)","size":[0.6,0.921],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, October 1913","blurb":"The subject is broken into planes but never loses its footing. Gris tended to begin from the composition and arrive at the object, the reverse of his colleagues' method.","blurbSource":"authored","acquired":"1947","cid":"2349","url":"https://www.moma.org/collection/works/78933","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDM3MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=df33c90d598ba3ba","placement":{"kind":"wall","wall":4,"lane":0,"u":16.34,"y":1.52},"texture":"textures/78933.jpg","thumb":"thumbs/78933.jpg","seen":["abstract geometric"],"tags":["1910s","before the war","canvas","cubism","dark","oil","painting","warm","abstract geometric","joyful"],"roomTags":["cubist","salon"],"docent":"You're looking at Grapes, painted by Juan Gris in October nineteen thirteen. The subject is broken into planes but never loses its footing. Gris tended to begin from the composition and arrive at the object, which is the reverse of how his colleagues worked."},{"id":80259,"title":"Tarentelle","artist":"Francis Picabia","artistBio":"(French, 1879–1953)","artistGender":"(male)","date":"Paris, January - early June 1912","medium":"Oil on canvas","credit":"Mary Sisler Bequest","classification":"Painting","dimensions":"29 1/2 × 36 1/2\" (74.9 × 92.7 cm)","size":[0.927,0.749],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, January - early June 1912","blurb":"Picabia moved through Impressionism, Cubism and Dada in barely a decade, treating each as a position to be tried rather than a faith to be kept.","blurbSource":"authored","acquired":"1990","cid":"4607","url":"https://www.moma.org/collection/works/80259","imageURL":"https://www.moma.org/media/W1siZiIsIjMzNjY1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c43a3430dc3076c1","placement":{"kind":"wall","wall":5,"lane":0,"u":3.246,"y":1.52},"texture":"textures/80259.jpg","thumb":"thumbs/80259.jpg","tags":["1910s","before the war","canvas","dada","monochrome","oil","painting","warm","dramatic"],"roomTags":["cubist","salon"],"docent":"This is Tarentelle, painted by Francis Picabia in Paris in the first half of nineteen twelve. Picabia moved through Impressionism, Cubism and Dada in barely a decade, treating each as a position to be tried rather than a faith to be kept."},{"id":79630,"title":"Landscape","artist":"Jean Metzinger","artistBio":"(French, 1883–1956)","artistGender":"(male)","date":"1912-14?","medium":"Oil on canvas","credit":"Gift of T. Catesby Jones","classification":"Painting","dimensions":"28 3/4 x 36 1/4\" (73 x 92.1 cm)","size":[0.921,0.73],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912-14?","blurb":"Metzinger co-wrote Du Cubisme with Albert Gleizes in 1912 — the first sustained theoretical defence of the movement, published while Picasso and Braque themselves said almost nothing about it in print.","blurbSource":"authored","acquired":"1941","cid":"3947","url":"https://www.moma.org/collection/works/79630","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Njk4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c49806a65d24a636","placement":{"kind":"wall","wall":0,"lane":0,"u":10.404,"y":1.52},"texture":"textures/79630.jpg","thumb":"thumbs/79630.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","before the war","canvas","cubism","landscape","oil","painting","abstract geometric","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"Before you is Landscape by Jean Metzinger, painted around nineteen twelve to nineteen fourteen. Metzinger co-wrote Du Cubisme with Albert Gleizes in nineteen twelve — the first sustained theoretical defence of the movement, published while Picasso and Braque themselves said almost nothing about it in print."},{"id":82208,"title":"Cubist Landscape","artist":"Diego Rivera","artistBio":"(Mexican, 1886–1957)","artistGender":"(male)","date":"1912","medium":"Oil on canvas","credit":"Gift of Elizabeth Meyer Lorentz","classification":"Painting","dimensions":"25 3/4 x 35 1/2\" (65.4 x 90.2 cm)","size":[0.902,0.654],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912","blurb":"Rivera spent over a decade in Europe and painted seriously as a Cubist before returning to Mexico and to muralism — a period of his work that his later public reputation almost entirely obscures.","blurbSource":"authored","acquired":"2001","cid":"4942","url":"https://www.moma.org/collection/works/82208","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NzAwNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3836778c0dcaed39","placement":{"kind":"wall","wall":2,"lane":0,"u":4.8,"y":1.52},"texture":"textures/82208.jpg","thumb":"thumbs/82208.jpg","seen":["abstract geometric"],"tags":["1910s","before the war","canvas","cubism","landscape","oil","painting","warm","abstract geometric","joyful"],"roomTags":["cubist","salon"],"docent":"Before you is Cubist Landscape, painted by Diego Rivera in nineteen twelve. Rivera spent over a decade in Europe and painted seriously as a Cubist before he went back to Mexico and to muralism — a stretch of his work that his later fame almost entirely covers over."},{"id":80521,"title":"Objects from a Dyer's Shop","artist":"Liubov Popova","artistBio":"(Russian, 1889–1924)","artistGender":"(female)","date":"1914","medium":"Oil on canvas","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"27 3/4 x 35\" (71 x 89 cm)","size":[0.89,0.71],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914","blurb":"Popova studied in Paris and brought Cubist structure back to Moscow, where it fed directly into the Russian avant-garde. Within a few years she would give up easel painting for textile and stage design.","blurbSource":"authored","acquired":"1985","cid":"4694","url":"https://www.moma.org/collection/works/80521","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MDk1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d79e8b86a262acea","placement":{"kind":"wall","wall":3,"lane":0,"u":4.837,"y":1.52},"texture":"textures/80521.jpg","thumb":"thumbs/80521.jpg","tags":["1910s","canvas","constructivism","golden","muted","oil","painting","wartime","women artists","dramatic"],"roomTags":["cubist","salon"],"docent":"Before you is Objects from a Dyer's Shop, painted by Liubov Popova in nineteen fourteen. Popova studied in Paris and brought Cubist structure back to Moscow, where it fed straight into the Russian avant-garde. Within a few years she would give up easel painting altogether for textile and stage design."},{"id":80146,"title":"Tableau no. 2 / Composition no. V","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1914","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"21 5/8 x 33 5/8\" (54.8 x 85.3 cm)","size":[0.853,0.548],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914","blurb":"Mondrian arrived in Paris in 1912 and absorbed Cubism quickly. The pier and ocean motifs of these years are the bridge between his early landscapes and the grid paintings that followed.","blurbSource":"authored","acquired":"1967","cid":"4057","url":"https://www.moma.org/collection/works/80146","imageURL":"https://www.moma.org/media/W1siZiIsIjM4NjUzOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=09533082ee987a07","placement":{"kind":"wall","wall":0,"lane":0,"u":11.804,"y":1.52},"texture":"textures/80146.jpg","thumb":"thumbs/80146.jpg","seen":["abstract geometric"],"tags":["1910s","abstraction","canvas","de stijl","interior","monochrome","oil","painting","wartime","abstract geometric"],"roomTags":["cubist","salon"],"docent":"Before you is Tableau number 2, painted by Piet Mondrian in nineteen fourteen. Mondrian arrived in Paris in nineteen twelve and absorbed Cubism quickly. The pier and ocean motifs of these years are the bridge between his early landscapes and the grid paintings that followed."},{"id":116275,"title":"Homage to J. S. Bach","artist":"Georges Braque","artistBio":"(French, 1882–1963)","artistGender":"(male)","date":"winter 1911-12","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection, acquired through the gift of Leon D. and Debra Black, the gift of William B. Jaffe and Evelyn A. J. Hall (by exchange), the Nelson A. Rockefeller Bequest Fund (by exchange), and the Richard S. Zeisler Bequest (by exchange)","classification":"Painting","dimensions":"21 1/4 x 28 3/4\" (54 x 73 cm)\r\n","size":[0.73,0.54],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, winter 1911-12","blurb":"The stencilled letters spelling Bach's name are among the first passages of real typography in a painting — lettering that belongs to the flat surface, not to the illusion of space behind it.","blurbSource":"authored","acquired":"2008","cid":"744","url":"https://www.moma.org/collection/works/116275","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MjMyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4f72d881cd2df965","placement":{"kind":"wall","wall":1,"lane":0,"u":10.905,"y":1.52},"texture":"textures/116275.jpg","thumb":"thumbs/116275.jpg","seen":["musical instrument"],"tags":["1910s","before the war","canvas","cubism","golden","muted","oil","painting","musical instrument"],"roomTags":["cubist","salon"],"docent":"This is Homage to J. S. Bach, painted by Georges Braque over the winter of nineteen eleven into nineteen twelve. The stencilled letters spelling Bach's name are among the first passages of real typography in a painting — lettering that belongs to the flat surface, not to the illusion of space behind it."},{"id":78586,"title":"Rayonist Composition: Domination of Red","artist":"Mikhail Larionov","artistBio":"(Russian, 1881–1964)","artistGender":"(male)","date":"1912-13 (dated on painting 1911)","medium":"Oil on canvas","credit":"Gift of the artist","classification":"Painting","dimensions":"20 3/4 x 28 1/2\" (52.7 x 72.4 cm)","size":[0.724,0.527],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1912-13","blurb":"Larionov's manifesto for Rayonism argued that painting should depict the intersection of reflected rays — an attempt to build abstraction on optics rather than on feeling.","blurbSource":"authored","acquired":"1936","cid":"3389","url":"https://www.moma.org/collection/works/78586","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MzI0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4586db1a87d7f2ce","placement":{"kind":"wall","wall":0,"lane":0,"u":13.105,"y":1.52},"texture":"textures/78586.jpg","thumb":"thumbs/78586.jpg","tags":["1910s","before the war","canvas","dark","muted","oil","painting","rayonism","dramatic"],"roomTags":["cubist","salon"],"docent":"Before you is Rayonist Composition: Domination of Red, painted by Larionov around nineteen twelve. His manifesto for Rayonism argued that painting should depict the intersection of reflected rays — an attempt to build abstraction on optics rather than on feeling."},{"id":79343,"title":"Speeding Automobile","artist":"Giacomo Balla","artistBio":"(Italian, 1871–1958)","artistGender":"(male)","date":"1912","medium":"Oil on wood","credit":"Purchase","classification":"Painting","dimensions":"21 7/8 x 27 1/8\" (55.6 x 68.9 cm)","size":[0.689,0.556],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on wood, 1912","blurb":"Balla was preoccupied with how to make speed itself visible. The car dissolves into the wedges and arcs of its own motion, so that what you see is less a vehicle than the disturbance it leaves in the air.","blurbSource":"authored","acquired":"1949","cid":"311","url":"https://www.moma.org/collection/works/79343","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0bed611403968c88","placement":{"kind":"wall","wall":0,"lane":0,"u":14.325,"y":1.52},"texture":"textures/79343.jpg","thumb":"thumbs/79343.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","before the war","dark","futurism","monochrome","oil","painting","wood","abstract geometric","abstract shapes"],"roomTags":["cubist","salon"],"docent":"This is Speeding Automobile, painted on wood by Giacomo Balla in nineteen twelve. Balla was preoccupied with how to make speed itself visible. The car dissolves into the wedges and arcs of its own motion, so what you see is less a vehicle than the disturbance it leaves in the air."},{"id":80280,"title":"The Architect's Table","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, early 1912","medium":"Oil on canvas mounted on panel","credit":"The William S. Paley Collection","classification":"Painting","dimensions":"28 5/8 x 23 1/2\" (72.6 x 59.7 cm)","size":[0.597,0.726],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas mounted on panel, Paris, early 1912","blurb":"Among the works where Picasso begins introducing stencilled lettering and trompe-l'oeil fragments, letting the real world back in as printed matter rather than as illusion.","blurbSource":"authored","acquired":"1971","cid":"4609","url":"https://www.moma.org/collection/works/80280","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1ODAyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1737118882f44da1","placement":{"kind":"wall","wall":2,"lane":0,"u":6.151,"y":1.52},"texture":"textures/80280.jpg","thumb":"thumbs/80280.jpg","tags":["1910s","before the war","canvas","cubism","interior","monochrome","oil","painting"],"roomTags":["cubist","salon"],"docent":"You're looking at The Architect's Table, painted in Paris in early nineteen twelve. This is among the works where Picasso begins introducing stencilled lettering and trompe-l'oeil fragments — letting the real world back in as printed matter rather than as illusion."},{"id":102385,"title":"The Table (Still Life with Fan)","artist":"Georges Braque","artistBio":"(French, 1882–1963)","artistGender":"(male)","date":"L'Estaque or Paris, fall 1910","medium":"Oil on canvas","credit":"Anonymous gift and bequest of Florene May Schoenborn (by exchange)","classification":"Painting","dimensions":"15 x 21 3/4\" (38 x 55.3 cm)","size":[0.552,0.381],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, L'Estaque or Paris, fall 1910","blurb":"The still life is tipped toward the viewer and flattened until the tabletop and the wall behind it occupy the same shallow space. Depth has stopped being a window and become a few centimetres of relief.","blurbSource":"authored","acquired":"2006","cid":"744","url":"https://www.moma.org/collection/works/102385","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2ODM3MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7f467a61fbc8bca9","placement":{"kind":"wall","wall":3,"lane":0,"u":6.174,"y":1.52},"texture":"textures/102385.jpg","thumb":"thumbs/102385.jpg","tags":["1910s","before the war","canvas","cubism","dark","interior","muted","oil","painting","still life","warm","somber"],"roomTags":["cubist","salon"],"docent":"This is The Table, a still life with a fan, painted by Braque in the autumn of nineteen ten. The table is tipped toward you and flattened until its top and the wall behind it occupy the same shallow space. Depth has stopped being a window and become a few centimetres of relief."},{"id":79633,"title":"Young Man in a Gray Sweater (Jacques Lipchitz)","artist":"Diego Rivera","artistBio":"(Mexican, 1886–1957)","artistGender":"(male)","date":"Paris 1914","medium":"Oil on canvas","credit":"Gift of T. Catesby Jones","classification":"Painting","dimensions":"25 5/8 x 21 5/8\" (65.1 x 54.9 cm)","size":[0.549,0.651],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris 1914","blurb":"A portrait of the sculptor Jacques Lipchitz, a close friend during Rivera's Paris years, whose own Cubist sculpture hangs in this same gallery.","blurbSource":"authored","acquired":"1941","cid":"4942","url":"https://www.moma.org/collection/works/79633","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTMxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=65c27ebf7ede8a3e","placement":{"kind":"wall","wall":0,"lane":0,"u":15.457,"y":1.52},"texture":"textures/79633.jpg","thumb":"thumbs/79633.jpg","seen":["portrait of a person"],"tags":["1910s","canvas","cubism","figure","golden","monochrome","oil","painting","wartime","portrait of a person","somber"],"roomTags":["cubist","salon"],"docent":"This is Young Man in a Gray Sweater, painted by Diego Rivera in Paris in nineteen fourteen. The sitter is the sculptor Jacques Lipchitz, a close friend during Rivera's Paris years, whose own Cubist sculpture stands in this same gallery."},{"id":78718,"title":"The Reservoir, Horta de Ebro","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Horta de Sant Joan, summer 1909","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. David Rockefeller","classification":"Painting","dimensions":"24 1/8 x 20 1/8\" (61.5 x 51.1 cm)","size":[0.511,0.615],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Horta de Sant Joan, summer 1909","blurb":"Made at Horta de Ebro in Spain, in the summer that produced Picasso's first fully faceted landscapes. The village is reduced to interlocking planes that treat buildings and hillside as one continuous surface.","blurbSource":"authored","acquired":"1991","cid":"4609","url":"https://www.moma.org/collection/works/78718","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a15c44c8fe832ba5","placement":{"kind":"wall","wall":4,"lane":0,"u":17.521,"y":1.52},"texture":"textures/78718.jpg","thumb":"thumbs/78718.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1900s","before the war","canvas","cubism","muted","oil","painting","warm","abstract geometric","abstract shapes"],"roomTags":["cubist","salon"],"docent":"This is The Reservoir, Horta de Ebro, made in Spain in the summer of nineteen oh nine, the summer that produced Picasso's first fully faceted landscapes. The village is reduced to interlocking planes that treat buildings and hillside as one continuous surface."},{"id":80131,"title":"Synchromy in Blue","artist":"Stanton Macdonald-Wright","artistBio":"(American, 1890–1973)","artistGender":"(male)","date":"c. 1917-18","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"26 1/4 x 20 1/8\" (66.4 x 51.1 cm)","size":[0.511,0.664],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1917-18","blurb":"Colour organised by scale and interval rather than by what it describes. Synchromism drew directly on nineteenth-century colour theory and on the analogy with music.","blurbSource":"authored","acquired":"1967","cid":"3663","url":"https://www.moma.org/collection/works/80131","imageURL":"https://www.moma.org/media/W1siZiIsIjI0Njc4NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a333055614de9c09","placement":{"kind":"wall","wall":0,"lane":0,"u":16.5,"y":1.52},"texture":"textures/80131.jpg","thumb":"thumbs/80131.jpg","seen":["abstract shapes"],"tags":["1910s","canvas","golden","muted","oil","painting","wartime","abstract shapes","joyful"],"roomTags":["cubist","salon"],"docent":"This is Synchromy in Blue, by Macdonald-Wright, around nineteen seventeen. Colour is organised here by scale and interval rather than by what it describes. Synchromism drew directly on nineteenth-century colour theory and on the analogy with music."},{"id":79508,"title":"Still Life Synchromy","artist":"Stanton Macdonald-Wright","artistBio":"(American, 1890–1973)","artistGender":"(male)","date":"1913","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"20 x 20\" (50.8 x 50.8 cm)","size":[0.508,0.508],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"Macdonald-Wright and Morgan Russell called their method Synchromism — composing with colour the way a composer works with sound. It was among the first American contributions to European abstraction.","blurbSource":"authored","acquired":"1949","cid":"3663","url":"https://www.moma.org/collection/works/79508","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMjcyMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f6e757ba0e114b68","placement":{"kind":"wall","wall":0,"lane":0,"u":17.522,"y":1.52},"texture":"textures/79508.jpg","thumb":"thumbs/79508.jpg","seen":["abstract shapes"],"tags":["1910s","before the war","canvas","dark","muted","oil","painting","still life","warm","abstract shapes","dramatic"],"roomTags":["cubist","salon"],"docent":"Before you is Still Life Synchromy, by Stanton Macdonald-Wright, nineteen thirteen. He and Morgan Russell called their method Synchromism — composing with colour the way a composer works with sound. It was among the first American contributions to European abstraction."},{"id":78787,"title":"Road near L'Estaque","artist":"Georges Braque","artistBio":"(French, 1882–1963)","artistGender":"(male)","date":"L'Estaque, late summer 1908","medium":"Oil on canvas","credit":"Given anonymously (by exchange)","classification":"Painting","dimensions":"23 3/4 x 19 3/4\" (60.3 x 50.2 cm)","size":[0.502,0.603],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, L'Estaque, late summer 1908","blurb":"Painted at L'Estaque, where Cézanne had worked before him. Braque compresses the landscape into faceted green and ochre blocks — the pictures from this summer gave Cubism its name, after a critic complained they were made of little cubes.","blurbSource":"authored","acquired":"1943","cid":"744","url":"https://www.moma.org/collection/works/78787","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MDk0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3408b31f82138edc","placement":{"kind":"wall","wall":9,"lane":1,"u":0.801,"y":0.68},"texture":"textures/78787.jpg","thumb":"thumbs/78787.jpg","tags":["1900s","before the war","canvas","cubism","muted","oil","painting"],"roomTags":["cubist","salon"],"docent":"This is Road near L'Estaque, painted by Braque in the late summer of nineteen oh eight, where Cézanne had worked before him. He compresses the landscape into faceted green and ochre blocks. The pictures from this summer gave Cubism its name, after a critic complained they were made of little cubes."},{"id":79839,"title":"Jar, Bottle and Glass","artist":"Juan Gris","artistBio":"(Spanish, 1887–1927)","artistGender":"(male)","date":"1911","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"23 1/2 x 19 3/4\" (59.7 x 50.2 cm)","size":[0.502,0.597],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1911","blurb":"Gris came to Cubism a few years after Braque and Picasso and made it more architectural. Where their analytic pictures dissolve, his are assembled — the grid is deliberate and holds.","blurbSource":"authored","acquired":"1941","cid":"2349","url":"https://www.moma.org/collection/works/79839","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTU2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c258fbbb8afbcf3e","placement":{"kind":"wall","wall":9,"lane":1,"u":1.749,"y":0.68},"texture":"textures/79839.jpg","thumb":"thumbs/79839.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","before the war","canvas","cubism","monochrome","oil","painting","still life","warm","abstract geometric","abstract shapes"],"roomTags":["cubist","salon"],"docent":"You're looking at Jar, Bottle and Glass, by Juan Gris, nineteen eleven. Gris came to Cubism a few years after Braque and Picasso and made it more architectural. Where their analytic pictures dissolve, his are assembled — the grid is deliberate, and it holds."},{"id":80480,"title":"Rayonism, Blue-Green Forest","artist":"Natalia Goncharova","artistBio":"(Russian, 1881–1962)","artistGender":"(female)","date":"1913 (dated on reverse 1911)","medium":"Oil on canvas","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"21 1/2 x 19 1/2\" (54.6 x 49.5 cm)","size":[0.495,0.546],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"Goncharova and Larionov developed Rayonism, which took the rays reflected off objects rather than the objects themselves as the true subject of painting. The forest here is a field of intersecting light.","blurbSource":"authored","acquired":"1985","cid":"2229","url":"https://www.moma.org/collection/works/80480","imageURL":"https://www.moma.org/media/W1siZiIsIjI2MTIyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=767fd2583798facf","placement":{"kind":"wall","wall":9,"lane":2,"u":0.798,"y":2.36},"texture":"textures/80480.jpg","thumb":"thumbs/80480.jpg","tags":["1910s","before the war","canvas","cool","dark","muted","oil","painting","rayonism","women artists","dramatic"],"roomTags":["cubist","salon"],"docent":"This is Rayonism, Blue-Green Forest, by Natalia Goncharova, nineteen thirteen. Goncharova and Mikhail Larionov developed Rayonism, which took the rays reflected off objects, rather than the objects themselves, as the true subject of painting. The forest here is a field of intersecting light."},{"id":80500,"title":"Vertical and Diagonal Planes","artist":"František Kupka","artistBio":"(Czech, 1871–1957)","artistGender":"(male)","date":"1913-14","medium":"Oil on canvas","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"21 3/4 x 15\" (55.2 x 38.1 cm)","size":[0.381,0.552],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913-14","blurb":"Kupka thought of colour and form as capable of the same abstraction as music — organised, non-representational, and expressive without depicting anything.","blurbSource":"authored","acquired":"1985","cid":"3302","url":"https://www.moma.org/collection/works/80500","imageURL":"https://www.moma.org/media/W1siZiIsIjI1NTg1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d327ef982f059d5c","placement":{"kind":"wall","wall":9,"lane":2,"u":1.809,"y":2.36},"texture":"textures/80500.jpg","thumb":"thumbs/80500.jpg","seen":["abstract geometric"],"tags":["1910s","abstraction","before the war","canvas","muted","oil","painting","warm","abstract geometric"],"roomTags":["cubist","salon"],"docent":"This is Vertical and Diagonal Planes, painted by František Kupka between nineteen thirteen and nineteen fourteen. Kupka thought colour and form capable of the same abstraction as music — organised, non-representational, and expressive without depicting anything at all."},{"id":81242,"title":"Head of a Woman","artist":"Henri Laurens","artistBio":"(French, 1885–1954)","artistGender":"(male)","date":"1915","medium":"Painted wood construction","credit":"Van Gogh Purchase Fund","classification":"Sculpture","dimensions":"20 x 18 1/4\" (50.8 x 46.3 cm)","size":[0.463,0.508],"depth":0.0,"sizeSource":"cc0-columns","summary":"Sculpture in painted wood construction, 1915","blurb":"Laurens brought Cubist analysis into sculpture, cutting the head into planes that read differently as you move around them. Much of his work of these years was painted, to keep colour in play.","blurbSource":"authored","acquired":"1937","cid":"3409","url":"https://www.moma.org/collection/works/81242","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDkyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3edb49d80c8acd49","placement":{"kind":"case","case":0,"x":8.075,"z":5.139,"y":1.114},"texture":"textures/81242.jpg","thumb":"thumbs/81242.jpg","seen":["abstract geometric"],"tags":["1910s","bright","cubism","figure","monochrome","sculpture","wartime","wood","abstract geometric"],"roomTags":["cubist","salon"],"docent":"Before you is Head of a Woman, a painted wood construction made by Henri Laurens in nineteen fifteen. Laurens brought Cubist analysis into sculpture, cutting the head into planes that read differently as you move around them. Much of his work of these years was painted, to keep colour in play."},{"id":81178,"title":"Development of a Bottle in Space","artist":"Umberto Boccioni","artistBio":"(Italian, 1882–1916)","artistGender":"(male)","date":"1912 (cast 1931)","medium":"Silvered bronze","credit":"Aristide Maillol Fund","classification":"Sculpture","dimensions":"15 x 23 3/4 x 12 7/8\" (38.1 x 60.3 x 32.7 cm)","size":[0.603,0.381],"depth":0.327,"sizeSource":"cc0-columns","summary":"Sculpture in silvered bronze, 1912 (cast 1931)","blurb":"Boccioni cuts the bottle open and lets the space around it into the form. The Futurists wanted sculpture to stop being a solid object sitting in a room and start describing the room as well.","blurbSource":"authored","acquired":"1948","cid":"624","url":"https://www.moma.org/collection/works/81178","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDc4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c12d893fcba990cb","placement":{"kind":"case","case":0,"x":8.925,"z":5.139,"y":1.05},"texture":"textures/81178.jpg","thumb":"thumbs/81178.jpg","seen":["carved figure"],"tags":["1910s","before the war","bright","bronze","futurism","monochrome","sculpture","still life","carved figure"],"roomTags":["cubist","salon"],"docent":"This is Development of a Bottle in Space, modelled by Umberto Boccioni in nineteen twelve and cast in silvered bronze. Boccioni cuts the bottle open and lets the space around it into the form. The Futurists wanted sculpture to stop being a solid object sitting in a room and start describing the room as well."},{"id":81524,"title":"Man with a Guitar","artist":"Jacques Lipchitz","artistBio":"(American, born Lithuania. 1891–1973)","artistGender":"(male)","date":"1915","medium":"Limestone","credit":"Mrs. Simon Guggenheim Fund (by exchange)","classification":"Sculpture","dimensions":"38 1/4 x 10 1/2 x 7 3/4\" (97.2 x 26.7 x 19.5 cm)","size":[0.267,0.972],"depth":0.195,"sizeSource":"cc0-columns","summary":"Sculpture in limestone, 1915","blurb":"Lipchitz translated the Cubist still life into freestanding sculpture, where a guitar becomes an armature of interlocking vertical planes.","blurbSource":"authored","acquired":"1951","cid":"3563","url":"https://www.moma.org/collection/works/81524","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNzgwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c039c966c1f1dad4","placement":{"kind":"plinth","x":9.778,"z":5.139,"plinth":0.764,"fw":0.617,"fd":0.545,"face":[0,-1]},"texture":"textures/81524.jpg","thumb":"thumbs/81524.jpg","seen":["carved figure","abstract geometric"],"tags":["1910s","bright","cubism","figure","monochrome","music","sculpture","warm","wartime","carved figure","abstract geometric"],"roomTags":["cubist","salon"],"docent":"You're looking at Man with a Guitar, carved in limestone by Jacques Lipchitz in nineteen fifteen. Lipchitz translated the Cubist still life into freestanding sculpture, where a guitar becomes an armature of interlocking vertical planes."},{"id":80934,"title":"Guitar","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, January–February 1914","medium":"Ferrous sheet metal and wire","credit":"Gift of the artist","classification":"Sculpture","dimensions":"30 1/2 x 13 3/4 x 7 5/8\" (77.5 x 35 x 19.3 cm)","size":[0.35,0.775],"depth":0.193,"sizeSource":"cc0-columns","summary":"Sculpture in ferrous sheet metal and wire, Paris, January–February 1914","blurb":"Picasso's constructed guitars broke with carving and modelling entirely — assembling sheet material into an open structure. It is one of the decisive moves toward modern sculpture as construction.","blurbSource":"authored","acquired":"1971","cid":"4609","url":"https://www.moma.org/collection/works/80934","imageURL":"https://www.moma.org/media/W1siZiIsIjE5NDkxNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=982b7920fbd8fd56","placement":{"kind":"plinth","x":10.556,"z":5.139,"plinth":0.863,"fw":0.7,"fd":0.543,"face":[0,-1]},"texture":"textures/80934.jpg","thumb":"thumbs/80934.jpg","seen":["guitar","musical instrument"],"tags":["1910s","bright","cubism","monochrome","music","sculpture","warm","wartime","guitar","musical instrument"],"roomTags":["cubist","salon"],"docent":"This is Guitar, made in Paris early in nineteen fourteen out of ferrous sheet metal and wire. Picasso's constructed guitars broke with carving and modelling entirely — he assembled sheet material into an open structure instead. It is one of the decisive moves toward modern sculpture as construction rather than carving."}]},{"gallery":"504","title":"A Little Gallery of the Photo-Secession","origin":[51.67,10.28],"polygon":[[0.0,0.0],[11.704,0.0],[11.704,9.992],[0.0,9.992]],"size":[11.7,9.99],"ceiling":4.6,"outdoor":false,"doors":[[1,5.0,1.6],[0,5.85,1.6],[3,5.0,1.6],[2,8.85,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[11.704,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,7.649999999999999],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[7.05,11.154],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,4.6499999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[11.704,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[11.704,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"24 works, 1894–1924 — Frederick H. Evans and Alvin Langdon Coburn; mostly photographs.","music":"ragtime","artworks":[{"id":44249,"title":"The Big White Cloud","artist":"Edward Steichen","artistBio":"(American, born Luxembourg. 1879–1973)","artistGender":"(male)","date":"1903","medium":"Platinum print","credit":"Gift of the artist","classification":"Photograph","dimensions":"15 7/8 × 19 1/2\" (40.3 × 49.5 cm)","size":[0.495,0.403],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1903","blurb":"Photograph in platinum print, 1903. 40 cm × 50 cm. Edward Steichen (American, born Luxembourg. 1879–1973). Acquired by the Museum in 1970 — Gift of the artist.","blurbSource":"catalogue","acquired":"1970","cid":"5623","url":"https://www.moma.org/collection/works/44249","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NzQ0OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4743a0590aec317b","placement":{"kind":"wall","wall":0,"lane":0,"u":0.798,"y":1.52},"texture":"textures/44249.jpg","thumb":"thumbs/44249.jpg","seen":["clouds","river"],"tags":["1900s","before the war","dark","monochrome","photo-secession","photograph","print","clouds","river","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at The Big White Cloud — a photograph by the American artist Edward Steichen, nineteen oh three. Printed in platinum rather than silver, so the metal sits down among the paper fibres instead of on top of them — that is where the long matte greys come from. Somewhere in there: the clouds, and the river."},{"id":83985,"title":"The Octopus","artist":"Alvin Langdon Coburn","artistBio":"(American, 1882–1966)","artistGender":"(male)","date":"1909","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Thomas Walther","classification":"Photograph","dimensions":"22 1/8 × 16 3/4\" (56.2 × 42.6 cm)","size":[0.426,0.562],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1909","blurb":"Photograph in gelatin silver print, 1909. 56 cm × 43 cm. Alvin Langdon Coburn (American, 1882–1966). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Thomas Walther.","blurbSource":"catalogue","acquired":"2001","cid":"1164","url":"https://www.moma.org/collection/works/83985","imageURL":"https://www.moma.org/media/W1siZiIsIjI3ODEyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dd132beb42aa177c","placement":{"kind":"wall","wall":1,"lane":0,"u":7.263,"y":1.52},"texture":"textures/83985.jpg","thumb":"thumbs/83985.jpg","seen":["map","concentric circles"],"tags":["1900s","before the war","gelatin","monochrome","photograph","print","silver","warm","map","concentric circles","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"This is The Octopus — a photograph by the American artist Alvin Langdon Coburn, nineteen oh nine. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. Somewhere in there: the map, and the concentric circles."},{"id":52626,"title":"The Hand of Man","artist":"Alfred Stieglitz","artistBio":"(American, 1864–1946)","artistGender":"(male)","date":"1902","medium":"Photogravure","credit":"Nelson A. Rockefeller Fund","classification":"Photograph","dimensions":"9 1/2 × 12 9/16\" (24.2 × 31.9 cm)\r\n","size":[0.319,0.242],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1902","blurb":"Photograph in photogravure, 1902. 24 cm × 32 cm. Alfred Stieglitz (American, 1864–1946). Acquired by the Museum in 1976 — Nelson A. Rockefeller Fund.","blurbSource":"catalogue","acquired":"1976","cid":"5664","url":"https://www.moma.org/collection/works/52626","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODg4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6882998658c88516","placement":{"kind":"wall","wall":2,"lane":0,"u":0.71,"y":1.52},"texture":"textures/52626.jpg","thumb":"thumbs/52626.jpg","seen":["train"],"tags":["1900s","before the war","dark","figure","intimate","monochrome","photo-secession","photograph","train","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at The Hand of Man — a photograph by Alfred Stieglitz, nineteen oh two. A photogravure: the photograph is etched into a copper plate and printed as ink lying in the recesses, so the image stands very slightly off the paper. In the picture, look for the train. Stieglitz was part of the Photo-Secession movement."},{"id":46913,"title":"Vitality–Yvette Guilbert","artist":"Edward Steichen","artistBio":"(American, born Luxembourg. 1879–1973)","artistGender":"(male)","date":"1901","medium":"Gelatin silver print, printed later","credit":"Gift of the artist","classification":"Photograph","dimensions":"13 5/8 × 10 9/16\" (34.6 × 26.9 cm)","size":[0.269,0.346],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed later, 1901","blurb":"Photograph in gelatin silver print, printed later, 1901. 35 cm × 27 cm. Edward Steichen (American, born Luxembourg. 1879–1973). Acquired by the Museum in 1961 — Gift of the artist.","blurbSource":"catalogue","acquired":"1961","cid":"5623","url":"https://www.moma.org/collection/works/46913","imageURL":"https://www.moma.org/media/W1siZiIsIjE0Mzc1MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7b18f11f3ec58b84","placement":{"kind":"wall","wall":3,"lane":0,"u":0.685,"y":1.52},"texture":"textures/46913.jpg","thumb":"thumbs/46913.jpg","seen":["portrait of a person"],"tags":["1900s","before the war","dark","gelatin","intimate","monochrome","photo-secession","photograph","print","silver","portrait of a person","joyful"],"roomTags":["gallery","little","photo","secession"],"docent":"This is Vitality–Yvette Guilbert — a photograph by Steichen, nineteen oh one. It's gelatin silver print, printed later, about 35 by 27 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light."},{"id":53358,"title":"The Steerage","artist":"Alfred Stieglitz","artistBio":"(American, 1864–1946)","artistGender":"(male)","date":"1907","medium":"Photogravure","credit":"Purchase","classification":"Photograph","dimensions":"13 1/8 × 10 1/2\" (33.4 × 26.6 cm)\r\n","size":[0.266,0.334],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1907","blurb":"Photograph in photogravure, 1907. 33 cm × 27 cm. Alfred Stieglitz (American, 1864–1946). Acquired by the Museum in 1986 — Purchase.","blurbSource":"catalogue","acquired":"1986","cid":"5664","url":"https://www.moma.org/collection/works/53358","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTM0OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=23c7129563decb46","placement":{"kind":"wall","wall":4,"lane":0,"u":0.683,"y":1.52},"texture":"textures/53358.jpg","thumb":"thumbs/53358.jpg","seen":["crowd","group of people"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","crowd","group of people","dramatic"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have The Steerage — a photograph by Stieglitz, nineteen oh seven. The piece is photogravure, about 33 by 27 centimeters. You can pick out the crowd, and the group of people."},{"id":83687,"title":"A Study in Radiation","artist":"Anne W. Brigman","artistBio":"(American, 1869–1950)","artistGender":"(female)","date":"1924","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Mrs. B. S. Sexton and Mina Turner, by exchange","classification":"Photograph","dimensions":"7 11/16 × 9 3/4\" (19.6 × 24.8 cm)","size":[0.248,0.196],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1924","blurb":"Photograph in gelatin silver print, 1924. 20 cm × 25 cm. Anne W. Brigman (American, 1869–1950). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Mrs. B. S. Sexton and Mina Turner, by exchange.","blurbSource":"catalogue","acquired":"2001","cid":"777","url":"https://www.moma.org/collection/works/83687","imageURL":"https://www.moma.org/media/W1siZiIsIjE5Nzc3MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6f56408dc0a7d234","placement":{"kind":"wall","wall":5,"lane":0,"u":6.324,"y":1.52},"texture":"textures/83687.jpg","thumb":"thumbs/83687.jpg","seen":["sea"],"tags":["1920s","gelatin","intimate","muted","photo-secession","photograph","print","silver","warm","women artists","sea","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have A Study in Radiation — a photograph by Anne W. Brigman, nineteen twenty-four. Gelatin silver print — about 20 by 25 centimeters."},{"id":50247,"title":"Family Portrait (Clarence H. White and Family)","artist":"Gertrude Käsebier","artistBio":"(American, 1852–1934)","artistGender":"(female)","date":"1902","medium":"Gum bichromate over platinum print","credit":"Gift of Hermine M. Turner","classification":"Photograph","dimensions":"13 5/16 × 9 3/4\" (33.8 × 24.8 cm)","size":[0.248,0.338],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gum bichromate over platinum print, 1902","blurb":"Photograph in gum bichromate over platinum print, 1902. 34 cm × 25 cm. Gertrude Käsebier (American, 1852–1934). Acquired by the Museum in 1962 — Gift of Hermine M. Turner.","blurbSource":"catalogue","acquired":"1962","cid":"3008","url":"https://www.moma.org/collection/works/50247","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Mjc3OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2ad4b6851d76ca56","placement":{"kind":"wall","wall":0,"lane":0,"u":2.052,"y":1.52},"texture":"textures/50247.jpg","thumb":"thumbs/50247.jpg","seen":["portrait of a person","group of people"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","portrait","print","self-portrait","women artists","portrait of a person","group of people","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Before you is Family Portrait (Clarence H. White and Family) — a photograph by the American artist Gertrude Käsebier, nineteen oh two. Gum bichromate over platinum print — about 34 by 25 centimeters. In the picture, look for the portrait of a person."},{"id":50117,"title":"Happy Days","artist":"Gertrude Käsebier","artistBio":"(American, 1852–1934)","artistGender":"(female)","date":"1903","medium":"Gum bichromate print","credit":"Gift of Hermine M. Turner","classification":"Photograph","dimensions":"12 1/2 × 9 3/4\" (31.8 × 24.8 cm)","size":[0.248,0.318],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gum bichromate print, 1903","blurb":"Photograph in gum bichromate print, 1903. 32 cm × 25 cm. Gertrude Käsebier (American, 1852–1934). Acquired by the Museum in 1962 — Gift of Hermine M. Turner.","blurbSource":"catalogue","acquired":"1962","cid":"3008","url":"https://www.moma.org/collection/works/50117","imageURL":"https://www.moma.org/media/W1siZiIsIjE1Mjg4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f18cad47d1ee5c04","placement":{"kind":"wall","wall":2,"lane":0,"u":1.98,"y":1.52},"texture":"textures/50117.jpg","thumb":"thumbs/50117.jpg","seen":["mother and child","group of people"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","print","women artists","mother and child","group of people","joyful"],"roomTags":["gallery","little","photo","secession"],"docent":"Before you is Happy Days — a photograph by Käsebier, nineteen oh three. The piece is gum bichromate print, about 32 by 25 centimeters. In the picture, look for the mother and child."},{"id":51709,"title":"The Storm Tree","artist":"Anne W. Brigman","artistBio":"(American, 1869–1950)","artistGender":"(female)","date":"1911","medium":"Platinum print","credit":"Gift of Mrs. B. S. Sexton in memory of her sister, Margaret DeM. Brown","classification":"Photograph","dimensions":"7 1/2 × 9 1/2\" (19.0 × 24.1 cm)","size":[0.241,0.19],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1911","blurb":"Photograph in platinum print, 1911. 19 cm × 24 cm. Anne W. Brigman (American, 1869–1950). Acquired by the Museum in 1961 — Gift of Mrs. B. S. Sexton in memory of her sister, Margaret DeM. Brown.","blurbSource":"catalogue","acquired":"1961","cid":"777","url":"https://www.moma.org/collection/works/51709","imageURL":"https://www.moma.org/media/W1siZiIsIjM5MzQ3MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fa47e450c7b099ee","placement":{"kind":"wall","wall":5,"lane":0,"u":7.75,"y":1.52},"texture":"textures/51709.jpg","thumb":"thumbs/51709.jpg","seen":["tree"],"tags":["1910s","before the war","dark","intimate","monochrome","photo-secession","photograph","print","women artists","tree","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"This is The Storm Tree, a platinum print made by Anne Brigman in nineteen eleven. Brigman photographed in the High Sierra, often placing a nude figure in the crook of a wind-wrecked tree, and printed on platinum for its long soft greys. She was one of very few women in Stieglitz's Photo-Secession."},{"id":56142,"title":"Abstraction, Porch Shadows, Connecticut","artist":"Paul Strand","artistBio":"(American, 1890–1976)","artistGender":"(male)","date":"1916","medium":"Gelatin silver print, printed later","credit":"Gift of Arthur M. Bullowa","classification":"Photograph","dimensions":"13 1/8 × 9 1/16\" (33.3 × 23 cm)","size":[0.23,0.333],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed later, 1916","blurb":"Photograph in gelatin silver print, printed later, 1916. 33 cm × 23 cm. Paul Strand (American, 1890–1976).","blurbSource":"catalogue","acquired":"","cid":"5685","url":"https://www.moma.org/collection/works/56142","imageURL":"https://www.moma.org/media/W1siZiIsIjE0MDUzMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=11f5138baaebfc76","placement":{"kind":"wall","wall":4,"lane":0,"u":2.114,"y":1.52},"texture":"textures/56142.jpg","thumb":"thumbs/56142.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1910s","dark","gelatin","intimate","monochrome","photograph","print","silver","wartime","abstract shapes","abstract geometric"],"roomTags":["gallery","little","photo","secession"],"docent":"This is Abstraction, Porch Shadows, Connecticut — a photograph by the American artist Paul Strand, nineteen sixteen. It's gelatin silver print, printed later, about 33 by 23 centimeters."},{"id":58931,"title":"In Redland Woods: Surrey","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"1894","medium":"Platinum print","credit":"Grace M. Mayer Fund","classification":"Photograph","dimensions":"11 × 8 7/8\" (27.9 × 22.5 cm)","size":[0.225,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1894","blurb":"Photograph in platinum print, 1894. 28 cm × 22 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 1967 — Grace M. Mayer Fund.","blurbSource":"catalogue","acquired":"1967","cid":"1774","url":"https://www.moma.org/collection/works/58931","imageURL":"https://www.moma.org/media/W1siZiIsIjIxNjQyNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8380797af79325fa","placement":{"kind":"wall","wall":1,"lane":0,"u":8.555,"y":1.52},"texture":"textures/58931.jpg","thumb":"thumbs/58931.jpg","seen":["forest"],"tags":["1890s","before the war","dark","intimate","monochrome","photograph","print","forest","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"This is In Redland Woods: Surrey — a photograph by the British artist Frederick H. Evans, eighteen ninety-four. Platinum print — about 28 by 22 centimeters. In the picture, look for the forest."},{"id":54314,"title":"From the Viaduct, 125th Street, New York","artist":"Paul Strand","artistBio":"(American, 1890–1976)","artistGender":"(male)","date":"1916","medium":"Photogravure","credit":"Gift of Edward Steichen","classification":"Photograph","dimensions":"6 7/16 × 8 7/16\" (16.3 × 21.4 cm)","size":[0.214,0.163],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1916","blurb":"Photograph in photogravure, 1916. 16 cm × 21 cm. Paul Strand (American, 1890–1976). Acquired by the Museum in 1964 — Gift of Edward Steichen.","blurbSource":"catalogue","acquired":"1964","cid":"5685","url":"https://www.moma.org/collection/works/54314","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTAwNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9ce4d4f9869e5f39","placement":{"kind":"wall","wall":3,"lane":0,"u":2.104,"y":1.52},"texture":"textures/54314.jpg","thumb":"thumbs/54314.jpg","seen":["bridge"],"tags":["1910s","city","intimate","monochrome","photograph","wartime","bridge","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at From the Viaduct, 125th Street, New York — a photograph by Strand, nineteen sixteen. Photogravure — about 16 by 21 centimeters. In the picture, look for the bridge."},{"id":83725,"title":"Vortograph","artist":"Alvin Langdon Coburn","artistBio":"(American, 1882–1966)","artistGender":"(male)","date":"1916–17","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Grace M. Mayer Fund","classification":"Photograph","dimensions":"11 1/16 × 8 3/8\" (28.1 × 21.2 cm)","size":[0.212,0.281],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1916–17","blurb":"Photograph in gelatin silver print, 1916–17. 28 cm × 21 cm. Alvin Langdon Coburn (American, 1882–1966). Acquired by the Museum in 2001 — Thomas Walther Collection. Grace M. Mayer Fund.","blurbSource":"catalogue","acquired":"2001","cid":"1164","url":"https://www.moma.org/collection/works/83725","imageURL":"https://www.moma.org/media/W1siZiIsIjI4MzQ2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3482e08e5d885b14","placement":{"kind":"wall","wall":0,"lane":0,"u":3.164,"y":1.52},"texture":"textures/83725.jpg","thumb":"thumbs/83725.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1910s","gelatin","intimate","monochrome","photograph","print","silver","warm","wartime","abstract shapes","abstract geometric"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have Vortograph — a photograph by Coburn, nineteen sixteen to nineteen seventeen. Gelatin silver print — about 28 by 21 centimeters. You can pick out the abstract shapes, and the abstract geometric."},{"id":55555,"title":"F. Holland Day","artist":"Clarence H. White","artistBio":"(American, 1871–1925)","artistGender":"(male)","date":"c. 1902","medium":"Platinum print","credit":"John Parkinson III Fund","classification":"Photograph","dimensions":"10 1/2 × 8 3/8\" (26.7 × 20.8 cm)","size":[0.208,0.267],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, c. 1902","blurb":"Photograph in platinum print, c. 1902. 27 cm × 21 cm. Clarence H. White (American, 1871–1925). Acquired by the Museum in 1971 — John Parkinson III Fund.","blurbSource":"catalogue","acquired":"1971","cid":"6338","url":"https://www.moma.org/collection/works/55555","imageURL":"https://www.moma.org/media/W1siZiIsIjE5MzMxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ed8a698d997b0b47","placement":{"kind":"wall","wall":0,"lane":0,"u":4.257,"y":1.52},"texture":"textures/55555.jpg","thumb":"thumbs/55555.jpg","seen":["portrait of a person"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","print","portrait of a person","somber"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have F. Holland Day — a photograph by the American artist Clarence H. White, around nineteen oh two. It's platinum print, about 27 by 21 centimeters."},{"id":53594,"title":"Kelmscott Manor: Attics","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"1896","medium":"Platinum print","credit":"The Family of Man Fund","classification":"Photograph","dimensions":"6 × 7 7/8\" (15.2 × 20.0 cm)","size":[0.2,0.152],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1896","blurb":"Photograph in platinum print, 1896. 15 cm × 20 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 1966 — The Family of Man Fund.","blurbSource":"catalogue","acquired":"1966","cid":"1774","url":"https://www.moma.org/collection/works/53594","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTQ1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1439ebfde6796b3a","placement":{"kind":"wall","wall":2,"lane":0,"u":3.19,"y":1.52},"texture":"textures/53594.jpg","thumb":"thumbs/53594.jpg","seen":["interior room","architectural plan"],"tags":["1890s","before the war","dark","figure","intimate","monochrome","photograph","print","interior room","architectural plan","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at Kelmscott Manor: Attics — a photograph by Evans, eighteen ninety-six. Platinum print — about 15 by 20 centimeters. You can pick out the interior room, and the architectural plan."},{"id":53618,"title":"\"A Sea of Steps,\" Wells Cathedral","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"1903","medium":"Platinum print","credit":"The Family of Man Fund","classification":"Photograph","dimensions":"9 1/4 × 7 1/2\" (23.6 × 19.1 cm)","size":[0.191,0.236],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1903","blurb":"Photograph in platinum print, 1903. 24 cm × 19 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 1966 — The Family of Man Fund.","blurbSource":"catalogue","acquired":"1966","cid":"1774","url":"https://www.moma.org/collection/works/53618","imageURL":"https://www.moma.org/media/W1siZiIsIjM5MzQ5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0e19e49129f4e18d","placement":{"kind":"wall","wall":1,"lane":0,"u":9.729,"y":1.52},"texture":"textures/53618.jpg","thumb":"thumbs/53618.jpg","seen":["staircase"],"tags":["1900s","animals","before the war","intimate","monochrome","photograph","print","seascape","warm","staircase","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have \"A Sea of Steps,\" Wells Cathedral — a photograph by Evans, nineteen oh three. The piece is platinum print, about 24 by 19 centimeters. You can pick out the staircase."},{"id":58933,"title":"Lincoln Cathedral: From the Castle","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"1898","medium":"Platinum print","credit":"Grace M. Mayer Fund","classification":"Photograph","dimensions":"9 1/2 × 7 1/4\" (24.1 × 18.4 cm)","size":[0.184,0.241],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1898","blurb":"Photograph in platinum print, 1898. 24 cm × 18 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 1967 — Grace M. Mayer Fund.","blurbSource":"catalogue","acquired":"1967","cid":"1774","url":"https://www.moma.org/collection/works/58933","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTY3NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7f95b6c204412d93","placement":{"kind":"wall","wall":0,"lane":0,"u":5.336,"y":1.52},"texture":"textures/58933.jpg","thumb":"thumbs/58933.jpg","seen":["clouds","city street","architectural plan"],"tags":["1890s","animals","before the war","intimate","monochrome","photograph","print","clouds","city street","architectural plan","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have Lincoln Cathedral: From the Castle — a photograph by Evans, eighteen ninety-eight. It's platinum print, about 24 by 18 centimeters. You can pick out the city street."},{"id":55541,"title":"The Cave","artist":"Clarence H. White","artistBio":"(American, 1871–1925)","artistGender":"(male)","date":"1901","medium":"Platinum print","credit":"Lily Auchincloss Fund","classification":"Photograph","dimensions":"9 1/8 × 7 1/8\" (23.2 × 18.2 cm)","size":[0.182,0.232],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, 1901","blurb":"Photograph in platinum print, 1901. 23 cm × 18 cm. Clarence H. White (American, 1871–1925). Acquired by the Museum in 1971 — Lily Auchincloss Fund.","blurbSource":"catalogue","acquired":"1971","cid":"6338","url":"https://www.moma.org/collection/works/55541","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTk4NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c2629ee81ac6923c","placement":{"kind":"wall","wall":3,"lane":0,"u":3.479,"y":1.52},"texture":"textures/55541.jpg","thumb":"thumbs/55541.jpg","seen":["tree","carved figure"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","print","tree","carved figure","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"This is The Cave — a photograph by White, nineteen oh one. The piece is platinum print, about 23 by 18 centimeters."},{"id":196569,"title":"Waterloo Bridge, London","artist":"Alvin Langdon Coburn","artistBio":"(American, 1882–1966)","artistGender":"(male)","date":"1904","medium":"Photogravure","credit":"Gift of Robert B. Menschel","classification":"Photograph","dimensions":"8 1/16 × 6 5/16\" (20.4 × 16 cm)","size":[0.16,0.204],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1904","blurb":"Photograph in photogravure, 1904. 20 cm × 16 cm. Alvin Langdon Coburn (American, 1882–1966). Acquired by the Museum in 2016 — Gift of Robert B. Menschel.","blurbSource":"catalogue","acquired":"2016","cid":"1164","url":"https://www.moma.org/collection/works/196569","imageURL":"https://www.moma.org/media/W1siZiIsIjMzMjg1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4d06826233480303","placement":{"kind":"wall","wall":5,"lane":0,"u":9.132,"y":1.52},"texture":"textures/196569.jpg","thumb":"thumbs/196569.jpg","seen":["bridge"],"tags":["1900s","before the war","city","dark","intimate","muted","photograph","warm","bridge","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Before you is Waterloo Bridge, London — a photograph by Coburn, nineteen oh four. The piece is photogravure, about 20 by 16 centimeters."},{"id":51733,"title":"Snapshot—In the New York Central Yards","artist":"Alfred Stieglitz","artistBio":"(American, 1864–1946)","artistGender":"(male)","date":"1903","medium":"Photogravure","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Photograph","dimensions":"7 5/8 × 6 1/4\" (19.4 × 15.8 cm)\r\n","size":[0.158,0.194],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1903","blurb":"Photograph in photogravure, 1903. 19 cm × 16 cm. Alfred Stieglitz (American, 1864–1946). Acquired by the Museum in 1976 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1976","cid":"5664","url":"https://www.moma.org/collection/works/51733","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NTY2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b60d6df31be6aea6","placement":{"kind":"wall","wall":4,"lane":0,"u":3.491,"y":1.52},"texture":"textures/51733.jpg","thumb":"thumbs/51733.jpg","seen":["train"],"tags":["1900s","before the war","intimate","monochrome","photo-secession","photograph","warm","train","dramatic"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have Snapshot—In the New York Central Yards — a photograph by Stieglitz, nineteen oh three. It's photogravure, about 19 by 16 centimeters."},{"id":196565,"title":"The Tower Bridge, London","artist":"Alvin Langdon Coburn","artistBio":"(American, 1882–1966)","artistGender":"(male)","date":"1904","medium":"Photogravure","credit":"Gift of Robert B. Menschel","classification":"Photograph","dimensions":"7 15/16 × 6 1/8\" (20.2 × 15.5 cm)","size":[0.155,0.202],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in photogravure, 1904","blurb":"Photograph in photogravure, 1904. 20 cm × 16 cm. Alvin Langdon Coburn (American, 1882–1966). Acquired by the Museum in 2016 — Gift of Robert B. Menschel.","blurbSource":"catalogue","acquired":"2016","cid":"1164","url":"https://www.moma.org/collection/works/196565","imageURL":"https://www.moma.org/media/W1siZiIsIjMzMjQyMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8464444e185aac35","placement":{"kind":"wall","wall":0,"lane":0,"u":6.388,"y":1.52},"texture":"textures/196565.jpg","thumb":"thumbs/196565.jpg","seen":["bridge","river"],"tags":["1900s","before the war","city","dark","intimate","monochrome","photograph","warm","bridge","river","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at The Tower Bridge, London — a photograph by Coburn, nineteen oh four. The piece is photogravure, about 20 by 16 centimeters."},{"id":57942,"title":"Gertrude Käsebier","artist":"Edward Steichen","artistBio":"(American, born Luxembourg. 1879–1973)","artistGender":"(male)","date":"c. 1907","medium":"Platinum print","credit":"Gift of  Mina Turner","classification":"Photograph","dimensions":"4 3/4 × 5 5/8\" (12.0 × 14.3 cm)","size":[0.143,0.12],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, c. 1907","blurb":"Photograph in platinum print, c. 1907. 12 cm × 14 cm. Edward Steichen (American, born Luxembourg. 1879–1973). Acquired by the Museum in 1969 — Gift of  Mina Turner.","blurbSource":"catalogue","acquired":"1969","cid":"5623","url":"https://www.moma.org/collection/works/57942","imageURL":"https://www.moma.org/media/W1siZiIsIjExNTkzNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9ac5a29a2238ab7b","placement":{"kind":"wall","wall":2,"lane":0,"u":4.348,"y":1.52},"texture":"textures/57942.jpg","thumb":"thumbs/57942.jpg","seen":["portrait of a person"],"tags":["1900s","before the war","dark","intimate","monochrome","photo-secession","photograph","print","portrait of a person","somber"],"roomTags":["gallery","little","photo","secession"],"docent":"You're looking at Gertrude Käsebier — a photograph by Steichen, around nineteen oh seven. It's platinum print, about 12 by 14 centimeters."},{"id":53606,"title":"Across Nave, York Minster","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"c. 1901","medium":"Platinum print","credit":"The Family of Man Fund","classification":"Photograph","dimensions":"10 × 5 1/4\" (25.5 × 13.3 cm)","size":[0.133,0.255],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, c. 1901","blurb":"Photograph in platinum print, c. 1901. 26 cm × 13 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 1966 — The Family of Man Fund.","blurbSource":"catalogue","acquired":"1966","cid":"1774","url":"https://www.moma.org/collection/works/53606","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4e95b9ffe1c7754e","placement":{"kind":"wall","wall":1,"lane":0,"u":10.857,"y":1.52},"texture":"textures/53606.jpg","thumb":"thumbs/53606.jpg","seen":["window","architectural plan","door"],"tags":["1900s","before the war","dark","intimate","monochrome","photograph","print","window","architectural plan","door","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"Here we have Across Nave, York Minster — a photograph by Evans, around nineteen oh one. It's platinum print, about 26 by 13 centimeters."},{"id":196583,"title":"Bourges","artist":"Frederick H. Evans","artistBio":"(British, 1853–1943)","artistGender":"(male)","date":"c. 1900","medium":"Platinum print","credit":"Gift of Robert B. Menschel","classification":"Photograph","dimensions":"4 1/2 × 2 13/16\" (11.5 × 7.2 cm)","size":[0.072,0.115],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in platinum print, c. 1900","blurb":"Photograph in platinum print, c. 1900. 12 cm × 7 cm. Frederick H. Evans (British, 1853–1943). Acquired by the Museum in 2016 — Gift of Robert B. Menschel.","blurbSource":"catalogue","acquired":"2016","cid":"1774","url":"https://www.moma.org/collection/works/196583","imageURL":"https://www.moma.org/media/W1siZiIsIjMzMjQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=107fcf306d5f46c9","placement":{"kind":"wall","wall":0,"lane":0,"u":7.384,"y":1.52},"texture":"textures/196583.jpg","thumb":"thumbs/196583.jpg","seen":["city street"],"tags":["1900s","before the war","intimate","muted","photograph","print","warm","city street","eerie"],"roomTags":["gallery","little","photo","secession"],"docent":"This one's called Bourges — a photograph by Evans, around nineteen hundred. It's platinum print, about 12 by 7 centimeters. It is among the smallest things here — you could close a hand around it."}]},{"gallery":"505","title":"Living in the Age of the Machine","origin":[43.11,0.0],"polygon":[[0.0,0.0],[8.565,0.0],[8.565,20.269],[0.0,20.269]],"size":[8.56,20.27],"ceiling":4.6,"outdoor":false,"doors":[[1,5.14,1.6],[1,15.27,1.6],[2,4.28,1.6],[3,12.28,1.6]],"partitions":[],"cases":[{"x":3.571,"z":8.826,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,20.269],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,11.079999999999998],"height":4.6,"kind":"perimeter","edge":3},{"origin":[8.565,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[6.34,14.069999999999999],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,8.014999999999999],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,20.269],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[13.48,19.718999999999998],"height":4.6,"kind":"perimeter","edge":3},{"origin":[8.565,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,3.94],"height":4.6,"kind":"perimeter","edge":1},{"origin":[8.565,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[16.47,19.718999999999998],"height":4.6,"kind":"perimeter","edge":1},{"origin":[8.565,20.269],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[5.48,8.014999999999999],"height":4.6,"kind":"perimeter","edge":2},{"origin":[8.565,20.269],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,3.0800000000000005],"height":4.6,"kind":"perimeter","edge":2}],"decor":null,"intro":"10 works, 1913–1964 — László Moholy-Nagy and Fernand Léger; mostly painting and sculpture.","music":"blues","artworks":[{"id":78348,"title":"I See Again in Memory My Dear Udnie","artist":"Francis Picabia","artistBio":"(French, 1879–1953)","artistGender":"(male)","date":"Paris, June - July 1914","medium":"Oil on canvas","credit":"Hillman Periodicals Fund","classification":"Painting","dimensions":"8' 2 1/2\" x 6' 6 1/4\" (250.2 x 198.8 cm)","size":[1.988,2.502],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, June - July 1914","blurb":"Painting in oil on canvas, Paris, June - July 1914. 2.50 m × 1.99 m. Francis Picabia (French, 1879–1953). Acquired by the Museum in 1954 — Hillman Periodicals Fund.","blurbSource":"catalogue","acquired":"1954","cid":"4607","url":"https://www.moma.org/collection/works/78348","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MzI0MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3eab33830c91b482","placement":{"kind":"wall","wall":0,"lane":0,"u":1.932,"y":1.601},"texture":"textures/78348.jpg","thumb":"thumbs/78348.jpg","tags":["1910s","canvas","dada","dark","monochrome","monumental","oil","painting","warm","wartime","dramatic"],"roomTags":["living","machine"],"docent":"You're looking at I See Again in Memory My Dear Udnie — a painting by Francis Picabia, from Paris, June - July nineteen fourteen. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. It is one of the largest things in this museum — about 18 times the area of a typical work here."},{"id":80388,"title":"The City","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1919","medium":"Oil on canvas","credit":"Florene May Schoenborn Bequest","classification":"Painting","dimensions":"38 1/8 x 51 3/8\" (96.8 x 130.5 cm)","size":[1.305,0.968],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1919","blurb":"Painting in oil on canvas, 1919. 97 cm × 130 cm. Fernand Léger (French, 1881–1955). Acquired by the Museum in 1996 — Florene May Schoenborn Bequest.","blurbSource":"catalogue","acquired":"1996","cid":"6624","url":"https://www.moma.org/collection/works/80388","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUwMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=165edd74d95f9698","placement":{"kind":"wall","wall":1,"lane":0,"u":7.608,"y":1.52},"texture":"textures/80388.jpg","thumb":"thumbs/80388.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","canvas","city","cubism","monochrome","oil","painting","warm","abstract geometric","abstract shapes"],"roomTags":["living","machine"],"docent":"Here we have The City — a painting by the French artist Fernand Léger, nineteen nineteen. Léger was part of the cubism movement. It's oil on canvas, about 1 by 1.3 meters."},{"id":79347,"title":"Swifts: Paths of Movement + Dynamic Sequences","artist":"Giacomo Balla","artistBio":"(Italian, 1871–1958)","artistGender":"(male)","date":"1913","medium":"Oil on canvas","credit":"Purchase","classification":"Painting","dimensions":"38 1/8 x 47 1/4\" (96.8 x 120 cm)","size":[1.2,0.968],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"Painting in oil on canvas, 1913. 97 cm × 120 cm. Giacomo Balla (Italian, 1871–1958). Acquired by the Museum in 1949 — Purchase.","blurbSource":"catalogue","acquired":"1949","cid":"311","url":"https://www.moma.org/collection/works/79347","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE4MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5dbec80f1b982800","placement":{"kind":"wall","wall":0,"lane":0,"u":5.426,"y":1.52},"texture":"textures/79347.jpg","thumb":"thumbs/79347.jpg","tags":["1910s","before the war","canvas","futurism","monochrome","oil","painting","warm"],"roomTags":["living","machine"],"docent":"Before you is Swifts: Paths of Movement + Dynamic Sequences — a painting by the Italian artist Giacomo Balla, nineteen thirteen. Balla was part of the Futurism movement. It's oil on canvas, about 1 by 1.2 meters."},{"id":79418,"title":"Armored Train in Action","artist":"Gino Severini","artistBio":"(Italian, 1883–1966)","artistGender":"(male)","date":"1915","medium":"Oil on canvas","credit":"Gift of Richard S. Zeisler","classification":"Painting","dimensions":"45 5/8 x 34 7/8\" (115.8 x 88.5 cm)","size":[0.885,1.158],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1915","blurb":"Painting in oil on canvas, 1915. 116 cm × 88 cm. Gino Severini (Italian, 1883–1966). Acquired by the Museum in 1986 — Gift of Richard S. Zeisler.","blurbSource":"catalogue","acquired":"1986","cid":"5360","url":"https://www.moma.org/collection/works/79418","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE5NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a5b7922f2d79ab9b","placement":{"kind":"wall","wall":1,"lane":0,"u":10.603,"y":1.52},"texture":"textures/79418.jpg","thumb":"thumbs/79418.jpg","tags":["1910s","canvas","cool","futurism","muted","oil","painting","wartime","dramatic"],"roomTags":["living","machine"],"docent":"This is Armored Train in Action — a painting by the Italian artist Gino Severini, nineteen fifteen. The piece is oil on canvas, about 1.2 by 0.9 meters."},{"id":79917,"title":"Untitled","artist":"László Moholy-Nagy","artistBio":"(American, born Hungary. 1895–1946)","artistGender":"(male)","date":"1942","medium":"Oil on incised and flawed plexiglass","credit":"Gift of Mrs. Katharine Kuh","classification":"Painting","dimensions":"23 1/8 x 18 1/8\" (58.7 x 46 cm)","size":[0.46,0.587],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on incised and flawed plexiglass, 1942","blurb":"Painting in oil on incised and flawed plexiglass, 1942. 59 cm × 46 cm. László Moholy-Nagy (American, born Hungary. 1895–1946). Acquired by the Museum in 1961 — Gift of Mrs. Katharine Kuh.","blurbSource":"catalogue","acquired":"1961","cid":"4048","url":"https://www.moma.org/collection/works/79917","imageURL":"https://www.moma.org/media/W1siZiIsIjMzNzk5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=65e86f37ae947289","placement":{"kind":"wall","wall":0,"lane":0,"u":8.156,"y":1.52},"texture":"textures/79917.jpg","thumb":"thumbs/79917.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1940s","bauhaus","bright","muted","oil","painting","warm","abstract shapes","abstract geometric"],"roomTags":["living","machine"],"docent":"Here we have Untitled — a painting by László Moholy-Nagy, nineteen forty-two. Moholy-Nagy was married to Lucia Moholy — who also hangs in this museum. The piece is oil on incised and flawed plexiglass, about 59 by 46 centimeters. You can pick out the abstract shapes, and the abstract geometric."},{"id":83912,"title":"Aerial Incendiary Bombs","artist":"Unidentified photographer","artistBio":"","artistGender":"()","date":"1917–18","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Edward Steichen, by exchange","classification":"Photograph","dimensions":"15 1/2 × 11\" (39.4 × 27.9 cm)","size":[0.279,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1917–18","blurb":"Photograph in gelatin silver print, 1917–18. 39 cm × 28 cm. Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Edward Steichen, by exchange.","blurbSource":"catalogue","acquired":"2001","cid":"8595","url":"https://www.moma.org/collection/works/83912","imageURL":"https://www.moma.org/media/W1siZiIsIjIzOTQ3OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=080dcc08b33ca3a4","placement":{"kind":"wall","wall":1,"lane":0,"u":13.085,"y":1.52},"texture":"textures/83912.jpg","thumb":"thumbs/83912.jpg","seen":["war"],"tags":["1910s","dark","gelatin","intimate","monochrome","photograph","print","silver","wartime","war","dramatic"],"roomTags":["living","machine"],"docent":"You're looking at Aerial Incendiary Bombs — a photograph by Unidentified photographer, nineteen seventeen to nineteen eighteen. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. In the picture, look for the war."},{"id":217512,"title":"Plane","artist":"Unidentified photographer","artistBio":"","artistGender":"()","date":"c. 1920","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Thomas Walther\r\n","classification":"Photograph","dimensions":"9 3/8 × 6 15/16\" (23.8 × 17.6 cm)","size":[0.176,0.238],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, c. 1920","blurb":"Photograph in gelatin silver print, c. 1920. 24 cm × 18 cm. Acquired by the Museum in 2017 — Thomas Walther Collection. Gift of Thomas Walther.","blurbSource":"catalogue","acquired":"2017","cid":"8595","url":"https://www.moma.org/collection/works/217512","imageURL":"https://www.moma.org/media/W1siZiIsIjM4Nzc4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=67b74cc8f7d2ef91","placement":{"kind":"wall","wall":0,"lane":0,"u":10.374,"y":1.52},"texture":"textures/217512.jpg","thumb":"thumbs/217512.jpg","seen":["aeroplane"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","aeroplane","eerie"],"roomTags":["living","machine"],"docent":"Before you is Plane — a photograph by photographer, around nineteen twenty. The piece is gelatin silver print, about 24 by 18 centimeters."},{"id":80832,"title":"Nickel Construction","artist":"László Moholy-Nagy","artistBio":"(American, born Hungary. 1895–1946)","artistGender":"(male)","date":"1921","medium":"Nickel plated iron, welded","credit":"Gift of Mrs. Sibyl Moholy-Nagy","classification":"Sculpture","dimensions":"14 1/8 x 6 7/8 x 9 3/8\" (35.9 x 17.5 x 23.8 cm)","size":[0.175,0.359],"depth":0.238,"sizeSource":"cc0-columns","summary":"Sculpture in nickel plated iron, welded, 1921","blurb":"Sculpture in nickel plated iron, welded, 1921. 36 cm × 18 cm × 24 cm. László Moholy-Nagy (American, born Hungary. 1895–1946). Acquired by the Museum in 1956 — Gift of Mrs. Sibyl Moholy-Nagy.","blurbSource":"catalogue","acquired":"1956","cid":"4048","url":"https://www.moma.org/collection/works/80832","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDAyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2421fc61648cff21","placement":{"kind":"case","case":0,"x":3.571,"z":8.826,"y":1.04},"texture":"textures/80832.jpg","thumb":"thumbs/80832.jpg","seen":["lamp","musical instrument"],"tags":["1920s","bauhaus","bright","intimate","monochrome","sculpture","lamp","musical instrument"],"roomTags":["living","machine"],"docent":"Here we have Nickel Construction — a sculpture by Moholy-Nagy, nineteen twenty-one. Welded — the form is joined rather than carved or cast, built up from stock metal at the bench."},{"id":105050,"title":"In Advance of the Broken Arm","artist":"Marcel Duchamp","artistBio":"(American, born France. 1887–1968)","artistGender":"(male)","date":"August 1964 (fourth version, after lost original of November 1915)","medium":"Wood and galvanized-iron snow shovel","credit":"Gift of The Jerry and Emily Spiegel Family Foundation","classification":"Sculpture","dimensions":"52\" (132 cm) high","size":[0.952,1.271],"depth":0.0,"sizeSource":"image-aspect","summary":"Sculpture in wood and galvanized-iron snow shovel, August 1964","blurb":"Sculpture in wood and galvanized-iron snow shovel, August 1964. Marcel Duchamp (American, born France. 1887–1968). Acquired by the Museum in 2006 — Gift of The Jerry and Emily Spiegel Family Foundation.","blurbSource":"catalogue","acquired":"2006","cid":"1634","url":"https://www.moma.org/collection/works/105050","imageURL":"https://www.moma.org/media/W1siZiIsIjExMDI4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b9a3b9eb8e22a338","placement":{"kind":"plinth","x":5.192,"z":8.826,"plinth":0.615,"fw":1.302,"fd":1.302,"face":[0,-1]},"texture":"textures/105050.jpg","thumb":"thumbs/105050.jpg","seen":["musical instrument","guitar"],"tags":["1960s","bright","dada","monochrome","sculpture","wood","musical instrument","guitar"],"roomTags":["living","machine"],"docent":"Here we have In Advance of the Broken Arm — a sculpture by Marcel Duchamp, August nineteen sixty-four (fourth version, after lost original of November nineteen fifteen). The piece is wood and galvanized-iron snow shovel, about 1.3 by 1 meters. Duchamp was part of the Dada movement."},{"id":81482,"title":"The Horse","artist":"Raymond Duchamp-Villon","artistBio":"(French, 1876–1918)","artistGender":"(male)","date":"1914 (cast c. 1930-31)","medium":"Bronze","credit":"Van Gogh Purchase Fund","classification":"Sculpture","dimensions":"40 x 39 1/2 x 22 3/8\" (101.6 x 100.1 x 56.7 cm)","size":[1.001,1.016],"depth":0.567,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1914 (cast c. 1930-31)","blurb":"Sculpture in bronze, 1914 (cast c. 1930-31). 102 cm × 100 cm × 57 cm. Raymond Duchamp-Villon (French, 1876–1918). Acquired by the Museum in 1937 — Van Gogh Purchase Fund.","blurbSource":"catalogue","acquired":"1937","cid":"1635","url":"https://www.moma.org/collection/works/81482","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTcxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2306d15f660e830f","placement":{"kind":"plinth","x":4.282,"z":11.636,"plinth":0.742,"fw":1.351,"fd":0.917,"face":[0,-1]},"texture":"textures/81482.jpg","thumb":"thumbs/81482.jpg","seen":["carved figure"],"tags":["1910s","animals","bright","bronze","monochrome","sculpture","wartime","carved figure"],"roomTags":["living","machine"],"docent":"This one's called The Horse — a sculpture by the French artist Raymond Duchamp-Villon, nineteen fourteen (cast around nineteen thirty to nineteen thirty-one). Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."}]},{"gallery":"506","title":"Henri Matisse","origin":[43.11,20.27],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,9.992],[0.0,9.992]],"size":[14.27,9.99],"ceiling":4.6,"outdoor":false,"doors":[[0,4.28,1.6],[0,11.42,1.6],[2,7.14,1.6]],"partitions":[],"cases":[{"x":6.227,"z":4.996,"w":2.172,"d":0.8,"h":0.85},{"x":8.283,"z":4.996,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":3},{"origin":[14.274,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[14.274,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[5.48,10.219999999999999],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,3.0800000000000005],"height":4.6,"kind":"perimeter","edge":0}],"decor":null,"intro":"16 works, 1905–1917 — Henri Matisse; mostly painting and sculpture.","music":"satie","artworks":[{"id":79124,"title":"Dance (I)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Paris, Boulevard des Invalides, early 1909","medium":"Oil on canvas","credit":"Gift of Nelson A. Rockefeller in honor of Alfred H. Barr, Jr.","classification":"Painting","dimensions":"8' 6 1/2\" × 12 9 11/16\" (260.4 × 390.4 cm)","size":[3.904,2.604],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, Boulevard des Invalides, early 1909","blurb":"Painting in oil on canvas, Paris, Boulevard des Invalides, early 1909. 2.60 m × 3.90 m. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1963 — Gift of Nelson A. Rockefeller in honor of Alfred H. Barr, Jr.","blurbSource":"catalogue","acquired":"1963","cid":"3832","url":"https://www.moma.org/collection/works/79124","imageURL":"https://www.moma.org/media/W1siZiIsIjYxOTkzOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5d28d9a148ff6582","placement":{"kind":"wall","wall":0,"lane":0,"u":2.502,"y":1.652},"texture":"textures/79124.jpg","thumb":"thumbs/79124.jpg","seen":["dancing"],"tags":["1900s","before the war","canvas","cool","dance","fauvism","monumental","oil","painting","dancing","joyful"],"roomTags":[],"docent":"This is Dance, the first version — full size, and made as a trial run for a Russian collector who had asked for a painting for his staircase. Matisse kept the colour turned down here. In the final version the bodies burn red."},{"id":79588,"title":"The Moroccans","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, late 1915 and fall 1916","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Samuel A. Marx","classification":"Painting","dimensions":"71 3/8\" x 9' 2\" (181.3 x 279.4 cm)","size":[2.794,1.813],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, late 1915 and fall 1916","blurb":"Painting in oil on canvas, Issy-les-Moulineaux, late 1915 and fall 1916. 1.81 m × 2.79 m. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1955 — Gift of Mr. and Mrs. Samuel A. Marx.","blurbSource":"catalogue","acquired":"1955","cid":"3832","url":"https://www.moma.org/collection/works/79588","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NzU0OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cfe50d53adeb0306","placement":{"kind":"wall","wall":1,"lane":0,"u":1.947,"y":1.52},"texture":"textures/79588.jpg","thumb":"thumbs/79588.jpg","tags":["1910s","canvas","fauvism","monochrome","monumental","oil","painting","warm","wartime","calm"],"roomTags":[],"docent":"This is The Moroccans — a painting by Matisse, from Issy-les-Moulineaux, late nineteen fifteen and fall nineteen sixteen. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":78389,"title":"The Red Studio","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, fall 1911","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"71 1/4\" x 7' 2 1/4\" (181 x 219.1 cm)","size":[2.191,1.81],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, fall 1911","blurb":"Matisse painted his studio at Issy, then painted over almost all of it in a single flat red — walls, floor and furniture alike, so the room reads as one continuous field. What survives the overpainting are his own paintings on the walls, left in their colours, and a scattering of outlines where objects used to be.","blurbSource":"authored","acquired":"1949","cid":"3832","url":"https://www.moma.org/collection/works/78389","imageURL":"https://www.moma.org/media/W1siZiIsIjQ5OTUxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=256885141dcaaf8f","placement":{"kind":"wall","wall":2,"lane":0,"u":1.645,"y":1.52},"texture":"textures/78389.jpg","thumb":"thumbs/78389.jpg","seen":["interior room"],"tags":["1910s","before the war","canvas","fauvism","monumental","oil","painting","warm","interior room"],"roomTags":[],"docent":"You're looking at The Red Studio. Matisse painted his own studio at Issy — and then painted over almost all of it in a single flat red, walls and floor and furniture alike, so the room stops being a space and becomes one continuous field. What he left alone are his own paintings, hanging on those walls in their own colours, and a few thin outlines where the furniture used to be. The room is dissolved; the art in it is not."},{"id":78908,"title":"The Piano Lesson","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, late summer 1916","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"8' 1/2\" x 6' 11 3/4\" (245.1 x 212.7 cm)","size":[2.127,2.451],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, late summer 1916","blurb":"Painting in oil on canvas, Issy-les-Moulineaux, late summer 1916. 2.45 m × 2.13 m. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1946 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1946","cid":"3832","url":"https://www.moma.org/collection/works/78908","imageURL":"https://www.moma.org/media/W1siZiIsIjMzMDYxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5251896e73df6bfd","placement":{"kind":"wall","wall":1,"lane":0,"u":5.201,"y":1.575},"texture":"textures/78908.jpg","thumb":"thumbs/78908.jpg","seen":["interior room"],"tags":["1910s","canvas","cool","fauvism","monochrome","monumental","music","oil","painting","wartime","interior room","somber"],"roomTags":[],"docent":"Here we have The Piano Lesson — a painting by Matisse, late summer nineteen sixteen. The piece is oil on canvas, about 2.5 by 2.1 meters. You can pick out the interior room."},{"id":79957,"title":"The Rose Marble Table","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, spring-summer 1917","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"57 1/2 x 38 1/4\" (146 x 97 cm)","size":[0.97,1.46],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, spring-summer 1917","blurb":"Painting in oil on canvas, Issy-les-Moulineaux, spring-summer 1917. 146 cm × 97 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1956 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1956","cid":"3832","url":"https://www.moma.org/collection/works/79957","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MDM5MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c3b8dbd814a487f9","placement":{"kind":"wall","wall":0,"lane":0,"u":5.625,"y":1.52},"texture":"textures/79957.jpg","thumb":"thumbs/79957.jpg","tags":["1910s","canvas","fauvism","interior","muted","oil","painting","warm","wartime"],"roomTags":[],"docent":"Here we have The Rose Marble Table — a painting by Matisse, spring-summer nineteen seventeen. The piece is oil on canvas, about 1.5 by 1 meters."},{"id":79523,"title":"Composition","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, 1915","medium":"Oil on canvas","credit":"Gift of Jo Carole and Ronald S. Lauder; Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William H. Weintraub, and Mary Sisler Bequest (all by exchange)","classification":"Painting","dimensions":"57 1/2 x 38 1/8\" (146 x 97 cm)","size":[0.968,1.461],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, 1915","blurb":"Painting in oil on canvas, Issy-les-Moulineaux, 1915. 146 cm × 97 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1997 — Gift of Jo Carole and Ronald S. Lauder; Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William H. Weintraub, and Mary Sisler Bequest (all by exchange).","blurbSource":"catalogue","acquired":"1997","cid":"3832","url":"https://www.moma.org/collection/works/79523","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NTEwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f61fdfdefd5191cf","placement":{"kind":"wall","wall":2,"lane":0,"u":3.921,"y":1.52},"texture":"textures/79523.jpg","thumb":"thumbs/79523.jpg","tags":["1910s","canvas","fauvism","muted","oil","painting","wartime"],"roomTags":[],"docent":"Here we have Composition — a painting by Matisse, nineteen fifteen. It's oil on canvas, about 1.5 by 1 meters."},{"id":79350,"title":"The Blue Window","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, summer 1913","medium":"Oil on canvas","credit":"Abby Aldrich Rockefeller Fund","classification":"Painting","dimensions":"51 1/2 x 35 5/8\" (130.8 x 90.5 cm)","size":[0.905,1.308],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Issy-les-Moulineaux, summer 1913","blurb":"Painting in oil on canvas, Issy-les-Moulineaux, summer 1913. 131 cm × 90 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1939 — Abby Aldrich Rockefeller Fund.","blurbSource":"catalogue","acquired":"1939","cid":"3832","url":"https://www.moma.org/collection/works/79350","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE4NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8bf8b16c6fe44650","placement":{"kind":"wall","wall":0,"lane":0,"u":7.248,"y":1.52},"texture":"textures/79350.jpg","thumb":"thumbs/79350.jpg","seen":["flowers","lamp","interior room"],"tags":["1910s","before the war","canvas","cool","fauvism","interior","muted","oil","painting","flowers","lamp","interior room","calm"],"roomTags":[],"docent":"This is The Blue Window — a painting by Matisse, summer nineteen thirteen. It's oil on canvas, about 1.3 by 0.9 meters."},{"id":80350,"title":"Still Life with Aubergines","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Collioure, summer 1911","medium":"Oil on canvas","credit":"Louise Reinhardt Smith Bequest","classification":"Painting","dimensions":"45 3/4 x 35 1/8\" (116.2 x 89.2 cm)","size":[0.892,1.162],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Collioure, summer 1911","blurb":"Painting in oil on canvas, Collioure, summer 1911. 116 cm × 89 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1995 — Louise Reinhardt Smith Bequest.","blurbSource":"catalogue","acquired":"1995","cid":"3832","url":"https://www.moma.org/collection/works/80350","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2ODczMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=161fe3803af8feb4","placement":{"kind":"wall","wall":1,"lane":0,"u":7.505,"y":1.52},"texture":"textures/80350.jpg","thumb":"thumbs/80350.jpg","tags":["1910s","before the war","canvas","fauvism","golden","muted","oil","painting","still life","joyful"],"roomTags":[],"docent":"Here we have Still Life with Aubergines — a painting by Matisse, from Collioure, summer nineteen eleven. It's oil on canvas, about 1.2 by 0.9 meters."},{"id":79495,"title":"Periwinkles / Moroccan Garden","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Tangier, winter-spring 1912","medium":"Oil, pencil, and charcoal on canvas","credit":"Gift of Florene M. Schoenborn","classification":"Painting","dimensions":"46 x 32 1/2\" (116.8 x 82.5 cm)","size":[0.825,1.168],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil, pencil, and charcoal on canvas, Tangier, winter-spring 1912","blurb":"Painting in oil, pencil, and charcoal on canvas, Tangier, winter-spring 1912. 117 cm × 82 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1985 — Gift of Florene M. Schoenborn.","blurbSource":"catalogue","acquired":"1985","cid":"3832","url":"https://www.moma.org/collection/works/79495","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2ODczMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5e9aa89a4c3a2548","placement":{"kind":"wall","wall":0,"lane":0,"u":8.799,"y":1.52},"texture":"textures/79495.jpg","thumb":"thumbs/79495.jpg","tags":["1910s","before the war","canvas","charcoal","fauvism","oil","painting","eerie"],"roomTags":[],"docent":"This is Periwinkles / Moroccan Garden — a painting by Matisse, from Tangier, winter-spring nineteen twelve. Charcoal — burnt wood, sitting loose on the surface, which is why so little early drawing in it survives."},{"id":78703,"title":"Music (Sketch)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Collioure, spring-summer 1907","medium":"Oil and charcoal on canvas","credit":"Gift of A. Conger Goodyear in honor of Alfred H. Barr, Jr.","classification":"Painting","dimensions":"29 x 24\" (73.4 x 60.8 cm)","size":[0.608,0.734],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and charcoal on canvas, Collioure, spring-summer 1907","blurb":"Painting in oil and charcoal on canvas, Collioure, spring-summer 1907. 73 cm × 61 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1962 — Gift of A. Conger Goodyear in honor of Alfred H. Barr, Jr.","blurbSource":"catalogue","acquired":"1962","cid":"3832","url":"https://www.moma.org/collection/works/78703","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NzQyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=57ad9435e6b0cfa9","placement":{"kind":"wall","wall":2,"lane":0,"u":5.406,"y":1.52},"texture":"textures/78703.jpg","thumb":"thumbs/78703.jpg","tags":["1900s","before the war","canvas","charcoal","fauvism","music","muted","oil","painting","somber"],"roomTags":[],"docent":"You're looking at Music (Sketch) — a painting by Matisse, spring-summer nineteen oh seven. It's oil and charcoal on canvas, about 73 by 61 centimeters."},{"id":79542,"title":"Landscape at Collioure","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Collioure, summer 1905","medium":"Oil on canvas","credit":"Gift and bequest of Louise Reinhardt Smith","classification":"Painting","dimensions":"15 1/4 x 18 3/8\" (38.8 x 46.6 cm)","size":[0.467,0.387],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Collioure, summer 1905","blurb":"Painting in oil on canvas, Collioure, summer 1905. 39 cm × 47 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1990 — Gift and bequest of Louise Reinhardt Smith.","blurbSource":"catalogue","acquired":"1990","cid":"3832","url":"https://www.moma.org/collection/works/79542","imageURL":"https://www.moma.org/media/W1siZiIsIjQ3NjkwOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5257ab8b144cdd01","placement":{"kind":"wall","wall":1,"lane":0,"u":8.978,"y":1.52},"texture":"textures/79542.jpg","thumb":"thumbs/79542.jpg","tags":["1900s","before the war","canvas","fauvism","landscape","muted","oil","painting","warm","joyful"],"roomTags":[],"docent":"Before you is Landscape at Collioure — a painting by Matisse, summer nineteen oh five. It's oil on canvas, about 39 by 47 centimeters."},{"id":80785,"title":"Jeannette (I)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, January - March (?) 1910","medium":"Bronze","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"13 x 9 x 10\" (33 x 22.8 x 25.5 cm)","size":[0.228,0.33],"depth":0.255,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Issy-les-Moulineaux, January - March","blurb":"Sculpture in bronze, Issy-les-Moulineaux, January - March. 33 cm × 23 cm × 26 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1951 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1951","cid":"3832","url":"https://www.moma.org/collection/works/80785","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTg5OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=910a6a7933a98cf2","placement":{"kind":"case","case":0,"x":5.412,"z":4.996,"y":1.025},"texture":"textures/80785.jpg","thumb":"thumbs/80785.jpg","seen":["portrait of a person","carved figure"],"tags":["1910s","before the war","bright","bronze","fauvism","intimate","monochrome","sculpture","portrait of a person","carved figure"],"roomTags":[],"docent":"This is Jeannette, the first of five. Matisse modelled the head of a young woman called Jeanne Vaderin from life, and this one still looks like her — the hair arranged, the features where you expect to find them. Keep it in mind as you pass the other four, because it is the last time she is recognisable."},{"id":81412,"title":"Jeannette (II)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, January - March (?) 1910","medium":"Bronze","credit":"Gift of Sidney Janis","classification":"Sculpture","dimensions":"10 3/8 x 8 1/4 x 9 5/8\" (26.2 x 21 x 24.5 cm)","size":[0.21,0.262],"depth":0.245,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Issy-les-Moulineaux, January - March","blurb":"Sculpture in bronze, Issy-les-Moulineaux, January - March. 26 cm × 21 cm × 24 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1955 — Gift of Sidney Janis.","blurbSource":"catalogue","acquired":"1955","cid":"3832","url":"https://www.moma.org/collection/works/81412","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTg3NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b81bffabccb2a3ce","placement":{"kind":"case","case":0,"x":5.955,"z":4.996,"y":0.991},"texture":"textures/81412.jpg","thumb":"thumbs/81412.jpg","seen":["carved figure","portrait of a person","human face"],"tags":["1910s","before the war","bright","bronze","fauvism","intimate","monochrome","sculpture","carved figure","portrait of a person","human face"],"roomTags":[],"docent":"Jeannette, the second. Barely a year on and the modelling has coarsened deliberately: the surface is worked in lumps, the likeness beginning to loosen. Matisse is still describing a face, but he has stopped being polite about it."},{"id":80791,"title":"Jeannette (III)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911","medium":"Bronze","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"23 3/4 x 10 1/4 x 11\" (60.3 x 26 x 28 cm)","size":[0.26,0.603],"depth":0.28,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911","blurb":"Sculpture in bronze, Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911. 60 cm × 26 cm × 28 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1952 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1952","cid":"3832","url":"https://www.moma.org/collection/works/80791","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTkxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9ed71f5e843c794a","placement":{"kind":"case","case":0,"x":6.498,"z":4.996,"y":1.161},"texture":"textures/80791.jpg","thumb":"thumbs/80791.jpg","seen":["carved figure"],"tags":["1910s","before the war","bright","bronze","fauvism","monochrome","sculpture","carved figure"],"roomTags":[],"docent":"The third Jeannette. Here the hair breaks away from the head and becomes its own mass, and the nose lengthens past anything anatomy would allow. This is the point in the sequence where the sitter stops being the subject and the sculpture starts being it."},{"id":80798,"title":"Jeannette (IV)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911","medium":"Bronze","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"24 1/8 x 10 3/4 x 11 1/4\" (61.3 x 27.4 x 28.7 cm)","size":[0.274,0.613],"depth":0.287,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911","blurb":"Sculpture in bronze, Issy-les-Moulineaux, April - September 1910 or February - mid-July 1911. 61 cm × 27 cm × 29 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1952 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1952","cid":"3832","url":"https://www.moma.org/collection/works/80798","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTkxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e1834cc1a2c52bfc","placement":{"kind":"case","case":0,"x":7.042,"z":4.996,"y":1.166},"texture":"textures/80798.jpg","thumb":"thumbs/80798.jpg","seen":["carved figure"],"tags":["1910s","before the war","bright","bronze","fauvism","monochrome","sculpture","carved figure"],"roomTags":[],"docent":"The fourth. The features are now blocks and hollows, arranged for balance rather than resemblance — a head assembled from the idea of a head. If you have come along the row in order you have watched a portrait turn into architecture."},{"id":80801,"title":"Jeannette (V)","artist":"Henri Matisse","artistBio":"(French, 1869–1954)","artistGender":"(male)","date":"Issy-les-Moulineaux, summer 1916","medium":"Bronze","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"22 7/8 x 8 3/8 x 10 5/8\" (58.1 x 21.3 x 27.1 cm)","size":[0.213,0.581],"depth":0.271,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, Issy-les-Moulineaux, summer 1916","blurb":"Sculpture in bronze, Issy-les-Moulineaux, summer 1916. 58 cm × 21 cm × 27 cm. Henri Matisse (French, 1869–1954). Acquired by the Museum in 1952 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1952","cid":"3832","url":"https://www.moma.org/collection/works/80801","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTg1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=520b88cde362c682","placement":{"kind":"case","case":1,"x":8.283,"z":4.996,"y":1.15},"texture":"textures/80801.jpg","thumb":"thumbs/80801.jpg","seen":["carved figure"],"tags":["1910s","bright","bronze","fauvism","monochrome","sculpture","wartime","carved figure"],"roomTags":[],"docent":"Jeannette, the fifth and last, from nineteen sixteen — six years after the first. One eye is a smooth swelling, the other a socket; the face is gouged down to almost nothing. Nobody would recognise Jeanne Vaderin here, and that was the point of taking five goes at it."}]},{"gallery":"507","title":"Katarzyna Kobro, Shaping Space","origin":[36.83,0.0],"polygon":[[0.0,0.0],[6.28,0.0],[6.28,15.987],[0.0,15.987]],"size":[6.28,15.99],"ceiling":4.6,"outdoor":false,"doors":[[1,7.99,1.6],[3,8.0,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,6.8],"height":4.6,"kind":"perimeter","edge":3},{"origin":[6.28,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":1},{"origin":[6.28,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[9.200000000000001,15.437],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.73],"height":4.6,"kind":"perimeter","edge":0},{"origin":[6.28,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.73],"height":4.6,"kind":"perimeter","edge":2}],"decor":null,"intro":"14 works, 1914–2017 — Ulrike Müller and Kazimir Malevich; mostly painting and sculpture.","music":"modal","artworks":[{"id":91770,"title":"Neoconcrete Relief","artist":"Hélio Oiticica","artistBio":"(Brazilian, 1937–1980)","artistGender":"(male)","date":"1960","medium":"Oil on wood","credit":"Gift of Patricia Phelps de Cisneros in honor of Gary Garrels","classification":"Painting","dimensions":"37 7/8 x 51 1/4\" (96 x 130 cm)","size":[1.3,0.96],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on wood, 1960","blurb":"Painting in oil on wood, 1960. 96 cm × 130 cm. Hélio Oiticica (Brazilian, 1937–1980). Acquired by the Museum in 2004 — Gift of Patricia Phelps de Cisneros in honor of Gary Garrels.","blurbSource":"catalogue","acquired":"2004","cid":"7715","url":"https://www.moma.org/collection/works/91770","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTEzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b3f6304b8684f085","placement":{"kind":"wall","wall":0,"lane":0,"u":1.2,"y":1.52},"texture":"textures/91770.jpg","thumb":"thumbs/91770.jpg","seen":["abstract geometric"],"tags":["1960s","bright","muted","oil","painting","warm","wood","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This one's called Neoconcrete Relief — a painting by Hélio Oiticica, nineteen sixty. The piece is oil on wood, about 1 by 1.3 meters. You can pick out the abstract geometric."},{"id":78444,"title":"Painterly Architectonic","artist":"Liubov Popova","artistBio":"(Russian, 1889–1924)","artistGender":"(female)","date":"1917","medium":"Oil on canvas","credit":"Philip Johnson Fund","classification":"Painting","dimensions":"31 1/2 x 38 5/8\" (80 x 98 cm)","size":[0.98,0.8],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1917","blurb":"Painting in oil on canvas, 1917. 80 cm × 98 cm. Liubov Popova (Russian, 1889–1924). Acquired by the Museum in 1958 — Philip Johnson Fund.","blurbSource":"catalogue","acquired":"1958","cid":"4694","url":"https://www.moma.org/collection/works/78444","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MjMyMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ff2c40ebbee73fad","placement":{"kind":"wall","wall":1,"lane":0,"u":9.68,"y":1.52},"texture":"textures/78444.jpg","thumb":"thumbs/78444.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1910s","canvas","constructivism","golden","muted","oil","painting","wartime","women artists","abstract geometric","abstract shapes"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"Before you is Painterly Architectonic — a painting by the Russian artist Liubov Popova, nineteen seventeen. Popova was part of the Constructivism movement. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. In the picture, look for the abstract shapes."},{"id":80385,"title":"Suprematist Composition: White on White","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1918","medium":"Oil on canvas","credit":"1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)","classification":"Painting","dimensions":"31 1/4 x 31 1/4\" (79.4 x 79.4 cm)","size":[0.794,0.794],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1918","blurb":"Painting in oil on canvas, 1918. 79 cm × 79 cm. Kazimir Malevich (Russian, born Ukraine. 1878–1935). Acquired by the Museum in 1935 — 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange).","blurbSource":"catalogue","acquired":"1935","cid":"3710","url":"https://www.moma.org/collection/works/80385","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NDg0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bb652d024b3f1dfd","placement":{"kind":"wall","wall":2,"lane":0,"u":0.947,"y":1.52},"texture":"textures/80385.jpg","thumb":"thumbs/80385.jpg","seen":["abstract geometric"],"tags":["1910s","bright","canvas","muted","oil","painting","suprematism","warm","wartime","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This is Suprematist Composition: White on White, painted by Malevich in nineteen eighteen, a year after the Russian Revolution. He meant it as painting's zero point — a white square, tilted, on white. There is nowhere further to go in that direction, which was rather the idea."},{"id":205952,"title":"Untitled","artist":"Elsa Gramcko","artistBio":"(Venezuelan, 1925–1994)","artistGender":"(female)","date":"1957","medium":"Oil on canvas","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund","classification":"Painting","dimensions":"39 3/8 × 13\" (100 × 33 cm)","size":[0.33,1.0],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1957","blurb":"Painting in oil on canvas, 1957. 100 cm × 33 cm. Elsa Gramcko (Venezuelan, 1925–1994). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund.","blurbSource":"catalogue","acquired":"2016","cid":"50002","url":"https://www.moma.org/collection/works/205952","imageURL":"https://www.moma.org/media/W1siZiIsIjYwOTU5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=78dc4346045c272e","placement":{"kind":"wall","wall":2,"lane":0,"u":2.888,"y":1.52},"texture":"textures/205952.jpg","thumb":"thumbs/205952.jpg","seen":["abstract geometric"],"tags":["1950s","canvas","cool","dark","muted","oil","painting","women artists","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"You're looking at Untitled — a painting by Elsa Gramcko, nineteen fifty-seven. The piece is oil on canvas, about 1 by 0.3 meters."},{"id":80502,"title":"Composition","artist":"El Lissitzky","artistBio":"(Russian, 1890–1941)","artistGender":"(male)","date":"1922","medium":"Oil and tempera on wood","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"27 3/8 x 24 1/4\" (69.7 x 61.7 cm)","size":[0.617,0.697],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and tempera on wood, 1922","blurb":"Painting in oil and tempera on wood, 1922. 70 cm × 62 cm. El Lissitzky (Russian, 1890–1941). Acquired by the Museum in 1985 — The Riklis Collection of McCrory Corporation.","blurbSource":"catalogue","acquired":"1985","cid":"3569","url":"https://www.moma.org/collection/works/80502","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MjU4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=17dbff24e541dc62","placement":{"kind":"wall","wall":1,"lane":0,"u":11.749,"y":1.52},"texture":"textures/80502.jpg","thumb":"thumbs/80502.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1920s","bright","constructivism","golden","muted","oil","painting","tempera","wood","abstract geometric","abstract shapes"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This is Composition — a painting by the Russian artist El Lissitzky, nineteen twenty-two. Tempera: pigment bound in egg, which dries within minutes and cannot be blended once down."},{"id":79269,"title":"Suprematist Composition: Airplane Flying","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1915 (dated on reverse 1914)","medium":"Oil on canvas","credit":"1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)","classification":"Painting","dimensions":"22 7/8 x 19\" (58.1 x 48.3 cm)","size":[0.483,0.581],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1915","blurb":"Painting in oil on canvas, 1915. 58 cm × 48 cm. Kazimir Malevich (Russian, born Ukraine. 1878–1935). Acquired by the Museum in 1935 — 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange).","blurbSource":"catalogue","acquired":"1935","cid":"3710","url":"https://www.moma.org/collection/works/79269","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bdb2b2471a694bf7","placement":{"kind":"wall","wall":0,"lane":0,"u":3.3,"y":1.52},"texture":"textures/79269.jpg","thumb":"thumbs/79269.jpg","seen":["abstract geometric"],"tags":["1910s","bright","canvas","muted","oil","painting","suprematism","warm","wartime","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This one's called Suprematist Composition: Airplane Flying — a painting by Malevich, nineteen fifteen (dated on reverse nineteen fourteen). Malevich was part of the Suprematism movement. The piece is oil on canvas, about 58 by 48 centimeters."},{"id":80383,"title":"Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1915","medium":"Oil on canvas","credit":"1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)","classification":"Painting","dimensions":"28 x 17 1/2\" (71.1 x 44.5 cm)","size":[0.445,0.711],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1915","blurb":"Painting in oil on canvas, 1915. 71 cm × 44 cm. Kazimir Malevich (Russian, born Ukraine. 1878–1935). Acquired by the Museum in 1935 — 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange).","blurbSource":"catalogue","acquired":"1935","cid":"3710","url":"https://www.moma.org/collection/works/80383","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MjQ5NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b53b299292efe4a3","placement":{"kind":"wall","wall":2,"lane":0,"u":4.654,"y":1.52},"texture":"textures/80383.jpg","thumb":"thumbs/80383.jpg","seen":["abstract geometric"],"tags":["1910s","bright","canvas","figure","monochrome","oil","painting","suprematism","warm","wartime","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This one's called Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension — a painting by Malevich, nineteen fifteen. The piece is oil on canvas, about 71 by 44 centimeters."},{"id":284354,"title":"Some","artist":"Ulrike Müller","artistBio":"(Austrian, born 1971)","artistGender":"(female)","date":"2017","medium":"Vitreous enamel on steel","credit":"Fund for the Twenty-First Century","classification":"Painting","dimensions":"15 1/2 × 12\" (39.4 × 30.5 cm)","size":[0.305,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in vitreous enamel on steel, 2017","blurb":"Painting in vitreous enamel on steel, 2017. 39 cm × 30 cm. Ulrike Müller (Austrian, born 1971). Acquired by the Museum in 2018 — Fund for the Twenty-First Century.","blurbSource":"catalogue","acquired":"2018","cid":"46544","url":"https://www.moma.org/collection/works/284354","imageURL":"https://www.moma.org/media/W1siZiIsIjU4MjA1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c60b895f583c52ce","placement":{"kind":"wall","wall":1,"lane":0,"u":13.479,"y":1.52},"texture":"textures/284354.jpg","thumb":"thumbs/284354.jpg","seen":["abstract geometric"],"tags":["2010s","bright","intimate","painting","steel","warm","women artists","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This one's called Some — a painting by the Austrian artist Ulrike Müller, two thousand seventeen. Vitreous enamel on steel — about 39 by 30 centimeters."},{"id":292571,"title":"Some","artist":"Ulrike Müller","artistBio":"(Austrian, born 1971)","artistGender":"(female)","date":"2017","medium":"Vitreous enamel on steel","credit":"Fund for the Twenty-First Century","classification":"Painting","dimensions":"15 1/2 × 12\" (39.4 × 30.5 cm)","size":[0.305,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in vitreous enamel on steel, 2017","blurb":"Painting in vitreous enamel on steel, 2017. 39 cm × 30 cm. Ulrike Müller (Austrian, born 1971). Acquired by the Museum in 2018 — Fund for the Twenty-First Century.","blurbSource":"catalogue","acquired":"2018","cid":"46544","url":"https://www.moma.org/collection/works/292571","imageURL":"https://www.moma.org/media/W1siZiIsIjU4MjA1MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c485bd001f119372","placement":{"kind":"wall","wall":0,"lane":0,"u":4.903,"y":1.52},"texture":"textures/292571.jpg","thumb":"thumbs/292571.jpg","seen":["abstract shapes","abstract geometric"],"tags":["2010s","intimate","painting","steel","vivid","women artists","abstract shapes","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"Before you is Some — a painting by Müller, two thousand seventeen. It's vitreous enamel on steel, about 39 by 30 centimeters. Measured, it is among the most saturated surfaces in this museum — 48 where the typical work sits at 11."},{"id":292572,"title":"Some","artist":"Ulrike Müller","artistBio":"(Austrian, born 1971)","artistGender":"(female)","date":"2017","medium":"Vitreous enamel on steel","credit":"Fund for the Twenty-First Century","classification":"Painting","dimensions":"15 1/2 × 12\" (39.4 × 30.5 cm)","size":[0.305,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in vitreous enamel on steel, 2017","blurb":"Painting in vitreous enamel on steel, 2017. 39 cm × 30 cm. Ulrike Müller (Austrian, born 1971). Acquired by the Museum in 2018 — Fund for the Twenty-First Century.","blurbSource":"catalogue","acquired":"2018","cid":"46544","url":"https://www.moma.org/collection/works/292572","imageURL":"https://www.moma.org/media/W1siZiIsIjU4MjA1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b5914f1905d31b1d","placement":{"kind":"wall","wall":2,"lane":0,"u":6.407,"y":1.52},"texture":"textures/292572.jpg","thumb":"thumbs/292572.jpg","seen":["abstract geometric","abstract shapes"],"tags":["2010s","cool","intimate","muted","painting","steel","women artists","abstract geometric","abstract shapes"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"Before you is Some — a painting by Müller, two thousand seventeen. The piece is vitreous enamel on steel, about 39 by 30 centimeters."},{"id":292573,"title":"Some","artist":"Ulrike Müller","artistBio":"(Austrian, born 1971)","artistGender":"(female)","date":"2017","medium":"Vitreous enamel on steel","credit":"Fund for the Twenty-First Century","classification":"Painting","dimensions":"15 1/2 × 12\" (39.4 × 30.5 cm)","size":[0.305,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in vitreous enamel on steel, 2017","blurb":"Painting in vitreous enamel on steel, 2017. 39 cm × 30 cm. Ulrike Müller (Austrian, born 1971). Acquired by the Museum in 2018 — Fund for the Twenty-First Century.","blurbSource":"catalogue","acquired":"2018","cid":"46544","url":"https://www.moma.org/collection/works/292573","imageURL":"https://www.moma.org/media/W1siZiIsIjU4MjA1NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=664e445370339abb","placement":{"kind":"wall","wall":1,"lane":0,"u":15.054,"y":1.52},"texture":"textures/292573.jpg","thumb":"thumbs/292573.jpg","seen":["abstract geometric","abstract shapes"],"tags":["2010s","bright","intimate","muted","painting","steel","warm","women artists","abstract geometric","abstract shapes"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"Before you is Some — a painting by Müller, two thousand seventeen. Vitreous enamel on steel — about 39 by 30 centimeters."},{"id":292574,"title":"Some","artist":"Ulrike Müller","artistBio":"(Austrian, born 1971)","artistGender":"(female)","date":"2017","medium":"Vitreous enamel on steel","credit":"Fund for the Twenty-First Century","classification":"Painting","dimensions":"15 1/2 × 12\" (39.4 × 30.5 cm)","size":[0.305,0.394],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in vitreous enamel on steel, 2017","blurb":"Painting in vitreous enamel on steel, 2017. 39 cm × 30 cm. Ulrike Müller (Austrian, born 1971). Acquired by the Museum in 2018 — Fund for the Twenty-First Century.","blurbSource":"catalogue","acquired":"2018","cid":"46544","url":"https://www.moma.org/collection/works/292574","imageURL":"https://www.moma.org/media/W1siZiIsIjU4MjA1MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cd0b488e6178de24","placement":{"kind":"wall","wall":0,"lane":0,"u":6.417,"y":1.52},"texture":"textures/292574.jpg","thumb":"thumbs/292574.jpg","seen":["abstract shapes","abstract geometric"],"tags":["2010s","intimate","muted","painting","steel","warm","women artists","abstract shapes","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This one's called Some — a painting by Müller, two thousand seventeen. Vitreous enamel on steel — about 39 by 30 centimeters."},{"id":81043,"title":"Spatial Construction no. 12","artist":"Aleksandr Rodchenko","artistBio":"(Russian, 1891–1956)","artistGender":"(male)","date":"c. 1920","medium":"Plywood, open construction partially painted with aluminum paint, and wire","credit":"Acquisition made possible through the extraordinary efforts of George and Zinaida Costakis, and through the Nate B. and Frances Spingold, Matthew H. and Erna Futter, and Enid A. Haupt Funds","classification":"Sculpture","dimensions":"24 x 33 x 18 1/2\" (61 x 83.7 x 47 cm)","size":[0.837,0.61],"depth":0.47,"sizeSource":"cc0-columns","summary":"Sculpture in plywood, c. 1920","blurb":"Sculpture in plywood, c. 1920. 61 cm × 84 cm × 47 cm. Aleksandr Rodchenko (Russian, 1891–1956). Acquired by the Museum in 1986 — Acquisition made possible through the extraordinary efforts of George and Zinaida Costakis, and through the Nate B. and Frances Spingold, Matthew H. and Erna Futter, and Enid A. Haupt Funds.","blurbSource":"catalogue","acquired":"1986","cid":"4975","url":"https://www.moma.org/collection/works/81043","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDQ5MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5829a904222d8c0d","placement":{"kind":"plinth","x":3.14,"z":6.714,"plinth":0.945,"fw":1.187,"fd":0.82,"face":[0,-1]},"texture":"textures/81043.jpg","thumb":"thumbs/81043.jpg","tags":["1920s","aluminum","bright","constructivism","monochrome","sculpture","warm"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"This is Spatial Construction number 12, made by Aleksandr Rodchenko around nineteen twenty — concentric shapes cut from a single sheet of plywood, then opened out and hung so they hold themselves apart in the air. Collapse it and it goes flat again. He made a whole series on that principle."},{"id":91767,"title":"Poetic Shelter","artist":"Lygia Clark","artistBio":"(Brazilian, 1920–1988)","artistGender":"(female)","date":"1964","medium":"Painted metal\r\n\r\n","credit":"Gift of Patricia Phelps de Cisneros in honor of Milan Hughston","classification":"Sculpture","dimensions":"5 1/2 x 24 x 20 1/8\" (14 x 63 x 51 cm)","size":[0.63,0.14],"depth":0.51,"sizeSource":"cc0-columns","summary":"Sculpture in painted metal, 1964","blurb":"Sculpture in painted metal, 1964. 14 cm × 63 cm × 51 cm. Lygia Clark (Brazilian, 1920–1988). Acquired by the Museum in 2004 — Gift of Patricia Phelps de Cisneros in honor of Milan Hughston.","blurbSource":"catalogue","acquired":"2004","cid":"27445","url":"https://www.moma.org/collection/works/91767","imageURL":"https://www.moma.org/media/W1siZiIsIjE2OTEyOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=59e08138155d9b82","placement":{"kind":"plinth","x":3.14,"z":9.254,"plinth":1.1,"fw":0.98,"fd":0.86,"face":[0,-1]},"texture":"textures/91767.jpg","thumb":"thumbs/91767.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1960s","bright","monochrome","sculpture","women artists","abstract shapes","abstract geometric"],"roomTags":["katarzyna","kobro","shaping","space"],"docent":"You're looking at Poetic Shelter — a sculpture by Lygia Clark, nineteen sixty-four. Painted metal — about 14 by 63 centimeters. It is an odd shape for a picture: about 0.6 metres one way and 0.1 the other, so it reads as a band rather than a window. Clark was part of the Antropophagia movement."}]},{"gallery":"508","title":"Brancusi and Abstraction","origin":[23.12,0.0],"polygon":[[0.0,0.0],[11.419,0.0],[11.419,15.987],[0.0,15.987]],"size":[11.42,15.99],"ceiling":4.6,"outdoor":false,"doors":[[3,7.99,1.6],[1,7.99,1.6]],"partitions":[],"cases":[{"x":4.229,"z":6.894,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,10.869],"height":4.6,"kind":"perimeter","edge":0},{"origin":[11.419,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,10.869],"height":4.6,"kind":"perimeter","edge":2},{"origin":[11.419,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":3},{"origin":[11.419,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"10 works, 1910–1930 — Constantin Brancusi and Jean (Hans) Arp; mostly sculpture and painting.","music":"blues","artworks":[{"id":80387,"title":"Suprematist Painting","artist":"Kazimir Malevich","artistBio":"(Russian, born Ukraine. 1878–1935)","artistGender":"(male)","date":"1916-17","medium":"Oil on canvas","credit":"1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)","classification":"Painting","dimensions":"38 1/2 x 26 1/8\" (97.8 x 66.4 cm)","size":[0.664,0.978],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1916-17","blurb":"Painting in oil on canvas, 1916-17. 98 cm × 66 cm. Kazimir Malevich (Russian, born Ukraine. 1878–1935). Acquired by the Museum in 1935 — 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange).","blurbSource":"catalogue","acquired":"1935","cid":"3710","url":"https://www.moma.org/collection/works/80387","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6e31940469bfe1b5","placement":{"kind":"wall","wall":0,"lane":0,"u":4.338,"y":1.52},"texture":"textures/80387.jpg","thumb":"thumbs/80387.jpg","seen":["abstract geometric"],"tags":["1910s","bright","canvas","muted","oil","painting","suprematism","warm","wartime","abstract geometric"],"roomTags":["abstraction"],"docent":"Here we have Suprematist Painting — a painting by Kazimir Malevich, nineteen sixteen to nineteen seventeen. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. You can pick out the abstract geometric. Malevich was part of the Suprematism movement."},{"id":80692,"title":"Composition with Color Planes 5","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1917","medium":"Oil on canvas","credit":"The Sidney and Harriet Janis Collection","classification":"Painting","dimensions":"19 3/8 x 24 1/8\" (49 x 61.2 cm)","size":[0.612,0.49],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1917","blurb":"Painting in oil on canvas, 1917. 49 cm × 61 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1967 — The Sidney and Harriet Janis Collection.","blurbSource":"catalogue","acquired":"1967","cid":"4057","url":"https://www.moma.org/collection/works/80692","imageURL":"https://www.moma.org/media/W1siZiIsIjI5MjQ0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a05d1458a6013268","placement":{"kind":"wall","wall":0,"lane":0,"u":6.876,"y":1.52},"texture":"textures/80692.jpg","thumb":"thumbs/80692.jpg","seen":["abstract geometric"],"tags":["1910s","abstraction","bright","canvas","de stijl","muted","oil","painting","warm","wartime","abstract geometric"],"roomTags":["abstraction"],"docent":"You're looking at Composition with Color Planes 5 — a painting by Piet Mondrian, nineteen seventeen. It's oil on canvas, about 49 by 61 centimeters."},{"id":81655,"title":"The Newborn","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"version I, 1920","medium":"Bronze","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"5 3/4 x 8 1/4 x 5 3/4\" (14.6 x 21 x 14.6 cm)","size":[0.21,0.146],"depth":0.146,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, version I, 1920","blurb":"Sculpture in bronze, version I, 1920. 15 cm × 21 cm × 15 cm. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1943 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1943","cid":"738","url":"https://www.moma.org/collection/works/81655","imageURL":"https://www.moma.org/media/W1siZiIsIjE5OTA1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b196ca4ffc3045c2","placement":{"kind":"case","case":0,"x":3.804,"z":6.894,"y":0.933},"texture":"textures/81655.jpg","thumb":"thumbs/81655.jpg","tags":["1920s","abstraction","bright","bronze","intimate","monochrome","sculpture","warm"],"roomTags":["abstraction"],"docent":"This is The Newborn — a sculpture by the French artist Constantin Brancusi, from version I, nineteen twenty. Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."},{"id":81505,"title":"Young Bird","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"Paris 1928","medium":"Bronze 16 x 8 1/4 x 12\" (40.5 x 21 x 30.4 cm), on a two-part pedestal of limestone 9 1/4\" (23.5 cm) high, and oak 23 3/4\" (60.3 cm) high (carved by the artist)","credit":"Gift of Mr. and Mrs. William A. M. Burden","classification":"Sculpture","dimensions":"","size":[0.21,0.406],"depth":0.305,"sizeSource":"cc0-columns","summary":"Sculpture in bronze 16 x 8 1/4 x 12\", Paris 1928","blurb":"Sculpture in bronze 16 x 8 1/4 x 12\", Paris 1928. 41 cm × 21 cm × 30 cm. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1985 — Gift of Mr. and Mrs. William A. M. Burden.","blurbSource":"catalogue","acquired":"1985","cid":"738","url":"https://www.moma.org/collection/works/81505","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTkwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bcfe48ae6c52a3d3","placement":{"kind":"case","case":0,"x":4.654,"z":6.894,"y":1.063},"texture":"textures/81505.jpg","thumb":"thumbs/81505.jpg","seen":["carved figure","table"],"tags":["1920s","abstraction","animals","bronze","monochrome","sculpture","warm","carved figure","table"],"roomTags":["abstraction"],"docent":"This is Young Bird, cast in bronze in Paris in nineteen twenty-eight, standing on limestone and on an oak footing that Brancusi carved himself. He made his own pedestals throughout his career, and the rough oak under the polished bronze is a deliberate collision."},{"id":81018,"title":"Maiastra","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"1910-12","medium":"White marble 22\" (55.9 cm) high, on three-part limestone pedestal 70\" (177.8 cm) high, of which the middle section is Double Caryatid, c. 1908","credit":"Katherine S. Dreier Bequest","classification":"Sculpture","dimensions":"","size":[0.324,2.337],"depth":0.27,"sizeSource":"cc0-columns","summary":"Sculpture in white marble 22\", 1910-12","blurb":"Sculpture in white marble 22\", 1910-12. 2.34 m × 0.32 m × 0.27 m. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1953 — Katherine S. Dreier Bequest.","blurbSource":"catalogue","acquired":"1953","cid":"738","url":"https://www.moma.org/collection/works/81018","imageURL":"https://www.moma.org/media/W1siZiIsIjIyMTYzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=971ac94130261406","placement":{"kind":"plinth","x":5.537,"z":6.894,"plinth":0.55,"fw":0.674,"fd":0.62,"face":[0,-1]},"texture":"textures/81018.jpg","thumb":"thumbs/81018.jpg","seen":["carved figure"],"tags":["1910s","abstraction","before the war","marble","monochrome","monumental","sculpture","carved figure"],"roomTags":["abstraction"],"docent":"Before you is Maiastra, a white marble bird on a limestone pedestal whose middle section is itself a sculpture — Double Caryatid, carved a couple of years earlier. The Maiastra is a magical bird from Romanian folklore, and Brancusi returned to it for the rest of his life, refining it toward the Bird in Space nearby."},{"id":81729,"title":"Endless Column","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"version I, 1918","medium":"Oak","credit":"Gift of Mary Sisler","classification":"Sculpture","dimensions":"6' 8\" x 9 7/8\" x 9 5/8\" (203.2 x 25.1 x 24.5 cm)","size":[0.251,2.032],"depth":0.245,"sizeSource":"cc0-columns","summary":"Sculpture in oak, version I, 1918","blurb":"Sculpture in oak, version I, 1918. 2.03 m × 0.25 m × 0.24 m. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1983 — Gift of Mary Sisler.","blurbSource":"catalogue","acquired":"1983","cid":"738","url":"https://www.moma.org/collection/works/81729","imageURL":"https://www.moma.org/media/W1siZiIsIjMxMzg1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4d0094622c85e07f","placement":{"kind":"plinth","x":6.294,"z":6.894,"plinth":0.55,"fw":0.601,"fd":0.595,"face":[0,-1]},"texture":"textures/81729.jpg","thumb":"thumbs/81729.jpg","seen":["carved figure"],"tags":["1910s","abstraction","bright","monochrome","monumental","sculpture","wartime","carved figure"],"roomTags":["abstraction"],"docent":"Before you is Endless Column — a sculpture by Brancusi, nineteen eighteen. It's oak, about 2 by 0.3 meters. It is an odd shape for a picture: about 2.0 metres one way and 0.3 the other, so it reads as a band rather than a window."},{"id":81093,"title":"Socrates","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"1922","medium":"Oak 43 3/4 x 11 3/8 x 14 1/2\" (111 x 28.8 x 36.8 cm), on oak footing 7 1/2 x 9 3/4 x 10 5/8\" (18.8 x 24.6 x 27 cm), overall 51 1/4\" (130 cm) high. Limestone cylinder, 11 7/8\" (30.2 cm) high","credit":"Mrs. Simon Guggenheim Fund","classification":"Sculpture","dimensions":"","size":[0.289,1.111],"depth":0.368,"sizeSource":"cc0-columns","summary":"Sculpture in oak 43 3/4 x 11 3/8 x 14 1/2\", 1922","blurb":"Sculpture in oak 43 3/4 x 11 3/8 x 14 1/2\", 1922. 111 cm × 29 cm × 37 cm. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1956 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1956","cid":"738","url":"https://www.moma.org/collection/works/81093","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODY0NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=448dc5fb00ccef8a","placement":{"kind":"plinth","x":7.034,"z":6.894,"plinth":0.695,"fw":0.639,"fd":0.718,"face":[0,-1]},"texture":"textures/81093.jpg","thumb":"thumbs/81093.jpg","seen":["carved figure"],"tags":["1920s","abstraction","bright","monochrome","sculpture","carved figure"],"roomTags":["abstraction"],"docent":"This is Socrates, carved in oak in nineteen twenty-two — a tall form pierced through by a hole that runs its length. Brancusi is said to have described it as the philosopher who sees everything. Whether or not he did, the object does have a single eye and an empty interior."},{"id":81033,"title":"Bird in Space","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"1928","medium":"Bronze","credit":"Given anonymously","classification":"Sculpture","dimensions":"54 x 8 1/2 x 6 1/2\" (137.2 x 21.6 x 16.5 cm)","size":[0.216,1.372],"depth":0.165,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1928","blurb":"Sculpture in bronze, 1928. 137 cm × 22 cm × 16 cm. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1934 — Given anonymously.","blurbSource":"catalogue","acquired":"1934","cid":"738","url":"https://www.moma.org/collection/works/81033","imageURL":"https://www.moma.org/media/W1siZiIsIjE0OTgzMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9bad0a7255a2fbf1","placement":{"kind":"plinth","x":7.757,"z":6.894,"plinth":0.564,"fw":0.566,"fd":0.515,"face":[0,-1]},"texture":"textures/81033.jpg","thumb":"thumbs/81033.jpg","seen":["lamp","musical instrument"],"tags":["1920s","abstraction","animals","bronze","monochrome","sculpture","lamp","musical instrument"],"roomTags":["abstraction"],"docent":"Before you is Bird in Space, cast in bronze by Constantin Brancusi in nineteen twenty-eight. In nineteen twenty-six United States customs refused to accept a Bird like this one as art and taxed it as raw metal. Brancusi went to court, and the trial that followed changed how the law defines sculpture."},{"id":81795,"title":"Fish","artist":"Constantin Brancusi","artistBio":"(French, born Romania. 1876–1957)","artistGender":"(male)","date":"Paris 1930","medium":"Blue-gray marble 21 x 71 x 5 1/2\" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8\" (13 cm) high, and two limestone cylinders 13\" (33 cm) high and 11\" (27.9 cm) high x 32 1/8\" (81.5 cm) diameter at widest point","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"","size":[1.803,0.533],"depth":0.14,"sizeSource":"cc0-columns","summary":"Sculpture in blue-gray marble 21 x 71 x 5 1/2\", Paris 1930","blurb":"Sculpture in blue-gray marble 21 x 71 x 5 1/2\", Paris 1930. 53 cm × 180 cm × 14 cm. Constantin Brancusi (French, born Romania. 1876–1957). Acquired by the Museum in 1948 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1948","cid":"738","url":"https://www.moma.org/collection/works/81795","imageURL":"https://www.moma.org/media/W1siZiIsIjE1OTE0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bb455535d1e6835b","placement":{"kind":"plinth","x":5.182,"z":9.243,"plinth":0.984,"fw":2.153,"fd":0.5,"face":[0,-1]},"texture":"textures/81795.jpg","thumb":"thumbs/81795.jpg","seen":["table"],"tags":["1930s","abstraction","marble","monochrome","sculpture","table"],"roomTags":["abstraction"],"docent":"This is Fish, carved by Brancusi in blue-grey marble in nineteen thirty and set on a three-part pedestal he made himself. The pedestal is not furniture — Brancusi treated the base as part of the sculpture, and photographed his studio obsessively to control how the pieces stood together."},{"id":81986,"title":"Enak's Tears (Terrestrial Forms)","artist":"Jean (Hans) Arp","artistBio":"(French, born Germany (Alsace). 1886–1966)","artistGender":"(male)","date":"1917","medium":"Painted wood","credit":"Benjamin Scharps and David Scharps Fund and purchase","classification":"Sculpture","dimensions":"34 x 23 1/8 x 2 3/8\" (86.2 x 58.5 x 6 cm)","size":[0.585,0.862],"depth":0.06,"sizeSource":"cc0-columns","summary":"Sculpture in painted wood, 1917","blurb":"Sculpture in painted wood, 1917. 86 cm × 58 cm × 6 cm. Jean (Hans) Arp (French, born Germany (Alsace). 1886–1966). Acquired by the Museum in 1979 — Benjamin Scharps and David Scharps Fund and purchase.","blurbSource":"catalogue","acquired":"1979","cid":"11","url":"https://www.moma.org/collection/works/81986","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTk5MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0c5714444ae76be3","placement":{"kind":"plinth","x":6.846,"z":9.243,"plinth":0.819,"fw":0.935,"fd":0.5,"face":[0,-1]},"texture":"textures/81986.jpg","thumb":"thumbs/81986.jpg","seen":["abstract shapes"],"tags":["1910s","cool","monochrome","sculpture","wartime","wood","abstract shapes"],"roomTags":["abstraction"],"docent":"Here we have Enak's Tears (Terrestrial Forms) — a sculpture by the French artist Jean (Hans) Arp, nineteen seventeen. The piece is painted wood, about 86 by 58 centimeters. In the picture, look for the abstract shapes. Arp was married to Sophie Taeuber-Arp — who also hangs in this museum."}]},{"gallery":"509","title":"Nature Symbolized","origin":[15.99,0.0],"polygon":[[0.0,0.0],[7.137,0.0],[7.137,15.987],[0.0,15.987]],"size":[7.14,15.99],"ceiling":4.6,"outdoor":false,"doors":[[1,7.99,1.6],[3,7.99,1.6],[2,3.57,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[7.137,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":3},{"origin":[7.137,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,6.587],"height":4.6,"kind":"perimeter","edge":0},{"origin":[7.137,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":2},{"origin":[7.137,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[4.7700000000000005,6.587],"height":4.6,"kind":"perimeter","edge":2}],"decor":null,"intro":"15 works, 1915–1942 — Agnes Pelton and Ansel Adams; mostly painting and photographs.","music":"blues","artworks":[{"id":199984,"title":"The Moon","artist":"Tarsila do Amaral","artistBio":"(Brazilian, 1886–1973)","artistGender":"(female)","date":"1928","medium":"Oil on canvas","credit":"Gift of Joan H. Tisch (by exchange)","classification":"Painting","dimensions":"43 5/16 × 43 5/16\" (110 × 110 cm)","size":[1.1,1.1],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1928","blurb":"Painting in oil on canvas, 1928. 110 cm × 110 cm. Tarsila do Amaral (Brazilian, 1886–1973). Acquired by the Museum in 2019 — Gift of Joan H. Tisch (by exchange).","blurbSource":"catalogue","acquired":"2019","cid":"49158","url":"https://www.moma.org/collection/works/199984","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1MDQyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1e8139def977d204","placement":{"kind":"wall","wall":0,"lane":0,"u":9.74,"y":1.52},"texture":"textures/199984.jpg","thumb":"thumbs/199984.jpg","tags":["1920s","canvas","cool","dark","modernism","muted","oil","painting","women artists","calm"],"roomTags":["nature","symbolized"],"docent":"Before you is The Moon — a painting by the Brazilian artist Tarsila do Amaral, nineteen twenty-eight. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":78658,"title":"Evening Storm, Schoodic, Maine","artist":"Marsden Hartley","artistBio":"(American, 1877–1943)","artistGender":"(male)","date":"1942","medium":"Oil on board","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"30 x 40\" (76.2 x 101.6 cm)","size":[1.016,0.762],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on board, 1942","blurb":"Painting in oil on board, 1942. 76 cm × 102 cm. Marsden Hartley (American, 1877–1943). Acquired by the Museum in 1943 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1943","cid":"2521","url":"https://www.moma.org/collection/works/78658","imageURL":"https://www.moma.org/media/W1siZiIsIjIzNDkwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5fa37ca79c760a13","placement":{"kind":"wall","wall":1,"lane":0,"u":9.848,"y":1.52},"texture":"textures/78658.jpg","thumb":"thumbs/78658.jpg","seen":["sea"],"tags":["1940s","dark","monochrome","oil","painting","warm","sea","dramatic"],"roomTags":["nature","symbolized"],"docent":"This is Evening Storm, Schoodic, Maine — a painting by the American artist Marsden Hartley, nineteen forty-two. The piece is oil on board, about 0.8 by 1 meters. In the picture, look for the sea. Hartley was part of the Dada movement."},{"id":447787,"title":"The Fountains","artist":"Agnes Pelton","artistBio":"(American, born Germany. 1881–1961)","artistGender":"(female)","date":"1926","medium":"Oil on canvas","credit":"Gift of Joan H. Tisch (by exchange)","classification":"Painting","dimensions":"36 1/8 × 32\" (91.8 × 81.3 cm)","size":[0.813,0.918],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1926","blurb":"Painting in oil on canvas, 1926. 92 cm × 81 cm. Agnes Pelton (American, born Germany. 1881–1961). Acquired by the Museum in 2023 — Gift of Joan H. Tisch (by exchange).","blurbSource":"catalogue","acquired":"2023","cid":"136176","url":"https://www.moma.org/collection/works/447787","imageURL":"https://www.moma.org/media/W1siZiIsIjU0ODUzOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=26cd0ee70de464a4","placement":{"kind":"wall","wall":2,"lane":0,"u":1.101,"y":1.52},"texture":"textures/447787.jpg","thumb":"thumbs/447787.jpg","tags":["1920s","canvas","muted","oil","painting","warm","women artists","joyful"],"roomTags":["nature","symbolized"],"docent":"This is The Fountains — a painting by Agnes Pelton, nineteen twenty-six. It's oil on canvas, about 92 by 81 centimeters."},{"id":78677,"title":"Abstraction Blue","artist":"Georgia O'Keeffe","artistBio":"(American, 1887–1986)","artistGender":"(female)","date":"1927","medium":"Oil on canvas","credit":"Acquired through the Helen Acheson Bequest","classification":"Painting","dimensions":"40 1/4 x 30\" (102.1 x 76 cm)","size":[0.76,1.021],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1927","blurb":"Painting in oil on canvas, 1927. 102 cm × 76 cm. Georgia O'Keeffe (American, 1887–1986). Acquired by the Museum in 1979 — Acquired through the Helen Acheson Bequest.","blurbSource":"catalogue","acquired":"1979","cid":"4360","url":"https://www.moma.org/collection/works/78677","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2NzUxOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=66a5d3ed6d531c82","placement":{"kind":"wall","wall":3,"lane":0,"u":0.93,"y":1.52},"texture":"textures/78677.jpg","thumb":"thumbs/78677.jpg","tags":["1920s","canvas","cool","oil","painting","women artists"],"roomTags":["nature","symbolized"],"docent":"You're looking at Abstraction Blue — a painting by the American artist Georgia O'Keeffe, nineteen twenty-seven. The piece is oil on canvas, about 1 by 0.8 meters. O'Keeffe was married to Alfred Stieglitz — who also hangs in this museum."},{"id":79801,"title":"Willows","artist":"Arthur Dove","artistBio":"(American, 1880–1946)","artistGender":"(male)","date":"1940","medium":"Oil on canvas","credit":"Gift of Duncan Phillips","classification":"Painting","dimensions":"25 x 35\" (63.5 x 88.9 cm)","size":[0.889,0.635],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1940","blurb":"Painting in oil on canvas, 1940. 64 cm × 89 cm. Arthur Dove (American, 1880–1946). Acquired by the Museum in 1941 — Gift of Duncan Phillips.","blurbSource":"catalogue","acquired":"1941","cid":"1602","url":"https://www.moma.org/collection/works/79801","imageURL":"https://www.moma.org/media/W1siZiIsIjE4Njc1OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=839f4d23a7e4c2f3","placement":{"kind":"wall","wall":3,"lane":0,"u":3.101,"y":1.52},"texture":"textures/79801.jpg","thumb":"thumbs/79801.jpg","seen":["house"],"tags":["1940s","canvas","dark","golden","oil","painting","house","eerie"],"roomTags":["nature","symbolized"],"docent":"You're looking at Willows — a painting by the American artist Arthur Dove, nineteen forty. The piece is oil on canvas, about 64 by 89 centimeters. In the picture, look for the house."},{"id":33333,"title":"Snake and Moon","artist":"Morris Graves","artistBio":"(American, 1910–2001)","artistGender":"(male)","date":"1938–39","medium":"Gouache and watercolor on mulberry paper","credit":"Purchase","classification":"Drawing","dimensions":"25 1/4 x 29 5/8\" (64.3 x 75.3 cm)","size":[0.752,0.641],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in gouache and watercolor on mulberry paper, 1938–39","blurb":"Drawing in gouache and watercolor on mulberry paper, 1938–39. 64 cm × 75 cm. Morris Graves (American, 1910–2001). Acquired by the Museum in 1942 — Purchase.","blurbSource":"catalogue","acquired":"1942","cid":"2309","url":"https://www.moma.org/collection/works/33333","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODA0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f960c489d38f1fc9","placement":{"kind":"wall","wall":2,"lane":0,"u":3.784,"y":1.52},"texture":"textures/33333.jpg","thumb":"thumbs/33333.jpg","tags":["1930s","dark","drawing","gouache","muted","paper","warm","watercolor","works on paper","eerie"],"roomTags":["nature","symbolized"],"docent":"Before you is Snake and Moon — a drawing by the American artist Morris Graves, nineteen thirty-eight to nineteen thirty-nine. Watercolour, where the paper does the lightening — there is no white paint, only the sheet showing through. Graves was part of the Expressionism movement."},{"id":35010,"title":"Buoy, Maine","artist":"John Marin","artistBio":"(American, 1870–1953)","artistGender":"(male)","date":"1931","medium":"Watercolor on paper","credit":"Gift of Philip L. Goodwin","classification":"Drawing","dimensions":"14 3/4 x 19 1/4\" (37.5 x 48.9 cm)","size":[0.489,0.375],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in watercolor on paper, 1931","blurb":"Drawing in watercolor on paper, 1931. 38 cm × 49 cm. John Marin (American, 1870–1953). Acquired by the Museum in 1934 — Gift of Philip L. Goodwin.","blurbSource":"catalogue","acquired":"1934","cid":"3770","url":"https://www.moma.org/collection/works/35010","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDU0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=45532e07d50acd5c","placement":{"kind":"wall","wall":1,"lane":0,"u":12.5,"y":1.52},"texture":"textures/35010.jpg","thumb":"thumbs/35010.jpg","seen":["sea"],"tags":["1930s","drawing","monochrome","paper","warm","watercolor","works on paper","sea","dramatic"],"roomTags":["nature","symbolized"],"docent":"Before you is Buoy, Maine — a drawing by the American artist John Marin, nineteen thirty-one. The piece is watercolor on paper, about 38 by 49 centimeters."},{"id":36015,"title":"Untitled","artist":"Man Ray (Emmanuel Radnitzky)","artistBio":"(American, 1890–1976)","artistGender":"(male)","date":"1915","medium":"Charcoal on paper","credit":"Mr. and Mrs. Donald B. Straus Fund","classification":"Drawing","dimensions":"24 3/8 x 18 3/4\" (62 x 47.6 cm)","size":[0.476,0.619],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in charcoal on paper, 1915","blurb":"Drawing in charcoal on paper, 1915. 62 cm × 48 cm. Man Ray (Emmanuel Radnitzky) (American, 1890–1976). Acquired by the Museum in 1958 — Mr. and Mrs. Donald B. Straus Fund.","blurbSource":"catalogue","acquired":"1958","cid":"3716","url":"https://www.moma.org/collection/works/36015","imageURL":"https://www.moma.org/media/W1siZiIsIjkxMjc4Il0sWyJwIiwiY29udmVydCIsIi1yZXNpemUgMTAyNHgxMDI0XHUwMDNlIl1d.jpg?sha=5310b9de8d12bb9d","placement":{"kind":"wall","wall":0,"lane":0,"u":11.846,"y":1.52},"texture":"textures/36015.jpg","thumb":"thumbs/36015.jpg","seen":["abstract shapes"],"tags":["1910s","charcoal","drawing","muted","paper","warm","wartime","works on paper","abstract shapes"],"roomTags":["nature","symbolized"],"docent":"You're looking at Untitled — a drawing by Man Ray (Emmanuel Radnitzky), nineteen fifteen. Charcoal — burnt wood, sitting loose on the surface, which is why so little early drawing in it survives. In the picture, look for the abstract shapes. Man Ray (Emmanuel Radnitzky) was part of the surrealism movement."},{"id":79130,"title":"First Light","artist":"Joseph Stella","artistBio":"(American, 1877–1946)","artistGender":"(male)","date":"c. 1928","medium":"Oil on canvas","credit":"Elizabeth Bliss Parkinson Fund","classification":"Painting","dimensions":"16 1/4 x 16 1/4\" (41.3 x 41.3 cm)","size":[0.413,0.413],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1928","blurb":"Painting in oil on canvas, c. 1928. 41 cm × 41 cm. Joseph Stella (American, 1877–1946). Acquired by the Museum in 1966 — Elizabeth Bliss Parkinson Fund.","blurbSource":"catalogue","acquired":"1966","cid":"5641","url":"https://www.moma.org/collection/works/79130","imageURL":"https://www.moma.org/media/W1siZiIsIjI0NjMyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=98aa3b5bf395cea7","placement":{"kind":"wall","wall":1,"lane":0,"u":14.851,"y":1.52},"texture":"textures/79130.jpg","thumb":"thumbs/79130.jpg","seen":["tree"],"tags":["1920s","canvas","cool","muted","oil","painting","tree","calm"],"roomTags":["nature","symbolized"],"docent":"This is First Light — a painting by Joseph Stella, around nineteen twenty-eight. Stella was part of the Precisionism movement. Oil on canvas — about 41 by 41 centimeters. You can pick out the tree."},{"id":79174,"title":"Landscape, Milpa Alta","artist":"Jean Charlot","artistBio":"(American, born France. 1898–1979)","artistGender":"(male)","date":"1924","medium":"Oil on canvas","credit":"Gift of Abby Aldrich Rockefeller (by exchange)","classification":"Painting","dimensions":"11 x 14\" (27.9 x 35.6 cm)","size":[0.356,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1924","blurb":"Painting in oil on canvas, 1924. 28 cm × 36 cm. Jean Charlot (American, born France. 1898–1979). Acquired by the Museum in 1937 — Gift of Abby Aldrich Rockefeller (by exchange).","blurbSource":"catalogue","acquired":"1937","cid":"1074","url":"https://www.moma.org/collection/works/79174","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NzQ2MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=07d615e67c0c80a4","placement":{"kind":"wall","wall":2,"lane":0,"u":6.238,"y":1.52},"texture":"textures/79174.jpg","thumb":"thumbs/79174.jpg","tags":["1920s","canvas","dark","intimate","landscape","monochrome","oil","painting","somber"],"roomTags":["nature","symbolized"],"docent":"You're looking at Landscape, Milpa Alta — a painting by Jean Charlot, nineteen twenty-four. It's oil on canvas, about 28 by 36 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light."},{"id":50576,"title":"Rock, Bakers Beach, San Francisco, California","artist":"Ansel Adams","artistBio":"(American, 1902–1984)","artistGender":"(male)","date":"c. 1931","medium":"Gelatin silver print, printed 1979","credit":"Gift of the artist","classification":"Photograph","dimensions":"7 3/4 × 10\" (19.7 × 25.4 cm)","size":[0.254,0.197],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1979, c. 1931","blurb":"Photograph in gelatin silver print, printed 1979, c. 1931. 20 cm × 25 cm. Ansel Adams (American, 1902–1984). Acquired by the Museum in 1981 — Gift of the artist.","blurbSource":"catalogue","acquired":"1981","cid":"60","url":"https://www.moma.org/collection/works/50576","imageURL":"https://www.moma.org/media/W1siZiIsIjE5NDg3NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1c6feead533a6796","placement":{"kind":"wall","wall":0,"lane":0,"u":13.53,"y":1.52},"texture":"textures/50576.jpg","thumb":"thumbs/50576.jpg","seen":["abstract shapes"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","photography","print","seascape","silver","abstract shapes","dramatic"],"roomTags":["nature","symbolized"],"docent":"This one's called Rock, Bakers Beach, San Francisco, California — a photograph by the American artist Ansel Adams, around nineteen thirty-one. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray."},{"id":54816,"title":"Cypress Root and Succulents, Point Lobos","artist":"Edward Weston","artistBio":"(American, 1886–1958)","artistGender":"(male)","date":"1930","medium":"Gelatin silver print","credit":"Gift of Edward Steichen","classification":"Photograph","dimensions":"7 1/2 × 9 3/8\" (19 × 23.8 cm)","size":[0.238,0.19],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1930","blurb":"Photograph in gelatin silver print, 1930. 19 cm × 24 cm. Edward Weston (American, 1886–1958). Acquired by the Museum in 1959 — Gift of Edward Steichen.","blurbSource":"catalogue","acquired":"1959","cid":"6329","url":"https://www.moma.org/collection/works/54816","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTA2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=773ef54c87c0f685","placement":{"kind":"wall","wall":3,"lane":0,"u":5.011,"y":1.52},"texture":"textures/54816.jpg","thumb":"thumbs/54816.jpg","seen":["tree"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","tree","dramatic"],"roomTags":["nature","symbolized"],"docent":"Before you is Cypress Root and Succulents, Point Lobos — a photograph by Edward Weston, nineteen thirty. Gelatin silver print — about 19 by 24 centimeters."},{"id":80575,"title":"Untitled (Western Scene)","artist":"Jackson Pollock","artistBio":"(American, 1912–1956)","artistGender":"(male)","date":"c. 1930-33","medium":"Oil and crayon on wooden cigar box","credit":"Gift of Edwin A. Bergman","classification":"Painting","dimensions":"6 1/2 × 9 1/8 × 2 3/4\" (16.5 × 23.2 × 7 cm)","size":[0.232,0.165],"depth":0.07,"sizeSource":"cc0-columns","summary":"Painting in oil and crayon on wooden cigar box, c. 1930-33","blurb":"Painting in oil and crayon on wooden cigar box, c. 1930-33. 16 cm × 23 cm × 7 cm. Jackson Pollock (American, 1912–1956). Acquired by the Museum in 1970 — Gift of Edwin A. Bergman.","blurbSource":"catalogue","acquired":"1970","cid":"4675","url":"https://www.moma.org/collection/works/80575","imageURL":"https://www.moma.org/media/W1siZiIsIjU1MzA2NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c15ebc5fc7291884","placement":{"kind":"wall","wall":0,"lane":0,"u":15.091,"y":1.52},"texture":"textures/80575.jpg","thumb":"thumbs/80575.jpg","seen":["war"],"tags":["1930s","abstract expressionism","intimate","monochrome","oil","painting","warm","war"],"roomTags":["nature","symbolized"],"docent":"You're looking at Untitled (Western Scene) — a painting by the American artist Jackson Pollock, around nineteen thirty to nineteen thirty-three. Pollock was married to Lee Krasner — who also hangs in this museum. The piece is oil and crayon on wooden cigar box, about 16 by 23 centimeters. In the picture, look for the war."},{"id":45352,"title":"Leaf Form","artist":"Jay Leyda","artistBio":"(American, 1910–1988)","artistGender":"(male)","date":"1925-41","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"4 5/8 × 3 1/4\" (11.7 × 8.3 cm)","size":[0.083,0.117],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1925-41","blurb":"Photograph in gelatin silver print, 1925-41. 12 cm × 8 cm. Jay Leyda (American, 1910–1988). Acquired by the Museum in 1941 — Gift of the artist.","blurbSource":"catalogue","acquired":"1941","cid":"3531","url":"https://www.moma.org/collection/works/45352","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MzI0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bafe0c9f1b319c7a","placement":{"kind":"wall","wall":3,"lane":0,"u":6.519,"y":1.52},"texture":"textures/45352.jpg","thumb":"thumbs/45352.jpg","tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver"],"roomTags":["nature","symbolized"],"docent":"Before you is Leaf Form — a photograph by the American artist Jay Leyda, nineteen twenty-five to nineteen forty-one. It's gelatin silver print, about 12 by 8 centimeters. It is among the smallest things here — you could close a hand around it."},{"id":81893,"title":"My Pacific (Polynesian Culture)","artist":"Isamu Noguchi","artistBio":"(American, 1904–1988)","artistGender":"(male)","date":"1942","medium":"Driftwood","credit":"Florene May Schoenborn Bequest","classification":"Sculpture","dimensions":"41 x 21 x 8 1/4\" (104.1 x 53.3 x 20.9 cm)","size":[0.533,1.041],"depth":0.209,"sizeSource":"cc0-columns","summary":"Sculpture in driftwood, 1942","blurb":"Sculpture in driftwood, 1942. 104 cm × 53 cm × 21 cm. Isamu Noguchi (American, 1904–1988). Acquired by the Museum in 1996 — Florene May Schoenborn Bequest.","blurbSource":"catalogue","acquired":"1996","cid":"4324","url":"https://www.moma.org/collection/works/81893","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzc2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a1049852201c0f70","placement":{"kind":"plinth","x":3.568,"z":7.994,"plinth":0.73,"fw":0.883,"fd":0.559,"face":[0,-1]},"texture":"textures/81893.jpg","thumb":"thumbs/81893.jpg","seen":["carved figure"],"tags":["1940s","bright","monochrome","sculpture","warm","carved figure"],"roomTags":["nature","symbolized"],"docent":"Here we have My Pacific (Polynesian Culture) — a sculpture by the American artist Isamu Noguchi, nineteen forty-two. The piece is driftwood, about 1 by 0.5 meters. You can pick out the carved figure. Noguchi was part of the abstract expressionism movement."}]},{"gallery":"510","title":"Looking for Langston","origin":[8.85,0.0],"polygon":[[0.0,0.0],[7.137,0.0],[7.137,15.987],[0.0,15.987]],"size":[7.14,15.99],"ceiling":4.6,"outdoor":false,"doors":[[1,7.99,1.6],[2,3.57,1.6]],"partitions":[],"cases":[{"x":3.568,"z":6.308,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,15.987],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,15.437],"height":4.6,"kind":"perimeter","edge":3},{"origin":[7.137,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[9.190000000000001,15.437],"height":4.6,"kind":"perimeter","edge":1},{"origin":[7.137,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.79],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,6.587],"height":4.6,"kind":"perimeter","edge":0},{"origin":[7.137,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":2},{"origin":[7.137,15.987],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[4.7700000000000005,6.587],"height":4.6,"kind":"perimeter","edge":2}],"decor":null,"intro":"13 works, 1928–1989 — Aaron Siskind and James Van Der Zee; mostly photographs and video.","music":"modal","artworks":[{"id":48606,"title":"Orphanage Jazz Band, Harlem","artist":"Otto Hagel","artistBio":"(American, born Germany. 1909–1973)","artistGender":"(male)","date":"1940","medium":"Gelatin silver print","credit":"The Family of Man Fund","classification":"Photograph","dimensions":"10 5/8 × 13 1/2\" (27 × 34.3 cm)","size":[0.343,0.27],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1940","blurb":"Photograph in gelatin silver print, 1940. 27 cm × 34 cm. Otto Hagel (American, born Germany. 1909–1973). Acquired by the Museum in 1989 — The Family of Man Fund.","blurbSource":"catalogue","acquired":"1989","cid":"2446","url":"https://www.moma.org/collection/works/48606","imageURL":"https://www.moma.org/media/W1siZiIsIjE5OTI1OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9bb847a70bfd64b5","placement":{"kind":"wall","wall":0,"lane":0,"u":3.612,"y":1.52},"texture":"textures/48606.jpg","thumb":"thumbs/48606.jpg","seen":["musical instrument","group of people"],"tags":["1940s","dark","gelatin","intimate","monochrome","photograph","print","silver","musical instrument","group of people","dramatic"],"roomTags":["langston","looking"],"docent":"Here we have Orphanage Jazz Band, Harlem — a photograph by Otto Hagel, nineteen forty. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. You can pick out the musical instrument, and the group of people."},{"id":49277,"title":"Dance Hall, New York","artist":"Ed Feingersh","artistBio":"(American, 1925–1961)","artistGender":"(male)","date":"c. 1953","medium":"Gelatin silver print","credit":"Courtesy of the artist through Family of Man submission","classification":"Photograph","dimensions":"7 3/4 × 11 7/8\" (19.7 × 30.2 cm)","size":[0.302,0.197],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, c. 1953","blurb":"Photograph in gelatin silver print, c. 1953. 20 cm × 30 cm. Ed Feingersh (American, 1925–1961). Acquired by the Museum in 1993 — Courtesy of the artist through Family of Man submission.","blurbSource":"catalogue","acquired":"1993","cid":"1830","url":"https://www.moma.org/collection/works/49277","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzI5NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9a2110d85ce8c4c1","placement":{"kind":"wall","wall":1,"lane":0,"u":10.09,"y":1.52},"texture":"textures/49277.jpg","thumb":"thumbs/49277.jpg","seen":["dancing","piano"],"tags":["1950s","dance","dark","gelatin","intimate","monochrome","photograph","print","silver","dancing","piano","eerie"],"roomTags":["langston","looking"],"docent":"Before you is Dance Hall, New York — a photograph by the American artist Ed Feingersh, around nineteen fifty-three. The piece is gelatin silver print, about 20 by 30 centimeters. Somewhere in there: the dancing, and the piano."},{"id":450592,"title":"Self Portrait, New York City","artist":"Eslanda Goode Robeson","artistBio":"(American, 1895–1965)","artistGender":"(female)","date":"1938","medium":"Gelatin silver print","credit":"The Photography Council Fund","classification":"Photograph","dimensions":"8 × 10\" (20.3 × 25.4 cm)","size":[0.254,0.203],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1938","blurb":"Photograph in gelatin silver print, 1938. 20 cm × 25 cm. Eslanda Goode Robeson (American, 1895–1965). Acquired by the Museum in 2023 — The Photography Council Fund.","blurbSource":"catalogue","acquired":"2023","cid":"136585","url":"https://www.moma.org/collection/works/450592","imageURL":"https://www.moma.org/media/W1siZiIsIjU0OTc4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f01231d456b2a299","placement":{"kind":"wall","wall":2,"lane":0,"u":1.434,"y":1.52},"texture":"textures/450592.jpg","thumb":"thumbs/450592.jpg","seen":["portrait of a person"],"tags":["1930s","city","gelatin","intimate","muted","photograph","portrait","print","self-portrait","silver","warm","women artists","portrait of a person","joyful"],"roomTags":["langston","looking"],"docent":"Here we have Self Portrait, New York City — a photograph by Eslanda Goode Robeson, nineteen thirty-eight. The piece is gelatin silver print, about 20 by 25 centimeters. In the picture, look for the portrait of a person."},{"id":57963,"title":"Easter Sunday in Harlem, New York","artist":"Henri Cartier-Bresson","artistBio":"(French, 1908–2004)","artistGender":"(male)","date":"1947","medium":"Gelatin silver print, printed 1963","credit":"Gift of the artist","classification":"Photograph","dimensions":"14 1/16 × 9 13/16\" (35.7 × 24.9 cm)","size":[0.249,0.357],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1963, 1947","blurb":"Photograph in gelatin silver print, printed 1963, 1947. 36 cm × 25 cm. Henri Cartier-Bresson (French, 1908–2004). Acquired by the Museum in 1969 — Gift of the artist.","blurbSource":"catalogue","acquired":"1969","cid":"1000","url":"https://www.moma.org/collection/works/57963","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTgzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8f1fdfe67f24b260","placement":{"kind":"wall","wall":0,"lane":0,"u":5.808,"y":1.52},"texture":"textures/57963.jpg","thumb":"thumbs/57963.jpg","seen":["portrait of a person","mother and child"],"tags":["1940s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","mother and child","joyful"],"roomTags":["langston","looking"],"docent":"This is Easter Sunday in Harlem, New York — a photograph by the French artist Henri Cartier-Bresson, nineteen forty-seven. The piece is gelatin silver print, printed nineteen sixty-three, about 36 by 25 centimeters. In the picture, look for the mother and child. Cartier-Bresson was part of the humanistic photography movement."},{"id":53574,"title":"The Heiress","artist":"James Van Der Zee","artistBio":"(American, 1886–1983)","artistGender":"(male)","date":"1938","medium":"Gelatin silver print","credit":"The Family of Man Fund","classification":"Photograph","dimensions":"7 3/4 × 9 5/8\" (19.7 × 24.5 cm)","size":[0.245,0.197],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1938","blurb":"Photograph in gelatin silver print, 1938. 20 cm × 24 cm. James Van Der Zee (American, 1886–1983). Acquired by the Museum in 1988 — The Family of Man Fund.","blurbSource":"catalogue","acquired":"1988","cid":"6074","url":"https://www.moma.org/collection/works/53574","imageURL":"https://www.moma.org/media/W1siZiIsIjIxNjUxNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=24d593ae82eaa822","placement":{"kind":"wall","wall":0,"lane":0,"u":7.955,"y":1.52},"texture":"textures/53574.jpg","thumb":"thumbs/53574.jpg","seen":["interior room"],"tags":["1930s","gelatin","intimate","monochrome","photograph","print","silver","interior room","eerie"],"roomTags":["langston","looking"],"docent":"This one's called The Heiress — a photograph by the American artist James Van Der Zee, nineteen thirty-eight. It's gelatin silver print, about 20 by 24 centimeters. In the picture, look for the interior room. James Van Der Zee was part of the Harlem Renaissance movement."},{"id":53593,"title":"Mahalia Jackson, Singing","artist":"Roy DeCarava","artistBio":"(American, 1919–2009)","artistGender":"(male)","date":"1957","medium":"Gelatin silver print","credit":"Purchase","classification":"Photograph","dimensions":"13 1/2 × 9 1/2\" (34.2 × 24.0 cm)","size":[0.24,0.342],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1957","blurb":"Photograph in gelatin silver print, 1957. 34 cm × 24 cm. Roy DeCarava (American, 1919–2009). Acquired by the Museum in 1960 — Purchase.","blurbSource":"catalogue","acquired":"1960","cid":"1422","url":"https://www.moma.org/collection/works/53593","imageURL":"https://www.moma.org/media/W1siZiIsIjE4NDI3NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fc09f31322945f0d","placement":{"kind":"wall","wall":2,"lane":0,"u":3.582,"y":1.52},"texture":"textures/53593.jpg","thumb":"thumbs/53593.jpg","seen":["portrait of a person"],"tags":["1950s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","joyful"],"roomTags":["langston","looking"],"docent":"Here we have Mahalia Jackson, Singing — a photograph by the American artist Roy DeCarava, nineteen fifty-seven. It's gelatin silver print, about 34 by 24 centimeters."},{"id":180240,"title":"Couple, Harlem","artist":"James Van Der Zee","artistBio":"(American, 1886–1983)","artistGender":"(male)","date":"1932","medium":"Gelatin silver print","credit":"Acquired through the generosity of Richard E. and Laura Salomon","classification":"Photograph","dimensions":"7 1/2 × 9 5/16\" (19 × 23.7 cm)","size":[0.237,0.19],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1932","blurb":"Photograph in gelatin silver print, 1932. 19 cm × 24 cm. James Van Der Zee (American, 1886–1983). Acquired by the Museum in 2014 — Acquired through the generosity of Richard E. and Laura Salomon.","blurbSource":"catalogue","acquired":"2014","cid":"6074","url":"https://www.moma.org/collection/works/180240","imageURL":"https://www.moma.org/media/W1siZiIsIjI5NTk1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=84eb139f243eaf2a","placement":{"kind":"wall","wall":1,"lane":0,"u":12.259,"y":1.52},"texture":"textures/180240.jpg","thumb":"thumbs/180240.jpg","seen":["car"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","car","eerie"],"roomTags":["langston","looking"],"docent":"Here we have Couple, Harlem — a photograph by James Van Der Zee, nineteen thirty-two. The piece is gelatin silver print, about 19 by 24 centimeters."},{"id":47162,"title":"Untitled","artist":"Roy DeCarava","artistBio":"(American, 1919–2009)","artistGender":"(male)","date":"c. 1955","medium":"Gelatin silver print","credit":"Purchase","classification":"Photograph","dimensions":"13 1/16 × 9 1/8\" (33.2 × 23.1 cm)","size":[0.231,0.332],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, c. 1955","blurb":"Photograph in gelatin silver print, c. 1955. 33 cm × 23 cm. Roy DeCarava (American, 1919–2009). Acquired by the Museum in 1959 — Purchase.","blurbSource":"catalogue","acquired":"1959","cid":"1422","url":"https://www.moma.org/collection/works/47162","imageURL":"https://www.moma.org/media/W1siZiIsIjE4Mzk4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d532f5fe990485f7","placement":{"kind":"wall","wall":0,"lane":0,"u":10.093,"y":1.52},"texture":"textures/47162.jpg","thumb":"thumbs/47162.jpg","tags":["1950s","gelatin","golden","intimate","monochrome","photograph","print","silver","eerie"],"roomTags":["langston","looking"],"docent":"This is Untitled — a photograph by DeCarava, around nineteen fifty-five. It's gelatin silver print, about 33 by 23 centimeters."},{"id":46610,"title":"Grocery Store","artist":"Aaron Siskind","artistBio":"(American, 1903–1991)","artistGender":"(male)","date":"1940","medium":"Gelatin silver print, printed 1980","credit":"Gift of Sophie Black","classification":"Photograph","dimensions":"8 3/4 × 8 1/8\" (22.2 × 20.8 cm)","size":[0.208,0.222],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1980, 1940","blurb":"Photograph in gelatin silver print, printed 1980, 1940. 22 cm × 21 cm. Aaron Siskind (American, 1903–1991). Acquired by the Museum in 1985 — Gift of Sophie Black.","blurbSource":"catalogue","acquired":"1985","cid":"5456","url":"https://www.moma.org/collection/works/46610","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MTkyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=56c11137f309dde0","placement":{"kind":"wall","wall":0,"lane":0,"u":12.212,"y":1.52},"texture":"textures/46610.jpg","thumb":"thumbs/46610.jpg","seen":["lettering"],"tags":["1940s","dark","gelatin","intimate","monochrome","photograph","print","silver","lettering","joyful"],"roomTags":["langston","looking"],"docent":"This one's called Grocery Store — a photograph by Aaron Siskind, nineteen forty. The piece is gelatin silver print, printed nineteen eighty, about 22 by 21 centimeters. In the picture, look for the lettering."},{"id":46603,"title":"Man with Lamp","artist":"Aaron Siskind","artistBio":"(American, 1903–1991)","artistGender":"(male)","date":"1940","medium":"Gelatin silver print, printed 1980","credit":"Gift of Sophie Black","classification":"Photograph","dimensions":"11 × 7 7/8\" (28 × 20.1 cm)","size":[0.201,0.28],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1980, 1940","blurb":"Photograph in gelatin silver print, printed 1980, 1940. 28 cm × 20 cm. Aaron Siskind (American, 1903–1991). Acquired by the Museum in 1985 — Gift of Sophie Black.","blurbSource":"catalogue","acquired":"1985","cid":"5456","url":"https://www.moma.org/collection/works/46603","imageURL":"https://www.moma.org/media/W1siZiIsIjE4MzkwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4c0b487d3a8ee83c","placement":{"kind":"wall","wall":2,"lane":0,"u":5.702,"y":1.52},"texture":"textures/46603.jpg","thumb":"thumbs/46603.jpg","seen":["portrait of a person"],"tags":["1940s","dark","figure","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["langston","looking"],"docent":"Here we have Man with Lamp — a photograph by Siskind, nineteen forty. Gelatin silver print, printed nineteen eighty — about 28 by 20 centimeters."},{"id":46604,"title":"Apollo Theatre","artist":"Aaron Siskind","artistBio":"(American, 1903–1991)","artistGender":"(male)","date":"c. 1937","medium":"Gelatin silver print, printed 1980","credit":"Gift of Sophie Black","classification":"Photograph","dimensions":"9 1/8 × 7 1/8\" (23.2 × 18.1 cm)","size":[0.181,0.232],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1980, c. 1937","blurb":"Photograph in gelatin silver print, printed 1980, c. 1937. 23 cm × 18 cm. Aaron Siskind (American, 1903–1991). Acquired by the Museum in 1985 — Gift of Sophie Black.","blurbSource":"catalogue","acquired":"1985","cid":"5456","url":"https://www.moma.org/collection/works/46604","imageURL":"https://www.moma.org/media/W1siZiIsIjE4MzUwNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2a3b015ec80ed427","placement":{"kind":"wall","wall":1,"lane":0,"u":14.368,"y":1.52},"texture":"textures/46604.jpg","thumb":"thumbs/46604.jpg","seen":["crowd","dancing"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","crowd","dancing","joyful"],"roomTags":["langston","looking"],"docent":"You're looking at Apollo Theatre — a photograph by Siskind, around nineteen thirty-seven. The piece is gelatin silver print, printed nineteen eighty, about 23 by 18 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. You can pick out the crowd."},{"id":81296,"title":"Paul Robeson","artist":"Jacob Epstein","artistBio":"(British, born U.S.A. 1880–1959)","artistGender":"(male)","date":"1928","medium":"Bronze","credit":"Gift of Fania Marinoff Van Vechten in memory of Carl Van Vechten","classification":"Sculpture","dimensions":"13 1/2 x 9 x 12 1/8\" (34.2 x 22.9 x 30.8 cm)","size":[0.229,0.342],"depth":0.308,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1928","blurb":"Sculpture in bronze, 1928. 34 cm × 23 cm × 31 cm. Jacob Epstein (British, born U.S.A. 1880–1959). Acquired by the Museum in 1965 — Gift of Fania Marinoff Van Vechten in memory of Carl Van Vechten.","blurbSource":"catalogue","acquired":"1965","cid":"1741","url":"https://www.moma.org/collection/works/81296","imageURL":"https://www.moma.org/media/W1siZiIsIjU0MDAxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7eb69ffbfc9ab2f4","placement":{"kind":"case","case":0,"x":3.568,"z":6.308,"y":1.031},"texture":"textures/81296.jpg","thumb":"thumbs/81296.jpg","seen":["human face","portrait of a person","carved figure"],"tags":["1920s","bronze","intimate","monochrome","sculpture","warm","human face","portrait of a person","carved figure","somber"],"roomTags":["langston","looking"],"docent":"This is Jacob Epstein's bronze head of Paul Robeson, modelled in nineteen twenty-eight, when Robeson was in London performing in Show Boat. It was given by Fania Marinoff Van Vechten in memory of her husband Carl, the photographer and writer who was a friend to both men."},{"id":434231,"title":"Looking for Langston","artist":"Isaac Julien","artistBio":"(British, born 1960)","artistGender":"(male)","date":"1989","medium":"16mm film transferred to high-definition video (black and white, sound)","credit":"Gift of the artist","classification":"Video","dimensions":"46:29 min.","size":[1.322,0.915],"depth":0.0,"sizeSource":"image-aspect","summary":"16mm film transferred to high-definition video, 1989","blurb":"16mm film transferred to high-definition video, 1989. Isaac Julien (British, born 1960). Acquired by the Museum in 2022 — Gift of the artist.","blurbSource":"catalogue","acquired":"2022","cid":"34532","url":"https://www.moma.org/collection/works/434231","imageURL":"https://www.moma.org/media/W1siZiIsIjU1MjU4OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dc724e4ffbcba7d7","placement":{"kind":"plinth","x":3.569,"z":9.243,"plinth":0.792,"fw":1.672,"fd":1.672,"face":[0,-1]},"texture":"textures/434231.jpg","thumb":"thumbs/434231.jpg","seen":["dancing","group of people"],"tags":["1980s","dark","monochrome","video","dancing","group of people","dramatic"],"roomTags":["langston","looking"],"docent":"This is Looking for Langston, Isaac Julien's film of nineteen eighty-nine — black and white, shot on sixteen millimetre. It is a meditation on Langston Hughes and Black queer life in the Harlem Renaissance, made in Britain at the height of the AIDS crisis and of the fight over Section 28."}]},{"gallery":"511","title":"Architecture in the Age of Industry","origin":[8.85,15.99],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,8.279],[0.0,8.279]],"size":[14.27,8.28],"ceiling":4.6,"outdoor":false,"doors":[[0,3.57,1.6],[0,10.71,1.6],[2,7.14,1.6]],"partitions":[],"cases":[{"x":2.547,"z":2.314,"w":1.7,"d":0.8,"h":0.85},{"x":4.732,"z":2.314,"w":2.43,"d":0.8,"h":0.85},{"x":7.028,"z":2.314,"w":1.922,"d":0.8,"h":0.85}],"walls":[{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,7.729],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,8.279],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,7.729],"height":4.6,"kind":"perimeter","edge":3},{"origin":[14.274,8.279],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[14.274,8.279],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[4.7700000000000005,9.51],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[11.910000000000002,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0}],"decor":null,"intro":"24 works, 1907–1975 — Ludwig Mies van der Rohe and Frank Gohlke; mostly design and photographs.","music":"blues","artworks":[{"id":79032,"title":"American Landscape","artist":"Charles Sheeler","artistBio":"(American, 1883–1965)","artistGender":"(male)","date":"1930","medium":"Oil on canvas","credit":"Gift of Abby Aldrich Rockefeller","classification":"Painting","dimensions":"24 x 31\" (61 x 78.8 cm)","size":[0.788,0.61],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1930","blurb":"Painting in oil on canvas, 1930. 61 cm × 79 cm. Charles Sheeler (American, 1883–1965). Acquired by the Museum in 1934 — Gift of Abby Aldrich Rockefeller.","blurbSource":"catalogue","acquired":"1934","cid":"5383","url":"https://www.moma.org/collection/works/79032","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NzA4NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9293f0b2fed56213","placement":{"kind":"wall","wall":0,"lane":0,"u":1.901,"y":1.52},"texture":"textures/79032.jpg","thumb":"thumbs/79032.jpg","seen":["factory"],"tags":["1930s","canvas","landscape","monochrome","oil","painting","warm","factory","calm"],"roomTags":["architecture","industry"],"docent":"Before you is American Landscape — a painting by the American artist Charles Sheeler, nineteen thirty. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. In the picture, look for the factory. Sheeler was part of the Precisionism movement."},{"id":101486,"title":"Steel Elevator and Shed - near Abilene, Texas","artist":"Frank Gohlke","artistBio":"(American, born 1942)","artistGender":"(male)","date":"1975","medium":"Gelatin silver print\r\n","credit":"Gift of Pauline Marks","classification":"Photograph","dimensions":"14 × 14\" (35.5 × 35.5 cm)","size":[0.355,0.355],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1975","blurb":"Photograph in gelatin silver print, 1975. 36 cm × 36 cm. Frank Gohlke (American, born 1942). Acquired by the Museum in 2005 — Gift of Pauline Marks.","blurbSource":"catalogue","acquired":"2005","cid":"2207","url":"https://www.moma.org/collection/works/101486","imageURL":"https://www.moma.org/media/W1siZiIsIjE5OTA4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=282e7afe6a51774c","placement":{"kind":"wall","wall":1,"lane":0,"u":1.843,"y":1.52},"texture":"textures/101486.jpg","thumb":"thumbs/101486.jpg","seen":["factory"],"tags":["1970s","gelatin","intimate","monochrome","photograph","print","silver","factory","eerie"],"roomTags":["architecture","industry"],"docent":"This is Steel Elevator and Shed - near Abilene, Texas — a photograph by Frank Gohlke, nineteen seventy-five. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray."},{"id":48411,"title":"Grain Elevators and Lightning Flash, Lamesa, Texas","artist":"Frank Gohlke","artistBio":"(American, born 1942)","artistGender":"(male)","date":"1975","medium":"Gelatin silver print","credit":"Acquired with matching funds from David H. McAlpin and the National Endowment for the Arts, 1978","classification":"Photograph","dimensions":"13 13/16 × 13 13/16\" (35.1 × 35.1 cm)","size":[0.351,0.351],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1975","blurb":"Photograph in gelatin silver print, 1975. 35 cm × 35 cm. Frank Gohlke (American, born 1942). Acquired by the Museum in 1978 — Acquired with matching funds from David H. McAlpin and the National Endowment for the Arts, 1978.","blurbSource":"catalogue","acquired":"1978","cid":"2207","url":"https://www.moma.org/collection/works/48411","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0MzgwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ade0e6b80862198f","placement":{"kind":"wall","wall":1,"lane":0,"u":4.095,"y":1.52},"texture":"textures/48411.jpg","thumb":"thumbs/48411.jpg","seen":["factory","city street"],"tags":["1970s","dark","gelatin","intimate","monochrome","photograph","print","silver","factory","city street","dramatic"],"roomTags":["architecture","industry"],"docent":"You're looking at Grain Elevators and Lightning Flash, Lamesa, Texas — a photograph by Gohlke, nineteen seventy-five. The piece is gelatin silver print, about 35 by 35 centimeters. You can pick out the city street."},{"id":84041,"title":"Bauhaus Workshop Building from Below. Oblique View","artist":"Lucia Moholy","artistBio":"(British, born Prague. 1894–1989)","artistGender":"(female)","date":"September 1926","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Thomas Walther","classification":"Photograph","dimensions":"13 3/4 × 10 13/16\" (35 × 27.5 cm)","size":[0.275,0.35],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, September 1926","blurb":"Photograph in gelatin silver print, September 1926. 35 cm × 28 cm. Lucia Moholy (British, born Prague. 1894–1989). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Thomas Walther.","blurbSource":"catalogue","acquired":"2001","cid":"6922","url":"https://www.moma.org/collection/works/84041","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NjMyOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4034b609b5eb71b1","placement":{"kind":"wall","wall":0,"lane":0,"u":4.333,"y":1.52},"texture":"textures/84041.jpg","thumb":"thumbs/84041.jpg","seen":["architectural plan","factory","abstract geometric"],"tags":["1920s","city","gelatin","intimate","monochrome","photograph","print","silver","women artists","architectural plan","factory","abstract geometric"],"roomTags":["architecture","industry"],"docent":"Here we have Bauhaus Workshop Building from Below. Oblique View — a photograph by the British artist Lucia Moholy, September nineteen twenty-six. It's gelatin silver print, about 35 by 28 centimeters. Moholy was married to László Moholy-Nagy — who also hangs in this museum."},{"id":84084,"title":"Dessau","artist":"Iwao Yamawaki","artistBio":"(Japanese, 1898–1987)","artistGender":"(male)","date":"1931","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Thomas Walther","classification":"Photograph","dimensions":"10 7/16 × 8 3/8\" (26.5 × 21.3 cm)","size":[0.213,0.265],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1931","blurb":"Photograph in gelatin silver print, 1931. 26 cm × 21 cm. Iwao Yamawaki (Japanese, 1898–1987). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Thomas Walther.","blurbSource":"catalogue","acquired":"2001","cid":"24578","url":"https://www.moma.org/collection/works/84084","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMzA1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7d58a6dbcf471874","placement":{"kind":"wall","wall":1,"lane":0,"u":6.277,"y":1.52},"texture":"textures/84084.jpg","thumb":"thumbs/84084.jpg","seen":["staircase"],"tags":["1930s","gelatin","intimate","muted","photograph","print","silver","warm","staircase"],"roomTags":["architecture","industry"],"docent":"Before you is Dessau — a photograph by the Japanese artist Iwao Yamawaki, nineteen thirty-one. Gelatin silver print — about 26 by 21 centimeters. You can pick out the staircase."},{"id":83782,"title":"Bauhaus: View from the Workshops Building onto the Studio Building","artist":"Irene Hoffmann","artistBio":"(German, 1903–1971)","artistGender":"(female)","date":"1929–33","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Leon Levinstein, by exchange","classification":"Photograph","dimensions":"5 3/16 × 6 3/4\" (13.2 × 17.1 cm)","size":[0.171,0.132],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1929–33","blurb":"Photograph in gelatin silver print, 1929–33. 13 cm × 17 cm. Irene Hoffmann (German, 1903–1971). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Leon Levinstein, by exchange.","blurbSource":"catalogue","acquired":"2001","cid":"24457","url":"https://www.moma.org/collection/works/83782","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMzAwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=260110972a98840d","placement":{"kind":"wall","wall":0,"lane":0,"u":6.456,"y":1.52},"texture":"textures/83782.jpg","thumb":"thumbs/83782.jpg","seen":["window","factory"],"tags":["1920s","city","dark","gelatin","intimate","monochrome","photograph","print","silver","warm","women artists","window","factory","eerie"],"roomTags":["architecture","industry"],"docent":"You're looking at Bauhaus: View from the Workshops Building onto the Studio Building — a photograph by Irene Hoffmann, nineteen twenty-nine to nineteen thirty-three. Gelatin silver print — about 13 by 17 centimeters. In the picture, look for the window."},{"id":2659,"title":"Bearing Spring","artist":"American Steel & Wire Co., Worcester, MA","artistBio":"(American, established 1898)","artistGender":"()","date":"Before 1934","medium":"Steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"2 1/2 x 1 5/16\" (6.4 x 3.4 cm)","size":[0.034,0.064],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in steel, Before 1934","blurb":"Design in steel, Before 1934. American Steel & Wire Co., Worcester, MA (American, established 1898). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"9953","url":"https://www.moma.org/collection/works/2659","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDY4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f6c14e8dd33a4ac4","placement":{"kind":"case","case":0,"x":1.909,"z":2.314,"y":0.892},"texture":"textures/2659.jpg","thumb":"thumbs/2659.jpg","tags":["1930s","bright","design","intimate","monochrome","steel"],"roomTags":["architecture","industry"],"docent":"Here we have Bearing Spring — a design object by the American artist American Steel & Wire Co., Worcester, MA, Before nineteen thirty-four. It's steel, about 6 by 3 centimeters. It is among the smallest things here — you could close a hand around it."},{"id":2841,"title":"Spring","artist":"American Steel & Wire Co., Worcester, MA","artistBio":"(American, established 1898)","artistGender":"()","date":"Before 1934","medium":"Steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"2 1/4 x 2 1/4\" (5.7 x 5.7 cm)","size":[0.057,0.057],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in steel, Before 1934","blurb":"Design in steel, Before 1934. American Steel & Wire Co., Worcester, MA (American, established 1898). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"9953","url":"https://www.moma.org/collection/works/2841","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDc3OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4c83ced717ca1447","placement":{"kind":"case","case":0,"x":2.335,"z":2.314,"y":0.888},"texture":"textures/2841.jpg","thumb":"thumbs/2841.jpg","tags":["1930s","bright","design","intimate","monochrome","steel"],"roomTags":["architecture","industry"],"docent":"Here we have Spring — a design object by American Steel & Wire Co., Worcester, MA, Before nineteen thirty-four. It's steel, about 6 by 6 centimeters."},{"id":2816,"title":"Beakers","artist":"Coors Porcelain Co., Golden, CO","artistBio":"(American, est. 1910)","artistGender":"()","date":"1920s","medium":"Glazed porcelain","credit":"Gift of the manufacturer","classification":"Design","dimensions":".1: 8 3/8 x 5 3/8\" (21.2 x 13.7 cm)\r\n.3: 6 1/2 x 4 1/4\" (16.5 x 10.8 cm)\r\n.4: 6 x 3 7/8\" (15.2 x 9.8 cm)\r\n.5: 5 5/8 x 3 5/8\" (14.3 x 9.2 cm)\r\n.7: 4 5/8 x 3 1/8\" (11.8 x 7.9 cm)\r\n.9: 3 3/4 x 2 1/2\" (9.5 x 6.4 cm)","size":[0.064,0.095],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in glazed porcelain, 1920s","blurb":"Design in glazed porcelain, 1920s. Coors Porcelain Co., Golden, CO (American, est. 1910). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"9339","url":"https://www.moma.org/collection/works/2816","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDc2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e509fc25b6553176","placement":{"kind":"case","case":0,"x":2.76,"z":2.314,"y":0.907},"texture":"textures/2816.jpg","thumb":"thumbs/2816.jpg","seen":["lamp"],"tags":["1920s","design","intimate","monochrome","lamp"],"roomTags":["architecture","industry"],"docent":"Here we have Beakers — a design object by the American artist Coors Porcelain Co., Golden, CO, nineteen twentyies. Porcelain, fired hot enough to turn glassy all the way through, which is why it rings and why light passes through the thin parts. In the picture, look for the lamp."},{"id":2805,"title":"Boiling Flasks","artist":"Corning Glass Works, Corning, NY","artistBio":"(est. 1851)","artistGender":"()","date":"1920s","medium":"Borosilicate glass","credit":"Gift of the manufacturer","classification":"Design","dimensions":".1: 14 5/8 x 9 1/2\" (37.2 x 24.1 cm)\r\n.2: 7 x 4\" (17.8 x 10.2 cm)\r\n.4: 8 1/2 x 5 1/8\" (21.6 x 13 cm)\r\n.5-.6: 5 5/8 x 3 1/4\" (14.3 x 8.2 cm)","size":[0.241,0.372],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in borosilicate glass, 1920s","blurb":"Design in borosilicate glass, 1920s. Corning Glass Works, Corning, NY (est. 1851). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"1249","url":"https://www.moma.org/collection/works/2805","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDc2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a19a047dbf5a1b7a","placement":{"kind":"case","case":0,"x":3.184,"z":2.314,"y":1.046},"texture":"textures/2805.jpg","thumb":"thumbs/2805.jpg","seen":["bottle"],"tags":["1920s","bright","design","glass","intimate","monochrome","bottle"],"roomTags":["architecture","industry"],"docent":"You're looking at Boiling Flasks — a design object by Corning Glass Works, Corning, NY, nineteen twentyies. Borosilicate glass — about 37 by 24 centimeters. In the picture, look for the bottle."},{"id":3598,"title":"Coffee and Tea Box for the Dutch company Van Nelle","artist":"Jacob Jongert","artistBio":"(Dutch, 1883–1942)","artistGender":"(male)","date":"1928–1930","medium":"Printed tin","credit":"Purchase","classification":"Design","dimensions":"14 1/2 x 16 15/16 x 11 1/4\" (36.8 x 43 x 28.6 cm)","size":[0.43,0.368],"depth":0.286,"sizeSource":"cc0-columns","summary":"Design in printed tin, 1928–1930","blurb":"Design in printed tin, 1928–1930. 37 cm × 43 cm × 29 cm. Jacob Jongert (Dutch, 1883–1942). Acquired by the Museum in 1992 — Purchase.","blurbSource":"catalogue","acquired":"1992","cid":"6971","url":"https://www.moma.org/collection/works/3598","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTY1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1712876c115a84c2","placement":{"kind":"case","case":1,"x":3.821,"z":2.314,"y":1.044},"texture":"textures/3598.jpg","thumb":"thumbs/3598.jpg","seen":["lettering"],"tags":["1920s","design","muted","warm","lettering"],"roomTags":["architecture","industry"],"docent":"This is Coffee and Tea Box for the Dutch company Van Nelle — a design object by the Dutch artist Jacob Jongert, nineteen twenty-eight to nineteen thirty. The piece is printed tin, about 37 by 43 centimeters."},{"id":3144,"title":"Crusader Hotel Sauce Pots","artist":"Lalance & Grosjean Mfg. Co., Woodhaven, NY","artistBio":"","artistGender":"()","date":"1920s","medium":"Stainless steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":".1: 8 x 18 3/4 x 14 1/8\" (20.3 x 47.6 x 35.9 cm)\r\n.2: 7 x 17 3/8 x 13 1/4\" (17.8 x 44.1 x 33.7 cm)\r\n.3: 6 x 16 x 11 1/8\" (15.2 x 40.6 x 28.3 cm)","size":[0.476,0.203],"depth":0.359,"sizeSource":"cc0-columns","summary":"Design in stainless steel, 1920s","blurb":"Design in stainless steel, 1920s. 20 cm × 48 cm × 36 cm. Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"9724","url":"https://www.moma.org/collection/works/3144","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDk0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4ba4c3061e6fb3e3","placement":{"kind":"case","case":1,"x":4.428,"z":2.314,"y":0.962},"texture":"textures/3144.jpg","thumb":"thumbs/3144.jpg","seen":["musical instrument"],"tags":["1920s","bright","design","monochrome","steel","musical instrument"],"roomTags":["architecture","industry"],"docent":"Here we have Crusader Hotel Sauce Pots — a design object by Lalance & Grosjean Mfg. Co., Woodhaven, NY, nineteen twentyies. It's stainless steel, about 20 by 48 centimeters."},{"id":2891,"title":"Wear-Ever Tea Kettle (model 1403)","artist":"Lurelle Guild","artistBio":"(American, 1898–1986)","artistGender":"(male)","date":"c. 1932-33","medium":"Aluminum and plastic","credit":"Gift of the designer","classification":"Design","dimensions":"8 1/2 x 9 1/2\" (21.6 x 24.1 cm)","size":[0.241,0.216],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in aluminum and plastic, c. 1932-33","blurb":"Design in aluminum and plastic, c. 1932-33. 22 cm × 24 cm. Lurelle Guild (American, 1898–1986). Acquired by the Museum in 1944 — Gift of the designer.","blurbSource":"catalogue","acquired":"1944","cid":"2402","url":"https://www.moma.org/collection/works/2891","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODkxMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=13d364be6a47af30","placement":{"kind":"case","case":1,"x":5.036,"z":2.314,"y":0.968},"texture":"textures/2891.jpg","thumb":"thumbs/2891.jpg","tags":["1930s","aluminum","bright","design","intimate","monochrome"],"roomTags":["architecture","industry"],"docent":"This is Wear-Ever Tea Kettle (model 1403) — a design object by the American artist Lurelle Guild, around nineteen thirty-two to nineteen thirty-three. It's aluminum and plastic, about 22 by 24 centimeters."},{"id":3025,"title":"Bottles","artist":"Owens-Illinois Glass Co., Toledo, OH","artistBio":"(American, est. 1903)","artistGender":"()","date":"Before 1934","medium":"Glass and plastic","credit":"Gift of the manufacturer","classification":"Design","dimensions":".1: 6 1/2 x 3 1/4\" (16.5 x 8.3 cm)\r\n.2: 5 1/4 x 2 3/8\" (13.4 x 6 cm)\r\n.3: 4 1/4 x 2\" (10.8 x 5.1 cm)","size":[0.083,0.165],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in glass and plastic, Before 1934","blurb":"Design in glass and plastic, Before 1934. Owens-Illinois Glass Co., Toledo, OH (American, est. 1903). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"10302","url":"https://www.moma.org/collection/works/3025","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDg2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=82554ae87c24eaef","placement":{"kind":"case","case":1,"x":5.643,"z":2.314,"y":0.943},"texture":"textures/3025.jpg","thumb":"thumbs/3025.jpg","seen":["bottle"],"tags":["1930s","design","glass","intimate","monochrome","still life","bottle"],"roomTags":["architecture","industry"],"docent":"Here we have Bottles — a design object by the American artist Owens-Illinois Glass Co., Toledo, OH, Before nineteen thirty-four. Glass and plastic — about 16 by 8 centimeters."},{"id":2704,"title":"Flush Valve","artist":"Scovill Mfg. Co., Plumbers Brass Goods Div., Waterbury, CT","artistBio":"(American, established 1802)","artistGender":"()","date":"Before 1934","medium":"Chromium","credit":"Gift of the manufacturer","classification":"Design","dimensions":"13 3/8 × 12 × 3 3/4\" (34 × 30.5 × 9.5 cm)","size":[0.305,0.34],"depth":0.095,"sizeSource":"cc0-columns","summary":"Design in chromium, Before 1934","blurb":"Design in chromium, Before 1934. 34 cm × 30 cm × 10 cm. Scovill Mfg. Co., Plumbers Brass Goods Div., Waterbury, CT (American, established 1802). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"10121","url":"https://www.moma.org/collection/works/2704","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDcxMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b1f0b041fbdb5455","placement":{"kind":"case","case":2,"x":6.307,"z":2.314,"y":1.03},"texture":"textures/2704.jpg","thumb":"thumbs/2704.jpg","tags":["1930s","bright","design","intimate","monochrome"],"roomTags":["architecture","industry"],"docent":"Before you is Flush Valve — a design object by the American artist Scovill Mfg. Co., Plumbers Brass Goods Div., Waterbury, CT, Before nineteen thirty-four. Chromium — about 34 by 30 centimeters."},{"id":2682,"title":"Self-Aligning Ball Bearing","artist":"Sven Wingquist","artistBio":"(Swedish, 1876–1953)","artistGender":"(male)","date":"1907","medium":"Chrome-plated steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"1 3/4 x 8 1/2\" (4.4 x 21.6 cm)","size":[0.216,0.044],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in chrome-plated steel, 1907","blurb":"Design in chrome-plated steel, 1907. Sven Wingquist (Swedish, 1876–1953). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"6394","url":"https://www.moma.org/collection/works/2682","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDcwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=805516127e63e161","placement":{"kind":"case","case":2,"x":6.788,"z":2.314,"y":0.882},"texture":"textures/2682.jpg","thumb":"thumbs/2682.jpg","seen":["machine","concentric circles"],"tags":["1900s","before the war","design","intimate","monochrome","steel","machine","concentric circles"],"roomTags":["architecture","industry"],"docent":"This is Self-Aligning Ball Bearing — a design object by Sven Wingquist, nineteen oh seven. It's chrome-plated steel, about 4 by 22 centimeters."},{"id":3153,"title":"Wear-Ever Hotel Sauté Pans","artist":"The Aluminum Cooking Utensil Co., New York, NY","artistBio":"(est. 1901)","artistGender":"()","date":"Before 1934","medium":"Aluminum","credit":"Gift of the manufacturer","classification":"Design","dimensions":".1: 2 x 6 1/4\" (5.1 x 15.9 cm)\r\n.2: 2 1/4 x 7 1/4\" (5.7 x 18.4 cm)\r\n.3: 2 1/2 x 8 1/4\" (6.4 x 21 cm)\r\n.4: 2 3/4 x 10 1/4\" (7 x 26 cm)","size":[0.159,0.051],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in aluminum, Before 1934","blurb":"Design in aluminum, Before 1934. The Aluminum Cooking Utensil Co., New York, NY (est. 1901). Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"10027","url":"https://www.moma.org/collection/works/3153","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTEyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d2860231caa6f1ca","placement":{"kind":"case","case":2,"x":7.268,"z":2.314,"y":0.885},"texture":"textures/3153.jpg","thumb":"thumbs/3153.jpg","seen":["concentric circles"],"tags":["1930s","aluminum","bright","design","intimate","monochrome","concentric circles"],"roomTags":["architecture","industry"],"docent":"This is Wear-Ever Hotel Sauté Pans — a design object by The Aluminum Cooking Utensil Co., New York, NY, Before nineteen thirty-four. It's aluminum, about 5 by 16 centimeters. You can pick out the concentric circles."},{"id":2890,"title":"Hydrometer Jar","artist":"Unidentified Designer","artistBio":"","artistGender":"()","date":"Before 1934","medium":"Glass","credit":"Gift of Eimer & Amend","classification":"Design","dimensions":"6 3/4 x 1 5/8\" (17.2 x 4.2 cm)","size":[0.042,0.172],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in glass, Before 1934","blurb":"Design in glass, Before 1934. Acquired by the Museum in 1934 — Gift of Eimer & Amend.","blurbSource":"catalogue","acquired":"1934","cid":"6011","url":"https://www.moma.org/collection/works/2890","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDgwOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9f8bda1f03a4436c","placement":{"kind":"case","case":2,"x":7.749,"z":2.314,"y":0.946},"texture":"textures/2890.jpg","thumb":"thumbs/2890.jpg","seen":["bottle"],"tags":["1930s","bright","design","glass","intimate","monochrome","bottle"],"roomTags":["architecture","industry"],"docent":"This one's called Hydrometer Jar — a design object by Unidentified Designer, Before nineteen thirty-four. The piece is glass, about 17 by 4 centimeters."},{"id":89731,"title":"Railroad Car Spring","artist":"American Steel & Wire Co., Worcester, MA","artistBio":"(American, established 1898)","artistGender":"()","date":"1920s","medium":"Painted steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"27 1/4 x 15 1/2\" (69.2 x 39.4 cm)","size":[0.394,0.692],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in painted steel, 1920s","blurb":"Design in painted steel, 1920s. American Steel & Wire Co., Worcester, MA (American, established 1898). Acquired by the Museum in 2004 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"2004","cid":"9953","url":"https://www.moma.org/collection/works/89731","imageURL":"https://www.moma.org/media/W1siZiIsIjQwMDA2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ca563ce4075c80a3","placement":{"kind":"plinth","x":8.481,"z":2.314,"plinth":0.904,"fw":0.744,"fd":0.744,"face":[0,-1]},"texture":"textures/89731.jpg","thumb":"thumbs/89731.jpg","tags":["1920s","design","monochrome","steel"],"roomTags":["architecture","industry"],"docent":"This is Railroad Car Spring — a design object by American Steel & Wire Co., Worcester, MA, nineteen twentyies. It's painted steel, about 69 by 39 centimeters."},{"id":84200,"title":"Tugendhat House, Brno, Czech Republic (Scale model of final version, 1:30)","artist":"Ludwig Mies van der Rohe","artistBio":"(American, born Germany. 1886–1969)","artistGender":"(male)","date":"1928-1930","medium":"Painted wood, metal, wooden tiles, plastic fence steps and windows","credit":"Exhibition Fund, 1932","classification":"Architecture","dimensions":"13 x 44 1/2 x 36 x 10 3/4\" (33 x 113 x 91.4 x 27.3 cm) including base\r\n8 x 44 1/2 x 36\" (20.3 x 113 x 91.4 cm)","size":[1.13,0.33],"depth":0.914,"sizeSource":"cc0-columns","summary":"Architecture in painted wood, 1928-1930","blurb":"Architecture in painted wood, 1928-1930. 33 cm × 113 cm × 91 cm. Ludwig Mies van der Rohe (American, born Germany. 1886–1969). Acquired by the Museum in 1932 — Exhibition Fund, 1932.","blurbSource":"catalogue","acquired":"1932","cid":"7166","url":"https://www.moma.org/collection/works/84200","imageURL":"https://www.moma.org/media/W1siZiIsIjYyODI5Il0sWyJwIiwiY29udmVydCIsIi1yZXNpemUgMTAyNHgxMDI0XHUwMDNlIl1d.jpg?sha=3e710d59a5942ca1","placement":{"kind":"plinth","x":9.713,"z":2.314,"plinth":1.085,"fw":1.48,"fd":1.264,"face":[0,-1]},"texture":"textures/84200.jpg","thumb":"thumbs/84200.jpg","seen":["house","architectural plan"],"tags":["1920s","architecture","bauhaus","monochrome","wood","house","architectural plan"],"roomTags":["architecture","industry"],"docent":"This is the final model of the Tugendhat House at Brno, built at one to thirty in painted wood, metal, wooden tiles and plastic. The museum acquired it in nineteen thirty-two for its very first architecture exhibition — the show that gave the International Style its name."},{"id":1007,"title":"Column Cover for the German Pavilion, International Exposition, Barcelona, Spain","artist":"Ludwig Mies van der Rohe","artistBio":"(American, born Germany. 1886–1969)","artistGender":"(male)","date":"1928-29","medium":"Chrome-plated steel","credit":"Purchase","classification":"Architecture","dimensions":"118 1/2 x 6 1/2 x 6 1/2\" (301 x 16.5 x 16.5 cm)","size":[0.165,3.01],"depth":0.165,"sizeSource":"cc0-columns","summary":"Architecture in chrome-plated steel, 1928-29","blurb":"Architecture in chrome-plated steel, 1928-29. 3.01 m × 0.17 m × 0.17 m. Ludwig Mies van der Rohe (American, born Germany. 1886–1969). Acquired by the Museum in 1986 — Purchase.","blurbSource":"catalogue","acquired":"1986","cid":"7166","url":"https://www.moma.org/collection/works/1007","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDkyNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f09f4ba416d3a81e","placement":{"kind":"plinth","x":10.83,"z":2.314,"plinth":0.55,"fw":0.515,"fd":0.515,"face":[0,-1]},"texture":"textures/1007.jpg","thumb":"thumbs/1007.jpg","seen":["lamp","door"],"tags":["1920s","architecture","bauhaus","bright","figure","monochrome","monumental","steel","lamp","door"],"roomTags":["architecture","industry"],"docent":"This is Column Cover for the German Pavilion, International Exposition, Barcelona, Spain — an architectural work by Ludwig Mies van der Rohe, nineteen twenty-eight to nineteen twenty-nine. The piece is chrome-plated steel, about 3 by 0.2 meters. It is an odd shape for a picture: about 3.0 metres one way and 0.2 the other, so it reads as a band rather than a window. You can pick out the door."},{"id":87695,"title":"Verseidag Administration Building, Krefeld, Germany, Interior perspective, looking northeast","artist":"Ludwig Mies van der Rohe","artistBio":"(American, born Germany. 1886–1969)","artistGender":"(male)","date":"1937-1938","medium":"Pencil on illustration board","credit":"Mies van der Rohe Archive, gift of the architect\r\n","classification":"Mies van der Rohe Archive","dimensions":"28 5/8 x 40 1/8\" (72.7 x 101.9 cm)","size":[1.019,0.727],"depth":0.0,"sizeSource":"cc0-columns","summary":"Pencil on illustration board, 1937-1938","blurb":"Pencil on illustration board, 1937-1938. 73 cm × 102 cm. Ludwig Mies van der Rohe (American, born Germany. 1886–1969).","blurbSource":"catalogue","acquired":"","cid":"7166","url":"https://www.moma.org/collection/works/87695","imageURL":"https://www.moma.org/media/W1siZiIsIjI1MjAyNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f9b72b92270a0f95","placement":{"kind":"plinth","x":11.892,"z":2.314,"plinth":0.887,"fw":1.369,"fd":1.369,"face":[0,-1]},"texture":"textures/87695.jpg","thumb":"thumbs/87695.jpg","seen":["architectural plan"],"tags":["1930s","architecture","bauhaus","bright","city","figure","interior","mies van der rohe archive","warm","architectural plan"],"roomTags":["architecture","industry"],"docent":"You're looking at Verseidag Administration Building, Krefeld, Germany, Interior perspective, looking northeast — a work by Ludwig Mies van der Rohe, nineteen thirty-seven to nineteen thirty-eight. The piece is pencil on illustration board, about 0.7 by 1 meters. Measured, it is among the most saturated surfaces in this museum — 40 where the typical work sits at 11. You can pick out the architectural plan."},{"id":2731,"title":"Steel Balls","artist":"S.K.F. Industries, Inc., Hartford, CT","artistBio":"","artistGender":"()","date":"Before 1934","medium":"Nickel-plated steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"Dimensions range from a minimum diameter of  3/8\" (1 cm) to a max diameter of 1\" (2.5 cm)","size":[1.6,0.659],"depth":0.0,"sizeSource":"image-aspect","summary":"Design in nickel-plated steel, Before 1934","blurb":"Design in nickel-plated steel, Before 1934. Acquired by the Museum in 1934 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1934","cid":"10113","url":"https://www.moma.org/collection/works/2731","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDcyOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=80b58dcb7f6b0c95","placement":{"kind":"plinth","x":6.522,"z":5.674,"plinth":0.92,"fw":1.95,"fd":1.95,"face":[0,-1]},"texture":"textures/2731.jpg","thumb":"thumbs/2731.jpg","seen":["crowd"],"tags":["1930s","bright","design","monochrome","steel","crowd"],"roomTags":["architecture","industry"],"docent":"This one's called Steel Balls — a design object by S.K.F. Industries, Inc., Hartford, CT, Before nineteen thirty-four. It's nickel-plated steel, about 0.7 by 1.6 meters. You can pick out the crowd."},{"id":2859,"title":"Hydrometer Jar","artist":"Unidentified Designer","artistBio":"","artistGender":"()","date":"Before 1934","medium":"Glass","credit":"Gift of Eimer & Amend","classification":"Design","dimensions":"h. 10\" (25.4 cm), diam. 11/16\" (1.8 cm); base diam. 1 15/16\" (4.9 cm)","size":[0.76,1.592],"depth":0.0,"sizeSource":"image-aspect","summary":"Design in glass, Before 1934","blurb":"Design in glass, Before 1934. Acquired by the Museum in 1934 — Gift of Eimer & Amend.","blurbSource":"catalogue","acquired":"1934","cid":"6011","url":"https://www.moma.org/collection/works/2859","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDc4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8aff4a542a3efc49","placement":{"kind":"plinth","x":8.172,"z":5.674,"plinth":0.55,"fw":1.11,"fd":1.11,"face":[0,-1]},"texture":"textures/2859.jpg","thumb":"thumbs/2859.jpg","seen":["lamp","bottle"],"tags":["1930s","bright","design","glass","monochrome","lamp","bottle"],"roomTags":["architecture","industry"],"docent":"Before you is Hydrometer Jar — a design object by Designer, Before nineteen thirty-four. The piece is glass, about 1.6 by 0.8 meters."}]},{"gallery":"512","title":"Circle and Square, Joaquin Torres-Garcia and Piet Mondrian","origin":[8.85,24.27],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,7.422],[0.0,7.422]],"size":[14.27,7.42],"ceiling":4.6,"outdoor":false,"doors":[[0,7.14,1.6],[2,7.14,1.6],[1,3.71,1.6]],"partitions":[],"cases":[{"x":6.259,"z":3.711,"w":1.723,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,7.422],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,6.872],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,7.422],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,7.422],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[4.91,6.872],"height":4.6,"kind":"perimeter","edge":1},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,2.5100000000000002],"height":4.6,"kind":"perimeter","edge":1}],"decor":null,"intro":"17 works, 1921–1959 — Joaquín Torres-García and Piet Mondrian; mostly painting and sculpture.","music":"modal","artworks":[{"id":79059,"title":"Tableau I: Lozenge with Four Lines and Gray","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1926","medium":"Oil on canvas","credit":"Katherine S. Dreier Bequest","classification":"Painting","dimensions":"46 1/8 × 45 1/2\" (117.2 × 115.6 cm)","size":[1.118,1.137],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1926","blurb":"Painting in oil on canvas, 1926. 114 cm × 112 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1953 — Katherine S. Dreier Bequest.","blurbSource":"catalogue","acquired":"1953","cid":"4057","url":"https://www.moma.org/collection/works/79059","imageURL":"https://www.moma.org/media/W1siZiIsIjI2NTczOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ed964188249680e4","placement":{"kind":"wall","wall":0,"lane":0,"u":1.109,"y":1.52},"texture":"textures/79059.jpg","thumb":"thumbs/79059.jpg","seen":["abstract geometric"],"tags":["1920s","abstraction","bright","canvas","de stijl","interior","monochrome","oil","painting","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Tableau I: Lozenge with Four Lines and Gray — a painting by the Dutch artist Piet Mondrian, nineteen twenty-six. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":206007,"title":"Untitled","artist":"Virgilio Villalba","artistBio":"(Argentine, born Spain. 1925–2009)","artistGender":"(male)","date":"1955","medium":"Oil on canvas","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Marlene Hess","classification":"Painting","dimensions":"35 1/2 × 43 1/4\" (90.2 × 109.9 cm)","size":[1.099,0.902],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1955","blurb":"Painting in oil on canvas, 1955. 90 cm × 110 cm. Virgilio Villalba (Argentine, born Spain. 1925–2009). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Marlene Hess.","blurbSource":"catalogue","acquired":"2016","cid":"50017","url":"https://www.moma.org/collection/works/206007","imageURL":"https://www.moma.org/media/W1siZiIsIjQzNTcxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=041909e2726a193f","placement":{"kind":"wall","wall":1,"lane":0,"u":1.099,"y":1.52},"texture":"textures/206007.jpg","thumb":"thumbs/206007.jpg","seen":["abstract geometric"],"tags":["1950s","canvas","cool","muted","oil","painting","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Untitled — a painting by the Argentine artist Virgilio Villalba, nineteen fifty-five. It's oil on canvas, about 0.9 by 1.1 meters."},{"id":78310,"title":"Composition in White, Black, and Red","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"Paris 1936","medium":"Oil on canvas","credit":"Gift of the Advisory Committee","classification":"Painting","dimensions":"40 1/4 x 41\" (102.2 x 104.1 cm)","size":[1.041,1.022],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris 1936","blurb":"Painting in oil on canvas, Paris 1936. 102 cm × 104 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1937 — Gift of the Advisory Committee.","blurbSource":"catalogue","acquired":"1937","cid":"4057","url":"https://www.moma.org/collection/works/78310","imageURL":"https://www.moma.org/media/W1siZiIsIjI2NTc5NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5be41d1b44a043ed","placement":{"kind":"wall","wall":2,"lane":0,"u":1.071,"y":1.52},"texture":"textures/78310.jpg","thumb":"thumbs/78310.jpg","seen":["abstract geometric"],"tags":["1930s","abstraction","bright","canvas","de stijl","monochrome","oil","painting","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"You're looking at Composition in White, Black, and Red — a painting by Mondrian, Paris nineteen thirty-six. The piece is oil on canvas, about 1 by 1 meters. You can pick out the abstract geometric."},{"id":91774,"title":"Construction in White and Black","artist":"Joaquín Torres-García","artistBio":"(Uruguayan, 1874–1949)","artistGender":"(male)","date":"1938","medium":"Glue tempera on cardboard mounted on wood","credit":"Gift of Patricia Phelps de Cisneros in honor of David Rockefeller","classification":"Painting","dimensions":"31 3/4 x 40 1/8\" (80.7 x 102 cm)","size":[1.02,0.807],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in glue tempera on cardboard mounted on wood, 1938","blurb":"Painting in glue tempera on cardboard mounted on wood, 1938. 81 cm × 102 cm. Joaquín Torres-García (Uruguayan, 1874–1949). Acquired by the Museum in 2004 — Gift of Patricia Phelps de Cisneros in honor of David Rockefeller.","blurbSource":"catalogue","acquired":"2004","cid":"5907","url":"https://www.moma.org/collection/works/91774","imageURL":"https://www.moma.org/media/W1siZiIsIjE1OTIxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4b0bdbf300cce51d","placement":{"kind":"wall","wall":3,"lane":0,"u":8.85,"y":1.52},"texture":"textures/91774.jpg","thumb":"thumbs/91774.jpg","seen":["abstract geometric"],"tags":["1930s","abstraction","cardboard","monochrome","painting","tempera","wood","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"This is Construction in White and Black — a painting by the Uruguayan artist Joaquín Torres-García, nineteen thirty-eight. Glue tempera — pigment bound in animal glue, which dries fast and dead matte, closer to distemper on a wall than to oil."},{"id":79388,"title":"Composition","artist":"Joaquín Torres-García","artistBio":"(Uruguayan, 1874–1949)","artistGender":"(male)","date":"1931","medium":"Oil on canvas","credit":"Gift of Larry Aldrich","classification":"Painting","dimensions":"36 1/8 x 24\" (91.7 x 61 cm)","size":[0.61,0.917],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1931","blurb":"Painting in oil on canvas, 1931. 92 cm × 61 cm. Joaquín Torres-García (Uruguayan, 1874–1949). Acquired by the Museum in 1956 — Gift of Larry Aldrich.","blurbSource":"catalogue","acquired":"1956","cid":"5907","url":"https://www.moma.org/collection/works/79388","imageURL":"https://www.moma.org/media/W1siZiIsIjMxNzU1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ddb1458c719a8d54","placement":{"kind":"wall","wall":0,"lane":0,"u":3.169,"y":1.52},"texture":"textures/79388.jpg","thumb":"thumbs/79388.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1930s","abstraction","canvas","monochrome","oil","painting","abstract geometric","abstract shapes","calm"],"roomTags":["circle","garcia","joaquin","square"],"docent":"This one's called Composition — a painting by Torres-García, nineteen thirty-one. Oil on canvas — about 92 by 61 centimeters."},{"id":205953,"title":"Curves and Straight Series","artist":"Alfredo Hlito","artistBio":"(Argentine, 1923–1993)","artistGender":"(male)","date":"1948","medium":"Oil on canvas","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Todd Bishop","classification":"Painting","dimensions":"27 3/4 × 27 3/4\" (70.5 × 70.5 cm)","size":[0.705,0.705],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1948","blurb":"Painting in oil on canvas, 1948. 70 cm × 70 cm. Alfredo Hlito (Argentine, 1923–1993). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Todd Bishop.","blurbSource":"catalogue","acquired":"2016","cid":"50003","url":"https://www.moma.org/collection/works/205953","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1MTI4MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=aafc1033190766d6","placement":{"kind":"wall","wall":3,"lane":0,"u":11.277,"y":1.52},"texture":"textures/205953.jpg","thumb":"thumbs/205953.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1940s","bright","canvas","oil","painting","warm","abstract geometric","abstract shapes"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Curves and Straight Series — a painting by Alfredo Hlito, nineteen forty-eight. It's oil on canvas, about 70 by 70 centimeters. In the picture, look for the abstract shapes."},{"id":80537,"title":"Composition","artist":"Sophie Taeuber-Arp","artistBio":"(French, born Switzerland. 1889–1943)","artistGender":"(female)","date":"1930","medium":"Oil and metallic flakes on canvas","credit":"The Riklis Collection of McCrory Corporation","classification":"Painting","dimensions":"19 1/2 x 25 1/4\" (49.5 x 64.1 cm)","size":[0.641,0.495],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and metallic flakes on canvas, 1930","blurb":"Painting in oil and metallic flakes on canvas, 1930. 50 cm × 64 cm. Sophie Taeuber-Arp (French, born Switzerland. 1889–1943). Acquired by the Museum in 1985 — The Riklis Collection of McCrory Corporation.","blurbSource":"catalogue","acquired":"1985","cid":"5777","url":"https://www.moma.org/collection/works/80537","imageURL":"https://www.moma.org/media/W1siZiIsIjQ5MDIwOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1ddc491ca1df4ec1","placement":{"kind":"wall","wall":2,"lane":0,"u":3.475,"y":1.52},"texture":"textures/80537.jpg","thumb":"thumbs/80537.jpg","seen":["abstract geometric"],"tags":["1930s","canvas","cool","monochrome","oil","painting","women artists","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Composition — a painting by the French artist Sophie Taeuber-Arp, nineteen thirty. Taeuber-Arp was married to Jean Arp — who also hangs in this museum. Oil and metallic flakes on canvas — about 50 by 64 centimeters."},{"id":205955,"title":"Concrete 61","artist":"Judith Lauand","artistBio":"(Brazilian, 1922–2022)","artistGender":"(female)","date":"1957","medium":"Alkyd on board","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Robert Menschel and Janet Wallach","classification":"Painting","dimensions":"23 5/8 × 23 5/8\" (60 × 60 cm)","size":[0.6,0.6],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in alkyd on board, 1957","blurb":"Painting in alkyd on board, 1957. 60 cm × 60 cm. Judith Lauand (Brazilian, 1922–2022). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Robert Menschel and Janet Wallach.","blurbSource":"catalogue","acquired":"2016","cid":"50004","url":"https://www.moma.org/collection/works/205955","imageURL":"https://www.moma.org/media/W1siZiIsIjQzMzYyNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=eb011a28a4f89e3d","placement":{"kind":"wall","wall":1,"lane":0,"u":3.519,"y":1.52},"texture":"textures/205955.jpg","thumb":"thumbs/205955.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1950s","bright","painting","warm","women artists","abstract geometric","abstract shapes"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Concrete 61 — a painting by the Brazilian artist Judith Lauand, nineteen fifty-seven. Alkyd on board — about 60 by 60 centimeters."},{"id":205965,"title":"Cut-out Frame no. 2","artist":"Juan Melé","artistBio":"(Argentine, 1923–2012)","artistGender":"(male)","date":"1946","medium":"Oil on board","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund","classification":"Painting","dimensions":"28 × 19 3/4 × 1\" (71.1 × 50.2 × 2.5 cm)","size":[0.502,0.711],"depth":0.025,"sizeSource":"cc0-columns","summary":"Painting in oil on board, 1946","blurb":"Painting in oil on board, 1946. 71 cm × 50 cm × 2 cm. Juan Melé (Argentine, 1923–2012). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund.","blurbSource":"catalogue","acquired":"2016","cid":"34145","url":"https://www.moma.org/collection/works/205965","imageURL":"https://www.moma.org/media/W1siZiIsIjM3OTMzMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=23fc5021c710f3be","placement":{"kind":"wall","wall":0,"lane":0,"u":4.922,"y":1.52},"texture":"textures/205965.jpg","thumb":"thumbs/205965.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1940s","golden","muted","oil","painting","abstract geometric","abstract shapes"],"roomTags":["circle","garcia","joaquin","square"],"docent":"You're looking at Cut-out Frame no. 2 — a painting by the Argentine artist Juan Melé, nineteen forty-six. It's oil on board, about 71 by 50 centimeters."},{"id":205988,"title":"Untitled","artist":"Lygia Pape","artistBio":"(Brazilian, 1927–2004)","artistGender":"(female)","date":"1956","medium":"Acrylic on wood","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Sharon Rockefeller","classification":"Painting","dimensions":"13 3/4 × 13 3/4 × 3 1/8\" (35 × 35 × 8 cm)","size":[0.35,0.35],"depth":0.08,"sizeSource":"cc0-columns","summary":"Painting in acrylic on wood, 1956","blurb":"Painting in acrylic on wood, 1956. 35 cm × 35 cm × 8 cm. Lygia Pape (Brazilian, 1927–2004). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Sharon Rockefeller.","blurbSource":"catalogue","acquired":"2016","cid":"8196","url":"https://www.moma.org/collection/works/205988","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0ODc2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2ece47b50ac39e5d","placement":{"kind":"wall","wall":2,"lane":0,"u":5.535,"y":1.52},"texture":"textures/205988.jpg","thumb":"thumbs/205988.jpg","seen":["abstract geometric"],"tags":["1950s","bright","golden","intimate","muted","painting","women artists","wood","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Here we have Untitled — a painting by Lygia Pape, nineteen fifty-six. Pape was part of the concrete art movement. Acrylic, a pigment suspended in plastic emulsion that dries in minutes and stays flexible afterwards. It is among the palest things in this museum — measured, almost the whole surface reads as light."},{"id":79816,"title":"Composition No. II, with Red and Blue","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1929 (original date partly obliterated; mistakenly repainted 1925 by Mondrian)","medium":"Oil on canvas","credit":"Gift of Philip Johnson","classification":"Painting","dimensions":"15 7/8 x 12 5/8\" (40.3 x 32.1 cm)","size":[0.321,0.403],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1929","blurb":"Painting in oil on canvas, 1929. 40 cm × 32 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1941 — Gift of Philip Johnson.","blurbSource":"catalogue","acquired":"1941","cid":"4057","url":"https://www.moma.org/collection/works/79816","imageURL":"https://www.moma.org/media/W1siZiIsIjI5MjUwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=eb07e3c0ac0a72d8","placement":{"kind":"wall","wall":1,"lane":0,"u":5.549,"y":1.52},"texture":"textures/79816.jpg","thumb":"thumbs/79816.jpg","seen":["abstract geometric"],"tags":["1920s","abstraction","bright","canvas","de stijl","muted","oil","painting","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"You're looking at Composition No. two, with Red and Blue — a painting by Mondrian, nineteen twenty-nine (original date partly obliterated; mistakenly repainted nineteen twenty-five by Mondrian). It's oil on canvas, about 40 by 32 centimeters."},{"id":205927,"title":"Cocoon no. 2","artist":"Lygia Clark","artistBio":"(Brazilian, 1920–1988)","artistGender":"(female)","date":"1959","medium":"Cellulose nitrate on sheetmetal","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Kathy Halbreich","classification":"Painting","dimensions":"11 13/16 × 11 13/16 × 4 5/16\" (30 × 30 × 11 cm)","size":[0.3,0.3],"depth":0.11,"sizeSource":"cc0-columns","summary":"Painting in cellulose nitrate on sheetmetal, 1959","blurb":"Painting in cellulose nitrate on sheetmetal, 1959. 30 cm × 30 cm × 11 cm. Lygia Clark (Brazilian, 1920–1988). Acquired by the Museum in 2016 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Kathy Halbreich.","blurbSource":"catalogue","acquired":"2016","cid":"27445","url":"https://www.moma.org/collection/works/205927","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0ODM4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=970d5b630dbbb3e9","placement":{"kind":"wall","wall":3,"lane":0,"u":13.344,"y":1.52},"texture":"textures/205927.jpg","thumb":"thumbs/205927.jpg","seen":["abstract geometric"],"tags":["1950s","bright","golden","intimate","painting","women artists","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Cocoon no. 2 — a painting by Lygia Clark, nineteen fifty-nine. The piece is cellulose nitrate on sheetmetal, about 30 by 30 centimeters. Clark was part of the Antropophagia movement."},{"id":80686,"title":"Leaves and Navels","artist":"Jean (Hans) Arp","artistBio":"(French, born Germany (Alsace). 1886–1966)","artistGender":"(male)","date":"1929","medium":"Oil and cord on canvas","credit":"Purchase","classification":"Painting","dimensions":"13 3/4 x 10 3/4\" (35 x 27.3 cm)","size":[0.273,0.35],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and cord on canvas, 1929","blurb":"Painting in oil and cord on canvas, 1929. 35 cm × 27 cm. Jean (Hans) Arp (French, born Germany (Alsace). 1886–1966). Acquired by the Museum in 1940 — Purchase.","blurbSource":"catalogue","acquired":"1940","cid":"11","url":"https://www.moma.org/collection/works/80686","imageURL":"https://www.moma.org/media/W1siZiIsIjE3OTI2NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6af16f18f38335a4","placement":{"kind":"wall","wall":0,"lane":0,"u":6.506,"y":1.52},"texture":"textures/80686.jpg","thumb":"thumbs/80686.jpg","seen":["abstract shapes"],"tags":["1920s","bright","canvas","intimate","monochrome","oil","painting","abstract shapes"],"roomTags":["circle","garcia","joaquin","square"],"docent":"This is Leaves and Navels — a painting by Jean (Hans) Arp, nineteen twenty-nine. Arp was married to Sophie Taeuber-Arp — who also hangs in this museum. It's oil and cord on canvas, about 35 by 27 centimeters."},{"id":81525,"title":"Construction of Volume Relations","artist":"Georges Vantongerloo","artistBio":"(Belgian, 1886–1965)","artistGender":"(male)","date":"1921","medium":"Mahogany","credit":"Gift of Silvia Pizitz","classification":"Sculpture","dimensions":"16 1/8 x 5 5/8 x 5 3/4\" (41 x 14.4 x 14.5 cm)\r\n","size":[0.143,0.41],"depth":0.146,"sizeSource":"cc0-columns","summary":"Sculpture in mahogany, 1921","blurb":"Sculpture in mahogany, 1921. 41 cm × 14 cm × 15 cm. Georges Vantongerloo (Belgian, 1886–1965). Acquired by the Museum in 1953 — Gift of Silvia Pizitz.","blurbSource":"catalogue","acquired":"1953","cid":"6091","url":"https://www.moma.org/collection/works/81525","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MjU5MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4b60727a049399a6","placement":{"kind":"case","case":0,"x":5.685,"z":3.711,"y":1.065},"texture":"textures/81525.jpg","thumb":"thumbs/81525.jpg","seen":["carved figure","abstract geometric"],"tags":["1920s","bright","monochrome","sculpture","warm","carved figure","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"This is Construction of Volume Relations — a sculpture by the Belgian artist Georges Vantongerloo, nineteen twenty-one. Mahogany — about 41 by 14 centimeters. In the picture, look for the carved figure."},{"id":164938,"title":"Construction with Curved Forms","artist":"Joaquín Torres-García","artistBio":"(Uruguayan, 1874–1949)","artistGender":"(male)","date":"1931","medium":"Oil and nails on wood","credit":"Given anonymously","classification":"Sculpture","dimensions":"19 1/2 x 16 1/8 x 1/2\" (49.5 x 41 x 1.3 cm)","size":[0.41,0.495],"depth":0.013,"sizeSource":"cc0-columns","summary":"Sculpture in oil and nails on wood, 1931","blurb":"Sculpture in oil and nails on wood, 1931. 50 cm × 41 cm × 1 cm. Joaquín Torres-García (Uruguayan, 1874–1949). Acquired by the Museum in 2012 — Given anonymously.","blurbSource":"catalogue","acquired":"2012","cid":"5907","url":"https://www.moma.org/collection/works/164938","imageURL":"https://www.moma.org/media/W1siZiIsIjI2Nzk0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7d39c65ec11677df","placement":{"kind":"case","case":0,"x":6.259,"z":3.711,"y":1.107},"texture":"textures/164938.jpg","thumb":"thumbs/164938.jpg","seen":["abstract geometric"],"tags":["1930s","abstraction","muted","oil","sculpture","warm","wood","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Here we have Construction with Curved Forms — a sculpture by Torres-García, nineteen thirty-one. Oil and nails on wood — about 50 by 41 centimeters."},{"id":401490,"title":"Object","artist":"Yente (Eugenia Crenovich)","artistBio":"(Argentine, 1905–1990)","artistGender":"(female)","date":"1946","medium":"Painted board","credit":"Latin American and Caribbean Fund","classification":"Sculpture","dimensions":"9 1/16 × 10 5/8 × 5 1/8\" (23 × 27 × 13 cm)","size":[0.27,0.23],"depth":0.13,"sizeSource":"cc0-columns","summary":"Sculpture in painted board, 1946","blurb":"Sculpture in painted board, 1946. 23 cm × 27 cm × 13 cm. Yente (Eugenia Crenovich) (Argentine, 1905–1990). Acquired by the Museum in 2019 — Latin American and Caribbean Fund.","blurbSource":"catalogue","acquired":"2019","cid":"131916","url":"https://www.moma.org/collection/works/401490","imageURL":"https://www.moma.org/media/W1siZiIsIjQ4MjM0MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=26cda036c1aedd64","placement":{"kind":"case","case":0,"x":6.833,"z":3.711,"y":0.975},"texture":"textures/401490.jpg","thumb":"thumbs/401490.jpg","seen":["abstract geometric","house"],"tags":["1940s","intimate","monochrome","sculpture","women artists","abstract geometric","house"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Here we have Object — a sculpture by the Argentine artist Yente (Eugenia Crenovich), nineteen forty-six. Painted board — about 23 by 27 centimeters. You can pick out the house."},{"id":204788,"title":"Untitled. Transformable Structure","artist":"Sandu Darie","artistBio":"(Cuban, born Romania. 1908–1991)","artistGender":"(male)","date":"c. 1950s","medium":"Oil on hinged wood elements","credit":"Hillman Periodicals Fund (by exchange)","classification":"Sculpture","dimensions":"Variable (approximately 15 3/8 x 19 1/2 x 7/8\")","size":[1.285,0.941],"depth":0.0,"sizeSource":"image-aspect","summary":"Sculpture in oil on hinged wood elements, c. 1950s","blurb":"Sculpture in oil on hinged wood elements, c. 1950s. Sandu Darie (Cuban, born Romania. 1908–1991). Acquired by the Museum in 2016 — Hillman Periodicals Fund (by exchange).","blurbSource":"catalogue","acquired":"2016","cid":"1391","url":"https://www.moma.org/collection/works/204788","imageURL":"https://www.moma.org/media/W1siZiIsIjU2ODEwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ef7204870bfbbe2a","placement":{"kind":"plinth","x":8.058,"z":3.711,"plinth":0.78,"fw":1.635,"fd":1.635,"face":[0,-1]},"texture":"textures/204788.jpg","thumb":"thumbs/204788.jpg","seen":["abstract geometric"],"tags":["1950s","muted","oil","sculpture","warm","wood","abstract geometric"],"roomTags":["circle","garcia","joaquin","square"],"docent":"Before you is Untitled. Transformable Structure — a sculpture by the Cuban artist Sandu Darie, around nineteen fiftyies. Oil on hinged wood elements — about 0.9 by 1.3 meters."}]},{"gallery":"513","title":"The New Spirit in Paris","origin":[8.85,31.69],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,15.701],[0.0,15.701]],"size":[14.27,15.7],"ceiling":4.6,"outdoor":false,"doors":[[0,7.14,1.6],[2,7.14,1.6],[3,2.15,1.6]],"partitions":[],"cases":[{"x":3.591,"z":6.178,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,15.151],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,15.701],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[3.35,15.151],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,15.701],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,15.701],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2}],"decor":null,"intro":"26 works, 1914–1976 — Eileen Gray and Fernand Léger; mostly painting and design.","music":"blues","artworks":[{"id":79078,"title":"Three Women","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1921-22","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"6' 1/4\" x 8' 3\" (183.5 x 251.5 cm)","size":[2.515,1.835],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1921-22","blurb":"Painting in oil on canvas, 1921-22. 1.83 m × 2.52 m. Fernand Léger (French, 1881–1955). Acquired by the Museum in 1942 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1942","cid":"6624","url":"https://www.moma.org/collection/works/79078","imageURL":"https://www.moma.org/media/W1siZiIsIjM5NTgyOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a0a4d362a4b3c35c","placement":{"kind":"wall","wall":0,"lane":0,"u":1.808,"y":1.52},"texture":"textures/79078.jpg","thumb":"thumbs/79078.jpg","tags":["1920s","canvas","cubism","monochrome","monumental","oil","painting","warm","calm"],"roomTags":["paris","spirit"],"docent":"Here we have Three Women — a painting by the French artist Fernand Léger, nineteen twenty-one to nineteen twenty-two. Léger was part of the cubism movement. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. It is one of the largest things in this museum — about 16 times the area of a typical work here."},{"id":78630,"title":"Three Musicians","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Fontainebleau, summer 1921","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"6' 7\" x 7' 3 3/4\" (200.7 x 222.9 cm)","size":[2.229,2.007],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Fontainebleau, summer 1921","blurb":"Painting in oil on canvas, Fontainebleau, summer 1921. 2.01 m × 2.23 m. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1949 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1949","cid":"4609","url":"https://www.moma.org/collection/works/78630","imageURL":"https://www.moma.org/media/W1siZiIsIjUzNzgyNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5592e55349c6f551","placement":{"kind":"wall","wall":1,"lane":0,"u":4.465,"y":1.52},"texture":"textures/78630.jpg","thumb":"thumbs/78630.jpg","seen":["musical instrument"],"tags":["1920s","canvas","cubism","dark","monumental","music","muted","oil","painting","warm","musical instrument","somber"],"roomTags":["paris","spirit"],"docent":"This is Three Musicians, painted at Fontainebleau in the summer of nineteen twenty-one. Many people read the three figures as a coded reunion — Picasso himself alongside two friends he had lost, the poets Guillaume Apollinaire and Max Jacob."},{"id":79762,"title":"Three Women at the Spring","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Fontainebleau, summer 1921","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Allan D. Emil","classification":"Painting","dimensions":"6' 8 1/4\" x 68 1/2\" (203.9 x 174 cm)","size":[1.74,2.039],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Fontainebleau, summer 1921","blurb":"Painting in oil on canvas, Fontainebleau, summer 1921. 2.04 m × 1.74 m. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1952 — Gift of Mr. and Mrs. Allan D. Emil.","blurbSource":"catalogue","acquired":"1952","cid":"4609","url":"https://www.moma.org/collection/works/79762","imageURL":"https://www.moma.org/media/W1siZiIsIjUzNzgyMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e86b39104fd6a9c2","placement":{"kind":"wall","wall":2,"lane":0,"u":2.005,"y":1.52},"texture":"textures/79762.jpg","thumb":"thumbs/79762.jpg","tags":["1920s","canvas","cubism","dark","monumental","oil","painting","warm","somber"],"roomTags":["paris","spirit"],"docent":"You're looking at Three Women at the Spring — a painting by Picasso, from Fontainebleau, summer nineteen twenty-one. Oil on canvas — about 2 by 1.7 meters."},{"id":147941,"title":"Theatrical Composition","artist":"Alexandra Exter","artistBio":"(Born Białystok, Russian Empire (now Poland), 1882; died Fontenay-aux-Roses, France, 1949)","artistGender":"(female)","date":"c. 1925","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Marvin Sackner","classification":"Painting","dimensions":"58 5/8 x 42 7/8\" (149 x 108.9 cm)","size":[1.089,1.49],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1925","blurb":"Painting in oil on canvas, c. 1925. 149 cm × 109 cm. Alexandra Exter (Born Białystok, Russian Empire (now Poland), 1882; died Fontenay-aux-Roses, France, 1949). Acquired by the Museum in 1991 — Gift of Mr. and Mrs. Marvin Sackner.","blurbSource":"catalogue","acquired":"1991","cid":"1784","url":"https://www.moma.org/collection/works/147941","imageURL":"https://www.moma.org/media/W1siZiIsIjE3OTU0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=39d65d9e0ea4b773","placement":{"kind":"wall","wall":3,"lane":0,"u":1.718,"y":1.52},"texture":"textures/147941.jpg","thumb":"thumbs/147941.jpg","seen":["abstract geometric","staircase"],"tags":["1920s","canvas","monochrome","oil","painting","warm","women artists","abstract geometric","staircase","calm"],"roomTags":["paris","spirit"],"docent":"This one's called Theatrical Composition — a painting by Alexandra Exter, around nineteen twenty-five. Exter was part of the Russian avant-garde movement. It's oil on canvas, about 1.5 by 1.1 meters. In the picture, look for the abstract geometric and the staircase."},{"id":78620,"title":"Mural Painting","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1924","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"71 x 31 1/4\" (180.3 x 79.2 cm)","size":[0.792,1.803],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1924","blurb":"Painting in oil on canvas, 1924. 180 cm × 79 cm. Fernand Léger (French, 1881–1955). Acquired by the Museum in 1965 — Given anonymously.","blurbSource":"catalogue","acquired":"1965","cid":"6624","url":"https://www.moma.org/collection/works/78620","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTM0OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=de8457eac2f9d7f5","placement":{"kind":"wall","wall":0,"lane":0,"u":5.312,"y":1.52},"texture":"textures/78620.jpg","thumb":"thumbs/78620.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1920s","canvas","cubism","muted","oil","painting","warm","abstract shapes","abstract geometric"],"roomTags":["paris","spirit"],"docent":"Here we have Mural Painting — a painting by Léger, nineteen twenty-four. Oil on canvas — about 1.8 by 0.8 meters. In the picture, look for the abstract shapes."},{"id":80011,"title":"Portrait of Mme Zamaron","artist":"Suzanne Valadon","artistBio":"(French, 1865–1938)","artistGender":"(female)","date":"1922","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Maxime L. Hermanos","classification":"Painting","dimensions":"32 1/8 x 25 7/8\" (81.5 x 65.6 cm)","size":[0.656,0.815],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1922","blurb":"Painting in oil on canvas, 1922. 82 cm × 66 cm. Suzanne Valadon (French, 1865–1938). Acquired by the Museum in 1964 — Gift of Mr. and Mrs. Maxime L. Hermanos.","blurbSource":"catalogue","acquired":"1964","cid":"6055","url":"https://www.moma.org/collection/works/80011","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTMxMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=26dd291504e146e2","placement":{"kind":"wall","wall":1,"lane":0,"u":7.705,"y":1.52},"texture":"textures/80011.jpg","thumb":"thumbs/80011.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","dark","muted","oil","painting","portrait","self-portrait","women artists","portrait of a person","somber"],"roomTags":["paris","spirit"],"docent":"You're looking at Portrait of Mme Zamaron — a painting by Suzanne Valadon, nineteen twenty-two. Oil on canvas — about 82 by 66 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. In the picture, look for the portrait of a person. Valadon was part of the Post-impressionism movement."},{"id":79002,"title":"Composition with Red, Blue, Black, Yellow, and Gray","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1921","medium":"Oil on canvas","credit":"Gift of John L. Senior, Jr.","classification":"Painting","dimensions":"29 7/8 x 20 5/8\" (76 x 52.4 cm)","size":[0.524,0.76],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1921","blurb":"Painting in oil on canvas, 1921. 76 cm × 52 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1957 — Gift of John L. Senior, Jr.","blurbSource":"catalogue","acquired":"1957","cid":"4057","url":"https://www.moma.org/collection/works/79002","imageURL":"https://www.moma.org/media/W1siZiIsIjI2NTczOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4208b485218b43bc","placement":{"kind":"wall","wall":0,"lane":0,"u":7.82,"y":1.52},"texture":"textures/79002.jpg","thumb":"thumbs/79002.jpg","seen":["abstract geometric"],"tags":["1920s","abstraction","canvas","cool","de stijl","muted","oil","painting","abstract geometric"],"roomTags":["paris","spirit"],"docent":"You're looking at Composition with Red, Blue, Black, Yellow, and Gray — a painting by the Dutch artist Piet Mondrian, nineteen twenty-one. Oil on canvas — about 76 by 52 centimeters."},{"id":79208,"title":"Painting","artist":"Patrick Henry Bruce","artistBio":"(American, 1881–1936)","artistGender":"(male)","date":"c. 1929-30","medium":"Oil on canvas","credit":"G. David Thompson, Mrs. Herbert M. Dreyfus, Harry J. Rudick, Willi Baumeister, Edward James, and Mr. and Mrs. Gerald Murphy Funds","classification":"Painting","dimensions":"23 3/4 x 36 3/8\" (60.3 x 92.4 cm)","size":[0.924,0.603],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1929-30","blurb":"Painting in oil on canvas, c. 1929-30. 60 cm × 92 cm. Patrick Henry Bruce (American, 1881–1936). Acquired by the Museum in 1978 — G. David Thompson, Mrs. Herbert M. Dreyfus, Harry J. Rudick, Willi Baumeister, Edward James, and Mr. and Mrs. Gerald Murphy Funds.","blurbSource":"catalogue","acquired":"1978","cid":"821","url":"https://www.moma.org/collection/works/79208","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNDc2MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fd0d945ecd50befb","placement":{"kind":"wall","wall":3,"lane":0,"u":4.624,"y":1.52},"texture":"textures/79208.jpg","thumb":"thumbs/79208.jpg","seen":["abstract geometric","abstract shapes"],"tags":["1920s","canvas","muted","oil","painting","warm","abstract geometric","abstract shapes"],"roomTags":["paris","spirit"],"docent":"This is Painting — a painting by Patrick Henry Bruce, around nineteen twenty-nine to nineteen thirty. It's oil on canvas, about 60 by 92 centimeters."},{"id":79300,"title":"Composition C","artist":"Piet Mondrian","artistBio":"(Dutch, 1872–1944)","artistGender":"(male)","date":"1920","medium":"Oil on canvas","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Painting","dimensions":"23 3/4 x 24\" (60.3 x 61 cm)","size":[0.61,0.603],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1920","blurb":"Painting in oil on canvas, 1920. 60 cm × 61 cm. Piet Mondrian (Dutch, 1872–1944). Acquired by the Museum in 1948 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1948","cid":"4057","url":"https://www.moma.org/collection/works/79300","imageURL":"https://www.moma.org/media/W1siZiIsIjM5NTgzNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3c95cf4516240e9e","placement":{"kind":"wall","wall":1,"lane":0,"u":10.135,"y":1.52},"texture":"textures/79300.jpg","thumb":"thumbs/79300.jpg","seen":["abstract geometric"],"tags":["1920s","abstraction","canvas","de stijl","muted","oil","painting","abstract geometric"],"roomTags":["paris","spirit"],"docent":"This is Composition C — a painting by Mondrian, nineteen twenty. The piece is oil on canvas, about 60 by 61 centimeters."},{"id":79361,"title":"Portrait of Maria Lani","artist":"Chaim Soutine","artistBio":"(French, 1893–1943)","artistGender":"(male)","date":"1929","medium":"Oil on canvas","credit":"Mrs. Sam A. Lewisohn Bequest","classification":"Painting","dimensions":"28 7/8 x 23 1/2\" (73.3 x 59.7 cm)","size":[0.597,0.733],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1929","blurb":"Painting in oil on canvas, 1929. 73 cm × 60 cm. Chaim Soutine (French, 1893–1943). Acquired by the Museum in 1954 — Mrs. Sam A. Lewisohn Bequest.","blurbSource":"catalogue","acquired":"1954","cid":"5543","url":"https://www.moma.org/collection/works/79361","imageURL":"https://www.moma.org/media/W1siZiIsIjE1ODEyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=64e4b13cdf6862cc","placement":{"kind":"wall","wall":0,"lane":0,"u":10.231,"y":1.52},"texture":"textures/79361.jpg","thumb":"thumbs/79361.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","cool","dark","muted","oil","painting","portrait","self-portrait","portrait of a person","somber"],"roomTags":["paris","spirit"],"docent":"This one's called Portrait of Maria Lani — a painting by the French artist Chaim Soutine, nineteen twenty-nine. Oil on canvas — about 73 by 60 centimeters. Soutine was part of the Expressionism movement."},{"id":78503,"title":"Jean Cocteau","artist":"Christian Bérard","artistBio":"(French, 1902–1949)","artistGender":"(male)","date":"1928","medium":"Oil on canvas","credit":"Abby Aldrich Rockefeller Fund","classification":"Painting","dimensions":"25 5/8 x 21 1/4\" (65.1 x 54 cm)","size":[0.54,0.651],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1928","blurb":"Painting in oil on canvas, 1928. 65 cm × 54 cm. Christian Bérard (French, 1902–1949). Acquired by the Museum in 1940 — Abby Aldrich Rockefeller Fund.","blurbSource":"catalogue","acquired":"1940","cid":"486","url":"https://www.moma.org/collection/works/78503","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NTgwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=356bd690fb765e55","placement":{"kind":"wall","wall":1,"lane":0,"u":12.508,"y":1.52},"texture":"textures/78503.jpg","thumb":"thumbs/78503.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","dark","oil","painting","warm","portrait of a person","somber"],"roomTags":["paris","spirit"],"docent":"Here we have Jean Cocteau — a painting by the French artist Christian Bérard, nineteen twenty-eight. It's oil on canvas, about 65 by 54 centimeters."},{"id":36300,"title":"Fragment of a Nut","artist":"Fernand Léger","artistBio":"(French, 1881–1955)","artistGender":"(male)","date":"1933","medium":"Ink on paper","credit":"Purchased with funds given by The Edward John Noble Foundation","classification":"Drawing","dimensions":"17 3/4 x 13 3/4\" (41.4 x 33.5 cm)","size":[0.349,0.451],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in ink on paper, 1933","blurb":"Drawing in ink on paper, 1933. 45 cm × 35 cm. Fernand Léger (French, 1881–1955). Acquired by the Museum in 1998 — Purchased with funds given by The Edward John Noble Foundation.","blurbSource":"catalogue","acquired":"1998","cid":"6624","url":"https://www.moma.org/collection/works/36300","imageURL":"https://www.moma.org/media/W1siZiIsIjI4NjM0NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f15ee8b82e57fbab","placement":{"kind":"wall","wall":2,"lane":0,"u":4.95,"y":1.52},"texture":"textures/36300.jpg","thumb":"thumbs/36300.jpg","tags":["1930s","cubism","drawing","ink","paper","warm","works on paper"],"roomTags":["paris","spirit"],"docent":"Here we have Fragment of a Nut — a drawing by Léger, nineteen thirty-three. Ink on paper — about 45 by 35 centimeters."},{"id":173509,"title":"Moulin Rouge","artist":"Ilse Bing","artistBio":"(American, born Germany. 1899–1998)","artistGender":"(female)","date":"1931","medium":"Gelatin silver print","credit":"Bequest of Ilse Bing Wolff","classification":"Photograph","dimensions":"11 7/16 × 13 9/16\" (29 × 34.5 cm)","size":[0.345,0.29],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1931","blurb":"Photograph in gelatin silver print, 1931. 29 cm × 34 cm. Ilse Bing (American, born Germany. 1899–1998). Acquired by the Museum in 2013 — Bequest of Ilse Bing Wolff.","blurbSource":"catalogue","acquired":"2013","cid":"561","url":"https://www.moma.org/collection/works/173509","imageURL":"https://www.moma.org/media/W1siZiIsIjI4NDc4OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9fd76fa84240d067","placement":{"kind":"wall","wall":0,"lane":0,"u":12.553,"y":1.52},"texture":"textures/173509.jpg","thumb":"thumbs/173509.jpg","seen":["crowd"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","women artists","crowd","joyful"],"roomTags":["paris","spirit"],"docent":"This is Moulin Rouge — a photograph by the American artist Ilse Bing, nineteen thirty-one. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. You can pick out the crowd."},{"id":173513,"title":"Moulin Rouge","artist":"Ilse Bing","artistBio":"(American, born Germany. 1899–1998)","artistGender":"(female)","date":"1931","medium":"Gelatin silver print","credit":"Bequest of Ilse Bing Wolff","classification":"Photograph","dimensions":"11 7/16 × 13 9/16\" (29 × 34.5 cm)","size":[0.345,0.29],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1931","blurb":"Photograph in gelatin silver print, 1931. 29 cm × 34 cm. Ilse Bing (American, born Germany. 1899–1998). Acquired by the Museum in 2013 — Bequest of Ilse Bing Wolff.","blurbSource":"catalogue","acquired":"2013","cid":"561","url":"https://www.moma.org/collection/works/173513","imageURL":"https://www.moma.org/media/W1siZiIsIjI4NDc5MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fe0f5d96914dbbe5","placement":{"kind":"wall","wall":0,"lane":0,"u":14.748,"y":1.52},"texture":"textures/173513.jpg","thumb":"thumbs/173513.jpg","seen":["city street"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","women artists","city street","joyful"],"roomTags":["paris","spirit"],"docent":"You're looking at Moulin Rouge — a photograph by Bing, nineteen thirty-one. The piece is gelatin silver print, about 29 by 34 centimeters. You can pick out the city street."},{"id":173520,"title":"Moulin Rouge","artist":"Ilse Bing","artistBio":"(American, born Germany. 1899–1998)","artistGender":"(female)","date":"1931","medium":"Gelatin silver print","credit":"Bequest of Ilse Bing Wolff","classification":"Photograph","dimensions":"11 7/16 × 13 9/16\" (29 × 34.5 cm)","size":[0.345,0.29],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1931","blurb":"Photograph in gelatin silver print, 1931. 29 cm × 34 cm. Ilse Bing (American, born Germany. 1899–1998). Acquired by the Museum in 2013 — Bequest of Ilse Bing Wolff.","blurbSource":"catalogue","acquired":"2013","cid":"561","url":"https://www.moma.org/collection/works/173520","imageURL":"https://www.moma.org/media/W1siZiIsIjI4NDgwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fc7c2567d3edbc04","placement":{"kind":"wall","wall":1,"lane":0,"u":14.748,"y":1.52},"texture":"textures/173520.jpg","thumb":"thumbs/173520.jpg","seen":["dancing"],"tags":["1930s","gelatin","intimate","monochrome","photograph","print","silver","women artists","dancing","joyful"],"roomTags":["paris","spirit"],"docent":"This one's called Moulin Rouge — a photograph by Bing, nineteen thirty-one. It's gelatin silver print, about 29 by 34 centimeters."},{"id":81021,"title":"Caryatid","artist":"Amedeo Modigliani","artistBio":"(Italian, 1884–1920)","artistGender":"(male)","date":"c. 1914","medium":"Limestone","credit":"Mrs. Simon Guggenheim Fund","classification":"Sculpture","dimensions":"36 1/4\" (92.1 cm) high, at base 16 3/8 x 16 7/8\"  (41.6 x 42.9 cm)","size":[0.429,0.416],"depth":0.0,"sizeSource":"cc0-columns","summary":"Sculpture in limestone, c. 1914","blurb":"Sculpture in limestone, c. 1914. 42 cm × 43 cm. Amedeo Modigliani (Italian, 1884–1920). Acquired by the Museum in 1951 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1951","cid":"4038","url":"https://www.moma.org/collection/works/81021","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODMwOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4555e89ecb95f9c9","placement":{"kind":"case","case":0,"x":3.166,"z":6.178,"y":1.068},"texture":"textures/81021.jpg","thumb":"thumbs/81021.jpg","seen":["carved figure"],"tags":["1910s","muted","sculpture","warm","wartime","carved figure"],"roomTags":["paris","spirit"],"docent":"Before you is Caryatid — a sculpture by the Italian artist Amedeo Modigliani, around nineteen fourteen. Carved in limestone, a soft stone that cuts quickly and forgives nothing — anything taken off stays off. In the picture, look for the carved figure."},{"id":2807,"title":"Chess Set","artist":"Man Ray (Emmanuel Radnitzky)","artistBio":"(American, 1890–1976)","artistGender":"(male)","date":"1920–1926","medium":"Silver-plated and oxidized silver-plated brass","credit":"Abby Aldrich Rockefeller Fund","classification":"Design","dimensions":"Tallest piece: h. 4\" (10.2 cm)\r\nCase: 2 5/8 x 21 1/4 x 16 1/2\" (6.7 x 54 x 41.9 cm)","size":[0.54,0.067],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in silver-plated and oxidized silver-plated brass, 1920–1926","blurb":"Design in silver-plated and oxidized silver-plated brass, 1920–1926. Man Ray (Emmanuel Radnitzky) (American, 1890–1976). Acquired by the Museum in 1950 — Abby Aldrich Rockefeller Fund.","blurbSource":"catalogue","acquired":"1950","cid":"3716","url":"https://www.moma.org/collection/works/2807","imageURL":"https://www.moma.org/media/W1siZiIsIjI1Mjc1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9d8ac151caf39fee","placement":{"kind":"case","case":0,"x":4.016,"z":6.178,"y":0.893},"texture":"textures/2807.jpg","thumb":"thumbs/2807.jpg","seen":["abstract shapes"],"tags":["1920s","bright","design","monochrome","silver","abstract shapes"],"roomTags":["paris","spirit"],"docent":"Before you is Chess Set — a design object by the American artist Man Ray (Emmanuel Radnitzky), nineteen twenty to nineteen twenty-six. It's silver-plated and oxidized silver-plated brass, about 7 by 54 centimeters. It is an odd shape for a picture: about 0.5 metres one way and 0.1 the other, so it reads as a band rather than a window. Man Ray (Emmanuel Radnitzky) was part of the surrealism movement."},{"id":3985,"title":"Screen","artist":"Eileen Gray","artistBio":"(Anglo-Irish, 1879–1976)","artistGender":"(female)","date":"1922","medium":"Lacquered wood and metal rods","credit":"Hector Guimard Fund","classification":"Design","dimensions":"74 1/2 x 53 1/2 x 3/4\" (189.2 x 135.9 x 1.9 cm)","size":[1.359,1.892],"depth":0.019,"sizeSource":"cc0-columns","summary":"Design in lacquered wood and metal rods, 1922","blurb":"Design in lacquered wood and metal rods, 1922. 189 cm × 136 cm × 2 cm. Eileen Gray (Anglo-Irish, 1879–1976). Acquired by the Museum in 1978 — Hector Guimard Fund.","blurbSource":"catalogue","acquired":"1978","cid":"2313","url":"https://www.moma.org/collection/works/3985","imageURL":"https://www.moma.org/media/W1siZiIsIjUyMDM2NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a317a8ebd8d00171","placement":{"kind":"plinth","x":5.416,"z":6.178,"plinth":0.55,"fw":1.709,"fd":0.5,"face":[0,-1]},"texture":"textures/3985.jpg","thumb":"thumbs/3985.jpg","seen":["grid pattern"],"tags":["1920s","dark","design","monochrome","women artists","wood","grid pattern"],"roomTags":["paris","spirit"],"docent":"Before you is Screen — a design object by Eileen Gray, nineteen twenty-two. It's lacquered wood and metal rods, about 1.9 by 1.4 meters. You can pick out the grid pattern."},{"id":4339,"title":"Adjustable Table","artist":"Eileen Gray","artistBio":"(Anglo-Irish, 1879–1976)","artistGender":"(female)","date":"Designed 1927 (this example 1976)","medium":"Chrome-plated tubular steel, sheet steel, and glass","credit":"Philip Johnson Fund and Aram Designs Ltd., London","classification":"Design","dimensions":"Dimensions range from a minimum height of 21 1/4\" (54 cm) to max height of 36 1/2\" (93 cm), diam. 20\" (50.8 cm)","size":[0.947,1.278],"depth":0.0,"sizeSource":"image-aspect","summary":"Design in chrome-plated tubular steel, sheet steel, and glass, Designed 1927","blurb":"Design in chrome-plated tubular steel, sheet steel, and glass, Designed 1927. Eileen Gray (Anglo-Irish, 1879–1976). Acquired by the Museum in 1977 — Philip Johnson Fund and Aram Designs Ltd., London.","blurbSource":"catalogue","acquired":"1977","cid":"2313","url":"https://www.moma.org/collection/works/4339","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTk2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=46b1f327991a5475","placement":{"kind":"plinth","x":7.039,"z":6.178,"plinth":0.611,"fw":1.297,"fd":1.297,"face":[0,-1]},"texture":"textures/4339.jpg","thumb":"thumbs/4339.jpg","seen":["table"],"tags":["1920s","bright","design","glass","interior","monochrome","steel","women artists","table"],"roomTags":["paris","spirit"],"docent":"Before you is Adjustable Table — a design object by Gray, Designed nineteen twenty-seven (this example nineteen seventy-six). The piece is chrome-plated tubular steel, sheet steel, and glass, about 1.3 by 0.9 meters. You can pick out the table."},{"id":196027,"title":"Extendable Table from E-1027","artist":"Eileen Gray","artistBio":"(Anglo-Irish, 1879–1976)","artistGender":"(female)","date":"c.1930","medium":"Cork, nickel-plated tubular steel, and painted wood","credit":"Gift of Jo Carole and Ronald S. Lauder, Alice and Tom Tisch, Sid Bass, USM Fondation, and Committee of Architecture and Design Fund","classification":"Design","dimensions":"28 3/4 × 46 1/2 × 24 3/4\" (73 × 118.1 × 62.9 cm)","size":[1.181,0.73],"depth":0.629,"sizeSource":"cc0-columns","summary":"Design in cork, nickel-plated tubular steel, and painted wood, c.1930","blurb":"Design in cork, nickel-plated tubular steel, and painted wood, c.1930. 73 cm × 118 cm × 63 cm. Eileen Gray (Anglo-Irish, 1879–1976). Acquired by the Museum in 2015 — Gift of Jo Carole and Ronald S. Lauder, Alice and Tom Tisch, Sid Bass, USM Fondation, and Committee of Architecture and Design Fund.","blurbSource":"catalogue","acquired":"2015","cid":"2313","url":"https://www.moma.org/collection/works/196027","imageURL":"https://www.moma.org/media/W1siZiIsIjMzNjU2NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=deef8b413f5c540f","placement":{"kind":"plinth","x":8.573,"z":6.178,"plinth":0.885,"fw":1.531,"fd":0.979,"face":[0,-1]},"texture":"textures/196027.jpg","thumb":"thumbs/196027.jpg","seen":["table"],"tags":["1930s","design","interior","monochrome","steel","warm","women artists","wood","table"],"roomTags":["paris","spirit"],"docent":"Here we have Extendable Table from E-1027 — a design object by Gray, c.nineteen thirty. It's cork, nickel-plated tubular steel, and painted wood, about 0.7 by 1.2 meters."},{"id":196028,"title":"Chair for the Villa Tempe a Pailla","artist":"Eileen Gray","artistBio":"(Anglo-Irish, 1879–1976)","artistGender":"(female)","date":"c.1935","medium":"Nickel-plated tubular steel and leather","credit":"Gift of Jo Carole and Ronald S. Lauder, Alice and Tom Tisch, Sid Bass, USM Fondation, and Committee of Architecture and Design Fund","classification":"Design","dimensions":"28 3/4 × 21 3/4 × 16 1/2\" (73 × 55.2 × 41.9 cm)","size":[0.552,0.73],"depth":0.419,"sizeSource":"cc0-columns","summary":"Design in nickel-plated tubular steel and leather, c.1935","blurb":"Design in nickel-plated tubular steel and leather, c.1935. 73 cm × 55 cm × 42 cm. Eileen Gray (Anglo-Irish, 1879–1976). Acquired by the Museum in 2015 — Gift of Jo Carole and Ronald S. Lauder, Alice and Tom Tisch, Sid Bass, USM Fondation, and Committee of Architecture and Design Fund.","blurbSource":"catalogue","acquired":"2015","cid":"2313","url":"https://www.moma.org/collection/works/196028","imageURL":"https://www.moma.org/media/W1siZiIsIjMzNjU2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fe6bedc0d6ceb29f","placement":{"kind":"plinth","x":9.909,"z":6.178,"plinth":0.885,"fw":0.902,"fd":0.769,"face":[0,-1]},"texture":"textures/196028.jpg","thumb":"thumbs/196028.jpg","seen":["chair"],"tags":["1930s","design","monochrome","steel","warm","women artists","chair"],"roomTags":["paris","spirit"],"docent":"You're looking at Chair for the Villa Tempe a Pailla — a design object by Gray, c.nineteen thirty-five. Nickel-plated tubular steel and leather — about 73 by 55 centimeters. You can pick out the chair."},{"id":81083,"title":"Reclining Nude with Guitar","artist":"Jacques Lipchitz","artistBio":"(American, born Lithuania. 1891–1973)","artistGender":"(male)","date":"1928","medium":"Marble","credit":"Blanchette Hooker Rockefeller Bequest","classification":"Sculpture","dimensions":"16 3/8 x 27 5/8 x 13 1/2\" (41.6 x 70.3 x 34.3 cm) including base","size":[0.702,0.416],"depth":0.343,"sizeSource":"cc0-columns","summary":"Sculpture in marble, 1928","blurb":"Sculpture in marble, 1928. 42 cm × 70 cm × 34 cm. Jacques Lipchitz (American, born Lithuania. 1891–1973). Acquired by the Museum in 1994 — Blanchette Hooker Rockefeller Bequest.","blurbSource":"catalogue","acquired":"1994","cid":"3563","url":"https://www.moma.org/collection/works/81083","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODQxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=35c57ce46f055cc7","placement":{"kind":"plinth","x":11.006,"z":6.178,"plinth":1.042,"fw":1.052,"fd":0.693,"face":[0,-1]},"texture":"textures/81083.jpg","thumb":"thumbs/81083.jpg","seen":["carved figure"],"tags":["1920s","cool","cubism","marble","monochrome","music","nude","sculpture","carved figure"],"roomTags":["paris","spirit"],"docent":"Here we have Reclining Nude with Guitar — a sculpture by the American artist Jacques Lipchitz, nineteen twenty-eight. Carved in marble, where the work is entirely subtractive: nothing can be put back."},{"id":79753,"title":"Pelouse","artist":"Jean Lurçat","artistBio":"(French, 1892–1966)","artistGender":"(male)","date":"c. 1925","medium":"Woven wool","credit":"Gift of Mr. and Mrs. John D. Rockefeller 3rd","classification":"Design","dimensions":"76 × 51\" (193 × 129.5 cm)","size":[1.295,1.93],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in woven wool, c. 1925","blurb":"Design in woven wool, c. 1925. 193 cm × 130 cm. Jean Lurçat (French, 1892–1966). Acquired by the Museum in 1955 — Gift of Mr. and Mrs. John D. Rockefeller 3rd.","blurbSource":"catalogue","acquired":"1955","cid":"3641","url":"https://www.moma.org/collection/works/79753","imageURL":"https://www.moma.org/media/W1siZiIsIjUzOTkyMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=cdc040a00f888ea8","placement":{"kind":"plinth","x":5.278,"z":9.349,"plinth":0.55,"fw":1.645,"fd":1.645,"face":[0,-1]},"texture":"textures/79753.jpg","thumb":"thumbs/79753.jpg","seen":["abstract geometric"],"tags":["1920s","design","golden","abstract geometric"],"roomTags":["paris","spirit"],"docent":"Before you is Pelouse — a design object by Jean Lurçat, around nineteen twenty-five. Woven wool — about 1.9 by 1.3 meters."},{"id":89898,"title":"Chess Table","artist":"Jean-Michel Frank, Man Ray (Emmanuel Radnitzky)","artistBio":"(French, 1895–1941) (American, 1890–1976)","artistGender":"(male) (male)","date":"1929","medium":"Wood and parchment","credit":"Gift of Jay C. Leff","classification":"Design","dimensions":"24 1/8 x 34 7/8 x 24\" (61.3 x 88.6 x 61 cm)","size":[0.886,0.613],"depth":0.61,"sizeSource":"cc0-columns","summary":"Design in wood and parchment, 1929","blurb":"Design in wood and parchment, 1929. 61 cm × 89 cm × 61 cm. Jean-Michel Frank, Man Ray (Emmanuel Radnitzky) (French, 1895–1941) (American, 1890–1976). Acquired by the Museum in 2005 — Gift of Jay C. Leff.","blurbSource":"catalogue","acquired":"2005","cid":"26819","url":"https://www.moma.org/collection/works/89898","imageURL":"https://www.moma.org/media/W1siZiIsIjk3NjMzIl0sWyJwIiwiY29udmVydCIsIi1yZXNpemUgMTAyNHgxMDI0XHUwMDNlIl1d.jpg?sha=657e6f43226fb186","placement":{"kind":"plinth","x":6.838,"z":9.349,"plinth":0.944,"fw":1.236,"fd":0.96,"face":[0,-1]},"texture":"textures/89898.jpg","thumb":"thumbs/89898.jpg","seen":["table"],"tags":["1920s","design","interior","monochrome","warm","wood","table"],"roomTags":["paris","spirit"],"docent":"Before you is Chess Table — a design object by Jean-Michel Frank, Man Ray (Emmanuel Radnitzky), nineteen twenty-nine. Wood and parchment — about 61 by 89 centimeters."},{"id":82369,"title":"Les Terrasses, Villa Stein-de-Monzie, Garches, France (Scale model, 1:33.3)","artist":"Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret","artistBio":"(French, born Switzerland. 1887–1965) (Swiss, 1896–1967)","artistGender":"(male) (male)","date":"1926–1928 (model 1970)","medium":"Acrylic, wood, metal and paint","credit":"Lily Auchincloss Fund","classification":"Architecture","dimensions":"35 1/4 × 35 1/4 × 20 7/8\" (89.5 × 89.5 × 53 cm)\r\nVitrine: 30 × 45 × 45\" (76.2 × 114.3 × 114.3 cm)\r\nTray: 3 × 45 × 45\" (7.6 × 114.3 × 114.3 cm)","size":[1.143,0.762],"depth":0.53,"sizeSource":"cc0-freetext","summary":"Architecture in acrylic, wood, metal and paint, 1926–1928 (model 1970)","blurb":"Architecture in acrylic, wood, metal and paint, 1926–1928 (model 1970). 90 cm × 90 cm × 53 cm. Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret (French, born Switzerland. 1887–1965) (Swiss, 1896–1967). Acquired by the Museum in 1970 — Lily Auchincloss Fund.","blurbSource":"catalogue","acquired":"1970","cid":"3426","url":"https://www.moma.org/collection/works/82369","imageURL":"https://www.moma.org/media/W1siZiIsIjUzMTI1MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8bf5d4c19a5e7072","placement":{"kind":"plinth","x":8.323,"z":9.349,"plinth":0.869,"fw":1.493,"fd":0.88,"face":[0,-1]},"texture":"textures/82369.jpg","thumb":"thumbs/82369.jpg","seen":["house","architectural plan"],"tags":["1920s","architecture","bright","monochrome","wood","house","architectural plan"],"roomTags":["paris","spirit"],"docent":"Before you is Les Terrasses, Villa Stein-de-Monzie, Garches, France (Scale model, 1:33.3) — an architectural work by the French artist Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret, nineteen twenty-six to nineteen twenty-eight (model nineteen seventy). Acrylic, a pigment suspended in plastic emulsion that dries in minutes and stays flexible afterwards. Somewhere in there: the house, and the architectural plan. Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret was part of the modern architecture movement."},{"id":80829,"title":"Torso","artist":"Ossip Zadkine","artistBio":"(French, born Russia. 1890–1967)","artistGender":"(male)","date":"1928","medium":"Ebony","credit":"Gift of Mrs. Maurice J. Speiser in memory of her husband","classification":"Sculpture","dimensions":"36 x 11 x 11 1/4\" (91.4 x 27.9 x 28.5 cm)","size":[0.279,0.914],"depth":0.285,"sizeSource":"cc0-columns","summary":"Sculpture in ebony, 1928","blurb":"Sculpture in ebony, 1928. 91 cm × 28 cm × 28 cm. Ossip Zadkine (French, born Russia. 1890–1967). Acquired by the Museum in 1949 — Gift of Mrs. Maurice J. Speiser in memory of her husband.","blurbSource":"catalogue","acquired":"1949","cid":"6533","url":"https://www.moma.org/collection/works/80829","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NDA0OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3e77966c01cfc393","placement":{"kind":"plinth","x":9.504,"z":9.349,"plinth":0.793,"fw":0.629,"fd":0.635,"face":[0,-1]},"texture":"textures/80829.jpg","thumb":"thumbs/80829.jpg","seen":["carved figure"],"tags":["1920s","monochrome","sculpture","carved figure"],"roomTags":["paris","spirit"],"docent":"This is Torso, carved by Ossip Zadkine in ebony in nineteen twenty-eight. Ebony is brutally hard and takes a polish like stone, and Zadkine has cut into it rather than around it — the hollows are where the carving went inward. It was given in memory of the collector Maurice Speiser by his wife."}]},{"gallery":"514","title":"Weimar Citizens","origin":[8.85,47.39],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,9.992],[0.0,9.992]],"size":[14.27,9.99],"ceiling":4.6,"outdoor":false,"doors":[[0,7.14,1.6],[3,5.0,1.6]],"partitions":[],"cases":[{"x":6.751,"z":4.996,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[14.274,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"35 works, 1920–1951 — August Sander and Max Pechstein; mostly prints and photographs.","music":"blues","artworks":[{"id":78331,"title":"Dr. Mayer-Hermann","artist":"Otto Dix","artistBio":"(German, 1891–1969)","artistGender":"(male)","date":"Berlin 1926","medium":"Oil, tempera, and metal leaf on wood","credit":"Gift of Philip Johnson","classification":"Painting","dimensions":"58 3/4 x 39\" (149.2 x 99.1 cm)","size":[0.991,1.492],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil, tempera, and metal leaf on wood, Berlin 1926","blurb":"Painting in oil, tempera, and metal leaf on wood, Berlin 1926. 149 cm × 99 cm. Otto Dix (German, 1891–1969). Acquired by the Museum in 1932 — Gift of Philip Johnson.","blurbSource":"catalogue","acquired":"1932","cid":"1559","url":"https://www.moma.org/collection/works/78331","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTMxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c7b223f066353134","placement":{"kind":"wall","wall":0,"lane":0,"u":1.046,"y":1.52},"texture":"textures/78331.jpg","thumb":"thumbs/78331.jpg","seen":["portrait of a person"],"tags":["1920s","expressionism","figure","muted","oil","painting","tempera","warm","wood","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This is Dr. Mayer-Hermann — a painting by the German artist Otto Dix, Berlin nineteen twenty-six. Dix was part of the Expressionism movement. Tempera: pigment bound in egg, which dries within minutes and cannot be blended once down. In the picture, look for the portrait of a person."},{"id":79741,"title":"Self-Portrait with Palette","artist":"Lovis Corinth","artistBio":"(German, 1858–1925)","artistGender":"(male)","date":"April 1924","medium":"Oil on canvas","credit":"Gift of Curt Valentin","classification":"Painting","dimensions":"39 3/8 x 31 5/8\" (100 x 80.3 cm)","size":[0.803,1.0],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, April 1924","blurb":"Painting in oil on canvas, April 1924. 100 cm × 80 cm. Lovis Corinth (German, 1858–1925). Acquired by the Museum in 1950 — Gift of Curt Valentin.","blurbSource":"catalogue","acquired":"1950","cid":"1243","url":"https://www.moma.org/collection/works/79741","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTI2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=701df3fdf87ede65","placement":{"kind":"wall","wall":1,"lane":0,"u":0.952,"y":1.52},"texture":"textures/79741.jpg","thumb":"thumbs/79741.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","muted","oil","painting","portrait","self-portrait","warm","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This one's called Self-Portrait with Palette — a painting by the German artist Lovis Corinth, April nineteen twenty-four. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":79955,"title":"Self-Portrait with a Model","artist":"George Grosz","artistBio":"(American, born Germany. 1893–1959)","artistGender":"(male)","date":"1928","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. Leo Lionni","classification":"Painting","dimensions":"45 1/2 x 29 3/4\" (115.6 x 75.6 cm)","size":[0.756,1.156],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1928","blurb":"Painting in oil on canvas, 1928. 116 cm × 76 cm. George Grosz (American, born Germany. 1893–1959). Acquired by the Museum in 1954 — Gift of Mr. and Mrs. Leo Lionni.","blurbSource":"catalogue","acquired":"1954","cid":"2374","url":"https://www.moma.org/collection/works/79955","imageURL":"https://www.moma.org/media/W1siZiIsIjE1ODEzNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=850c87a4024277f3","placement":{"kind":"wall","wall":2,"lane":0,"u":0.928,"y":1.52},"texture":"textures/79955.jpg","thumb":"thumbs/79955.jpg","tags":["1920s","canvas","dark","expressionism","muted","oil","painting","portrait","self-portrait","warm"],"roomTags":["citizens","weimar"],"docent":"Here we have Self-Portrait with a Model — a painting by the American artist George Grosz, nineteen twenty-eight. The piece is oil on canvas, about 1.2 by 0.8 meters."},{"id":78507,"title":"Family Picture","artist":"Max Beckmann","artistBio":"(German, 1884–1950)","artistGender":"(male)","date":"Frankfurt 1920","medium":"Oil on canvas","credit":"Gift of Abby Aldrich Rockefeller","classification":"Painting","dimensions":"25 5/8 x 39 3/4\" (65.1 x 100.9 cm)","size":[1.01,0.651],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Frankfurt 1920","blurb":"Painting in oil on canvas, Frankfurt 1920. 65 cm × 101 cm. Max Beckmann (German, 1884–1950). Acquired by the Museum in 1935 — Gift of Abby Aldrich Rockefeller.","blurbSource":"catalogue","acquired":"1935","cid":"429","url":"https://www.moma.org/collection/works/78507","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE3OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ba5c7f11be367c93","placement":{"kind":"wall","wall":3,"lane":0,"u":8.845,"y":1.52},"texture":"textures/78507.jpg","thumb":"thumbs/78507.jpg","tags":["1920s","canvas","expressionism","monochrome","oil","painting","joyful"],"roomTags":["citizens","weimar"],"docent":"Before you is Family Picture — a painting by the German artist Max Beckmann, Frankfurt nineteen twenty. The piece is oil on canvas, about 0.7 by 1 meters."},{"id":78619,"title":"The Poet Max Herrmann-Neisse","artist":"George Grosz","artistBio":"(American, born Germany. 1893–1959)","artistGender":"(male)","date":"1927","medium":"Oil on canvas","credit":"Purchase","classification":"Painting","dimensions":"23 3/8 x 29 1/8\" (59.4 x 74 cm)","size":[0.74,0.594],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1927","blurb":"Painting in oil on canvas, 1927. 59 cm × 74 cm. George Grosz (American, born Germany. 1893–1959). Acquired by the Museum in 1952 — Purchase.","blurbSource":"catalogue","acquired":"1952","cid":"2374","url":"https://www.moma.org/collection/works/78619","imageURL":"https://www.moma.org/media/W1siZiIsIjE1NzQ3MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f12aa0242b13d16a","placement":{"kind":"wall","wall":4,"lane":0,"u":0.92,"y":1.52},"texture":"textures/78619.jpg","thumb":"thumbs/78619.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","expressionism","figure","oil","painting","warm","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This is The Poet Max Herrmann-Neisse — a painting by Grosz, nineteen twenty-seven. It's oil on canvas, about 59 by 74 centimeters."},{"id":38377,"title":"Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust)","artist":"Otto Dix","artistBio":"(German, 1891–1969)","artistGender":"(male)","date":"1920","medium":"Pencil and watercolor on paper","credit":"Purchase","classification":"Drawing","dimensions":"24 1/2 x 19 3/8\" (62.2 x 49.2 cm)","size":[0.492,0.622],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in pencil and watercolor on paper, 1920","blurb":"Drawing in pencil and watercolor on paper, 1920. 62 cm × 49 cm. Otto Dix (German, 1891–1969). Acquired by the Museum in 1969 — Purchase.","blurbSource":"catalogue","acquired":"1969","cid":"1559","url":"https://www.moma.org/collection/works/38377","imageURL":"https://www.moma.org/media/W1siZiIsIjExMzQxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d19e5ba029122c93","placement":{"kind":"wall","wall":5,"lane":0,"u":6.446,"y":1.52},"texture":"textures/38377.jpg","thumb":"thumbs/38377.jpg","seen":["portrait of a person"],"tags":["1920s","bright","drawing","expressionism","music","paper","portrait","self-portrait","warm","watercolor","works on paper","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This one's called Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust) — a drawing by Dix, nineteen twenty. Watercolour, where the paper does the lightening — there is no white paint, only the sheet showing through."},{"id":79289,"title":"Self-Portrait with a Cigarette","artist":"Max Beckmann","artistBio":"(German, 1884–1950)","artistGender":"(male)","date":"Frankfurt 1923","medium":"Oil on canvas","credit":"Gift of Dr. and Mrs. F. H. Hirschland","classification":"Painting","dimensions":"23 3/4 x 15 7/8\" (60.2 x 40.3 cm)","size":[0.403,0.602],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Frankfurt 1923","blurb":"Painting in oil on canvas, Frankfurt 1923. 60 cm × 40 cm. Max Beckmann (German, 1884–1950). Acquired by the Museum in 1956 — Gift of Dr. and Mrs. F. H. Hirschland.","blurbSource":"catalogue","acquired":"1956","cid":"429","url":"https://www.moma.org/collection/works/79289","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNDMxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1ba4c23e5f8cd1f0","placement":{"kind":"wall","wall":0,"lane":0,"u":2.682,"y":1.52},"texture":"textures/79289.jpg","thumb":"thumbs/79289.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","dark","expressionism","muted","oil","painting","portrait","self-portrait","warm","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"Here we have Self-Portrait with a Cigarette — a painting by Beckmann, Frankfurt nineteen twenty-three. Oil on canvas — about 60 by 40 centimeters."},{"id":109158,"title":"Our Father / which art / in heaven (Vaterunser / Der Du bist / im Himmel) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 11/16 × 11 3/4\" (39.8 × 29.8 cm); sheet: 23 3/8 × 16 3/16\" (59.4 × 41.1 cm)","size":[0.298,0.398],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109158","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMTk0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dc6efe97afd7fcaa","placement":{"kind":"wall","wall":1,"lane":0,"u":2.57,"y":1.52},"texture":"textures/109158.jpg","thumb":"thumbs/109158.jpg","seen":["carved figure","lettering"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","carved figure","lettering"],"roomTags":["citizens","weimar"],"docent":"This is Our Father / which art / in heaven (Vaterunser / Der Du bist / im Himmel) from The Lord's Prayer (Das Vater Unser) — a print by the German artist Max Pechstein, nineteen twenty-one. A woodcut — cut into the plank so that everything left standing prints. It is the oldest printing method in this building. Somewhere in there: the carved figure, and the lettering."},{"id":109159,"title":"Hallowed be / Thy name (Geheiliget werde / Dein Name) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 11/16 × 11 11/16\" (39.8 × 29.7 cm); sheet (irreg.): 23 3/8 × 16 5/16\" (59.4 × 41.5 cm)","size":[0.297,0.398],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109159","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMTk0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1b8be9e1a7ac7980","placement":{"kind":"wall","wall":0,"lane":0,"u":3.971,"y":1.52},"texture":"textures/109159.jpg","thumb":"thumbs/109159.jpg","seen":["lettering"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","lettering"],"roomTags":["citizens","weimar"],"docent":"Here we have Hallowed be / Thy name (Geheiliget werde / Dein Name) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. The piece is woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters."},{"id":109165,"title":"But deliver us from evil (Sondern erlöse uns von dem Übel) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 11/16 × 11 11/16\" (39.8 × 29.7 cm); sheet: 23 3/8 × 16 1/4\" (59.4 × 41.3 cm)","size":[0.297,0.398],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109165","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzY2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b60caeb957a86824","placement":{"kind":"wall","wall":0,"lane":0,"u":5.208,"y":1.52},"texture":"textures/109165.jpg","thumb":"thumbs/109165.jpg","tags":["1920s","bright","intimate","muted","print","warm","woodcut","works on paper"],"roomTags":["citizens","weimar"],"docent":"Before you is But deliver us from evil (Sondern erlöse uns von dem Übel) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. Woodcut from a portfolio of twelve woodcuts and one woodcut cover — about 40 by 30 centimeters."},{"id":109157,"title":"Title Page (Titelblatt) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.6 cm); sheet: 23 3/8 × 16 1/4\" (59.3 × 41.3 cm)","size":[0.296,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109157","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMTk0MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9a85f997e6fcf23f","placement":{"kind":"wall","wall":1,"lane":0,"u":3.935,"y":1.52},"texture":"textures/109157.jpg","thumb":"thumbs/109157.jpg","seen":["lettering"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","lettering"],"roomTags":["citizens","weimar"],"docent":"This is Title Page (Titelblatt) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. The piece is woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters."},{"id":109160,"title":"Thy kingdom come / Thy will be done / on earth as it is in heaven (Dein Reich komme / Dein Wille geschehe / Wie im Himmel also auch auf Erden) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.6 cm); sheet: 23 3/8 × 16 1/4\" (59.3 × 41.3 cm)","size":[0.296,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109160","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMTk0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4b985f1e582e299b","placement":{"kind":"wall","wall":3,"lane":0,"u":10.62,"y":1.52},"texture":"textures/109160.jpg","thumb":"thumbs/109160.jpg","seen":["group of people"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","group of people"],"roomTags":["citizens","weimar"],"docent":"Here we have Thy kingdom come / Thy will be done / on earth as it is in heaven (Dein Reich komme / Dein Wille geschehe / Wie im Himmel also auch auf Erden) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. It's woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters."},{"id":109162,"title":"And forgive / us / our debts (und vergieb / uns / Unsre Schuld) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.6 cm); sheet: 23 5/16 × 16 5/16\" (59.2 × 41.4 cm)","size":[0.296,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109162","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMjcwMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e4f6d1b4485d947c","placement":{"kind":"wall","wall":2,"lane":0,"u":2.699,"y":1.52},"texture":"textures/109162.jpg","thumb":"thumbs/109162.jpg","seen":["group of people","collage of cut paper"],"tags":["1920s","bright","intimate","print","warm","woodcut","works on paper","group of people","collage of cut paper"],"roomTags":["citizens","weimar"],"docent":"You're looking at And forgive / us / our debts (und vergieb / uns / Unsre Schuld) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. It's woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters."},{"id":109164,"title":"And / lead / us not / into temptation (und führe / uns nicht / in Versuchung) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 11/16 × 11 5/8\" (39.8 × 29.6 cm); sheet: 23 3/8 × 16 1/8\" (59.4 × 41 cm)","size":[0.296,0.398],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109164","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzY2NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=803970c9b67592d2","placement":{"kind":"wall","wall":5,"lane":0,"u":7.858,"y":1.52},"texture":"textures/109164.jpg","thumb":"thumbs/109164.jpg","seen":["carved figure"],"tags":["1920s","bright","intimate","muted","print","warm","woodcut","works on paper","carved figure"],"roomTags":["citizens","weimar"],"docent":"You're looking at And / lead / us not / into temptation (und führe / uns nicht / in Versuchung) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. Woodcut from a portfolio of twelve woodcuts and one woodcut cover — about 40 by 30 centimeters."},{"id":109167,"title":"And the power / and / the glory (Und die Kraft / und / die Herrlichkeit) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.6 cm); sheet: 23 3/8 × 16 3/16\" (59.4 × 41.1 cm)","size":[0.296,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109167","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzk4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1f2ae0b086933b4b","placement":{"kind":"wall","wall":0,"lane":0,"u":6.444,"y":1.52},"texture":"textures/109167.jpg","thumb":"thumbs/109167.jpg","seen":["human face","carved figure","lettering"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","human face","carved figure","lettering"],"roomTags":["citizens","weimar"],"docent":"This one's called And the power / and / the glory (Und die Kraft / und / die Herrlichkeit) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. Woodcut from a portfolio of twelve woodcuts and one woodcut cover — about 40 by 30 centimeters. In the picture, look for the human face."},{"id":109168,"title":"For ever / and ever / Amen (Von Ewigkeit / zu Ewigkeit / Amen) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.6 cm); sheet: 23 5/16 × 16 1/8\" (59.2 × 41 cm)","size":[0.296,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109168","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzk4OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=79a2c80fe8cb8265","placement":{"kind":"wall","wall":1,"lane":0,"u":5.299,"y":1.52},"texture":"textures/109168.jpg","thumb":"thumbs/109168.jpg","seen":["lettering"],"tags":["1920s","bright","golden","intimate","muted","print","woodcut","works on paper","lettering"],"roomTags":["citizens","weimar"],"docent":"This one's called For ever / and ever / Amen (Von Ewigkeit / zu Ewigkeit / Amen) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. It's woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters."},{"id":109161,"title":"Give us this day / our daily bread (Unser täglich Brot / gieb uns heute) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 11/16 × 11 5/8\" (39.8 × 29.5 cm); sheet: 23 7/16 × 16 5/16\" (59.5 × 41.4 cm)","size":[0.295,0.398],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109161","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzY2NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9835caaeb5ea9da9","placement":{"kind":"wall","wall":0,"lane":0,"u":7.678,"y":1.52},"texture":"textures/109161.jpg","thumb":"thumbs/109161.jpg","seen":["collage of cut paper"],"tags":["1920s","bright","intimate","muted","print","warm","woodcut","works on paper","collage of cut paper"],"roomTags":["citizens","weimar"],"docent":"Here we have Give us this day / our daily bread (Unser täglich Brot / gieb uns heute) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. The piece is woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters. You can pick out the collage of cut paper."},{"id":109163,"title":"As we forgive / our / debtors (Wie wir vergeben / unsern / Schuldigern) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.5 cm); sheet: 23 7/16 × 16 5/16\" (59.5 × 41.4 cm)","size":[0.295,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109163","imageURL":"https://www.moma.org/media/W1siZiIsIjEyMTk0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dc872aff55c8bd80","placement":{"kind":"wall","wall":4,"lane":0,"u":2.337,"y":1.52},"texture":"textures/109163.jpg","thumb":"thumbs/109163.jpg","seen":["mother and child"],"tags":["1920s","bright","golden","intimate","print","woodcut","works on paper","mother and child","somber"],"roomTags":["citizens","weimar"],"docent":"You're looking at As we forgive / our / debtors (Wie wir vergeben / unsern / Schuldigern) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. The piece is woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters. In the picture, look for the mother and child."},{"id":109166,"title":"For Thine / is the kingdom (Denn Dein / ist das Reich) from The Lord's Prayer (Das Vater Unser)","artist":"Max Pechstein","artistBio":"(German, 1881–1955)","artistGender":"(male)","date":"1921","medium":"Woodcut from a portfolio of twelve woodcuts and one woodcut cover","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Print","dimensions":"composition: 15 5/8 × 11 5/8\" (39.7 × 29.5 cm); sheet: 23 1/2 × 16 1/8\" (59.7 × 41 cm)","size":[0.295,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921","blurb":"Print in woodcut from a portfolio of twelve woodcuts and one woodcut cover, 1921. 40 cm × 30 cm. Max Pechstein (German, 1881–1955). Acquired by the Museum in 1949 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1949","cid":"4533","url":"https://www.moma.org/collection/works/109166","imageURL":"https://www.moma.org/media/W1siZiIsIjExNzY2NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4e78295d681194f8","placement":{"kind":"wall","wall":3,"lane":0,"u":12.037,"y":1.52},"texture":"textures/109166.jpg","thumb":"thumbs/109166.jpg","seen":["collage of cut paper","group of people"],"tags":["1920s","bright","intimate","muted","print","warm","woodcut","works on paper","collage of cut paper","group of people"],"roomTags":["citizens","weimar"],"docent":"Before you is For Thine / is the kingdom (Denn Dein / ist das Reich) from The Lord's Prayer (Das Vater Unser) — a print by Pechstein, nineteen twenty-one. It's woodcut from a portfolio of twelve woodcuts and one woodcut cover, about 40 by 30 centimeters. In the picture, look for the group of people."},{"id":165894,"title":"Street (Strasse)","artist":"Otto Dix","artistBio":"(German, 1891–1969)","artistGender":"(male)","date":"1920","medium":"Drypoint","credit":"Deborah Wye Endowment Fund and The Print Associates Fund","classification":"Print","dimensions":"plate: 9 3/4 x 8 3/4\" (24.8 x 22.3 cm); sheet (irreg.): 13 9/16 x 12\" (34.4 x 30.5 cm)","size":[0.223,0.248],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in drypoint, 1920","blurb":"Print in drypoint, 1920. 25 cm × 22 cm. Otto Dix (German, 1891–1969). Acquired by the Museum in 2013 — Deborah Wye Endowment Fund and The Print Associates Fund.","blurbSource":"catalogue","acquired":"2013","cid":"1559","url":"https://www.moma.org/collection/works/165894","imageURL":"https://www.moma.org/media/W1siZiIsIjI2Mjk3OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=82a7047550f6a43c","placement":{"kind":"wall","wall":0,"lane":0,"u":8.877,"y":1.52},"texture":"textures/165894.jpg","thumb":"thumbs/165894.jpg","seen":["war","group of people"],"tags":["1920s","bright","city","expressionism","intimate","muted","print","warm","works on paper","war","group of people"],"roomTags":["citizens","weimar"],"docent":"Here we have Street (Strasse) — a print by Dix, nineteen twenty. Drypoint, scratched straight into the plate; the raised burr either side of the line holds ink and prints soft. In the picture, look for the war."},{"id":194179,"title":"Bohemians [Willi Bongard and Gottfried Brockmann]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1922-25","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1922-25","blurb":"Photograph in gelatin silver print, 1922-25. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194179","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNDM3NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c7a2422a7f8aefff","placement":{"kind":"wall","wall":2,"lane":0,"u":4.185,"y":1.52},"texture":"textures/194179.jpg","thumb":"thumbs/194179.jpg","tags":["1920s","figure","gelatin","intimate","monochrome","photograph","print","silver","somber"],"roomTags":["citizens","weimar"],"docent":"This is Bohemians [Willi Bongard and Gottfried Brockmann] — a photograph by August Sander, nineteen twenty-two to nineteen twenty-five. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray."},{"id":193906,"title":"Police Officer","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1925","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1925","blurb":"Photograph in gelatin silver print, 1925. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/193906","imageURL":"https://www.moma.org/media/W1siZiIsIjMzMTkyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5ed0b617d923a459","placement":{"kind":"wall","wall":1,"lane":0,"u":6.608,"y":1.52},"texture":"textures/193906.jpg","thumb":"thumbs/193906.jpg","seen":["soldier"],"tags":["1920s","bright","gelatin","intimate","monochrome","photograph","print","silver","soldier","joyful"],"roomTags":["citizens","weimar"],"docent":"Here we have Police Officer — a photograph by Sander, nineteen twenty-five. Gelatin silver print — about 26 by 19 centimeters. In the picture, look for the soldier."},{"id":193802,"title":"Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"c. 1925","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, c. 1925","blurb":"Photograph in gelatin silver print, c. 1925. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/193802","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNDY2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5d8368e86543f58f","placement":{"kind":"wall","wall":0,"lane":0,"u":10.021,"y":1.52},"texture":"textures/193802.jpg","thumb":"thumbs/193802.jpg","seen":["group of people"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","group of people","somber"],"roomTags":["citizens","weimar"],"docent":"Here we have Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz] — a photograph by Sander, around nineteen twenty-five. Gelatin silver print — about 26 by 19 centimeters."},{"id":194056,"title":"Painter [Anton Räderscheidt]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1926","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1926","blurb":"Photograph in gelatin silver print, 1926. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194056","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTIyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=26d46e5adf945aed","placement":{"kind":"wall","wall":1,"lane":0,"u":7.863,"y":1.52},"texture":"textures/194056.jpg","thumb":"thumbs/194056.jpg","seen":["portrait of a person","city street"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","city street","somber"],"roomTags":["citizens","weimar"],"docent":"Before you is Painter [Anton Räderscheidt] — a photograph by Sander, nineteen twenty-six. The piece is gelatin silver print, about 26 by 19 centimeters. You can pick out the city street."},{"id":194116,"title":"Girl in Fairground Caravan","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1926-32","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1926-32","blurb":"Photograph in gelatin silver print, 1926-32. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194116","imageURL":"https://www.moma.org/media/W1siZiIsIjMyODAzMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e53e7218df44eac1","placement":{"kind":"wall","wall":5,"lane":0,"u":9.118,"y":1.52},"texture":"textures/194116.jpg","thumb":"thumbs/194116.jpg","seen":["door","window"],"tags":["1920s","figure","gelatin","intimate","monochrome","photograph","print","silver","door","window","eerie"],"roomTags":["citizens","weimar"],"docent":"Here we have Girl in Fairground Caravan — a photograph by Sander, nineteen twenty-six to nineteen thirty-two. It's gelatin silver print, about 26 by 19 centimeters."},{"id":193993,"title":"Match-seller","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1927","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1927","blurb":"Photograph in gelatin silver print, 1927. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/193993","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTE4MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b8079f6a447d268d","placement":{"kind":"wall","wall":0,"lane":0,"u":11.148,"y":1.52},"texture":"textures/193993.jpg","thumb":"thumbs/193993.jpg","seen":["soldier"],"tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver","soldier","somber"],"roomTags":["citizens","weimar"],"docent":"This one's called Match-seller — a photograph by Sander, nineteen twenty-seven. The piece is gelatin silver print, about 26 by 19 centimeters."},{"id":194000,"title":"Member of Parliament (Democrat)","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1927","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1927","blurb":"Photograph in gelatin silver print, 1927. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194000","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTE4OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=19ba95805bac0a8d","placement":{"kind":"wall","wall":2,"lane":0,"u":5.616,"y":1.52},"texture":"textures/194000.jpg","thumb":"thumbs/194000.jpg","seen":["portrait of a person"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"You're looking at Member of Parliament (Democrat) — a photograph by Sander, nineteen twenty-seven. It's gelatin silver print, about 26 by 19 centimeters."},{"id":193778,"title":"Bricklayer","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1928","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1928","blurb":"Photograph in gelatin silver print, 1928. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/193778","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNDYzOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d266ec02361557b6","placement":{"kind":"wall","wall":3,"lane":0,"u":13.4,"y":1.52},"texture":"textures/193778.jpg","thumb":"thumbs/193778.jpg","seen":["portrait of a person"],"tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"You're looking at Bricklayer — a photograph by Sander, nineteen twenty-eight. The piece is gelatin silver print, about 26 by 19 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light."},{"id":194058,"title":"Painter [Heinrich Hoerle]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1928","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1928","blurb":"Photograph in gelatin silver print, 1928. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194058","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTIyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ecf234f15663cf26","placement":{"kind":"wall","wall":1,"lane":0,"u":9.118,"y":1.52},"texture":"textures/194058.jpg","thumb":"thumbs/194058.jpg","seen":["portrait of a person"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This one's called Painter [Heinrich Hoerle] — a photograph by Sander, nineteen twenty-eight. Gelatin silver print — about 26 by 19 centimeters."},{"id":194005,"title":"Politician [Rosi Wolfstein-Frölich]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1929","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1929","blurb":"Photograph in gelatin silver print, 1929. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194005","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTE5NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9067d6f7ecfea15b","placement":{"kind":"wall","wall":0,"lane":0,"u":12.274,"y":1.52},"texture":"textures/194005.jpg","thumb":"thumbs/194005.jpg","seen":["portrait of a person"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"This one's called Politician [Rosi Wolfstein-Frölich] — a photograph by Sander, nineteen twenty-nine. Gelatin silver print — about 26 by 19 centimeters."},{"id":194038,"title":"The Architect [Hans Poelzig]","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1929","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1929","blurb":"Photograph in gelatin silver print, 1929. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194038","imageURL":"https://www.moma.org/media/W1siZiIsIjMyOTIwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=be8d136c316c7047","placement":{"kind":"wall","wall":4,"lane":0,"u":3.477,"y":1.52},"texture":"textures/194038.jpg","thumb":"thumbs/194038.jpg","seen":["portrait of a person"],"tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver","portrait of a person","somber"],"roomTags":["citizens","weimar"],"docent":"Here we have The Architect [Hans Poelzig] — a photograph by Sander, nineteen twenty-nine. It's gelatin silver print, about 26 by 19 centimeters."},{"id":194180,"title":"Raoul Hausmann as Dancer","artist":"August Sander","artistBio":"(German, 1876–1964)","artistGender":"(male)","date":"1929","medium":"Gelatin silver print","credit":"Acquired through the generosity of the family of August Sander","classification":"Photograph","dimensions":"10 3/16 × 7 3/8\" (25.8 × 18.7 cm)","size":[0.187,0.258],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Photograph in gelatin silver print, 1929","blurb":"Photograph in gelatin silver print, 1929. August Sander (German, 1876–1964). Acquired by the Museum in 2015 — Acquired through the generosity of the family of August Sander.","blurbSource":"catalogue","acquired":"2015","cid":"5145","url":"https://www.moma.org/collection/works/194180","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNDM1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=edd6580891c476f9","placement":{"kind":"wall","wall":0,"lane":0,"u":13.4,"y":1.52},"texture":"textures/194180.jpg","thumb":"thumbs/194180.jpg","tags":["1920s","dance","figure","gelatin","intimate","monochrome","photograph","print","silver","joyful"],"roomTags":["citizens","weimar"],"docent":"Here we have Raoul Hausmann as Dancer — a photograph by Sander, nineteen twenty-nine. It's gelatin silver print, about 26 by 19 centimeters."},{"id":81517,"title":"Self-Portrait","artist":"Max Beckmann","artistBio":"(German, 1884–1950)","artistGender":"(male)","date":"1936 (cast 1951)","medium":"Bronze","credit":"Gift of Curt Valentin","classification":"Sculpture","dimensions":"14 1/2 x 11 1/4 x 13\" (36.8 x 28.6 x 33 cm)","size":[0.286,0.368],"depth":0.33,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1936 (cast 1951)","blurb":"Sculpture in bronze, 1936 (cast 1951). 37 cm × 29 cm × 33 cm. Max Beckmann (German, 1884–1950). Acquired by the Museum in 1951 — Gift of Curt Valentin.","blurbSource":"catalogue","acquired":"1951","cid":"429","url":"https://www.moma.org/collection/works/81517","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTAyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3eb2db651d7279c1","placement":{"kind":"case","case":0,"x":6.326,"z":4.996,"y":1.044},"texture":"textures/81517.jpg","thumb":"thumbs/81517.jpg","seen":["portrait of a person","human face"],"tags":["1930s","bronze","expressionism","intimate","monochrome","portrait","sculpture","self-portrait","warm","portrait of a person","human face","somber"],"roomTags":["citizens","weimar"],"docent":"You're looking at Self-Portrait — a sculpture by Beckmann, nineteen thirty-six (cast nineteen fifty-one). Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."},{"id":81202,"title":"Sculpture 23","artist":"Rudolf Belling","artistBio":"(German, 1886–1972)","artistGender":"(male)","date":"1923","medium":"Brass","credit":"A. Conger Goodyear Fund","classification":"Sculpture","dimensions":"18 7/8 x 7 3/4 x 8 1/2\" (48 x 19.7 x 21.5 cm)","size":[0.197,0.48],"depth":0.215,"sizeSource":"cc0-columns","summary":"Sculpture in brass, 1923","blurb":"Sculpture in brass, 1923. 48 cm × 20 cm × 22 cm. Rudolf Belling (German, 1886–1972). Acquired by the Museum in 1956 — A. Conger Goodyear Fund.","blurbSource":"catalogue","acquired":"1956","cid":"450","url":"https://www.moma.org/collection/works/81202","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODk5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9247d1dd062eb7ce","placement":{"kind":"case","case":0,"x":7.176,"z":4.996,"y":1.1},"texture":"textures/81202.jpg","thumb":"thumbs/81202.jpg","tags":["1920s","monochrome","sculpture","warm"],"roomTags":["citizens","weimar"],"docent":"You're looking at Sculpture 23 — a sculpture by the German artist Rudolf Belling, nineteen twenty-three. Brass — about 48 by 20 centimeters."},{"id":81372,"title":"Daphne","artist":"Renée Sintenis","artistBio":"(German, 1888–1965)","artistGender":"(female)","date":"1930","medium":"Bronze","credit":"Abby Aldrich Rockefeller Fund","classification":"Sculpture","dimensions":"56 1/2 × 11 7/8 × 9 7/8\" (143.5 × 30.2 × 25.1 cm)","size":[0.302,1.435],"depth":0.251,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1930","blurb":"Sculpture in bronze, 1930. 144 cm × 30 cm × 25 cm. Renée Sintenis (German, 1888–1965). Acquired by the Museum in 1939 — Abby Aldrich Rockefeller Fund.","blurbSource":"catalogue","acquired":"1939","cid":"5451","url":"https://www.moma.org/collection/works/81372","imageURL":"https://www.moma.org/media/W1siZiIsIjQzMTIzNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5aa1e0e184264fb2","placement":{"kind":"plinth","x":8.047,"z":4.996,"plinth":0.55,"fw":0.652,"fd":0.601,"face":[0,-1]},"texture":"textures/81372.jpg","thumb":"thumbs/81372.jpg","tags":["1930s","bronze","monochrome","sculpture","women artists"],"roomTags":["citizens","weimar"],"docent":"You're looking at Daphne — a sculpture by the German artist Renée Sintenis, nineteen thirty. It's bronze, about 1.4 by 0.3 meters. It is an odd shape for a picture: about 1.4 metres one way and 0.3 the other, so it reads as a band rather than a window."}]},{"gallery":"515","title":"Claude Monet's Water Lilies","origin":[0.0,43.11],"polygon":[[0.0,0.0],[8.85,0.0],[8.85,14.274],[0.0,14.274]],"size":[8.85,14.27],"ceiling":4.6,"outdoor":false,"doors":[[1,2.15,1.6],[1,9.28,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[0.0,14.274],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,13.723999999999998],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,8.299999999999999],"height":4.6,"kind":"perimeter","edge":0},{"origin":[8.85,14.274],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,8.299999999999999],"height":4.6,"kind":"perimeter","edge":2},{"origin":[8.85,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[3.35,8.079999999999998],"height":4.6,"kind":"perimeter","edge":1},{"origin":[8.85,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[10.48,13.723999999999998],"height":4.6,"kind":"perimeter","edge":1}],"decor":null,"intro":"7 works, 1907–1914 — Claude Monet and Gustav Klimt; mostly painting.","music":"satie","artworks":[{"id":80220,"title":"Water Lilies","artist":"Claude Monet","artistBio":"(French, 1840–1926)","artistGender":"(male)","date":"1914-26","medium":"Oil on canvas, three panels","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"Each 6' 6 3/4\" x 13' 11 1/4\" (200 x 424.8 cm), overall 6' 6 3/4\" x 41' 10 3/8\" (200 x 1276 cm)","size":[12.76,2.0],"depth":0.0,"sizeSource":"cc0-overall","summary":"Painting in oil on canvas, three panels, 1914-26","blurb":"Painting in oil on canvas, three panels, 1914-26. 2.00 m × 4.25 m. Claude Monet (French, 1840–1926). Acquired by the Museum in 1959 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1959","cid":"4058","url":"https://www.moma.org/collection/works/80220","imageURL":"https://www.moma.org/media/W1siZiIsIjI0Njc4NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b231dd89da1cde25","placement":{"kind":"wall","wall":0,"lane":0,"u":7.022,"y":1.52},"texture":"textures/80220.jpg","thumb":"thumbs/80220.jpg","seen":["sea"],"tags":["1910s","canvas","impressionism","monochrome","monumental","oil","painting","wartime","sea","calm"],"roomTags":["lilies","water"],"docent":"You're looking at Water Lilies, in three panels, painted at Giverny between nineteen fourteen and nineteen twenty-six. Monet had dug the pond himself. He went on painting it while cataracts slowly clouded his sight, which is part of why the late canvases loosen the way they do."},{"id":80298,"title":"Water Lilies","artist":"Claude Monet","artistBio":"(French, 1840–1926)","artistGender":"(male)","date":"1914-26","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"6' 6 1/2\" x 19' 7 1/2\" (199.5 x 599 cm)","size":[5.99,1.995],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914-26","blurb":"Painting in oil on canvas, 1914-26. 2.00 m × 5.99 m. Claude Monet (French, 1840–1926). Acquired by the Museum in 1959 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1959","cid":"4058","url":"https://www.moma.org/collection/works/80298","imageURL":"https://www.moma.org/media/W1siZiIsIjI0Njc4MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f18d95ab0c842b20","placement":{"kind":"wall","wall":1,"lane":0,"u":3.545,"y":1.52},"texture":"textures/80298.jpg","thumb":"thumbs/80298.jpg","tags":["1910s","bright","canvas","golden","impressionism","monumental","muted","oil","painting","wartime","calm"],"roomTags":["lilies","water"],"docent":"You're looking at Water Lilies — a painting by Monet, nineteen fourteen to nineteen twenty-six. Monet was part of the Impressionism movement. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":79922,"title":"Agapanthus","artist":"Claude Monet","artistBio":"(French, 1840–1926)","artistGender":"(male)","date":"1914-26","medium":"Oil on canvas","credit":"Gift of Sylvia Slifka in memory of Joseph Slifka","classification":"Painting","dimensions":"6' 6\" x 70 1/4\" (198.2 x 178.4 cm)","size":[1.784,1.982],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1914-26","blurb":"Painting in oil on canvas, 1914-26. 198 cm × 178 cm. Claude Monet (French, 1840–1926). Acquired by the Museum in 1992 — Gift of Sylvia Slifka in memory of Joseph Slifka.","blurbSource":"catalogue","acquired":"1992","cid":"4058","url":"https://www.moma.org/collection/works/79922","imageURL":"https://www.moma.org/media/W1siZiIsIjE2ODY2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d654b9aaaed51a24","placement":{"kind":"wall","wall":2,"lane":0,"u":1.442,"y":1.52},"texture":"textures/79922.jpg","thumb":"thumbs/79922.jpg","seen":["flowers"],"tags":["1910s","canvas","impressionism","monochrome","oil","painting","wartime","flowers","joyful"],"roomTags":["lilies","water"],"docent":"This is Agapanthus, one of the late garden canvases Monet worked on at Giverny between nineteen fourteen and his death in nineteen twenty-six. He painted the same pond for the last twelve years of his life, at a scale that stopped being a view and became a surrounding."},{"id":79792,"title":"Hope, II","artist":"Gustav Klimt","artistBio":"(Austrian, 1862–1918)","artistGender":"(male)","date":"1907-08","medium":"Oil, gold, and platinum on canvas","credit":"Jo Carole and Ronald S. Lauder and Helen Acheson Funds, and Serge Sabarsky","classification":"Painting","dimensions":"43 1/2 x 43 1/2\" (110.5 x 110.5 cm)","size":[1.105,1.105],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil, gold, and platinum on canvas, 1907-08","blurb":"Painting in oil, gold, and platinum on canvas, 1907-08. 110 cm × 110 cm. Gustav Klimt (Austrian, 1862–1918). Acquired by the Museum in 1978 — Jo Carole and Ronald S. Lauder and Helen Acheson Funds, and Serge Sabarsky.","blurbSource":"catalogue","acquired":"1978","cid":"3147","url":"https://www.moma.org/collection/works/79792","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MTYxMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9f0bdd82b2f2dc1a","placement":{"kind":"wall","wall":2,"lane":0,"u":3.758,"y":1.52},"texture":"textures/79792.jpg","thumb":"thumbs/79792.jpg","seen":["mother and child"],"tags":["1900s","before the war","canvas","muted","oil","painting","warm","mother and child","somber"],"roomTags":["lilies","water"],"docent":"Before you is Hope, two — a painting by the Austrian artist Gustav Klimt, nineteen oh seven to nineteen oh eight. Klimt was part of the Symbolism movement. Printed in platinum rather than silver, so the metal sits down among the paper fibres instead of on top of them — that is where the long matte greys come from. You can pick out the mother and child."},{"id":78411,"title":"The Park","artist":"Gustav Klimt","artistBio":"(Austrian, 1862–1918)","artistGender":"(male)","date":"1910 or earlier","medium":"Oil on canvas","credit":"Gertrud A. Mellon Fund","classification":"Painting","dimensions":"43 1/2 x 43 1/2\" (110.4 x 110.4 cm)","size":[1.104,1.104],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1910 or earlier","blurb":"Painting in oil on canvas, 1910 or earlier. 110 cm × 110 cm. Gustav Klimt (Austrian, 1862–1918). Acquired by the Museum in 1957 — Gertrud A. Mellon Fund.","blurbSource":"catalogue","acquired":"1957","cid":"3147","url":"https://www.moma.org/collection/works/78411","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1ODAxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ec79aee7b048b801","placement":{"kind":"wall","wall":2,"lane":0,"u":5.735,"y":1.52},"texture":"textures/78411.jpg","thumb":"thumbs/78411.jpg","seen":["tree","forest"],"tags":["1910s","before the war","canvas","dark","muted","oil","painting","tree","forest","calm"],"roomTags":["lilies","water"],"docent":"Here we have The Park — a painting by Klimt, nineteen ten or earlier. Oil on canvas — about 1.1 by 1.1 meters."},{"id":79354,"title":"Street, Berlin","artist":"Ernst Ludwig Kirchner","artistBio":"(German, 1880–1938)","artistGender":"(male)","date":"1913","medium":"Oil on canvas","credit":"Purchase","classification":"Painting","dimensions":"47 1/2 x 35 7/8\" (120.6 x 91.1 cm)","size":[0.911,1.206],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1913","blurb":"Painting in oil on canvas, 1913. 121 cm × 91 cm. Ernst Ludwig Kirchner (German, 1880–1938). Acquired by the Museum in 1939 — Purchase.","blurbSource":"catalogue","acquired":"1939","cid":"3115","url":"https://www.moma.org/collection/works/79354","imageURL":"https://www.moma.org/media/W1siZiIsIjMyMTkwNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=437e44383fb1bf4f","placement":{"kind":"wall","wall":2,"lane":0,"u":7.614,"y":1.52},"texture":"textures/79354.jpg","thumb":"thumbs/79354.jpg","seen":["group of people","dancing"],"tags":["1910s","before the war","canvas","city","dark","expressionism","monochrome","oil","painting","warm","group of people","dancing","joyful"],"roomTags":["lilies","water"],"docent":"Here we have Street, Berlin — a painting by Ernst Ludwig Kirchner, nineteen thirteen. It's oil on canvas, about 1.2 by 0.9 meters. Kirchner was part of the Expressionism movement."},{"id":216210,"title":"Self-Portrait with Two Flowers in Her Raised Left Hand","artist":"Paula Modersohn-Becker","artistBio":"(German, 1876–1907)","artistGender":"(female)","date":"1907","medium":"Oil on canvas","credit":"Jointly owned by The Museum of Modern Art, New York, Gift of Debra and Leon Black, and Neue Galerie New York, Gift of Jo Carole and Ronald S. Lauder","classification":"Painting","dimensions":"21 3/4 × 9 3/4\" (55.2 × 24.8 cm)","size":[0.248,0.552],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1907","blurb":"Painting in oil on canvas, 1907. 55 cm × 25 cm. Paula Modersohn-Becker (German, 1876–1907). Acquired by the Museum in 2017 — Jointly owned by The Museum of Modern Art, New York, Gift of Debra and Leon Black, and Neue Galerie New York, Gift of Jo Carole and Ronald S. Lauder.","blurbSource":"catalogue","acquired":"2017","cid":"4037","url":"https://www.moma.org/collection/works/216210","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0OTI0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a2244ed07a92f89f","placement":{"kind":"wall","wall":1,"lane":0,"u":7.946,"y":1.52},"texture":"textures/216210.jpg","thumb":"thumbs/216210.jpg","seen":["portrait of a person"],"tags":["1900s","before the war","canvas","golden","monochrome","oil","painting","portrait","self-portrait","still life","women artists","portrait of a person","somber"],"roomTags":["lilies","water"],"docent":"This is Self-Portrait with Two Flowers in Her Raised Left Hand — a painting by the German artist Paula Modersohn-Becker, nineteen oh seven. Oil on canvas — about 55 by 25 centimeters. In the picture, look for the portrait of a person."}]},{"gallery":"516","title":"Living Forms","origin":[25.41,24.27],"polygon":[[0.0,0.0],[9.135,0.0],[9.135,14.559],[0.0,14.559]],"size":[9.13,14.56],"ceiling":4.6,"outdoor":false,"doors":[[3,10.85,1.6]],"partitions":[],"cases":[{"x":3.372,"z":2.29,"w":2.051,"d":0.8,"h":0.85},{"x":5.653,"z":2.29,"w":2.27,"d":0.8,"h":0.85},{"x":3.363,"z":3.19,"w":1.85,"d":0.8,"h":0.85},{"x":5.552,"z":3.19,"w":2.289,"d":0.8,"h":0.85},{"x":2.672,"z":5.9,"w":2.17,"d":0.8,"h":0.85}],"walls":[{"origin":[9.135,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,14.008999999999999],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,14.559],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,9.649999999999999],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,8.584999999999999],"height":4.6,"kind":"perimeter","edge":0},{"origin":[9.135,14.559],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,8.584999999999999],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,14.559],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[12.05,14.008999999999999],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"45 works, 1899–1990 — Richard Riemerschmid and Jean (Hans) Arp; mostly design and painting.","music":"modal","artworks":[{"id":220491,"title":"Return 77-A","artist":"Chung Chang-Sup","artistBio":"(Korean, 1927–2011)","artistGender":"(male)","date":"1977","medium":"Ink and paper mounted on canvas","credit":"Fund for Korean Art","classification":"Painting","dimensions":"51 3/16 x 51 3/16\" (130 x 130 cm)","size":[1.3,1.3],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in ink and paper mounted on canvas, 1977","blurb":"Painting in ink and paper mounted on canvas, 1977. 130 cm × 130 cm. Chung Chang-Sup (Korean, 1927–2011). Acquired by the Museum in 2017 — Fund for Korean Art.","blurbSource":"catalogue","acquired":"2017","cid":"68033","url":"https://www.moma.org/collection/works/220491","imageURL":"https://www.moma.org/media/W1siZiIsIjM5MzQxNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=effb63a516a194c9","placement":{"kind":"wall","wall":0,"lane":0,"u":3.921,"y":1.52},"texture":"textures/220491.jpg","thumb":"thumbs/220491.jpg","tags":["1970s","canvas","ink","muted","painting","paper","warm"],"roomTags":["forms","living"],"docent":"Here we have Return 77-A — a painting by Chung Chang-Sup, nineteen seventy-seven. The piece is ink and paper mounted on canvas, about 1.3 by 1.3 meters."},{"id":78901,"title":"Pottery, Number 9","artist":"Evert Lundquist","artistBio":"(Swedish, 1904–1994)","artistGender":"(male)","date":"1949","medium":"Oil on canvas","credit":"Gift of Mrs. G. P. Raymond","classification":"Painting","dimensions":"46 1/8 x 41 3/8\" (117 x 105 cm)","size":[1.05,1.17],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1949","blurb":"Painting in oil on canvas, 1949. 117 cm × 105 cm. Evert Lundquist (Swedish, 1904–1994). Acquired by the Museum in 1961 — Gift of Mrs. G. P. Raymond.","blurbSource":"catalogue","acquired":"1961","cid":"3637","url":"https://www.moma.org/collection/works/78901","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODI2NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6ba5486ab5fc6ab0","placement":{"kind":"wall","wall":1,"lane":0,"u":3.91,"y":1.52},"texture":"textures/78901.jpg","thumb":"thumbs/78901.jpg","tags":["1940s","canvas","dark","oil","painting","vivid","warm"],"roomTags":["forms","living"],"docent":"Before you is Pottery, Number 9 — a painting by Evert Lundquist, nineteen forty-nine. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":190023,"title":"White Landscape","artist":"Armando Reverón","artistBio":"(Venezuelan, 1889–1954)","artistGender":"(male)","date":"1940","medium":"Glue tempera on canvas","credit":"Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in memory of Dr. Enrique Pérez Olivares","classification":"Painting","dimensions":"25 13/16 x 34 5/8\" (65.5 x 88 cm)","size":[0.88,0.655],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in glue tempera on canvas, 1940","blurb":"Painting in glue tempera on canvas, 1940. 66 cm × 88 cm. Armando Reverón (Venezuelan, 1889–1954). Acquired by the Museum in 2015 — Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in memory of Dr. Enrique Pérez Olivares.","blurbSource":"catalogue","acquired":"2015","cid":"27447","url":"https://www.moma.org/collection/works/190023","imageURL":"https://www.moma.org/media/W1siZiIsIjQzMDYwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5c8b23297c14c2e0","placement":{"kind":"wall","wall":2,"lane":0,"u":2.305,"y":1.52},"texture":"textures/190023.jpg","thumb":"thumbs/190023.jpg","tags":["1940s","bright","canvas","landscape","painting","tempera","warm"],"roomTags":["forms","living"],"docent":"This is White Landscape, painted by Armando Reverón in nineteen forty in glue tempera on canvas. Reverón lived on the Venezuelan coast and painted in blinding light until the colour bleached almost entirely out of his palette — these late canvases are worked in white on off-white."},{"id":62738,"title":"Lyric No. 14 (Ode to the Spring)","artist":"Koshiro Onchi","artistBio":"(Japanese, 1891–1955)","artistGender":"(male)","date":"1951","medium":"Woodcut","credit":"Purchase","classification":"Print","dimensions":"composition: 23 7/16 × 17 11/16\" (59.5 × 45 cm); sheet: 23 9/16 × 17 11/16\" (59.8 × 45 cm)","size":[0.45,0.595],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in woodcut, 1951","blurb":"Print in woodcut, 1951. 60 cm × 45 cm. Koshiro Onchi (Japanese, 1891–1955). Acquired by the Museum in 1954 — Purchase.","blurbSource":"catalogue","acquired":"1954","cid":"4407","url":"https://www.moma.org/collection/works/62738","imageURL":"https://www.moma.org/media/W1siZiIsIjIxOTQ5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ab4dcd1d60907111","placement":{"kind":"wall","wall":0,"lane":0,"u":6.696,"y":1.52},"texture":"textures/62738.jpg","thumb":"thumbs/62738.jpg","seen":["abstract shapes"],"tags":["1950s","bright","muted","print","warm","woodcut","works on paper","abstract shapes"],"roomTags":["forms","living"],"docent":"This one's called Lyric No. 14 (Ode to the Spring) — a print by the Japanese artist Koshiro Onchi, nineteen fifty-one. A woodcut — cut into the plank so that everything left standing prints. It is the oldest printing method in this building. In the picture, look for the abstract shapes."},{"id":48247,"title":"Corn Leaf Rhythm","artist":"Barbara Morgan","artistBio":"(American, 1900–1992)","artistGender":"(female)","date":"1945","medium":"Gelatin silver print, printed 1971","credit":"Gift of the artist","classification":"Photograph","dimensions":"19 1/2 × 13 1/2\" (49.5 × 34.3 cm)","size":[0.343,0.495],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1971, 1945","blurb":"Photograph in gelatin silver print, printed 1971, 1945. 50 cm × 34 cm. Barbara Morgan (American, 1900–1992). Acquired by the Museum in 1972 — Gift of the artist.","blurbSource":"catalogue","acquired":"1972","cid":"4089","url":"https://www.moma.org/collection/works/48247","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMDk5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=12e62888e3ffb86e","placement":{"kind":"wall","wall":2,"lane":0,"u":4.817,"y":1.52},"texture":"textures/48247.jpg","thumb":"thumbs/48247.jpg","seen":["abstract shapes"],"tags":["1940s","bright","gelatin","monochrome","photograph","print","silver","women artists","abstract shapes"],"roomTags":["forms","living"],"docent":"This one's called Corn Leaf Rhythm — a photograph by Barbara Morgan, nineteen forty-five. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray."},{"id":420832,"title":"Agave Design I","artist":"Imogen Cunningham","artistBio":"(American, 1883–1976)","artistGender":"(female)","date":"1920","medium":"Gelatin silver print","credit":"Gift of Helen Kornblum in honor of Roxana Marcoci","classification":"Photograph","dimensions":"12 7/8 × 9 13/16\" (32.7 × 24.9 cm)","size":[0.249,0.327],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1920","blurb":"Photograph in gelatin silver print, 1920. 33 cm × 25 cm. Imogen Cunningham (American, 1883–1976). Acquired by the Museum in 2021 — Gift of Helen Kornblum in honor of Roxana Marcoci.","blurbSource":"catalogue","acquired":"2021","cid":"1332","url":"https://www.moma.org/collection/works/420832","imageURL":"https://www.moma.org/media/W1siZiIsIjQ5NTAzOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f925d0cc7367e5bd","placement":{"kind":"wall","wall":1,"lane":0,"u":6.46,"y":1.52},"texture":"textures/420832.jpg","thumb":"thumbs/420832.jpg","seen":["abstract shapes","abstract geometric"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","women artists","abstract shapes","abstract geometric"],"roomTags":["forms","living"],"docent":"This one's called Agave Design I — a photograph by the American artist Imogen Cunningham, nineteen twenty. Cunningham was part of the straight photography movement. Gelatin silver print — about 33 by 25 centimeters. You can pick out the abstract geometric."},{"id":49186,"title":"Shell","artist":"Edward Weston","artistBio":"(American, 1886–1958)","artistGender":"(male)","date":"1927","medium":"Gelatin silver print","credit":"Gift of Merle Armitage","classification":"Photograph","dimensions":"9 3/8 × 7 5/16\" (23.8 × 18.6 cm)\r\n","size":[0.186,0.238],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1927","blurb":"Photograph in gelatin silver print, 1927. 24 cm × 19 cm. Edward Weston (American, 1886–1958). Acquired by the Museum in 1935 — Gift of Merle Armitage.","blurbSource":"catalogue","acquired":"1935","cid":"6329","url":"https://www.moma.org/collection/works/49186","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODUzNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a84bc2f64f758ed5","placement":{"kind":"wall","wall":0,"lane":0,"u":8.914,"y":1.52},"texture":"textures/49186.jpg","thumb":"thumbs/49186.jpg","tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver","warm"],"roomTags":["forms","living"],"docent":"Before you is Shell — a photograph by Edward Weston, nineteen twenty-seven. The piece is gelatin silver print, about 24 by 19 centimeters."},{"id":450965,"title":"Mussel's Face from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)","artist":"Jean (Hans) Arp","artistBio":"(French, born Germany (Alsace). 1886–1966)","artistGender":"(male)","date":"c. 1948–53, published 1953","medium":"One from a series of two woodcuts","credit":"Curt Valentin Bequest","classification":"Print","dimensions":"composition: 7 15/16 × 5 7/8\" (20.2 × 15.1 cm); sheet: 10 1/16 × 8 1/16\" (25.5 × 20.4 cm)","size":[0.151,0.202],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in one from a series of two woodcuts, c. 1948–53, published 1953","blurb":"Print in one from a series of two woodcuts, c. 1948–53, published 1953. 20 cm × 15 cm. Jean (Hans) Arp (French, born Germany (Alsace). 1886–1966). Acquired by the Museum in 1956 — Curt Valentin Bequest.","blurbSource":"catalogue","acquired":"1956","cid":"11","url":"https://www.moma.org/collection/works/450965","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MTgxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ebcb8a1cf84edbb3","placement":{"kind":"wall","wall":2,"lane":0,"u":6.964,"y":1.52},"texture":"textures/450965.jpg","thumb":"thumbs/450965.jpg","seen":["abstract shapes"],"tags":["1940s","intimate","monochrome","print","warm","works on paper","abstract shapes"],"roomTags":["forms","living"],"docent":"This one's called Mussel's Face from Arp: Hairy Hearts nineteen twenty-three to nineteen twenty-six, Kings before the Deluge nineteen fifty-two to nineteen fifty-three (Arp: Behaarte Herzen nineteen twenty-three to nineteen twenty-six, Könige vor der Sintflut nineteen fifty-two to nineteen fifty-three) — a print by the French artist Jean (Hans) Arp, around nineteen forty-eight to nineteen fifty-three, published nineteen fifty-three. Arp was married to Sophie Taeuber-Arp — who also hangs in this museum. One from a series of two woodcuts — about 20 by 15 centimeters."},{"id":450964,"title":"Fish from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)","artist":"Jean (Hans) Arp","artistBio":"(French, born Germany (Alsace). 1886–1966)","artistGender":"(male)","date":"c. 1948–53, published 1953","medium":"One from a series of two woodcuts","credit":"Curt Valentin Bequest","classification":"Print","dimensions":"composition: 7 15/16 × 5 7/8\" (20.2 × 15 cm); sheet: 10 1/16 × 8 1/16\" (25.5 × 20.4 cm)","size":[0.15,0.202],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in one from a series of two woodcuts, c. 1948–53, published 1953","blurb":"Print in one from a series of two woodcuts, c. 1948–53, published 1953. 20 cm × 15 cm. Jean (Hans) Arp (French, born Germany (Alsace). 1886–1966). Acquired by the Museum in 1956 — Curt Valentin Bequest.","blurbSource":"catalogue","acquired":"1956","cid":"11","url":"https://www.moma.org/collection/works/450964","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MTgxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6ee5f8cb0927a61b","placement":{"kind":"wall","wall":0,"lane":0,"u":10.982,"y":1.52},"texture":"textures/450964.jpg","thumb":"thumbs/450964.jpg","seen":["abstract shapes"],"tags":["1940s","intimate","monochrome","print","warm","works on paper","abstract shapes"],"roomTags":["forms","living"],"docent":"Before you is Fish from Arp: Hairy Hearts nineteen twenty-three to nineteen twenty-six, Kings before the Deluge nineteen fifty-two to nineteen fifty-three (Arp: Behaarte Herzen nineteen twenty-three to nineteen twenty-six, Könige vor der Sintflut nineteen fifty-two to nineteen fifty-three) — a print by Arp, around nineteen forty-eight to nineteen fifty-three, published nineteen fifty-three. It's one from a series of two woodcuts, about 20 by 15 centimeters. Arp was part of the Dada movement."},{"id":81835,"title":"Brooch","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"c. 1940","medium":"Hammered silver","credit":"Gift of the artist","classification":"Sculpture","dimensions":"12 1/4 x 11 7/8\" (31.1 x 30.1 cm)","size":[0.301,0.311],"depth":0.0,"sizeSource":"cc0-columns","summary":"Sculpture in hammered silver, c. 1940","blurb":"Sculpture in hammered silver, c. 1940. 31 cm × 30 cm. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1967 — Gift of the artist.","blurbSource":"catalogue","acquired":"1967","cid":"922","url":"https://www.moma.org/collection/works/81835","imageURL":"https://www.moma.org/media/W1siZiIsIjQ4NDgyMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=37d31d7f8575e9c2","placement":{"kind":"case","case":0,"x":2.603,"z":2.29,"y":1.016},"texture":"textures/81835.jpg","thumb":"thumbs/81835.jpg","seen":["bird"],"tags":["1940s","dark","intimate","monochrome","sculpture","silver","bird"],"roomTags":["forms","living"],"docent":"This one's called Brooch — a sculpture by the American artist Alexander Calder, around nineteen forty. Calder was part of the kinetic art movement. It's hammered silver, about 31 by 30 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. You can pick out the bird."},{"id":84130,"title":"Vase (model 3031)","artist":"Alvar Aalto","artistBio":"(Finnish, 1898–1976)","artistGender":"(male)","date":"1936","medium":"Mold-blown glass","credit":"Gift of Clarissa Alcock Bronfman","classification":"Design","dimensions":"11 1/2 x 12 1/4 x 11 1/4\" (29.2 x 31.1 x 28.6 cm) (irreg.)","size":[0.311,0.292],"depth":0.286,"sizeSource":"cc0-columns","summary":"Design in mold-blown glass, 1936","blurb":"Design in mold-blown glass, 1936. 29 cm × 31 cm × 29 cm. Alvar Aalto (Finnish, 1898–1976). Acquired by the Museum in 2002 — Gift of Clarissa Alcock Bronfman.","blurbSource":"catalogue","acquired":"2002","cid":"34","url":"https://www.moma.org/collection/works/84130","imageURL":"https://www.moma.org/media/W1siZiIsIjUzMDM0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e66e096df9613e89","placement":{"kind":"case","case":0,"x":3.116,"z":2.29,"y":1.006},"texture":"textures/84130.jpg","thumb":"thumbs/84130.jpg","seen":["bottle"],"tags":["1930s","design","glass","golden","intimate","muted","still life","bottle"],"roomTags":["forms","living"],"docent":"This is Vase (model 3031) — a design object by Alvar Aalto, nineteen thirty-six. Mold-blown glass — about 29 by 31 centimeters. You can pick out the bottle. Aalto was part of the Neues Bauen movement."},{"id":3478,"title":"Town and Country Salt and Pepper Shakers","artist":"Eva Zeisel","artistBio":"(American, born Hungary. 1906–2011)","artistGender":"(female)","date":"c. 1945","medium":"Glazed earthenware","credit":"Gift of Della Rothermel in honor of John Petrik Rothermel","classification":"Design","dimensions":".1-.2: 4 1/2 × 3\" (11.4 × 7.6 cm)\r\n.3: 3 × 2\" (7.6 × 5.1 cm)","size":[0.051,0.076],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in glazed earthenware, c. 1945","blurb":"Design in glazed earthenware, c. 1945. Eva Zeisel (American, born Hungary. 1906–2011). Acquired by the Museum in 1994 — Gift of Della Rothermel in honor of John Petrik Rothermel.","blurbSource":"catalogue","acquired":"1994","cid":"6556","url":"https://www.moma.org/collection/works/3478","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzY0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bd8f09b168dce285","placement":{"kind":"case","case":0,"x":3.628,"z":2.29,"y":0.898},"texture":"textures/3478.jpg","thumb":"thumbs/3478.jpg","seen":["abstract shapes"],"tags":["1940s","city","design","intimate","monochrome","women artists","abstract shapes"],"roomTags":["forms","living"],"docent":"This one's called Town and Country Salt and Pepper Shakers — a design object by the American artist Eva Zeisel, around nineteen forty-five. Glazed earthenware: clay fired at a low temperature and sealed with a glassy coat, which is what makes it usable at a table. It is among the smallest things here — you could close a hand around it."},{"id":4468,"title":"Bowl","artist":"George Ohr","artistBio":"(American, 1857–1918)","artistGender":"(male)","date":"c. 1900","medium":"Glazed earthenware","credit":"Gift of Charles Cowles","classification":"Design","dimensions":"3 3/8 x 7 3/8 x 5 3/4\" (8.6 x 18.8 x 14.6 cm)","size":[0.188,0.086],"depth":0.146,"sizeSource":"cc0-columns","summary":"Design in glazed earthenware, c. 1900","blurb":"Design in glazed earthenware, c. 1900. 9 cm × 19 cm × 15 cm. George Ohr (American, 1857–1918). Acquired by the Museum in 1983 — Gift of Charles Cowles.","blurbSource":"catalogue","acquired":"1983","cid":"4384","url":"https://www.moma.org/collection/works/4468","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMDU3MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=25d51d1578895048","placement":{"kind":"case","case":0,"x":4.141,"z":2.29,"y":0.903},"texture":"textures/4468.jpg","thumb":"thumbs/4468.jpg","tags":["1900s","before the war","bright","design","intimate","monochrome"],"roomTags":["forms","living"],"docent":"You're looking at Bowl — a design object by the American artist George Ohr, around nineteen hundred. It's glazed earthenware, about 9 by 19 centimeters."},{"id":3905,"title":"Stool (model S-302)","artist":"Isamu Kenmochi","artistBio":"(Japanese, 1912–1971)","artistGender":"(male)","date":"1963","medium":"Rattan and fabric upholstered cushion","credit":"Gift of the manufacturer","classification":"Design","dimensions":"14 1/4 x 15 1/4\" (36.2 x 38.7 cm)","size":[0.387,0.362],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in rattan and fabric upholstered cushion, 1963","blurb":"Design in rattan and fabric upholstered cushion, 1963. Isamu Kenmochi (Japanese, 1912–1971). Acquired by the Museum in 1964 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1964","cid":"3059","url":"https://www.moma.org/collection/works/3905","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTQ1MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9cfd03afc6048147","placement":{"kind":"case","case":1,"x":4.802,"z":2.29,"y":1.041},"texture":"textures/3905.jpg","thumb":"thumbs/3905.jpg","seen":["chair"],"tags":["1960s","bright","design","intimate","chair"],"roomTags":["forms","living"],"docent":"You're looking at Stool (model S-302) — a design object by the Japanese artist Isamu Kenmochi, nineteen sixty-three. Rattan and fabric upholstered cushion — about 36 by 39 centimeters. You can pick out the chair."},{"id":2075,"title":"Bud Vase","artist":"Johann Lötz Witwe, Tiffany Glass & Decorating Co., New York, NY","artistBio":"(Czechia, 1848–1939)","artistGender":"() ()","date":"c. 1900","medium":"Favrile glass","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"9 1/8 × 4\" (23.2 × 10.2 cm)","size":[0.102,0.232],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in favrile glass, c. 1900","blurb":"Design in favrile glass, c. 1900. Johann Lötz Witwe, Tiffany Glass & Decorating Co., New York, NY (Czechia, 1848–1939). Acquired by the Museum in 1957 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1957","cid":"7445","url":"https://www.moma.org/collection/works/2075","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDIzNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=95f8b41f02ad2fe8","placement":{"kind":"case","case":1,"x":5.369,"z":2.29,"y":0.976},"texture":"textures/2075.jpg","thumb":"thumbs/2075.jpg","seen":["bottle"],"tags":["1900s","before the war","bright","design","glass","intimate","monochrome","still life","warm","bottle"],"roomTags":["forms","living"],"docent":"Before you is Bud Vase — a design object by Johann Lötz Witwe, Tiffany Glass & Decorating Co., New York, NY, around nineteen hundred. Favrile glass — about 23 by 10 centimeters."},{"id":2326,"title":"Silver Footed Bowl","artist":"Josef Hoffmann","artistBio":"(Austrian, 1870–1956)","artistGender":"(male)","date":"c. 1920","medium":"Silver","credit":"Philip Johnson Fund","classification":"Design","dimensions":"3 1/2 x 4 5/8\" (8.9 x 11.7 cm)","size":[0.117,0.089],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in silver, c. 1920","blurb":"Design in silver, c. 1920. Josef Hoffmann (Austrian, 1870–1956). Acquired by the Museum in 1977 — Philip Johnson Fund.","blurbSource":"catalogue","acquired":"1977","cid":"2694","url":"https://www.moma.org/collection/works/2326","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDUyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7a8bd7284316e0c5","placement":{"kind":"case","case":1,"x":5.937,"z":2.29,"y":0.904},"texture":"textures/2326.jpg","thumb":"thumbs/2326.jpg","seen":["lamp","fruit","flowers"],"tags":["1920s","bright","design","intimate","monochrome","silver","lamp","fruit","flowers"],"roomTags":["forms","living"],"docent":"This one's called Silver Footed Bowl — a design object by the Austrian artist Josef Hoffmann, around nineteen twenty. Silver — about 9 by 12 centimeters."},{"id":4685,"title":"Plate","artist":"Kitaoji Rosanjin","artistBio":"(Japanese, 1883–1959)","artistGender":"(male)","date":"1953","medium":"Unglazed bizen-ware","credit":"Gift of the Japan Society","classification":"Design","dimensions":"2 × 18 1/4\" (5.1 × 46.4 cm)","size":[0.464,0.051],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in unglazed bizen-ware, 1953","blurb":"Design in unglazed bizen-ware, 1953. Kitaoji Rosanjin (Japanese, 1883–1959). Acquired by the Museum in 2001 — Gift of the Japan Society.","blurbSource":"catalogue","acquired":"2001","cid":"5015","url":"https://www.moma.org/collection/works/4685","imageURL":"https://www.moma.org/media/W1siZiIsIjUzMDIyNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bce720f15b7f1e9e","placement":{"kind":"case","case":1,"x":6.504,"z":2.29,"y":0.885},"texture":"textures/4685.jpg","thumb":"thumbs/4685.jpg","tags":["1950s","design","monochrome"],"roomTags":["forms","living"],"docent":"This is Plate — a design object by the Japanese artist Kitaoji Rosanjin, nineteen fifty-three. Rosanjin was part of the Momoyama Culture movement. The piece is unglazed bizen-ware, about 5 by 46 centimeters. It is an odd shape for a picture: about 0.5 metres one way and 0.1 the other, so it reads as a band rather than a window."},{"id":2715,"title":"Vase","artist":"Lucie Rie","artistBio":"(British, born Austria. 1902–1995)","artistGender":"(female)","date":"c. 1950","medium":"Glazed stoneware","credit":"Purchase Fund","classification":"Design","dimensions":"6 1/4 × 7 3/8 × 5 1/2\" (15.9 × 18.7 × 14 cm)","size":[0.187,0.159],"depth":0.14,"sizeSource":"cc0-columns","summary":"Design in glazed stoneware, c. 1950","blurb":"Design in glazed stoneware, c. 1950. 16 cm × 19 cm × 14 cm. Lucie Rie (British, born Austria. 1902–1995). Acquired by the Museum in 1954 — Purchase Fund.","blurbSource":"catalogue","acquired":"1954","cid":"4915","url":"https://www.moma.org/collection/works/2715","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODgwMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=88e13deb5c327e03","placement":{"kind":"case","case":2,"x":2.669,"z":3.19,"y":0.94},"texture":"textures/2715.jpg","thumb":"thumbs/2715.jpg","tags":["1950s","design","intimate","monochrome","still life","women artists"],"roomTags":["forms","living"],"docent":"Before you is Vase — a design object by the British artist Lucie Rie, around nineteen fifty. Glazed stoneware — about 16 by 19 centimeters."},{"id":3446,"title":"Jar","artist":"Maria Martinez, Popovi Da","artistBio":"(American, San Ildefonso Pueblo, 1887–1980) (American, 1931–1971)","artistGender":"(female) (male)","date":"1960","medium":"Stone-polished blackware","credit":"Gift of the Louis Comfort Tiffany Foundation, and Celeste G. Bartos, Mr. and Mrs. Gifford Phillips, and the Cornelius N. Bliss Memorial Fund","classification":"Design","dimensions":"9 1/2 x 10\" (24.1 x 25.4 cm)","size":[0.254,0.241],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in stone-polished blackware, 1960","blurb":"Design in stone-polished blackware, 1960. Maria Martinez, Popovi Da (American, San Ildefonso Pueblo, 1887–1980) (American, 1931–1971). Acquired by the Museum in 1985 — Gift of the Louis Comfort Tiffany Foundation, and Celeste G. Bartos, Mr. and Mrs. Gifford Phillips, and the Cornelius N. Bliss Memorial Fund.","blurbSource":"catalogue","acquired":"1985","cid":"3800","url":"https://www.moma.org/collection/works/3446","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTQ0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=394cdbdf17b5e34c","placement":{"kind":"case","case":2,"x":3.132,"z":3.19,"y":0.98},"texture":"textures/3446.jpg","thumb":"thumbs/3446.jpg","seen":["bottle"],"tags":["1960s","design","intimate","monochrome","bottle"],"roomTags":["forms","living"],"docent":"You're looking at Jar — a design object by the American artist Maria Martinez, Popovi Da, nineteen sixty. The piece is stone-polished blackware, about 24 by 25 centimeters."},{"id":1501,"title":"Teapot","artist":"Peter Behrens","artistBio":"(German, 1868–1940)","artistGender":"(male)","date":"c. 1901","medium":"Pewter","credit":"Gift of Manfred Ludewig","classification":"Design","dimensions":"6 1/2 × 7 3/8 × 3 3/4\" (16.5 × 18.7 × 9.5 cm)","size":[0.187,0.165],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in pewter, c. 1901","blurb":"Design in pewter, c. 1901. 16 cm × 10 cm. Peter Behrens (German, 1868–1940). Acquired by the Museum in 1997 — Gift of Manfred Ludewig.","blurbSource":"catalogue","acquired":"1997","cid":"438","url":"https://www.moma.org/collection/works/1501","imageURL":"https://www.moma.org/media/W1siZiIsIjIyNjQ3NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=95b59345d79ba4ff","placement":{"kind":"case","case":2,"x":3.594,"z":3.19,"y":0.943},"texture":"textures/1501.jpg","thumb":"thumbs/1501.jpg","seen":["bottle"],"tags":["1900s","before the war","bright","design","intimate","monochrome","bottle"],"roomTags":["forms","living"],"docent":"This one's called Teapot — a design object by the German artist Peter Behrens, around nineteen oh one. The piece is pewter, about 16 by 19 centimeters."},{"id":113630,"title":"Plate","artist":"Peter Behrens","artistBio":"(German, 1868–1940)","artistGender":"(male)","date":"ca. 1901","medium":"Glazed and decorated porcelain","credit":"Gift of the Peter Norton Family Foundation","classification":"Design","dimensions":"9 7/8 × 7/8\" (25.1 × 2.2 cm)","size":[0.022,0.251],"depth":0.022,"sizeSource":"cc0-freetext","summary":"Design in glazed and decorated porcelain, ca. 1901","blurb":"Design in glazed and decorated porcelain, ca. 1901. Peter Behrens (German, 1868–1940). Acquired by the Museum in 2008 — Gift of the Peter Norton Family Foundation.","blurbSource":"catalogue","acquired":"2008","cid":"438","url":"https://www.moma.org/collection/works/113630","imageURL":"https://www.moma.org/media/W1siZiIsIjE1Nzk4NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9cbf4fa423ba18d8","placement":{"kind":"case","case":2,"x":4.057,"z":3.19,"y":0.986},"texture":"textures/113630.jpg","thumb":"thumbs/113630.jpg","seen":["concentric circles","grid pattern","mirror"],"tags":["1900s","before the war","bright","design","intimate","monochrome","concentric circles","grid pattern","mirror"],"roomTags":["forms","living"],"docent":"Before you is Plate — a design object by Behrens, around nineteen oh one. Porcelain, fired hot enough to turn glassy all the way through, which is why it rings and why light passes through the thin parts. Somewhere in there: the concentric circles, and the grid pattern."},{"id":292760,"title":"Fleur lamp (model LP166)","artist":"Pierre Chareau","artistBio":"(French, 1883–1950)","artistGender":"(male)","date":"c.1924","medium":"Brass and alabaster","credit":"Gift of the George R. Kravis II Collection","classification":"Design","dimensions":"9 × 10\" (22.9 × 25.4 cm)","size":[0.254,0.229],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in brass and alabaster, c.1924","blurb":"Design in brass and alabaster, c.1924. Pierre Chareau (French, 1883–1950). Acquired by the Museum in 2018 — Gift of the George R. Kravis II Collection.","blurbSource":"catalogue","acquired":"2018","cid":"38695","url":"https://www.moma.org/collection/works/292760","imageURL":"https://www.moma.org/media/W1siZiIsIjU0MTA5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d2b8a335822b2fec","placement":{"kind":"case","case":3,"x":4.694,"z":3.19,"y":0.975},"texture":"textures/292760.jpg","thumb":"thumbs/292760.jpg","seen":["lamp"],"tags":["1920s","design","intimate","monochrome","warm","lamp"],"roomTags":["forms","living"],"docent":"This is Fleur lamp (model LP166) — a design object by Pierre Chareau, c.nineteen twenty-four. The piece is brass and alabaster, about 23 by 25 centimeters. You can pick out the lamp."},{"id":4753,"title":"Stool","artist":"Reiko Tanabe","artistBio":"(Japanese, born 1934)","artistGender":"(female)","date":"1961","medium":"Molded plywood with teak veneer","credit":"Gift of the manufacturer","classification":"Design","dimensions":"14 1/4 x 17 x 17\" (36.2 x 43.2 x 43.2 cm)","size":[0.432,0.362],"depth":0.432,"sizeSource":"cc0-columns","summary":"Design in molded plywood with teak veneer, 1961","blurb":"Design in molded plywood with teak veneer, 1961. 36 cm × 43 cm × 43 cm. Reiko Tanabe (Japanese, born 1934). Acquired by the Museum in 1967 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1967","cid":"4174","url":"https://www.moma.org/collection/works/4753","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMDIxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fb6ce0398e01cec9","placement":{"kind":"case","case":3,"x":5.266,"z":3.19,"y":1.041},"texture":"textures/4753.jpg","thumb":"thumbs/4753.jpg","seen":["table"],"tags":["1960s","bright","design","muted","warm","women artists","table"],"roomTags":["forms","living"],"docent":"Here we have Stool — a design object by the Japanese artist Reiko Tanabe, nineteen sixty-one. The piece is molded plywood with teak veneer, about 36 by 43 centimeters."},{"id":2432,"title":"Furnishing Fabric","artist":"Richard Riemerschmid","artistBio":"(German, 1868–1957)","artistGender":"(male)","date":"1905","medium":"Printed linen","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":".7: 7 7/8 x 7 15/16\" (20 x 20.2 cm)\r\n.8: 7 7/8 x 8\" (20 x 20.3 cm)","size":[0.203,0.2],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in printed linen, 1905","blurb":"Design in printed linen, 1905. Richard Riemerschmid (German, 1868–1957). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"4918","url":"https://www.moma.org/collection/works/2432","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODY0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=348eccd083ff7226","placement":{"kind":"case","case":3,"x":5.838,"z":3.19,"y":0.96},"texture":"textures/2432.jpg","thumb":"thumbs/2432.jpg","seen":["textile pattern"],"tags":["1900s","before the war","design","intimate","muted","warm","textile pattern"],"roomTags":["forms","living"],"docent":"This one's called Furnishing Fabric — a design object by Richard Riemerschmid, nineteen oh five. The piece is printed linen, about 20 by 20 centimeters. In the picture, look for the textile pattern."},{"id":2427,"title":"Fabric Sample","artist":"Richard Riemerschmid","artistBio":"(German, 1868–1957)","artistGender":"(male)","date":"c. 1905","medium":"Cotton and acetate","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"7 3/4 x 7 7/8\" (19.7 x 20 cm)","size":[0.2,0.197],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in cotton and acetate, c. 1905","blurb":"Design in cotton and acetate, c. 1905. Richard Riemerschmid (German, 1868–1957). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"4918","url":"https://www.moma.org/collection/works/2427","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODYzMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=96201efa90744fb9","placement":{"kind":"case","case":3,"x":6.41,"z":3.19,"y":0.959},"texture":"textures/2427.jpg","thumb":"thumbs/2427.jpg","seen":["textile pattern"],"tags":["1900s","before the war","dark","design","intimate","muted","warm","textile pattern"],"roomTags":["forms","living"],"docent":"Before you is Fabric Sample — a design object by Riemerschmid, around nineteen oh five. It's cotton and acetate, about 20 by 20 centimeters."},{"id":2431,"title":"Drapery Fabric","artist":"Richard Riemerschmid","artistBio":"(German, 1868–1957)","artistGender":"(male)","date":"c. 1905","medium":"Printed cotton","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"7 7/8 x 7 15/16\" (20 x 20.2 cm)","size":[0.202,0.2],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in printed cotton, c. 1905","blurb":"Design in printed cotton, c. 1905. Richard Riemerschmid (German, 1868–1957). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"4918","url":"https://www.moma.org/collection/works/2431","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODYzOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=42245ad3d882b012","placement":{"kind":"case","case":4,"x":1.858,"z":5.9,"y":0.96},"texture":"textures/2431.jpg","thumb":"thumbs/2431.jpg","seen":["textile pattern"],"tags":["1900s","before the war","design","intimate","muted","warm","textile pattern"],"roomTags":["forms","living"],"docent":"This one's called Drapery Fabric — a design object by Riemerschmid, around nineteen oh five. It's printed cotton, about 20 by 20 centimeters."},{"id":2418,"title":"Drapery Fabric","artist":"Richard Riemerschmid","artistBio":"(German, 1868–1957)","artistGender":"(male)","date":"1907","medium":"Printed cotton","credit":"Phyllis B. Lambert Fund","classification":"Design","dimensions":"7 7/8 x 7 7/8\" (20 x 20 cm)","size":[0.2,0.2],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in printed cotton, 1907","blurb":"Design in printed cotton, 1907. Richard Riemerschmid (German, 1868–1957). Acquired by the Museum in 1958 — Phyllis B. Lambert Fund.","blurbSource":"catalogue","acquired":"1958","cid":"4918","url":"https://www.moma.org/collection/works/2418","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODYxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4c3d5815258834a0","placement":{"kind":"case","case":4,"x":2.401,"z":5.9,"y":0.96},"texture":"textures/2418.jpg","thumb":"thumbs/2418.jpg","seen":["textile pattern"],"tags":["1900s","before the war","bright","design","intimate","monochrome","textile pattern"],"roomTags":["forms","living"],"docent":"This one's called Drapery Fabric — a design object by Riemerschmid, nineteen oh seven. It's printed cotton, about 20 by 20 centimeters."},{"id":292700,"title":"Iroquois Casual China Carafe","artist":"Russel Wright","artistBio":"(American, 1904–1976)","artistGender":"(male)","date":"1946","medium":"Vitreous china","credit":"Gift of the George R. Kravis II Collection","classification":"Design","dimensions":"10 × 5 × 4 1/2\" (25.4 × 12.7 × 11.4 cm)","size":[0.127,0.257],"depth":0.114,"sizeSource":"cc0-columns","summary":"Design in vitreous china, 1946","blurb":"Design in vitreous china, 1946. 26 cm × 13 cm × 11 cm. Russel Wright (American, 1904–1976). Acquired by the Museum in 2018 — Gift of the George R. Kravis II Collection.","blurbSource":"catalogue","acquired":"2018","cid":"6460","url":"https://www.moma.org/collection/works/292700","imageURL":"https://www.moma.org/media/W1siZiIsIjUzNTI3NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=385021dddd6a78ce","placement":{"kind":"case","case":4,"x":2.943,"z":5.9,"y":0.988},"texture":"textures/292700.jpg","thumb":"thumbs/292700.jpg","seen":["bottle"],"tags":["1940s","design","intimate","monochrome","warm","bottle"],"roomTags":["forms","living"],"docent":"You're looking at Iroquois Casual China Carafe — a design object by Russel Wright, nineteen forty-six. Vitreous china — about 26 by 13 centimeters."},{"id":91749,"title":"Butterfly Stool","artist":"Sori Yanagi","artistBio":"(Japanese, 1915–2011)","artistGender":"(male)","date":"1956","medium":"Molded plywood and metal","credit":"Gift of the designer","classification":"Design","dimensions":"15 1/2 x 17 3/8 x 12 1/8\" (39.4 x 44.1 x 30.8 cm)","size":[0.441,0.394],"depth":0.308,"sizeSource":"cc0-columns","summary":"Design in molded plywood and metal, 1956","blurb":"Design in molded plywood and metal, 1956. 39 cm × 44 cm × 31 cm. Sori Yanagi (Japanese, 1915–2011). Acquired by the Museum in 1958 — Gift of the designer.","blurbSource":"catalogue","acquired":"1958","cid":"6490","url":"https://www.moma.org/collection/works/91749","imageURL":"https://www.moma.org/media/W1siZiIsIjIxNDAwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=166ef7bb9da2a8db","placement":{"kind":"case","case":4,"x":3.486,"z":5.9,"y":1.057},"texture":"textures/91749.jpg","thumb":"thumbs/91749.jpg","seen":["chair"],"tags":["1950s","bright","design","monochrome","warm","chair"],"roomTags":["forms","living"],"docent":"This is Butterfly Stool — a design object by Sori Yanagi, nineteen fifty-six. It's molded plywood and metal, about 39 by 44 centimeters."},{"id":192655,"title":"Imagenes (Poster for the film directed by Robert Altman)","artist":"Antonio Fernandez Reboiro","artistBio":"(Cuban, born 1935)","artistGender":"(male)","date":"1977","medium":"Lithograph","credit":"Gift of the Circulo de Cultura Cubana Inc.","classification":"Design","dimensions":"28 x 18\" (71.1 x 45.7 cm)","size":[0.457,0.711],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1977","blurb":"Design in lithograph, 1977. 71 cm × 46 cm. Antonio Fernandez Reboiro (Cuban, born 1935). Acquired by the Museum in 2015 — Gift of the Circulo de Cultura Cubana Inc.","blurbSource":"catalogue","acquired":"2015","cid":"48036","url":"https://www.moma.org/collection/works/192655","imageURL":"https://www.moma.org/media/W1siZiIsIjMyNzc5MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=23867eee5dbfe544","placement":{"kind":"plinth","x":4.281,"z":5.9,"plinth":0.895,"fw":0.807,"fd":0.807,"face":[0,-1]},"texture":"textures/192655.jpg","thumb":"thumbs/192655.jpg","seen":["tree","textile pattern"],"tags":["1970s","design","figure","lithograph","warm","tree","textile pattern"],"roomTags":["forms","living"],"docent":"Before you is Imagenes (Poster for the film directed by Robert Altman) — a design object by the Cuban artist Antonio Fernandez Reboiro, nineteen seventy-seven. A lithograph, drawn in grease on stone: the stone is wetted so the ink takes only where the drawing is. Nothing is cut away."},{"id":2133,"title":"Prototype for Chaise Longue (La Chaise)","artist":"Charles Eames, Ray Eames","artistBio":"(American, 1907–1978) (American, 1912–1988)","artistGender":"(male) (female)","date":"1948","medium":"Hard rubber foam, plastic, wood, and metal","credit":"Gift of the designers","classification":"Design","dimensions":"32 1/2 x 59 x 34 1/4\" (82.5 x 149.8 x 87 cm)","size":[1.498,0.825],"depth":0.87,"sizeSource":"cc0-columns","summary":"Design in hard rubber foam, plastic, wood, and metal, 1948","blurb":"Design in hard rubber foam, plastic, wood, and metal, 1948. 82 cm × 150 cm × 87 cm. Charles Eames, Ray Eames (American, 1907–1978) (American, 1912–1988). Acquired by the Museum in 1973 — Gift of the designers.","blurbSource":"catalogue","acquired":"1973","cid":"1671","url":"https://www.moma.org/collection/works/2133","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMjEwNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a829eced7842c23c","placement":{"kind":"plinth","x":5.728,"z":5.9,"plinth":0.838,"fw":1.848,"fd":1.22,"face":[0,-1]},"texture":"textures/2133.jpg","thumb":"thumbs/2133.jpg","seen":["chair"],"tags":["1940s","bright","design","monochrome","warm","wood","chair"],"roomTags":["forms","living"],"docent":"This is the prototype for La Chaise, designed by Charles and Ray Eames in nineteen forty-eight in hard rubber foam, plastic, wood and metal. It was entered for a competition in low-cost furniture and turned out to be impossible to manufacture cheaply. It went into production seventeen years after they designed it."},{"id":167935,"title":"Bookcase doors for the Dana House, Springfield, IL","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1902–1904","medium":"Leaded windowpane","credit":"The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)","classification":"Frank Lloyd Wright Archive","dimensions":"30 x 16 3/4\" (76.2 x 42.5 cm)","size":[0.425,0.762],"depth":0.0,"sizeSource":"cc0-columns","summary":"Leaded windowpane, 1902–1904","blurb":"Leaded windowpane, 1902–1904. 76 cm × 43 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 2012 — The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).","blurbSource":"catalogue","acquired":"2012","cid":"6459","url":"https://www.moma.org/collection/works/167935","imageURL":"https://www.moma.org/media/W1siZiIsIjM4MzEzOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=afb05d48ac5fc293","placement":{"kind":"plinth","x":7.16,"z":5.9,"plinth":0.869,"fw":0.775,"fd":0.775,"face":[0,-1]},"texture":"textures/167935.jpg","thumb":"thumbs/167935.jpg","seen":["window"],"tags":["1900s","architecture","before the war","bright","frank lloyd wright archive","monochrome","window"],"roomTags":["forms","living"],"docent":"Here we have Bookcase doors for the Dana House, Springfield, IL — a work by the American artist Frank Lloyd Wright, nineteen oh two to nineteen oh four. The piece is leaded windowpane, about 76 by 42 centimeters. In the picture, look for the window."},{"id":89750,"title":"Three-Legged (Mira) Stool","artist":"George Nakashima","artistBio":"(American, 1905–1990)","artistGender":"(male)","date":"c. 1950","medium":"Walnut","credit":"Purchase","classification":"Design","dimensions":"35 1/2 x 22 x 18\" (90.2 x 55.9 x 45.7 cm)","size":[0.559,0.902],"depth":0.457,"sizeSource":"cc0-columns","summary":"Design in walnut, c. 1950","blurb":"Design in walnut, c. 1950. 90 cm × 56 cm × 46 cm. George Nakashima (American, 1905–1990). Acquired by the Museum in 2010 — Purchase.","blurbSource":"catalogue","acquired":"2010","cid":"26803","url":"https://www.moma.org/collection/works/89750","imageURL":"https://www.moma.org/media/W1siZiIsIjQ3ODMxOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a92185a3f35aef58","placement":{"kind":"plinth","x":2.448,"z":7.131,"plinth":0.799,"fw":0.909,"fd":0.807,"face":[0,1]},"texture":"textures/89750.jpg","thumb":"thumbs/89750.jpg","seen":["chair"],"tags":["1950s","bright","design","monochrome","warm","chair"],"roomTags":["forms","living"],"docent":"You're looking at Three-Legged (Mira) Stool — a design object by the American artist George Nakashima, around nineteen fifty. It's walnut, about 90 by 56 centimeters."},{"id":4721,"title":"Lounge Chair","artist":"Grete Jalk","artistBio":"(Danish, 1920–2006)","artistGender":"(female)","date":"1963","medium":"Teak plywood","credit":"Gift of Jo Carole and Ronald S. Lauder","classification":"Design","dimensions":"29 1/2 x 24 3/4 x 27 1/4\" (74.9 x 62.9 x 69.2 cm)","size":[0.629,0.749],"depth":0.692,"sizeSource":"cc0-columns","summary":"Design in teak plywood, 1963","blurb":"Design in teak plywood, 1963. 75 cm × 63 cm × 69 cm. Grete Jalk (Danish, 1920–2006). Acquired by the Museum in 2000 — Gift of Jo Carole and Ronald S. Lauder.","blurbSource":"catalogue","acquired":"2000","cid":"8433","url":"https://www.moma.org/collection/works/4721","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMDE3OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3f25f378acc1ea2a","placement":{"kind":"plinth","x":3.512,"z":7.131,"plinth":0.875,"fw":0.979,"fd":1.042,"face":[0,1]},"texture":"textures/4721.jpg","thumb":"thumbs/4721.jpg","seen":["chair"],"tags":["1960s","bright","design","muted","women artists","chair"],"roomTags":["forms","living"],"docent":"This one's called Lounge Chair — a design object by Grete Jalk, nineteen sixty-three. The piece is teak plywood, about 75 by 63 centimeters."},{"id":194443,"title":"Driftwood textile","artist":"Hal Missingham","artistBio":"(Australian, 1906–1994)","artistGender":"(male)","date":"c. 1947","medium":"Screenprinted silk","credit":"Anonymous gift","classification":"Design","dimensions":"36 1/4 × 23\" (92.1 × 58.4 cm)","size":[0.584,0.921],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in screenprinted silk, c. 1947","blurb":"Design in screenprinted silk, c. 1947. 92 cm × 58 cm. Hal Missingham (Australian, 1906–1994). Acquired by the Museum in 2015 — Anonymous gift.","blurbSource":"catalogue","acquired":"2015","cid":"48280","url":"https://www.moma.org/collection/works/194443","imageURL":"https://www.moma.org/media/W1siZiIsIjQyMjYzMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ab099830bdc1ee4b","placement":{"kind":"plinth","x":4.588,"z":7.131,"plinth":0.789,"fw":0.934,"fd":0.934,"face":[0,1]},"texture":"textures/194443.jpg","thumb":"thumbs/194443.jpg","seen":["textile pattern"],"tags":["1940s","bright","design","muted","warm","textile pattern"],"roomTags":["forms","living"],"docent":"Here we have Driftwood textile — a design object by Hal Missingham, around nineteen forty-seven. A screenprint, the ink pushed through a stencilled mesh — flat unmodulated colour, and one screen for every colour in it."},{"id":4041,"title":"Armchair","artist":"Hans Wegner","artistBio":"(Danish, 1914–2007)","artistGender":"(male)","date":"1949","medium":"Oak and cane","credit":"Gift of Georg Jensen, Inc.","classification":"Design","dimensions":"30 x 24 5/8 x 21 1/4\" (76.2 x 62.5 x 54 cm), seat h. 17\" (43.2 cm)","size":[0.625,0.762],"depth":0.54,"sizeSource":"cc0-columns","summary":"Design in oak and cane, 1949","blurb":"Design in oak and cane, 1949. 76 cm × 62 cm × 54 cm. Hans Wegner (Danish, 1914–2007). Acquired by the Museum in 1953 — Gift of Georg Jensen, Inc.","blurbSource":"catalogue","acquired":"1953","cid":"6282","url":"https://www.moma.org/collection/works/4041","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTg2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=751b1c6dc4810428","placement":{"kind":"plinth","x":5.663,"z":7.131,"plinth":0.869,"fw":0.975,"fd":0.89,"face":[0,1]},"texture":"textures/4041.jpg","thumb":"thumbs/4041.jpg","seen":["chair"],"tags":["1940s","bright","design","monochrome","warm","chair"],"roomTags":["forms","living"],"docent":"This one's called Armchair — a design object by the Danish artist Hans Wegner, nineteen forty-nine. The piece is oak and cane, about 76 by 62 centimeters."},{"id":3270,"title":"Side Table","artist":"Hector Guimard","artistBio":"(French, 1867–1942)","artistGender":"(male)","date":"1904–1907","medium":"Pear wood","credit":"Gift of Madame Hector Guimard","classification":"Design","dimensions":"29 7/8 x 20 1/2 x 17 7/8\" (75.9 x 52.1 x 45.4 cm) (without slide extended)","size":[0.521,0.759],"depth":0.454,"sizeSource":"cc0-columns","summary":"Design in pear wood, 1904–1907","blurb":"Design in pear wood, 1904–1907. 76 cm × 52 cm × 45 cm. Hector Guimard (French, 1867–1942). Acquired by the Museum in 1949 — Gift of Madame Hector Guimard.","blurbSource":"catalogue","acquired":"1949","cid":"2407","url":"https://www.moma.org/collection/works/3270","imageURL":"https://www.moma.org/media/W1siZiIsIjIyOTI1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a4218da3d4ab8a1f","placement":{"kind":"plinth","x":6.706,"z":7.131,"plinth":0.871,"fw":0.871,"fd":0.804,"face":[0,1]},"texture":"textures/3270.jpg","thumb":"thumbs/3270.jpg","seen":["carved figure","table"],"tags":["1900s","before the war","design","interior","monochrome","warm","wood","carved figure","table"],"roomTags":["forms","living"],"docent":"This is Side Table — a design object by the French artist Hector Guimard, nineteen oh four to nineteen oh seven. Pear wood — about 76 by 52 centimeters. Somewhere in there: the carved figure, and the table. Guimard was part of the Art Nouveau movement."},{"id":6661,"title":"Tropon, l'Aliment Le Plus Concentré (Tropon, the most concentrated nourishment) (Poster advertising protein extract)","artist":"Henry Clemens van de Velde","artistBio":"(Belgian, 1863–1957)","artistGender":"(male)","date":"1899","medium":"Lithograph","credit":"Arthur Drexler Fund","classification":"Design","dimensions":"44 x 30 3/8\" (111.8 x 77.2 cm)","size":[0.772,1.118],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1899","blurb":"Design in lithograph, 1899. 112 cm × 77 cm. Henry Clemens van de Velde (Belgian, 1863–1957). Acquired by the Museum in 1988 — Arthur Drexler Fund.","blurbSource":"catalogue","acquired":"1988","cid":"6068","url":"https://www.moma.org/collection/works/6661","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzE0OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=47b4388dbf563378","placement":{"kind":"plinth","x":2.62,"z":10.163,"plinth":0.691,"fw":1.122,"fd":1.122,"face":[0,-1]},"texture":"textures/6661.jpg","thumb":"thumbs/6661.jpg","seen":["musical instrument","lettering"],"tags":["1890s","before the war","design","lithograph","warm","musical instrument","lettering"],"roomTags":["forms","living"],"docent":"This is Tropon, l'Aliment Le Plus Concentré (Tropon, the most concentrated nourishment) (Poster advertising protein extract) — a design object by the Belgian artist Henry Clemens van de Velde, eighteen ninety-nine. Lithograph — about 1.1 by 0.8 meters. You can pick out the musical instrument, and the lettering."},{"id":506036,"title":"\"Giraffe\" chair","artist":"Lina Bo Bardi, Marcelo Ferraz, Marcelo Suzuki","artistBio":"(Brazilian, born Italy. 1914–1992) (Brazilian, born 1955) (Brazilian)","artistGender":"(female) (male) (male)","date":"c. 1986","medium":"Grumichama wood","credit":"Committee on Architecture and Design Funds","classification":"Design","dimensions":"30 5/16 × 15 3/4\" (77 × 40 cm)","size":[0.4,0.77],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in grumichama wood, c. 1986","blurb":"Design in grumichama wood, c. 1986. Lina Bo Bardi, Marcelo Ferraz, Marcelo Suzuki (Brazilian, born Italy. 1914–1992) (Brazilian, born 1955) (Brazilian). Acquired by the Museum in 2016 — Committee on Architecture and Design Funds.","blurbSource":"catalogue","acquired":"2016","cid":"44188","url":"https://www.moma.org/collection/works/506036","imageURL":"https://www.moma.org/media/W1siZiIsIjM0NDk5NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8f5b3ff67a1934c2","placement":{"kind":"plinth","x":3.676,"z":10.163,"plinth":0.865,"fw":0.75,"fd":0.75,"face":[0,-1]},"texture":"textures/506036.jpg","thumb":"thumbs/506036.jpg","seen":["chair"],"tags":["1980s","design","monochrome","warm","wood","chair"],"roomTags":["forms","living"],"docent":"This one's called \"Giraffe\" chair — a design object by the Brazilian artist Lina Bo Bardi, Marcelo Ferraz, Marcelo Suzuki, around nineteen eighty-six. The piece is grumichama wood, about 77 by 40 centimeters."},{"id":3542,"title":"Hanging Lotus Lamp","artist":"Louis Comfort Tiffany","artistBio":"(American, 1848–1933)","artistGender":"(male)","date":"c. 1905","medium":"Glass and patinated bronze","credit":"Joseph H. Heil Bequest and exchange","classification":"Design","dimensions":"shade: h. 25 1/2\" (80 cm), diam. 31 1/2\" (64.8 cm) \r\n","size":[1.272,0.951],"depth":0.0,"sizeSource":"image-aspect","summary":"Design in glass and patinated bronze, c. 1905","blurb":"Design in glass and patinated bronze, c. 1905. Louis Comfort Tiffany (American, 1848–1933). Acquired by the Museum in 1976 — Joseph H. Heil Bequest and exchange.","blurbSource":"catalogue","acquired":"1976","cid":"5876","url":"https://www.moma.org/collection/works/3542","imageURL":"https://www.moma.org/media/W1siZiIsIjEzMjI5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=93e2fb9cf8c84041","placement":{"kind":"plinth","x":4.982,"z":10.163,"plinth":0.774,"fw":1.622,"fd":1.622,"face":[0,-1]},"texture":"textures/3542.jpg","thumb":"thumbs/3542.jpg","seen":["lamp"],"tags":["1900s","before the war","bronze","design","glass","monochrome","lamp"],"roomTags":["forms","living"],"docent":"Before you is Hanging Lotus Lamp — a design object by Louis Comfort Tiffany, around nineteen oh five. Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."},{"id":229412,"title":"Roots 1","artist":"Monika Correa","artistBio":"(Indian, born 1938)","artistGender":"(female)","date":"1984","medium":"Dyed cotton, twill","credit":"Gift of The Modern Women's Fund","classification":"Design","dimensions":"50 × 32\" (127 × 81.3 cm)","size":[0.813,1.27],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in dyed cotton, twill, 1984","blurb":"Design in dyed cotton, twill, 1984. 127 cm × 81 cm. Monika Correa (Indian, born 1938). Acquired by the Museum in 2017 — Gift of The Modern Women's Fund.","blurbSource":"catalogue","acquired":"2017","cid":"69493","url":"https://www.moma.org/collection/works/229412","imageURL":"https://www.moma.org/media/W1siZiIsIjUwNjEyNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d12ee9c4b76021f6","placement":{"kind":"plinth","x":6.494,"z":10.163,"plinth":0.615,"fw":1.163,"fd":1.163,"face":[0,-1]},"texture":"textures/229412.jpg","thumb":"thumbs/229412.jpg","seen":["textile pattern"],"tags":["1980s","design","monochrome","women artists","textile pattern"],"roomTags":["forms","living"],"docent":"Before you is Roots 1 — a design object by the Indian artist Monika Correa, nineteen eighty-four. It's dyed cotton, twill, about 1.3 by 0.8 meters."},{"id":4542,"title":"Blobs, Leaf","artist":"Noémi Raymond","artistBio":"(American, born France. 1889–1980)","artistGender":"(female)","date":"c. 1940","medium":"Printed cotton","credit":"Gift of the designer","classification":"Design","dimensions":"69 1/2 × 49\" (176.5 × 124.5 cm)","size":[1.245,1.765],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in printed cotton, c. 1940","blurb":"Design in printed cotton, c. 1940. Noémi Raymond (American, born France. 1889–1980). Acquired by the Museum in 1942 — Gift of the designer.","blurbSource":"catalogue","acquired":"1942","cid":"36881","url":"https://www.moma.org/collection/works/4542","imageURL":"https://www.moma.org/media/W1siZiIsIjQ0NDUzNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d79d78ba8f2cd365","placement":{"kind":"plinth","x":2.821,"z":11.871,"plinth":0.55,"fw":1.595,"fd":1.595,"face":[0,1]},"texture":"textures/4542.jpg","thumb":"thumbs/4542.jpg","seen":["textile pattern"],"tags":["1940s","design","muted","warm","women artists","textile pattern"],"roomTags":["forms","living"],"docent":"This is Blobs, Leaf — a design object by the American artist Noémi Raymond, around nineteen forty. It's printed cotton, about 1.8 by 1.2 meters."},{"id":2333,"title":"Rios 5","artist":"Olga de Amaral","artistBio":"(Colombian, born 1932)","artistGender":"(female)","date":"1990","medium":"Linen, gesso, silver leaf, and paint","credit":"Mrs. Donald B. Marron Purchase Fund and Gift of Bellas Artes Gallery","classification":"Design","dimensions":"34 1/2 x  34 3/4\" (87.6 x 88.3 cm)","size":[0.883,0.876],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in linen, gesso, silver leaf, and paint, 1990","blurb":"Design in linen, gesso, silver leaf, and paint, 1990. 88 cm × 88 cm. Olga de Amaral (Colombian, born 1932). Acquired by the Museum in 1991 — Mrs. Donald B. Marron Purchase Fund and Gift of Bellas Artes Gallery.","blurbSource":"catalogue","acquired":"1991","cid":"22701","url":"https://www.moma.org/collection/works/2333","imageURL":"https://www.moma.org/media/W1siZiIsIjUzMzM3MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e8913d27359ecb0e","placement":{"kind":"plinth","x":4.354,"z":11.871,"plinth":0.812,"fw":1.233,"fd":1.233,"face":[0,1]},"texture":"textures/2333.jpg","thumb":"thumbs/2333.jpg","seen":["textile pattern"],"tags":["1990s","design","muted","silver","warm","women artists","textile pattern"],"roomTags":["forms","living"],"docent":"This is Rios 5, made by the Colombian artist Olga de Amaral in nineteen ninety from linen, gesso, silver leaf and paint. She works in fibre at the scale of painting, and gilds it — the technique comes from the gold leaf of colonial church interiors in Bogotá."},{"id":142438,"title":"Snake Chair","artist":"Poul Henningsen","artistBio":"(Danish, 1894–1967)","artistGender":"(male)","date":"1931","medium":"Chromium plated tubular steel, laminated wood and leather\r\n","credit":"Gift of Marie-Josée and Henry R. Kravis in honor of George R. Kravis II","classification":"Design","dimensions":"31 1/2 x 14\" (80 x 35.6 cm)","size":[0.356,0.8],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in chromium plated tubular steel, laminated wood and leather, 1931","blurb":"Design in chromium plated tubular steel, laminated wood and leather, 1931. Poul Henningsen (Danish, 1894–1967). Acquired by the Museum in 2010 — Gift of Marie-Josée and Henry R. Kravis in honor of George R. Kravis II.","blurbSource":"catalogue","acquired":"2010","cid":"7261","url":"https://www.moma.org/collection/works/142438","imageURL":"https://www.moma.org/media/W1siZiIsIjI4NDg2MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3343a6d37dbe1bac","placement":{"kind":"plinth","x":5.444,"z":11.871,"plinth":0.85,"fw":0.706,"fd":0.706,"face":[0,1]},"texture":"textures/142438.jpg","thumb":"thumbs/142438.jpg","seen":["chair"],"tags":["1930s","bright","design","monochrome","steel","wood","chair"],"roomTags":["forms","living"],"docent":"You're looking at Snake Chair — a design object by the Danish artist Poul Henningsen, nineteen thirty-one. The piece is chromium plated tubular steel, laminated wood and leather, about 80 by 36 centimeters."},{"id":3215,"title":"PH Artichoke Lamp","artist":"Poul Henningsen","artistBio":"(Danish, 1894–1967)","artistGender":"(male)","date":"1958","medium":"Copper and steel","credit":"Gift of the manufacturer","classification":"Design","dimensions":"28 3/8 × 33 1/4\" (72.1 × 84.5 cm)","size":[0.845,0.721],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Design in copper and steel, 1958","blurb":"Design in copper and steel, 1958. Poul Henningsen (Danish, 1894–1967). Acquired by the Museum in 1999 — Gift of the manufacturer.","blurbSource":"catalogue","acquired":"1999","cid":"7261","url":"https://www.moma.org/collection/works/3215","imageURL":"https://www.moma.org/media/W1siZiIsIjUyODU0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=622894e8ac0d67d6","placement":{"kind":"plinth","x":6.514,"z":11.871,"plinth":0.889,"fw":1.195,"fd":1.195,"face":[0,1]},"texture":"textures/3215.jpg","thumb":"thumbs/3215.jpg","seen":["lamp"],"tags":["1950s","bright","design","muted","steel","warm","lamp"],"roomTags":["forms","living"],"docent":"This one's called PH Artichoke Lamp — a design object by Henningsen, nineteen fifty-eight. Copper and steel — about 72 by 84 centimeters."}]},{"gallery":"517","title":"A Surreal Lens","origin":[43.11,30.26],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,17.128],[0.0,17.128]],"size":[14.27,17.13],"ceiling":4.6,"outdoor":false,"doors":[[0,7.14,1.6],[1,3.57,1.6],[1,12.13,1.6],[2,7.14,1.6]],"partitions":[],"cases":[{"x":3.608,"z":8.564,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,17.128],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,16.578],"height":4.6,"kind":"perimeter","edge":3},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[4.7700000000000005,10.93],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,17.128],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,17.128],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[13.330000000000002,16.578],"height":4.6,"kind":"perimeter","edge":1},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":1}],"decor":null,"intro":"40 works, 1912–1970 — Brassaï (Gyula Halász) and Ei-Q (Hideo Sugita); mostly photographs and painting.","music":"blues","artworks":[{"id":79321,"title":"The Birth of the World","artist":"Joan Miró","artistBio":"(Spanish, 1893–1983)","artistGender":"(male)","date":"Montroig, late summer-fall 1925","medium":"Oil on canvas","credit":"Acquired through an anonymous fund, the Mr. and Mrs. Joseph Slifka and Armand G. Erpf Funds, and by gift of the artist","classification":"Painting","dimensions":"8' 2 3/4\" x 6' 6 3/4\" (250.8 x 200 cm)","size":[2.0,2.508],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Montroig, late summer-fall 1925","blurb":"Painting in oil on canvas, Montroig, late summer-fall 1925. 2.51 m × 2.00 m. Joan Miró (Spanish, 1893–1983). Acquired by the Museum in 1972 — Acquired through an anonymous fund, the Mr. and Mrs. Joseph Slifka and Armand G. Erpf Funds, and by gift of the artist.","blurbSource":"catalogue","acquired":"1972","cid":"4016","url":"https://www.moma.org/collection/works/79321","imageURL":"https://www.moma.org/media/W1siZiIsIjQzODQ1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2e476e3e30177ccc","placement":{"kind":"wall","wall":0,"lane":0,"u":1.55,"y":1.604},"texture":"textures/79321.jpg","thumb":"thumbs/79321.jpg","tags":["1920s","canvas","monochrome","monumental","oil","painting","surrealism","dramatic"],"roomTags":["lens","surreal"],"docent":"Before you is The Birth of the World — a painting by the Spanish artist Joan Miró, from Montroig, late summer-fall nineteen twenty-five. Miró was part of the surrealism movement. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. It is one of the largest things in this museum — about 18 times the area of a typical work here."},{"id":79267,"title":"The Menaced Assassin","artist":"René Magritte","artistBio":"(Belgian, 1898–1967)","artistGender":"(male)","date":"Brussels 1927","medium":"Oil on canvas","credit":"Kay Sage Tanguy Fund","classification":"Painting","dimensions":"59 1/4\" x 6' 4 7/8\" (150.4 x 195.2 cm)","size":[1.952,1.504],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Brussels 1927","blurb":"Painting in oil on canvas, Brussels 1927. 150 cm × 195 cm. René Magritte (Belgian, 1898–1967). Acquired by the Museum in 1966 — Kay Sage Tanguy Fund.","blurbSource":"catalogue","acquired":"1966","cid":"3692","url":"https://www.moma.org/collection/works/79267","imageURL":"https://www.moma.org/media/W1siZiIsIjI2MzUzMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b1a653aa79b64a2c","placement":{"kind":"wall","wall":1,"lane":0,"u":5.746,"y":1.52},"texture":"textures/79267.jpg","thumb":"thumbs/79267.jpg","seen":["interior room","group of people"],"tags":["1920s","canvas","monochrome","oil","painting","surrealism","interior room","group of people","eerie"],"roomTags":["lens","surreal"],"docent":"Before you is The Menaced Assassin — a painting by the Belgian artist René Magritte, Brussels nineteen twenty-seven. It's oil on canvas, about 1.5 by 2 meters. You can pick out the interior room, and the group of people."},{"id":80538,"title":"Gare Montparnasse (The Melancholy of Departure)","artist":"Giorgio de Chirico","artistBio":"(Italian, born Greece. 1888–1978)","artistGender":"(male)","date":"Paris, early 1914","medium":"Oil on canvas","credit":"Gift of James Thrall Soby","classification":"Painting","dimensions":"55 1/8\" x 6' 5/8\" (140 x 184.5 cm)","size":[1.845,1.4],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, early 1914","blurb":"Painting in oil on canvas, Paris, early 1914. 140 cm × 184 cm. Giorgio de Chirico (Italian, born Greece. 1888–1978). Acquired by the Museum in 1970 — Gift of James Thrall Soby.","blurbSource":"catalogue","acquired":"1970","cid":"1106","url":"https://www.moma.org/collection/works/80538","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MDk2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9484a7b84cc645bd","placement":{"kind":"wall","wall":2,"lane":0,"u":1.473,"y":1.52},"texture":"textures/80538.jpg","thumb":"thumbs/80538.jpg","seen":["bridge","clock"],"tags":["1910s","canvas","dark","golden","muted","oil","painting","surrealism","wartime","bridge","clock","eerie"],"roomTags":["lens","surreal"],"docent":"Before you is Gare Montparnasse (The Melancholy of Departure) — a painting by Giorgio de Chirico, from Paris, early nineteen fourteen. It's oil on canvas, about 1.4 by 1.8 meters. Somewhere in there: the bridge, and the clock."},{"id":78311,"title":"Girl before a Mirror","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, March 14, 1932","medium":"Oil on canvas","credit":"Gift of Mrs. Simon Guggenheim","classification":"Painting","dimensions":"64 x 51 1/4\" (162.3 x 130.2 cm)","size":[1.302,1.623],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, March 14, 1932","blurb":"Painting in oil on canvas, Paris, March 14, 1932. 162 cm × 130 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1937 — Gift of Mrs. Simon Guggenheim.","blurbSource":"catalogue","acquired":"1937","cid":"4609","url":"https://www.moma.org/collection/works/78311","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMzk0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ce18fbf31c41a4f0","placement":{"kind":"wall","wall":3,"lane":0,"u":1.201,"y":1.52},"texture":"textures/78311.jpg","thumb":"thumbs/78311.jpg","seen":["mirror"],"tags":["1930s","canvas","cubism","figure","monochrome","oil","painting","warm","mirror","somber"],"roomTags":["lens","surreal"],"docent":"This is Girl before a Mirror, painted in Paris on the fourteenth of March, nineteen thirty-two. The model is Marie-Thérèse Walter, Picasso's secret companion, and nineteen thirty-two was his year of painting her over and over."},{"id":79011,"title":"The Serenity of the Scholar","artist":"Giorgio de Chirico","artistBio":"(Italian, born Greece. 1888–1978)","artistGender":"(male)","date":"Paris, April-May 1914","medium":"Oil and charcoal on canvas","credit":"Gift of Sylvia Slifka in honor of Joseph Slifka","classification":"Painting","dimensions":"51 1/4 x 28 1/2\" (130.1 x 72.4 cm)","size":[0.724,1.301],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and charcoal on canvas, Paris, April-May 1914","blurb":"Painting in oil and charcoal on canvas, Paris, April-May 1914. 130 cm × 72 cm. Giorgio de Chirico (Italian, born Greece. 1888–1978). Acquired by the Museum in 1997 — Gift of Sylvia Slifka in honor of Joseph Slifka.","blurbSource":"catalogue","acquired":"1997","cid":"1106","url":"https://www.moma.org/collection/works/79011","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTA0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4bbbdce31d6b0dd2","placement":{"kind":"wall","wall":4,"lane":0,"u":8.702,"y":1.52},"texture":"textures/79011.jpg","thumb":"thumbs/79011.jpg","seen":["carved figure","portrait of a person"],"tags":["1910s","canvas","charcoal","monochrome","oil","painting","surrealism","warm","wartime","carved figure","portrait of a person"],"roomTags":["lens","surreal"],"docent":"This is The Serenity of the Scholar — a painting by Chirico, April-May nineteen fourteen. Charcoal — burnt wood, sitting loose on the surface, which is why so little early drawing in it survives. You can pick out the carved figure, and the portrait of a person."},{"id":79001,"title":"Birds above the Forest (Oiseaux au-dessus de la forêt)","artist":"Max Ernst","artistBio":"(French and American, born Germany. 1891–1976)","artistGender":"(male)","date":"1929","medium":"Oil on canvas","credit":"Katherine S. Dreier Bequest","classification":"Painting","dimensions":"31 3/4 x 25 1/4\" (80.6 x 64.1 cm)","size":[0.641,0.806],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1929","blurb":"Painting in oil on canvas, 1929. 81 cm × 64 cm. Max Ernst (French and American, born Germany. 1891–1976). Acquired by the Museum in 1976 — Katherine S. Dreier Bequest.","blurbSource":"catalogue","acquired":"1976","cid":"1752","url":"https://www.moma.org/collection/works/79001","imageURL":"https://www.moma.org/media/W1siZiIsIjI0MjM2MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5136a014a29fae17","placement":{"kind":"wall","wall":5,"lane":0,"u":8.66,"y":1.52},"texture":"textures/79001.jpg","thumb":"thumbs/79001.jpg","tags":["1920s","animals","canvas","dark","monochrome","oil","painting","seascape","surrealism","eerie"],"roomTags":["lens","surreal"],"docent":"Here we have Birds above the Forest (Oiseaux au-dessus de la forêt) — a painting by Max Ernst, nineteen twenty-nine. It's oil on canvas, about 81 by 64 centimeters."},{"id":78938,"title":"The False Mirror","artist":"René Magritte","artistBio":"(Belgian, 1898–1967)","artistGender":"(male)","date":"Paris 1929","medium":"Oil on canvas","credit":"Purchase","classification":"Painting","dimensions":"21 1/4 x 31 7/8\" (54 x 80.9 cm)","size":[0.809,0.54],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris 1929","blurb":"Painting in oil on canvas, Paris 1929. 54 cm × 81 cm. René Magritte (Belgian, 1898–1967). Acquired by the Museum in 1937 — Purchase.","blurbSource":"catalogue","acquired":"1937","cid":"3692","url":"https://www.moma.org/collection/works/78938","imageURL":"https://www.moma.org/media/W1siZiIsIjI2MzUwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=756d86854044e935","placement":{"kind":"wall","wall":6,"lane":0,"u":13.735,"y":1.52},"texture":"textures/78938.jpg","thumb":"thumbs/78938.jpg","seen":["eye"],"tags":["1920s","canvas","dark","monochrome","oil","painting","surrealism","warm","eye","eerie"],"roomTags":["lens","surreal"],"docent":"You're looking at The False Mirror — a painting by Magritte, Paris nineteen twenty-nine. It's oil on canvas, about 54 by 81 centimeters. You can pick out the eye."},{"id":79933,"title":"The Lovers","artist":"René Magritte","artistBio":"(Belgian, 1898–1967)","artistGender":"(male)","date":"Paris 1928","medium":"Oil on canvas","credit":"Gift of Richard S. Zeisler","classification":"Painting","dimensions":"21 3/8 x 28 7/8\" (54 x 73.4 cm)","size":[0.733,0.543],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris 1928","blurb":"Painting in oil on canvas, Paris 1928. 54 cm × 73 cm. René Magritte (Belgian, 1898–1967). Acquired by the Museum in 1998 — Gift of Richard S. Zeisler.","blurbSource":"catalogue","acquired":"1998","cid":"3692","url":"https://www.moma.org/collection/works/79933","imageURL":"https://www.moma.org/media/W1siZiIsIjIxNTkyMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=100c293de4a40288","placement":{"kind":"wall","wall":7,"lane":0,"u":0.917,"y":1.52},"texture":"textures/79933.jpg","thumb":"thumbs/79933.jpg","seen":["portrait of a person"],"tags":["1920s","canvas","dark","monochrome","oil","painting","surrealism","warm","portrait of a person","eerie"],"roomTags":["lens","surreal"],"docent":"Before you is The Lovers, painted by René Magritte in Paris in nineteen twenty-eight — two faces kissing through cloth. Magritte's mother drowned when he was thirteen, and he spent his life politely declining the connection people cannot help drawing."},{"id":79309,"title":"Battle of Fishes","artist":"André Masson","artistBio":"(French, 1896–1987)","artistGender":"(male)","date":"1926","medium":"Sand, gesso, oil, pencil, and charcoal on canvas","credit":"Purchase","classification":"Painting","dimensions":"14 1/4 x 28 3/4\" (36.2 x 73 cm)","size":[0.73,0.362],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in sand, gesso, oil, pencil, and charcoal on canvas, 1926","blurb":"Painting in sand, gesso, oil, pencil, and charcoal on canvas, 1926. 36 cm × 73 cm. André Masson (French, 1896–1987). Acquired by the Museum in 1937 — Purchase.","blurbSource":"catalogue","acquired":"1937","cid":"3821","url":"https://www.moma.org/collection/works/79309","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTE3MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a1140b7bee100c2b","placement":{"kind":"wall","wall":0,"lane":0,"u":3.914,"y":1.52},"texture":"textures/79309.jpg","thumb":"thumbs/79309.jpg","tags":["1920s","bright","canvas","charcoal","muted","oil","painting","surrealism","war","warm","dramatic"],"roomTags":["lens","surreal"],"docent":"This is Battle of Fishes, made by André Masson in nineteen twenty-six. He spread glue across the canvas, threw sand at it, and drew into whatever stuck. The method was meant to bypass deliberate composition altogether — automatism, in the Surrealists' sense — and what surfaced was fighting fish."},{"id":393384,"title":"And Then We Saw the Daughter of the Minotaur","artist":"Leonora Carrington","artistBio":"(British, 1917–2011)","artistGender":"(female)","date":"1953","medium":"Oil on canvas","credit":"Gift of Joan H. Tisch (by exchange)","classification":"Painting","dimensions":"23 5/8 × 27 9/16\" (60 × 70 cm)","size":[0.7,0.6],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1953","blurb":"Painting in oil on canvas, 1953. 60 cm × 70 cm. Leonora Carrington (British, 1917–2011). Acquired by the Museum in 2019 — Gift of Joan H. Tisch (by exchange).","blurbSource":"catalogue","acquired":"2019","cid":"993","url":"https://www.moma.org/collection/works/393384","imageURL":"https://www.moma.org/media/W1siZiIsIjU5MzUyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2b54a4480cf7d06e","placement":{"kind":"wall","wall":0,"lane":0,"u":5.627,"y":1.52},"texture":"textures/393384.jpg","thumb":"thumbs/393384.jpg","tags":["1950s","canvas","dark","oil","painting","surrealism","warm","women artists","eerie"],"roomTags":["lens","surreal"],"docent":"This is And Then We Saw the Daughter of the Minotaur — a painting by the British artist Leonora Carrington, nineteen fifty-three. It's oil on canvas, about 60 by 70 centimeters."},{"id":79483,"title":"Rue de la Santé","artist":"Yves Tanguy","artistBio":"(American, born France. 1900–1955)","artistGender":"(male)","date":"1925","medium":"Oil on canvas","credit":"Kay Sage Tanguy Bequest","classification":"Painting","dimensions":"19 3/4 x 24 1/8\" (50.2 x 61.1 cm)","size":[0.611,0.502],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1925","blurb":"Painting in oil on canvas, 1925. 50 cm × 61 cm. Yves Tanguy (American, born France. 1900–1955). Acquired by the Museum in 1963 — Kay Sage Tanguy Bequest.","blurbSource":"catalogue","acquired":"1963","cid":"5804","url":"https://www.moma.org/collection/works/79483","imageURL":"https://www.moma.org/media/W1siZiIsIjQzMDU4NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a413a0cc7757d699","placement":{"kind":"wall","wall":5,"lane":0,"u":10.42,"y":1.52},"texture":"textures/79483.jpg","thumb":"thumbs/79483.jpg","seen":["city street"],"tags":["1920s","canvas","golden","monochrome","oil","painting","surrealism","city street","eerie"],"roomTags":["lens","surreal"],"docent":"This is Rue de la Santé — a painting by the American artist Yves Tanguy, nineteen twenty-five. Oil on canvas — about 50 by 61 centimeters. You can pick out the city street."},{"id":79293,"title":"Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)","artist":"Max Ernst","artistBio":"(French and American, born Germany. 1891–1976)","artistGender":"(male)","date":"1924","medium":"Oil with painted wood elements and cut-and-pasted printed paper on wood with wood frame","credit":"Purchase","classification":"Painting","dimensions":"27 1/2 x 22 1/2 x 4 1/2\" (69.8 x 57.1 x 11.4 cm)","size":[0.571,0.698],"depth":0.114,"sizeSource":"cc0-columns","summary":"Painting in oil with painted wood elements and cut-and-pasted printed paper on wood with wood…","blurb":"Painting in oil with painted wood elements and cut-and-pasted printed paper on wood with wood…. 70 cm × 57 cm × 11 cm. Max Ernst (French and American, born Germany. 1891–1976). Acquired by the Museum in 1937 — Purchase.","blurbSource":"catalogue","acquired":"1937","cid":"1752","url":"https://www.moma.org/collection/works/79293","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDkwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=12cdac2056e98bad","placement":{"kind":"wall","wall":4,"lane":0,"u":10.478,"y":1.52},"texture":"textures/79293.jpg","thumb":"thumbs/79293.jpg","seen":["window"],"tags":["1920s","dark","monochrome","oil","painting","paper","surrealism","wood","window","eerie"],"roomTags":["lens","surreal"],"docent":"This is Two Children Are Threatened by a Nightingale, by Max Ernst, nineteen twenty-four. The frame is part of the work, and so is the little wooden gate and the knob you could in principle turn: the painting reaches out past its own edge into the room you are standing in."},{"id":78956,"title":"The Double Dream of Spring","artist":"Giorgio de Chirico","artistBio":"(Italian, born Greece. 1888–1978)","artistGender":"(male)","date":"Paris, January-May 1915","medium":"Oil on canvas","credit":"Gift of James Thrall Soby","classification":"Painting","dimensions":"22 1/8 x 21 3/8\" (56.2 x 54.3 cm)","size":[0.543,0.562],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, January-May 1915","blurb":"Painting in oil on canvas, Paris, January-May 1915. 56 cm × 54 cm. Giorgio de Chirico (Italian, born Greece. 1888–1978). Acquired by the Museum in 1957 — Gift of James Thrall Soby.","blurbSource":"catalogue","acquired":"1957","cid":"1106","url":"https://www.moma.org/collection/works/78956","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NjM4MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=85f78fc756007f57","placement":{"kind":"wall","wall":0,"lane":0,"u":7.248,"y":1.52},"texture":"textures/78956.jpg","thumb":"thumbs/78956.jpg","seen":["mirror","window"],"tags":["1910s","canvas","dark","golden","muted","oil","painting","surrealism","wartime","mirror","window","eerie"],"roomTags":["lens","surreal"],"docent":"This one's called The Double Dream of Spring — a painting by Chirico, January-May nineteen fifteen. The piece is oil on canvas, about 56 by 54 centimeters."},{"id":406456,"title":"Little Ghost Eating Bread","artist":"Meret Oppenheim","artistBio":"(Swiss, 1913–1985)","artistGender":"(female)","date":"1934","medium":"Oil on canvas","credit":"Gift of Jo Carole and Ronald S. Lauder, and Alice and Tom Tisch","classification":"Painting","dimensions":"20 × 17\" (50.8 × 43.2 cm)","size":[0.432,0.508],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1934","blurb":"Painting in oil on canvas, 1934. 51 cm × 43 cm. Meret Oppenheim (Swiss, 1913–1985).","blurbSource":"catalogue","acquired":"","cid":"4416","url":"https://www.moma.org/collection/works/406456","imageURL":"https://www.moma.org/media/W1siZiIsIjQ3ODk1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fb53491fd36d287d","placement":{"kind":"wall","wall":0,"lane":0,"u":8.734,"y":1.52},"texture":"textures/406456.jpg","thumb":"thumbs/406456.jpg","seen":["portrait of a person"],"tags":["1930s","canvas","muted","oil","painting","surrealism","warm","women artists","portrait of a person","somber"],"roomTags":["lens","surreal"],"docent":"Before you is Little Ghost Eating Bread — a painting by the Swiss artist Meret Oppenheim, nineteen thirty-four. Oil on canvas — about 51 by 43 centimeters."},{"id":195285,"title":"Graffiti","artist":"Brassaï (Gyula Halász)","artistBio":"(French, born Brassó. 1899–1984)","artistGender":"(male)","date":"1944-45","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"19 3/4 × 15\" (50.2 × 38.1 cm)","size":[0.381,0.502],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1944-45","blurb":"Photograph in gelatin silver print, 1944-45. 50 cm × 38 cm. Brassaï (Gyula Halász) (French, born Brassó. 1899–1984). Acquired by the Museum in 2016 — Gift of the artist.","blurbSource":"catalogue","acquired":"2016","cid":"745","url":"https://www.moma.org/collection/works/195285","imageURL":"https://www.moma.org/media/W1siZiIsIjMyODg0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3f1f958fd57b8ed8","placement":{"kind":"wall","wall":6,"lane":0,"u":15.157,"y":1.52},"texture":"textures/195285.jpg","thumb":"thumbs/195285.jpg","seen":["carved figure","human face"],"tags":["1940s","gelatin","monochrome","photograph","print","silver","carved figure","human face","somber"],"roomTags":["lens","surreal"],"docent":"Before you is Graffiti — a photograph by the French artist Brassaï (Gyula Halász), nineteen forty-four to nineteen forty-five. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. You can pick out the human face."},{"id":205662,"title":"Graffiti","artist":"Brassaï (Gyula Halász)","artistBio":"(French, born Brassó. 1899–1984)","artistGender":"(male)","date":"1944-45","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"19 3/4 × 15\" (50.2 × 38.1 cm)","size":[0.381,0.502],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1944-45","blurb":"Photograph in gelatin silver print, 1944-45. 50 cm × 38 cm. Brassaï (Gyula Halász) (French, born Brassó. 1899–1984). Acquired by the Museum in 2016 — Gift of the artist.","blurbSource":"catalogue","acquired":"2016","cid":"745","url":"https://www.moma.org/collection/works/205662","imageURL":"https://www.moma.org/media/W1siZiIsIjM3NDY1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=50a26dcc89c16d0f","placement":{"kind":"wall","wall":3,"lane":0,"u":3.671,"y":1.52},"texture":"textures/205662.jpg","thumb":"thumbs/205662.jpg","tags":["1940s","dark","gelatin","monochrome","photograph","print","silver","somber"],"roomTags":["lens","surreal"],"docent":"Here we have Graffiti — a photograph by Halász), nineteen forty-four to nineteen forty-five. The piece is gelatin silver print, about 50 by 38 centimeters."},{"id":79018,"title":"The Persistence of Memory","artist":"Salvador Dalí","artistBio":"(Spanish, 1904–1989)","artistGender":"(male)","date":"1931","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"9 1/2 x 13\" (24.1 x 33 cm)","size":[0.33,0.241],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1931","blurb":"Painting in oil on canvas, 1931. 24 cm × 33 cm. Salvador Dalí (Spanish, 1904–1989). Acquired by the Museum in 1934 — Given anonymously.","blurbSource":"catalogue","acquired":"1934","cid":"1364","url":"https://www.moma.org/collection/works/79018","imageURL":"https://www.moma.org/media/W1siZiIsIjYxOTY1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7e2e6d3c2cc1aec0","placement":{"kind":"wall","wall":0,"lane":0,"u":10.113,"y":1.52},"texture":"textures/79018.jpg","thumb":"thumbs/79018.jpg","tags":["1930s","canvas","dark","intimate","muted","oil","painting","surrealism","somber"],"roomTags":["lens","surreal"],"docent":"This is The Persistence of Memory, painted by Salvador Dalí in nineteen thirty-one. The soft watches came to him, he said, from a plate of Camembert left out to melt. Stand close: the whole canvas is smaller than a sheet of newspaper."},{"id":83930,"title":"The Secret Gathering","artist":"Raoul Ubac","artistBio":"(Belgian, born Germany, 1910–1985)","artistGender":"(male)","date":"1938","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Abbott-Levy Collection funds, by exchange","classification":"Photograph","dimensions":"15 5/8 × 11 11/16\" (39.7 × 29.7 cm)","size":[0.297,0.397],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1938","blurb":"Photograph in gelatin silver print, 1938. 40 cm × 30 cm. Raoul Ubac (Belgian, born Germany, 1910–1985). Acquired by the Museum in 2001 — Thomas Walther Collection. Abbott-Levy Collection funds, by exchange.","blurbSource":"catalogue","acquired":"2001","cid":"5997","url":"https://www.moma.org/collection/works/83930","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMzA0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=80a9488e4c8aa8ee","placement":{"kind":"wall","wall":5,"lane":0,"u":12.008,"y":1.52},"texture":"textures/83930.jpg","thumb":"thumbs/83930.jpg","tags":["1930s","gelatin","intimate","monochrome","photograph","print","silver","eerie"],"roomTags":["lens","surreal"],"docent":"This one's called The Secret Gathering — a photograph by the Belgian artist Raoul Ubac, nineteen thirty-eight. Gelatin silver print — about 40 by 30 centimeters."},{"id":83850,"title":"Untitled","artist":"Lee Miller","artistBio":"(American, 1907–1977)","artistGender":"(male)","date":"1929–32","medium":"Gelatin silver print","credit":"Thomas Walther Collection. Gift of Walker Evans, by exchange","classification":"Photograph","dimensions":"9 × 11 1/2\" (22.9 × 29.2 cm)","size":[0.292,0.229],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1929–32","blurb":"Photograph in gelatin silver print, 1929–32. 23 cm × 29 cm. Lee Miller (American, 1907–1977). Acquired by the Museum in 2001 — Thomas Walther Collection. Gift of Walker Evans, by exchange.","blurbSource":"catalogue","acquired":"2001","cid":"24515","url":"https://www.moma.org/collection/works/83850","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Mjc1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=587f64f3ea01336c","placement":{"kind":"wall","wall":1,"lane":0,"u":8.61,"y":1.52},"texture":"textures/83850.jpg","thumb":"thumbs/83850.jpg","seen":["fish"],"tags":["1920s","gelatin","intimate","monochrome","photograph","print","silver","fish","eerie"],"roomTags":["lens","surreal"],"docent":"Before you is Untitled — a photograph by Lee Miller, nineteen twenty-nine to nineteen thirty-two. The piece is gelatin silver print, about 23 by 29 centimeters. In the picture, look for the fish."},{"id":49115,"title":"Seahorse","artist":"Iwata Nakayama (中山 岩太)","artistBio":"(Japanese, 1895–1949)","artistGender":"(male)","date":"1935","medium":"Gelatin silver print","credit":"Gift of Nihon Keizai Shimbun","classification":"Photograph","dimensions":"13 7/8 × 10 7/8\" (35.1 × 27.5 cm)","size":[0.275,0.351],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1935","blurb":"Photograph in gelatin silver print, 1935. 35 cm × 28 cm. Iwata Nakayama (中山 岩太) (Japanese, 1895–1949). Acquired by the Museum in 1959 — Gift of Nihon Keizai Shimbun.","blurbSource":"catalogue","acquired":"1959","cid":"4216","url":"https://www.moma.org/collection/works/49115","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMTAzMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=58e316385f79177c","placement":{"kind":"wall","wall":4,"lane":0,"u":12.03,"y":1.52},"texture":"textures/49115.jpg","thumb":"thumbs/49115.jpg","seen":["sea"],"tags":["1930s","animals","gelatin","intimate","monochrome","photograph","print","seascape","silver","sea","eerie"],"roomTags":["lens","surreal"],"docent":"Here we have Seahorse — a photograph by the Japanese artist Iwata Nakayama (中山 岩太), nineteen thirty-five. It's gelatin silver print, about 35 by 28 centimeters. In the picture, look for the sea."},{"id":486213,"title":"Untitled from Reason of Sleep","artist":"Ei-Q (Hideo Sugita)","artistBio":"(Japanese, 1911–1960)","artistGender":"(male)","date":"1936","medium":"Gelatin silver print","credit":"The Family of Man Fund, and Photography Purchase Fund","classification":"Photograph","dimensions":"8 9/16 × 10 9/16\" (21.7 × 26.8 cm)","size":[0.268,0.217],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1936","blurb":"Photograph in gelatin silver print, 1936. 22 cm × 27 cm. Ei-Q (Hideo Sugita) (Japanese, 1911–1960). Acquired by the Museum in 2024 — The Family of Man Fund, and Photography Purchase Fund.","blurbSource":"catalogue","acquired":"2024","cid":"74353","url":"https://www.moma.org/collection/works/486213","imageURL":"https://www.moma.org/media/W1siZiIsIjU4NzE2OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bee467586f92327e","placement":{"kind":"wall","wall":0,"lane":0,"u":11.411,"y":1.52},"texture":"textures/486213.jpg","thumb":"thumbs/486213.jpg","tags":["1930s","dark","gelatin","intimate","muted","photograph","print","silver","warm","dramatic"],"roomTags":["lens","surreal"],"docent":"You're looking at Untitled from Reason of Sleep — a photograph by the Japanese artist Ei-Q (Hideo Sugita), nineteen thirty-six. It's gelatin silver print, about 22 by 27 centimeters."},{"id":57437,"title":"Dubo, Dubon, Dubonnet, Paris","artist":"André Kertész","artistBio":"(American, born Hungary. 1894–1985)","artistGender":"(male)","date":"1934","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"13 3/4 × 10 5/16\" (34.9 × 26.2 cm)","size":[0.262,0.349],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1934","blurb":"Photograph in gelatin silver print, 1934. 35 cm × 26 cm. André Kertész (American, born Hungary. 1894–1985). Acquired by the Museum in 1969 — Gift of the artist.","blurbSource":"catalogue","acquired":"1969","cid":"3072","url":"https://www.moma.org/collection/works/57437","imageURL":"https://www.moma.org/media/W1siZiIsIjE5MDgzOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ffe44811995d682b","placement":{"kind":"wall","wall":2,"lane":0,"u":3.964,"y":1.52},"texture":"textures/57437.jpg","thumb":"thumbs/57437.jpg","seen":["protest","newspaper"],"tags":["1930s","gelatin","intimate","monochrome","photograph","print","silver","protest","newspaper"],"roomTags":["lens","surreal"],"docent":"This one's called Dubo, Dubon, Dubonnet, Paris — a photograph by the American artist André Kertész, nineteen thirty-four. The piece is gelatin silver print, about 35 by 26 centimeters. You can pick out the protest, and the newspaper."},{"id":47503,"title":"Untitled","artist":"Man Ray (Emmanuel Radnitzky)","artistBio":"(American, 1890–1976)","artistGender":"(male)","date":"1931","medium":"Gelatin silver print","credit":"Gift of James Thrall Soby","classification":"Photograph","dimensions":"11 9/16 × 8 15/16\" (29.5 × 22.7 cm)","size":[0.227,0.295],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1931","blurb":"Photograph in gelatin silver print, 1931. 30 cm × 23 cm. Man Ray (Emmanuel Radnitzky) (American, 1890–1976). Acquired by the Museum in 1941 — Gift of James Thrall Soby.","blurbSource":"catalogue","acquired":"1941","cid":"3716","url":"https://www.moma.org/collection/works/47503","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MjExMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7f69e59eba0ef8c3","placement":{"kind":"wall","wall":0,"lane":0,"u":12.657,"y":1.52},"texture":"textures/47503.jpg","thumb":"thumbs/47503.jpg","seen":["mirror","human face"],"tags":["1930s","gelatin","intimate","monochrome","photograph","print","silver","mirror","human face","somber"],"roomTags":["lens","surreal"],"docent":"This is Untitled — a photograph by the American artist Man Ray (Emmanuel Radnitzky), nineteen thirty-one. The piece is gelatin silver print, about 30 by 23 centimeters. You can pick out the mirror."},{"id":486210,"title":"Untitled from Reason of Sleep","artist":"Ei-Q (Hideo Sugita)","artistBio":"(Japanese, 1911–1960)","artistGender":"(male)","date":"1936","medium":"Gelatin silver print","credit":"The Family of Man Fund, and Photography Purchase Fund","classification":"Photograph","dimensions":"10 3/16 × 8 5/8\" (25.9 × 21.9 cm)","size":[0.219,0.259],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1936","blurb":"Photograph in gelatin silver print, 1936. 26 cm × 22 cm. Ei-Q (Hideo Sugita) (Japanese, 1911–1960). Acquired by the Museum in 2024 — The Family of Man Fund, and Photography Purchase Fund.","blurbSource":"catalogue","acquired":"2024","cid":"74353","url":"https://www.moma.org/collection/works/486210","imageURL":"https://www.moma.org/media/W1siZiIsIjU4NzE1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=82cd163e7225e665","placement":{"kind":"wall","wall":3,"lane":0,"u":5.6,"y":1.52},"texture":"textures/486210.jpg","thumb":"thumbs/486210.jpg","seen":["collage of cut paper"],"tags":["1930s","dark","gelatin","intimate","muted","photograph","print","silver","warm","collage of cut paper","eerie"],"roomTags":["lens","surreal"],"docent":"Here we have Untitled from Reason of Sleep — a photograph by Sugita), nineteen thirty-six. Gelatin silver print — about 26 by 22 centimeters. You can pick out the collage of cut paper."},{"id":43793,"title":"Pendant l'éclipse","artist":"Eugène Atget","artistBio":"(French, 1857–1927)","artistGender":"(male)","date":"1912","medium":"Gelatin silver printing-out-paper print","credit":"Abbott-Levy Collection. Acquired through the generosity of Shirley C. Burden, and Family of Man Fund","classification":"Photograph","dimensions":"6 7/16 × 8 5/8\" (16.3 × 21.9 cm)","size":[0.219,0.163],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver printing-out-paper print, 1912","blurb":"Photograph in gelatin silver printing-out-paper print, 1912. 16 cm × 22 cm. Eugène Atget (French, 1857–1927). Acquired by the Museum in 1968 — Abbott-Levy Collection. Acquired through the generosity of Shirley C. Burden, and Family of Man Fund.","blurbSource":"catalogue","acquired":"1968","cid":"229","url":"https://www.moma.org/collection/works/43793","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMTQyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f6fd93a714f3646e","placement":{"kind":"wall","wall":0,"lane":0,"u":13.879,"y":1.52},"texture":"textures/43793.jpg","thumb":"thumbs/43793.jpg","seen":["group of people","crowd"],"tags":["1910s","before the war","gelatin","intimate","muted","paper","photograph","print","silver","warm","group of people","crowd","joyful"],"roomTags":["lens","surreal"],"docent":"Before you is Pendant l'éclipse — a photograph by the French artist Eugène Atget, nineteen twelve. Gelatin silver printing-out-paper print — about 16 by 22 centimeters. In the picture, look for the crowd."},{"id":486212,"title":"Untitled from Reason of Sleep","artist":"Ei-Q (Hideo Sugita)","artistBio":"(Japanese, 1911–1960)","artistGender":"(male)","date":"1936","medium":"Gelatin silver print","credit":"The Family of Man Fund, and Photography Purchase Fund","classification":"Photograph","dimensions":"10 3/16 × 8\" (25.9 × 20.3 cm)","size":[0.203,0.259],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1936","blurb":"Photograph in gelatin silver print, 1936. 26 cm × 20 cm. Ei-Q (Hideo Sugita) (Japanese, 1911–1960). Acquired by the Museum in 2024 — The Family of Man Fund, and Photography Purchase Fund.","blurbSource":"catalogue","acquired":"2024","cid":"74353","url":"https://www.moma.org/collection/works/486212","imageURL":"https://www.moma.org/media/W1siZiIsIjU4NzE2NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2b9c46fa613c988c","placement":{"kind":"wall","wall":1,"lane":0,"u":10.598,"y":1.52},"texture":"textures/486212.jpg","thumb":"thumbs/486212.jpg","seen":["collage of cut paper","abstract shapes"],"tags":["1930s","dark","gelatin","intimate","muted","photograph","print","silver","warm","collage of cut paper","abstract shapes","eerie"],"roomTags":["lens","surreal"],"docent":"You're looking at Untitled from Reason of Sleep — a photograph by Sugita), nineteen thirty-six. Gelatin silver print — about 26 by 20 centimeters. In the picture, look for the abstract shapes."},{"id":407363,"title":"Figurines","artist":"Kati Horna","artistBio":"(Mexican, 1912–2000)","artistGender":"(female)","date":"c. 1933","medium":"Gelatin silver print","credit":"Gift of Helen Kornblum in honor of Roxana Marcoci","classification":"Photograph","dimensions":"8 1/2 × 8\" (21.6 × 20.3 cm)","size":[0.203,0.216],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, c. 1933","blurb":"Photograph in gelatin silver print, c. 1933. 22 cm × 20 cm. Kati Horna (Mexican, 1912–2000). Acquired by the Museum in 2020 — Gift of Helen Kornblum in honor of Roxana Marcoci.","blurbSource":"catalogue","acquired":"2020","cid":"6916","url":"https://www.moma.org/collection/works/407363","imageURL":"https://www.moma.org/media/W1siZiIsIjQ5NTAwNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=41937fe9d2b6c062","placement":{"kind":"wall","wall":5,"lane":0,"u":13.392,"y":1.52},"texture":"textures/407363.jpg","thumb":"thumbs/407363.jpg","seen":["carved figure","portrait of a person"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","women artists","carved figure","portrait of a person","eerie"],"roomTags":["lens","surreal"],"docent":"This one's called Figurines — a photograph by Kati Horna, around nineteen thirty-three. Gelatin silver print — about 22 by 20 centimeters."},{"id":106187,"title":"Policeman in Bermondsey","artist":"Bill Brandt","artistBio":"(British, born Germany. 1904–1983)","artistGender":"(male)","date":"1938","medium":"Gelatin silver print, printed 1970s","credit":"Acquired through the generosity of the William Talbott Hillman Foundation","classification":"Photograph","dimensions":"9 1/16 × 7 13/16\" (23 × 19.8 cm)","size":[0.198,0.23],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, printed 1970s, 1938","blurb":"Photograph in gelatin silver print, printed 1970s, 1938. 23 cm × 20 cm. Bill Brandt (British, born Germany. 1904–1983). Acquired by the Museum in 2007 — Acquired through the generosity of the William Talbott Hillman Foundation.","blurbSource":"catalogue","acquired":"2007","cid":"740","url":"https://www.moma.org/collection/works/106187","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNzUwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=469555d508bb4c21","placement":{"kind":"wall","wall":4,"lane":0,"u":13.395,"y":1.52},"texture":"textures/106187.jpg","thumb":"thumbs/106187.jpg","seen":["city street","door"],"tags":["1930s","dark","figure","gelatin","intimate","monochrome","photograph","print","silver","city street","door","eerie"],"roomTags":["lens","surreal"],"docent":"This is Policeman in Bermondsey — a photograph by the British artist Bill Brandt, nineteen thirty-eight. Brandt was part of the Symbolism movement. It's gelatin silver print, printed nineteen seventyies, about 23 by 20 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. You can pick out the door."},{"id":108884,"title":"A Snicket in Halifax","artist":"Bill Brandt","artistBio":"(British, born Germany. 1904–1983)","artistGender":"(male)","date":"1937","medium":"Gelatin silver print","credit":"Carl Jacobs Fund","classification":"Photograph","dimensions":"9 × 7 11/16\" (22.9 × 19.6 cm)","size":[0.196,0.229],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1937","blurb":"Photograph in gelatin silver print, 1937. 23 cm × 20 cm. Bill Brandt (British, born Germany. 1904–1983). Acquired by the Museum in 2007 — Carl Jacobs Fund.","blurbSource":"catalogue","acquired":"2007","cid":"740","url":"https://www.moma.org/collection/works/108884","imageURL":"https://www.moma.org/media/W1siZiIsIjE4NDEwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=00a6eac127baaa4c","placement":{"kind":"wall","wall":0,"lane":0,"u":15.085,"y":1.52},"texture":"textures/108884.jpg","thumb":"thumbs/108884.jpg","seen":["staircase","city street"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","staircase","city street","eerie"],"roomTags":["lens","surreal"],"docent":"This is A Snicket in Halifax — a photograph by Brandt, nineteen thirty-seven. The piece is gelatin silver print, about 23 by 20 centimeters."},{"id":46337,"title":"Révélateur Tachiste","artist":"Maurice Tabard","artistBio":"(French, 1897–1984)","artistGender":"(male)","date":"1930-35","medium":"Gelatin silver print","credit":"Acquired through the generosity of Harriette and Noel Levine","classification":"Photograph","dimensions":"9 1/4 × 6 7/8\" (23.7 × 17.7 cm)","size":[0.177,0.237],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1930-35","blurb":"Photograph in gelatin silver print, 1930-35. 24 cm × 18 cm. Maurice Tabard (French, 1897–1984). Acquired by the Museum in 1986 — Acquired through the generosity of Harriette and Noel Levine.","blurbSource":"catalogue","acquired":"1986","cid":"5769","url":"https://www.moma.org/collection/works/46337","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNjY5MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=de1d83f570fbd1ce","placement":{"kind":"wall","wall":2,"lane":0,"u":5.621,"y":1.52},"texture":"textures/46337.jpg","thumb":"thumbs/46337.jpg","seen":["abstract shapes"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","warm","abstract shapes","dramatic"],"roomTags":["lens","surreal"],"docent":"This is Révélateur Tachiste — a photograph by Maurice Tabard, nineteen thirty to nineteen thirty-five. It's gelatin silver print, about 24 by 18 centimeters."},{"id":47166,"title":"Clochard à Marseille (Homeless in Marseille)","artist":"Brassaï (Gyula Halász)","artistBio":"(French, born Brassó. 1899–1984)","artistGender":"(male)","date":"c. 1935","medium":"Gelatin silver print","credit":"Gift of James Johnson Sweeney","classification":"Photograph","dimensions":"8 15/16 × 6 13/16\" (22.7 × 17.3 cm)","size":[0.173,0.227],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, c. 1935","blurb":"Photograph in gelatin silver print, c. 1935. 23 cm × 17 cm. Brassaï (Gyula Halász) (French, born Brassó. 1899–1984). Acquired by the Museum in 1942 — Gift of James Johnson Sweeney.","blurbSource":"catalogue","acquired":"1942","cid":"745","url":"https://www.moma.org/collection/works/47166","imageURL":"https://www.moma.org/media/W1siZiIsIjE4NjY1MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=df7944c9fabe3075","placement":{"kind":"wall","wall":6,"lane":0,"u":16.261,"y":1.52},"texture":"textures/47166.jpg","thumb":"thumbs/47166.jpg","seen":["food on a table","bottle"],"tags":["1930s","dark","gelatin","intimate","monochrome","photograph","print","silver","warm","food on a table","bottle","eerie"],"roomTags":["lens","surreal"],"docent":"Here we have Clochard à Marseille (Homeless in Marseille) — a photograph by Halász), around nineteen thirty-five. It's gelatin silver print, about 23 by 17 centimeters. Somewhere in there: the food on a table, and the bottle."},{"id":46084,"title":"Untitled","artist":"Roger Parry","artistBio":"(French, 1905–1977)","artistGender":"(male)","date":"1929","medium":"Gelatin silver print","credit":"Acquired through the generosity of Lois and Bruce Zenkel","classification":"Photograph","dimensions":"8 1/2 × 6 1/2\" (21.7 × 16.6 cm)","size":[0.166,0.217],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1929","blurb":"Photograph in gelatin silver print, 1929. 22 cm × 17 cm. Roger Parry (French, 1905–1977). Acquired by the Museum in 1986 — Acquired through the generosity of Lois and Bruce Zenkel.","blurbSource":"catalogue","acquired":"1986","cid":"4508","url":"https://www.moma.org/collection/works/46084","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODE3OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=aef3e82a01e9e5a4","placement":{"kind":"wall","wall":0,"lane":0,"u":16.265,"y":1.52},"texture":"textures/46084.jpg","thumb":"thumbs/46084.jpg","seen":["interior room"],"tags":["1920s","dark","gelatin","intimate","monochrome","photograph","print","silver","warm","interior room","eerie"],"roomTags":["lens","surreal"],"docent":"Before you is Untitled — a photograph by the French artist Roger Parry, nineteen twenty-nine. Gelatin silver print — about 22 by 17 centimeters."},{"id":407384,"title":"Mannequin in Window","artist":"Dora Maar","artistBio":"(French 1907–1997)","artistGender":"(female)","date":"1935","medium":"Gelatin silver print","credit":"Gift of Helen Kornblum in honor of Roxana Marcoci","classification":"Photograph","dimensions":"9 1/2 × 6\" (24.1 × 15.2 cm)","size":[0.152,0.241],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1935","blurb":"Photograph in gelatin silver print, 1935. 24 cm × 15 cm. Dora Maar (French 1907–1997). Acquired by the Museum in 2020 — Gift of Helen Kornblum in honor of Roxana Marcoci.","blurbSource":"catalogue","acquired":"2020","cid":"3656","url":"https://www.moma.org/collection/works/407384","imageURL":"https://www.moma.org/media/W1siZiIsIjQ5MzM1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=faa7b17b7d2fb015","placement":{"kind":"wall","wall":7,"lane":0,"u":2.064,"y":1.52},"texture":"textures/407384.jpg","thumb":"thumbs/407384.jpg","seen":["window","carved figure","mirror"],"tags":["1930s","dark","figure","gelatin","interior","intimate","monochrome","photograph","print","silver","women artists","window","carved figure","mirror","somber"],"roomTags":["lens","surreal"],"docent":"You're looking at Mannequin in Window — a photograph by Dora Maar, nineteen thirty-five. It's gelatin silver print, about 24 by 15 centimeters. In the picture, look for the window."},{"id":6017,"title":"Dubonnet, Vin Tonique au Quinquina","artist":"A. M. Cassandre","artistBio":"(French, 1901–1968)","artistGender":"(male)","date":"1932","medium":"Lithograph","credit":"Given anonymously","classification":"Design","dimensions":"20 3/4 × 17 1/4\" (52.7 × 43.8 cm)","size":[0.438,0.527],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1932","blurb":"Design in lithograph, 1932. 53 cm × 44 cm. A. M. Cassandre (French, 1901–1968). Acquired by the Museum in 1935 — Given anonymously.","blurbSource":"catalogue","acquired":"1935","cid":"1015","url":"https://www.moma.org/collection/works/6017","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNzI5NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7bdb741de49f0f0c","placement":{"kind":"case","case":0,"x":3.183,"z":8.564,"y":1.123},"texture":"textures/6017.jpg","thumb":"thumbs/6017.jpg","seen":["bottle","lettering"],"tags":["1930s","bright","design","lithograph","muted","warm","bottle","lettering","dramatic"],"roomTags":["lens","surreal"],"docent":"This one's called Dubonnet, Vin Tonique au Quinquina — a design object by A. M. Cassandre, nineteen thirty-two. A lithograph, drawn in grease on stone: the stone is wetted so the ink takes only where the drawing is. Nothing is cut away."},{"id":80884,"title":"The Little Theater","artist":"Salvador Dalí","artistBio":"(Spanish, 1904–1989)","artistGender":"(male)","date":"1934","medium":"Wood and glass, painted","credit":"Acquired through the James Thrall Soby Bequest, and the Abby Aldrich Rockefeller, Loula D. Lasker, and William S. Paley Funds","classification":"Sculpture","dimensions":"12 3/4 x 16 3/4 x 12 1/4\" (32.3 x 42.5 x 31.1 cm)","size":[0.425,0.323],"depth":0.311,"sizeSource":"cc0-columns","summary":"Sculpture in wood and glass, painted, 1934","blurb":"Sculpture in wood and glass, painted, 1934. 32 cm × 42 cm × 31 cm. Salvador Dalí (Spanish, 1904–1989). Acquired by the Museum in 1981 — Acquired through the James Thrall Soby Bequest, and the Abby Aldrich Rockefeller, Loula D. Lasker, and William S. Paley Funds.","blurbSource":"catalogue","acquired":"1981","cid":"1364","url":"https://www.moma.org/collection/works/80884","imageURL":"https://www.moma.org/media/W1siZiIsIjE1OTIyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=25623a7a6c03b7da","placement":{"kind":"case","case":0,"x":4.033,"z":8.564,"y":1.022},"texture":"textures/80884.jpg","thumb":"thumbs/80884.jpg","tags":["1930s","dark","glass","golden","sculpture","surrealism","vivid","wood","eerie"],"roomTags":["lens","surreal"],"docent":"This is The Little Theater — a sculpture by Dalí, nineteen thirty-four. It's wood and glass, painted, about 32 by 42 centimeters."},{"id":80928,"title":"The Palace at 4 a.m.","artist":"Alberto Giacometti","artistBio":"(Swiss, 1901–1966)","artistGender":"(male)","date":"1932","medium":"Wood, glass, wire, and string","credit":"Purchase","classification":"Sculpture","dimensions":"25 x 28 1/4 x 15 3/4\" (63.5 x 71.8 x 40 cm)","size":[0.718,0.635],"depth":0.4,"sizeSource":"cc0-columns","summary":"Sculpture in wood, glass, wire, and string, 1932","blurb":"Sculpture in wood, glass, wire, and string, 1932. 64 cm × 72 cm × 40 cm. Alberto Giacometti (Swiss, 1901–1966). Acquired by the Museum in 1936 — Purchase.","blurbSource":"catalogue","acquired":"1936","cid":"2141","url":"https://www.moma.org/collection/works/80928","imageURL":"https://www.moma.org/media/W1siZiIsIjIyODA2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=84105705d3f48ff3","placement":{"kind":"plinth","x":5.112,"z":8.564,"plinth":0.932,"fw":1.068,"fd":0.75,"face":[0,-1]},"texture":"textures/80928.jpg","thumb":"thumbs/80928.jpg","seen":["architectural plan"],"tags":["1930s","dark","glass","muted","sculpture","surrealism","warm","wood","architectural plan"],"roomTags":["lens","surreal"],"docent":"Before you is The Palace at 4 a.m., built by Alberto Giacometti in nineteen thirty-two out of wood, glass, wire and string. It is a room with no walls, at the hour named in the title. Almost nothing is solid — the structure describes a space rather than filling one."},{"id":81806,"title":"The Machine-Gunneress in a State of Grace","artist":"Hans Bellmer","artistBio":"(German, 1902–1975)","artistGender":"(male)","date":"1937","medium":"Construction of wood and metal","credit":"Advisory Committee Fund","classification":"Sculpture","dimensions":"30 7/8 x 29 3/4 x 13 5/8\" (78.5 x 75.5 x 34.5 cm), on wood base 4 3/4 x 15 3/4 x 11 7/8\" (12 x 40 x 29.9 cm)","size":[0.756,0.784],"depth":0.346,"sizeSource":"cc0-columns","summary":"Sculpture in construction of wood and metal, 1937","blurb":"Sculpture in construction of wood and metal, 1937. 78 cm × 76 cm × 35 cm. Hans Bellmer (German, 1902–1975). Acquired by the Museum in 1968 — Advisory Committee Fund.","blurbSource":"catalogue","acquired":"1968","cid":"452","url":"https://www.moma.org/collection/works/81806","imageURL":"https://www.moma.org/media/W1siZiIsIjIzMDUwMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d3c053f7b7f03465","placement":{"kind":"plinth","x":6.319,"z":8.564,"plinth":0.858,"fw":1.106,"fd":0.696,"face":[0,-1]},"texture":"textures/81806.jpg","thumb":"thumbs/81806.jpg","seen":["carved figure"],"tags":["1930s","bright","monochrome","sculpture","wood","carved figure"],"roomTags":["lens","surreal"],"docent":"Before you is The Machine-Gunneress in a State of Grace — a sculpture by the German artist Hans Bellmer, nineteen thirty-seven. Construction of wood and metal — about 78 by 76 centimeters."},{"id":81163,"title":"Bell and Navels","artist":"Jean (Hans) Arp","artistBio":"(French, born Germany (Alsace). 1886–1966)","artistGender":"(male)","date":"1931","medium":"Painted wood","credit":"Kay Sage Tanguy Fund","classification":"Sculpture","dimensions":"Overall 11 5/8\" (25.4 cm) high x 19 3/8\" (49.3 cm) diameter, including wood base","size":[1.195,1.013],"depth":0.0,"sizeSource":"image-aspect","summary":"Sculpture in painted wood, 1931","blurb":"Sculpture in painted wood, 1931. Jean (Hans) Arp (French, born Germany (Alsace). 1886–1966). Acquired by the Museum in 1968 — Kay Sage Tanguy Fund.","blurbSource":"catalogue","acquired":"1968","cid":"11","url":"https://www.moma.org/collection/works/81163","imageURL":"https://www.moma.org/media/W1siZiIsIjUxOTY0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2e03d046cfd41909","placement":{"kind":"plinth","x":7.764,"z":8.564,"plinth":0.744,"fw":1.545,"fd":1.545,"face":[0,-1]},"texture":"textures/81163.jpg","thumb":"thumbs/81163.jpg","seen":["table"],"tags":["1930s","monochrome","sculpture","wood","table"],"roomTags":["lens","surreal"],"docent":"You're looking at Bell and Navels — a sculpture by Jean (Hans) Arp, nineteen thirty-one. It's painted wood, about 1 by 1.2 meters. Arp was married to Sophie Taeuber-Arp — who also hangs in this museum."},{"id":80997,"title":"Object","artist":"Meret Oppenheim","artistBio":"(Swiss, 1913–1985)","artistGender":"(female)","date":"Paris, 1936","medium":"Fur-covered cup, saucer, and spoon","credit":"Purchase","classification":"Sculpture","dimensions":"Cup 4 3/8\" (10.9 cm) in diameter; saucer 9 3/8\" (23.7 cm) in diameter; spoon 8\" (20.2 cm) long, overall height 2 7/8\" (7.3 cm)","size":[1.347,0.898],"depth":0.0,"sizeSource":"image-aspect","summary":"Sculpture in fur-covered cup, saucer, and spoon, Paris, 1936","blurb":"Sculpture in fur-covered cup, saucer, and spoon, Paris, 1936. Meret Oppenheim (Swiss, 1913–1985). Acquired by the Museum in 1946 — Purchase.","blurbSource":"catalogue","acquired":"1946","cid":"4416","url":"https://www.moma.org/collection/works/80997","imageURL":"https://www.moma.org/media/W1siZiIsIjYxNDY5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6370ccde06b12253","placement":{"kind":"plinth","x":9.505,"z":8.564,"plinth":0.801,"fw":1.697,"fd":1.697,"face":[0,-1]},"texture":"textures/80997.jpg","thumb":"thumbs/80997.jpg","tags":["1930s","monochrome","sculpture","surrealism","warm","women artists"],"roomTags":["lens","surreal"],"docent":"This one's called Object — a sculpture by Oppenheim, nineteen thirty-six. It's fur-covered cup, saucer, and spoon, about 0.9 by 1.3 meters."},{"id":81329,"title":"Retrospective Bust of a Woman","artist":"Salvador Dalí","artistBio":"(Spanish, 1904–1989)","artistGender":"(male)","date":"1933 (some elements reconstructed 1970)","medium":"Painted porcelain, bread, corn, feathers, paint on paper, beads, ink stand, sand, and two pens","credit":"Acquired through the Lillie P. Bliss Bequest and gift of Philip Johnson (both by exchange)","classification":"Sculpture","dimensions":"29 x 27 1/4 x 12 5/8\" (73.9 x 69.2 x 32 cm)","size":[0.692,0.739],"depth":0.32,"sizeSource":"cc0-columns","summary":"Sculpture in painted porcelain, 1933","blurb":"Sculpture in painted porcelain, 1933. 74 cm × 69 cm × 32 cm. Salvador Dalí (Spanish, 1904–1989). Acquired by the Museum in 1992 — Acquired through the Lillie P. Bliss Bequest and gift of Philip Johnson (both by exchange).","blurbSource":"catalogue","acquired":"1992","cid":"1364","url":"https://www.moma.org/collection/works/81329","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTAxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=61e96dbbfd189553","placement":{"kind":"plinth","x":10.995,"z":8.564,"plinth":0.881,"fw":1.042,"fd":0.67,"face":[0,-1]},"texture":"textures/81329.jpg","thumb":"thumbs/81329.jpg","seen":["carved figure"],"tags":["1930s","bright","figure","ink","muted","paper","sculpture","surrealism","warm","carved figure"],"roomTags":["lens","surreal"],"docent":"This is Retrospective Bust of a Woman, by Salvador Dalí, nineteen thirty-three. The list of what it is made of: painted porcelain, bread, corn, feathers, paint on paper, beads, an ink stand, sand, and two pens. Some of it had to be reconstructed in nineteen seventy, bread being what it is."}]},{"gallery":"519","title":"The City May Now Scatter","origin":[43.11,47.39],"polygon":[[0.0,0.0],[14.274,0.0],[14.274,9.992],[0.0,9.992]],"size":[14.27,9.99],"ceiling":4.6,"outdoor":false,"doors":[[0,7.14,1.6],[1,5.0,1.6]],"partitions":[],"cases":[{"x":3.449,"z":2.142,"w":2.474,"d":0.8,"h":0.85},{"x":5.838,"z":2.142,"w":2.064,"d":0.8,"h":0.85},{"x":7.853,"z":2.142,"w":1.724,"d":0.8,"h":0.85}],"walls":[{"origin":[14.274,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,13.723999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.9399999999999995],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[8.34,13.723999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":1},{"origin":[14.274,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":1}],"decor":null,"intro":"20 works, 1915–1947 — Frank Lloyd Wright and Ladislav Sutnar; mostly design and architecture.","music":"blues","artworks":[{"id":79623,"title":"Through Coleman Hollow up the Allegheny Valley","artist":"John Kane","artistBio":"(American, born Scotland. 1860–1934)","artistGender":"(male)","date":"c. 1928","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"30 x 38 5/8\" (76.2 x 98.1 cm)","size":[0.981,0.762],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, c. 1928","blurb":"Painting in oil on canvas, c. 1928. 76 cm × 98 cm. John Kane (American, born Scotland. 1860–1934). Acquired by the Museum in 1941 — Given anonymously.","blurbSource":"catalogue","acquired":"1941","cid":"2982","url":"https://www.moma.org/collection/works/79623","imageURL":"https://www.moma.org/media/W1siZiIsIjE1ODEzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=792a9a1e730ff085","placement":{"kind":"wall","wall":0,"lane":0,"u":5.938,"y":1.52},"texture":"textures/79623.jpg","thumb":"thumbs/79623.jpg","seen":["river","train"],"tags":["1920s","canvas","figure","muted","oil","painting","river","train","calm"],"roomTags":["city","scatter"],"docent":"This one's called Through Coleman Hollow up the Allegheny Valley — a painting by the American artist John Kane, around nineteen twenty-eight. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. You can pick out the river, and the train. Kane was part of the naïve art movement."},{"id":80000,"title":"Gas","artist":"Edward Hopper","artistBio":"(American, 1882–1967)","artistGender":"(male)","date":"1940","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"26 1/4 x 40 1/4\" (66.7 x 102.2 cm)","size":[1.022,0.667],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1940","blurb":"Painting in oil on canvas, 1940. 67 cm × 102 cm. Edward Hopper (American, 1882–1967). Acquired by the Museum in 1943 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1943","cid":"2726","url":"https://www.moma.org/collection/works/80000","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NzQxNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=24f46159d2e6e382","placement":{"kind":"wall","wall":1,"lane":0,"u":3.799,"y":1.52},"texture":"textures/80000.jpg","thumb":"thumbs/80000.jpg","seen":["train","machine","city street","lamp"],"tags":["1940s","canvas","dark","oil","painting","train","machine","city street","lamp","calm"],"roomTags":["city","scatter"],"docent":"You're looking at Gas, painted by Edward Hopper in nineteen forty. No such filling station exists. Hopper drove the back roads hunting the mood he wanted and then invented the place, which is how most of his American landmarks came about."},{"id":56054,"title":"Power Station","artist":"Joe Munroe","artistBio":"(American, 1917–2014)","artistGender":"(male)","date":"1940","medium":"Gelatin silver print","credit":"Photography Purchase Fund","classification":"Photograph","dimensions":"11 5/8 × 10 1/2\" (29.5 × 26.7 cm)","size":[0.267,0.295],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1940","blurb":"Photograph in gelatin silver print, 1940. 30 cm × 27 cm. Joe Munroe (American, 1917–2014). Acquired by the Museum in 1941 — Photography Purchase Fund.","blurbSource":"catalogue","acquired":"1941","cid":"4168","url":"https://www.moma.org/collection/works/56054","imageURL":"https://www.moma.org/media/W1siZiIsIjI1NDAxNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b3299b8e7c48f4f0","placement":{"kind":"wall","wall":0,"lane":0,"u":8.462,"y":1.52},"texture":"textures/56054.jpg","thumb":"thumbs/56054.jpg","seen":["factory"],"tags":["1940s","gelatin","intimate","monochrome","photograph","print","silver","factory"],"roomTags":["city","scatter"],"docent":"Here we have Power Station — a photograph by Joe Munroe, nineteen forty. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. You can pick out the factory."},{"id":47050,"title":"Pacific Gas and Electric Company","artist":"Minor White","artistBio":"(American, 1908–1976)","artistGender":"(male)","date":"1947","medium":"Gelatin silver print","credit":"Gift of Shirley Burden","classification":"Photograph","dimensions":"13 5/16 × 10 3/8\" (33.8 × 26.4 cm)","size":[0.264,0.338],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1947","blurb":"Photograph in gelatin silver print, 1947. 34 cm × 26 cm. Minor White (American, 1908–1976). Acquired by the Museum in 1967 — Gift of Shirley Burden.","blurbSource":"catalogue","acquired":"1967","cid":"6342","url":"https://www.moma.org/collection/works/47050","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMDIwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=5c1e2c8c518a08ab","placement":{"kind":"wall","wall":1,"lane":0,"u":6.342,"y":1.52},"texture":"textures/47050.jpg","thumb":"thumbs/47050.jpg","seen":["machine"],"tags":["1940s","dark","gelatin","intimate","monochrome","photograph","print","silver","machine"],"roomTags":["city","scatter"],"docent":"You're looking at Pacific Gas and Electric Company — a photograph by the American artist Minor White, nineteen forty-seven. It's gelatin silver print, about 34 by 26 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light."},{"id":80770,"title":"Sow","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"1928","medium":"Steel wire","credit":"Gift of the artist","classification":"Sculpture","dimensions":"7 1/2 x 17 x 3\" (19.5 x 43.2 x 7.6 cm)","size":[0.432,0.195],"depth":0.076,"sizeSource":"cc0-columns","summary":"Sculpture in steel wire, 1928","blurb":"Sculpture in steel wire, 1928. 20 cm × 43 cm × 8 cm. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1944 — Gift of the artist.","blurbSource":"catalogue","acquired":"1944","cid":"922","url":"https://www.moma.org/collection/works/80770","imageURL":"https://www.moma.org/media/W1siZiIsIjIwOTk5NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7ae8d06c2d0da03f","placement":{"kind":"case","case":0,"x":2.521,"z":2.142,"y":0.958},"texture":"textures/80770.jpg","thumb":"thumbs/80770.jpg","seen":["dog"],"tags":["1920s","bright","monochrome","sculpture","steel","dog"],"roomTags":["city","scatter"],"docent":"You're looking at Sow — a sculpture by Alexander Calder, nineteen twenty-eight. The piece is steel wire, about 20 by 43 centimeters. In the picture, look for the dog. Calder was part of the kinetic art movement."},{"id":81347,"title":"Cow","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"1929","medium":"Steel wire","credit":"Gift of Edward M. M. Warburg","classification":"Sculpture","dimensions":"6 1/2 x 16 x 4 1/4\" (16.5 x 40.7 x 10.5 cm)","size":[0.407,0.165],"depth":0.105,"sizeSource":"cc0-columns","summary":"Sculpture in steel wire, 1929","blurb":"Sculpture in steel wire, 1929. 16 cm × 41 cm × 10 cm. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1941 — Gift of Edward M. M. Warburg.","blurbSource":"catalogue","acquired":"1941","cid":"922","url":"https://www.moma.org/collection/works/81347","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTA1NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4bf67b3a917910f3","placement":{"kind":"case","case":0,"x":3.14,"z":2.142,"y":0.943},"texture":"textures/81347.jpg","thumb":"thumbs/81347.jpg","seen":["horse","dog"],"tags":["1920s","animals","bright","monochrome","sculpture","steel","horse","dog"],"roomTags":["city","scatter"],"docent":"You're looking at Cow — a sculpture by Calder, nineteen twenty-nine. It's steel wire, about 16 by 41 centimeters. You can pick out the horse."},{"id":84847,"title":"American System-Built Houses for The Richards Company project, Milwaukee, Wisconsin (Axonometric)","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1915-17","medium":"Lithograph","credit":"Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund","classification":"Architecture","dimensions":"11 x 8 1/2\" (27.9 x 21.6 cm)","size":[0.216,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Architecture in lithograph, 1915-17","blurb":"Architecture in lithograph, 1915-17. 28 cm × 22 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 1993 — Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund.","blurbSource":"catalogue","acquired":"1993","cid":"6459","url":"https://www.moma.org/collection/works/84847","imageURL":"https://www.moma.org/media/W1siZiIsIjI2Mzc4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6afe4b7c8ed1e43d","placement":{"kind":"case","case":0,"x":3.758,"z":2.142,"y":1.0},"texture":"textures/84847.jpg","thumb":"thumbs/84847.jpg","seen":["architectural plan"],"tags":["1910s","architecture","bright","intimate","lithograph","warm","wartime","architectural plan"],"roomTags":["city","scatter"],"docent":"This one's called American System-Built Houses for The Richards Company project, Milwaukee, Wisconsin (Axonometric) — an architectural work by Frank Lloyd Wright, nineteen fifteen to nineteen seventeen. A lithograph, drawn in grease on stone: the stone is wetted so the ink takes only where the drawing is. Nothing is cut away. You can pick out the architectural plan."},{"id":243,"title":"American System-Built Houses for The Richards Company project (Exterior perspective of model E3)","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1915–1917","medium":"Lithograph","credit":"Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund","classification":"Architecture","dimensions":"11 x 8 5/8\" (27.9 x 21.9 cm)","size":[0.219,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Architecture in lithograph, 1915–1917","blurb":"Architecture in lithograph, 1915–1917. 28 cm × 22 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 1993 — Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund.","blurbSource":"catalogue","acquired":"1993","cid":"6459","url":"https://www.moma.org/collection/works/243","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzQzNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a600a2069ba88071","placement":{"kind":"case","case":0,"x":4.377,"z":2.142,"y":1.0},"texture":"textures/243.jpg","thumb":"thumbs/243.jpg","seen":["architectural plan","house"],"tags":["1910s","architecture","intimate","lithograph","muted","warm","wartime","architectural plan","house"],"roomTags":["city","scatter"],"docent":"Before you is American System-Built Houses for The Richards Company project (Exterior perspective of model E3) — an architectural work by Wright, nineteen fifteen to nineteen seventeen. It's lithograph, about 28 by 22 centimeters."},{"id":84844,"title":"American System-Built Houses for The Richards Company project (Exterior perspective of model A101)","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1915–1917","medium":"Lithograph","credit":"Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund","classification":"Architecture","dimensions":"11 x 8 1/2\" (27.9 x 21.6 cm)","size":[0.216,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Architecture in lithograph, 1915–1917","blurb":"Architecture in lithograph, 1915–1917. 28 cm × 22 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 1993 — Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund.","blurbSource":"catalogue","acquired":"1993","cid":"6459","url":"https://www.moma.org/collection/works/84844","imageURL":"https://www.moma.org/media/W1siZiIsIjI2Mzc3OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e8b28343805ce792","placement":{"kind":"case","case":1,"x":5.064,"z":2.142,"y":1.0},"texture":"textures/84844.jpg","thumb":"thumbs/84844.jpg","seen":["architectural plan"],"tags":["1910s","architecture","intimate","lithograph","muted","warm","wartime","architectural plan"],"roomTags":["city","scatter"],"docent":"Before you is American System-Built Houses for The Richards Company project (Exterior perspective of model A101) — an architectural work by Wright, nineteen fifteen to nineteen seventeen. Lithograph — about 28 by 22 centimeters."},{"id":245,"title":"American System-Built Houses for The Richards Company, project, Milwaukee, Wisconsin, Isometric plan of model J900","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"c. 1915-17","medium":"Lithograph","credit":"Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund","classification":"Architecture","dimensions":"11 × 8 5/8\" (27.9 × 21.9 cm)","size":[0.219,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Architecture in lithograph, c. 1915-17","blurb":"Architecture in lithograph, c. 1915-17. 28 cm × 22 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 1993 — Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund.","blurbSource":"catalogue","acquired":"1993","cid":"6459","url":"https://www.moma.org/collection/works/245","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzQzOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e0dd4cf35aa5a63a","placement":{"kind":"case","case":1,"x":5.58,"z":2.142,"y":1.0},"texture":"textures/245.jpg","thumb":"thumbs/245.jpg","seen":["architectural plan"],"tags":["1910s","architecture","bright","intimate","lithograph","warm","wartime","architectural plan"],"roomTags":["city","scatter"],"docent":"This one's called American System-Built Houses for The Richards Company, project, Milwaukee, Wisconsin, Isometric plan of model J900 — an architectural work by Wright, around nineteen fifteen to nineteen seventeen. The piece is lithograph, about 28 by 22 centimeters."},{"id":249,"title":"American System-Built Houses for The Richards Company, project, Milwaukee, Wisconsin, Perspective of model A243","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"c. 1915-17","medium":"Lithograph","credit":"Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund","classification":"Architecture","dimensions":"11 x 8 1/2\" (27.9 x 21.6 cm)","size":[0.216,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Architecture in lithograph, c. 1915-17","blurb":"Architecture in lithograph, c. 1915-17. 28 cm × 22 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 1993 — Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund.","blurbSource":"catalogue","acquired":"1993","cid":"6459","url":"https://www.moma.org/collection/works/249","imageURL":"https://www.moma.org/media/W1siZiIsIjUyNzQ0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f6ba6f09bd64859a","placement":{"kind":"case","case":1,"x":6.096,"z":2.142,"y":1.0},"texture":"textures/249.jpg","thumb":"thumbs/249.jpg","seen":["house","architectural plan"],"tags":["1910s","architecture","intimate","lithograph","muted","warm","wartime","house","architectural plan"],"roomTags":["city","scatter"],"docent":"Here we have American System-Built Houses for The Richards Company, project, Milwaukee, Wisconsin, Perspective of model A243 — an architectural work by Wright, around nineteen fifteen to nineteen seventeen. Lithograph — about 28 by 22 centimeters. You can pick out the house."},{"id":129055,"title":"Armstrong Corkboard and Cork Covering","artist":"Ladislav Sutnar","artistBio":"(American, born Bohemia (now Czech Republic). 1897–1976)","artistGender":"(male)","date":"1941-1947","medium":"Lithograph","credit":"Gift of Radoslav Sutnar","classification":"Design","dimensions":"11 x 8 3/8\" (27.9 x 21.3 cm)","size":[0.213,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1941-1947","blurb":"Design in lithograph, 1941-1947. 28 cm × 21 cm. Ladislav Sutnar (American, born Bohemia (now Czech Republic). 1897–1976). Acquired by the Museum in 2009 — Gift of Radoslav Sutnar.","blurbSource":"catalogue","acquired":"2009","cid":"5740","url":"https://www.moma.org/collection/works/129055","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MjgxNSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7c280f3bf265e396","placement":{"kind":"case","case":1,"x":6.612,"z":2.142,"y":1.0},"texture":"textures/129055.jpg","thumb":"thumbs/129055.jpg","seen":["lettering"],"tags":["1940s","design","golden","intimate","lithograph","lettering"],"roomTags":["city","scatter"],"docent":"This is Armstrong Corkboard and Cork Covering — a design object by the American artist Ladislav Sutnar, nineteen forty-one to nineteen forty-seven. It's lithograph, about 28 by 21 centimeters. In the picture, look for the lettering."},{"id":129042,"title":"4-Square Lumber Products","artist":"Ladislav Sutnar","artistBio":"(American, born Bohemia (now Czech Republic). 1897–1976)","artistGender":"(male)","date":"1944","medium":"Lithograph","credit":"Gift of Radoslav Sutnar","classification":"Design","dimensions":"11 x 8 3/8\" (27.9 x 21.3 cm)","size":[0.213,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1944","blurb":"Design in lithograph, 1944. 28 cm × 21 cm. Ladislav Sutnar (American, born Bohemia (now Czech Republic). 1897–1976). Acquired by the Museum in 2009 — Gift of Radoslav Sutnar.","blurbSource":"catalogue","acquired":"2009","cid":"5740","url":"https://www.moma.org/collection/works/129042","imageURL":"https://www.moma.org/media/W1siZiIsIjE3MjgwOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8ec4ad2047817e69","placement":{"kind":"case","case":2,"x":7.278,"z":2.142,"y":1.0},"texture":"textures/129042.jpg","thumb":"thumbs/129042.jpg","seen":["forest"],"tags":["1940s","design","intimate","lithograph","muted","warm","forest"],"roomTags":["city","scatter"],"docent":"This is 4-Square Lumber Products — a design object by Sutnar, nineteen forty-four. It's lithograph, about 28 by 21 centimeters."},{"id":129071,"title":"Process Industries Quarterly","artist":"Ladislav Sutnar","artistBio":"(American, born Bohemia (now Czech Republic). 1897–1976)","artistGender":"(male)","date":"1946","medium":"Lithograph","credit":"Gift of Radoslav Sutnar","classification":"Design","dimensions":"11 x 8 1/2\" (27.9 x 21.6 cm)","size":[0.216,0.279],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1946","blurb":"Design in lithograph, 1946. 28 cm × 22 cm. Ladislav Sutnar (American, born Bohemia (now Czech Republic). 1897–1976). Acquired by the Museum in 2009 — Gift of Radoslav Sutnar.","blurbSource":"catalogue","acquired":"2009","cid":"5740","url":"https://www.moma.org/collection/works/129071","imageURL":"https://www.moma.org/media/W1siZiIsIjE3Mjg1MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=2fa75df805536a6f","placement":{"kind":"case","case":2,"x":7.853,"z":2.142,"y":1.0},"texture":"textures/129071.jpg","thumb":"thumbs/129071.jpg","seen":["factory","lettering","newspaper"],"tags":["1940s","design","intimate","lithograph","monochrome","factory","lettering","newspaper"],"roomTags":["city","scatter"],"docent":"Here we have Process Industries Quarterly — a design object by Sutnar, nineteen forty-six. The piece is lithograph, about 28 by 22 centimeters."},{"id":185452,"title":"Radio (model AD-65)","artist":"Wells Coates","artistBio":"(Canadian, 1895–1958)","artistGender":"(male)","date":"1932","medium":"Bakelite, stainless steel, and woven cloth","credit":"Gift of George R. Kravis II","classification":"Design","dimensions":"15 15/16 x 15 9/16 x 8 1/4\" (40.5 x 39.5 x 21 cm)","size":[0.395,0.405],"depth":0.21,"sizeSource":"cc0-columns","summary":"Design in bakelite, stainless steel, and woven cloth, 1932","blurb":"Design in bakelite, stainless steel, and woven cloth, 1932. 40 cm × 40 cm × 21 cm. Wells Coates (Canadian, 1895–1958). Acquired by the Museum in 2014 — Gift of George R. Kravis II.","blurbSource":"catalogue","acquired":"2014","cid":"46451","url":"https://www.moma.org/collection/works/185452","imageURL":"https://www.moma.org/media/W1siZiIsIjQwMjg4NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=74c999337826f75b","placement":{"kind":"case","case":2,"x":8.428,"z":2.142,"y":1.062},"texture":"textures/185452.jpg","thumb":"thumbs/185452.jpg","tags":["1930s","design","monochrome","steel"],"roomTags":["city","scatter"],"docent":"You're looking at Radio (model AD-65) — a design object by Wells Coates, nineteen thirty-two. Bakelite, stainless steel, and woven cloth — about 40 by 40 centimeters."},{"id":6694,"title":"Come on the Telephone","artist":"E. McKnight Kauffer","artistBio":"(American, 1890–1954)","artistGender":"(male)","date":"1934","medium":"Lithograph","credit":"Gift of the designer","classification":"Design","dimensions":"21 x 24 3/4\" (53.3 x 62.9 cm)","size":[0.629,0.533],"depth":0.0,"sizeSource":"cc0-columns","summary":"Design in lithograph, 1934","blurb":"Design in lithograph, 1934. 53 cm × 63 cm. E. McKnight Kauffer (American, 1890–1954). Acquired by the Museum in 1939 — Gift of the designer.","blurbSource":"catalogue","acquired":"1939","cid":"3020","url":"https://www.moma.org/collection/works/6694","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNzAyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7db6042e20dc4bda","placement":{"kind":"plinth","x":9.324,"z":2.142,"plinth":0.984,"fw":0.979,"fd":0.979,"face":[0,-1]},"texture":"textures/6694.jpg","thumb":"thumbs/6694.jpg","seen":["lettering"],"tags":["1930s","design","lithograph","muted","warm","lettering"],"roomTags":["city","scatter"],"docent":"You're looking at Come on the Telephone — a design object by the American artist E. McKnight Kauffer, nineteen thirty-four. Lithograph — about 53 by 63 centimeters."},{"id":161772,"title":"Davidson Little Farms Unit Project (Model)","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1932–1933","medium":"Painted wood and particle board","credit":"The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)","classification":"Frank Lloyd Wright Archive","dimensions":"7 3/4 × 70 × 54 3/4\" (19.7 × 177.8 × 139.1 cm)","size":[1.778,0.197],"depth":1.391,"sizeSource":"cc0-columns","summary":"Painted wood and particle board, 1932–1933","blurb":"Painted wood and particle board, 1932–1933. 20 cm × 178 cm × 139 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 2012 — The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).","blurbSource":"catalogue","acquired":"2012","cid":"6459","url":"https://www.moma.org/collection/works/161772","imageURL":"https://www.moma.org/media/W1siZiIsIjMzNjk2MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3ed3a74c00dec92b","placement":{"kind":"plinth","x":10.998,"z":2.142,"plinth":1.1,"fw":2.128,"fd":1.741,"face":[0,-1]},"texture":"textures/161772.jpg","thumb":"thumbs/161772.jpg","seen":["architectural plan","house"],"tags":["1930s","architecture","frank lloyd wright archive","monochrome","wood","architectural plan","house"],"roomTags":["city","scatter"],"docent":"You're looking at Davidson Little Farms Unit Project (Model) — a work by Wright, nineteen thirty-two to nineteen thirty-three. The piece is painted wood and particle board, about 0.2 by 1.8 meters."},{"id":162353,"title":"Text panel for Broadacre City Project","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1934-1935","medium":"Painted plywood","credit":"The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)","classification":"Frank Lloyd Wright Archive","dimensions":"48 x 78 1/4 x 5/8\" (121.9 x 198.8 x 1.6 cm)","size":[1.988,1.219],"depth":0.016,"sizeSource":"cc0-columns","summary":"Painted plywood, 1934-1935","blurb":"Painted plywood, 1934-1935. 122 cm × 199 cm × 2 cm. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 2012 — The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).","blurbSource":"catalogue","acquired":"2012","cid":"6459","url":"https://www.moma.org/collection/works/162353","imageURL":"https://www.moma.org/media/W1siZiIsIjM4NzM1MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7d220ecd3edb46f5","placement":{"kind":"plinth","x":3.72,"z":6.716,"plinth":0.64,"fw":2.338,"fd":0.5,"face":[0,-1]},"texture":"textures/162353.jpg","thumb":"thumbs/162353.jpg","seen":["map","lettering"],"tags":["1930s","architecture","city","dark","frank lloyd wright archive","muted","warm","map","lettering"],"roomTags":["city","scatter"],"docent":"This one's called Text panel for Broadacre City Project — a work by Wright, nineteen thirty-four to nineteen thirty-five. It's painted plywood, about 1.2 by 2 meters. In the picture, look for the map."},{"id":162354,"title":"Text panel for Broadacre City Project","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1934-1935","medium":"Painted plywood","credit":"The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)","classification":"Frank Lloyd Wright Archive","dimensions":"48 x 79 x 5/8\" (121.9 x 200.7 x 1.6 cm)","size":[2.007,1.219],"depth":0.016,"sizeSource":"cc0-columns","summary":"Painted plywood, 1934-1935","blurb":"Painted plywood, 1934-1935. 1.22 m × 2.01 m × 0.02 m. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 2012 — The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).","blurbSource":"catalogue","acquired":"2012","cid":"6459","url":"https://www.moma.org/collection/works/162354","imageURL":"https://www.moma.org/media/W1siZiIsIjM4NzM0OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d3d2c5a569b4bd28","placement":{"kind":"plinth","x":6.188,"z":6.716,"plinth":0.64,"fw":2.357,"fd":0.5,"face":[0,-1]},"texture":"textures/162354.jpg","thumb":"thumbs/162354.jpg","seen":["lettering"],"tags":["1930s","architecture","city","dark","frank lloyd wright archive","monumental","warm","lettering"],"roomTags":["city","scatter"],"docent":"This one's called Text panel for Broadacre City Project — a work by Wright, nineteen thirty-four to nineteen thirty-five. Painted plywood — about 1.2 by 2 meters."},{"id":161773,"title":"Broadacre City Project (Model in four sections)","artist":"Frank Lloyd Wright","artistBio":"(American, 1867–1959)","artistGender":"(male)","date":"1934–1935","medium":"Painted wood, cardboard, and paper","credit":"The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)","classification":"Frank Lloyd Wright Archive","dimensions":"9\" x 12'8\" × 12' (22.9 × 388.6 × 365.8 cm)","size":[3.886,0.229],"depth":3.658,"sizeSource":"cc0-columns","summary":"Painted wood, cardboard, and paper, 1934–1935","blurb":"Painted wood, cardboard, and paper, 1934–1935. 0.23 m × 3.89 m × 3.66 m. Frank Lloyd Wright (American, 1867–1959). Acquired by the Museum in 2012 — The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).","blurbSource":"catalogue","acquired":"2012","cid":"6459","url":"https://www.moma.org/collection/works/161773","imageURL":"https://www.moma.org/media/W1siZiIsIjQwMjYwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=82eebc8051af7d19","placement":{"kind":"plinth","x":9.604,"z":6.716,"plinth":1.1,"fw":4.236,"fd":4.008,"face":[0,-1]},"texture":"textures/161773.jpg","thumb":"thumbs/161773.jpg","seen":["map"],"tags":["1930s","architecture","cardboard","city","frank lloyd wright archive","monochrome","monumental","paper","wood","map"],"roomTags":["city","scatter"],"docent":"You're looking at Broadacre City Project (Model in four sections) — a work by Wright, nineteen thirty-four to nineteen thirty-five. Painted wood, cardboard, and paper — about 0.2 by 3.9 meters. It is an odd shape for a picture: about 3.9 metres one way and 0.2 the other, so it reads as a band rather than a window."}]},{"gallery":"520","title":"Présence Africaine","origin":[57.38,47.39],"polygon":[[0.0,0.0],[13.132,0.0],[13.132,9.992],[0.0,9.992]],"size":[13.13,9.99],"ceiling":4.6,"outdoor":false,"doors":[[3,5.0,1.6],[1,5.0,1.6],[0,6.57,1.6]],"partitions":[],"cases":[{"x":6.074,"z":4.996,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[13.132,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,12.581999999999999],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.37],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[7.7700000000000005,12.581999999999999],"height":4.6,"kind":"perimeter","edge":0},{"origin":[13.132,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[13.132,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"12 works, 1926–1999 — Pablo Picasso and Alberto Giacometti; mostly sculpture and painting.","music":"modal","artworks":[{"id":79668,"title":"The Kitchen","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Paris, November 1948","medium":"Oil on canvas","credit":"Acquired through the Nelson A. Rockefeller Bequest","classification":"Painting","dimensions":"69\" x 8' 2 1/2\" (175.3 x 250 cm)","size":[2.5,1.753],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Paris, November 1948","blurb":"Painting in oil on canvas, Paris, November 1948. 1.75 m × 2.50 m. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1980 — Acquired through the Nelson A. Rockefeller Bequest.","blurbSource":"catalogue","acquired":"1980","cid":"4609","url":"https://www.moma.org/collection/works/79668","imageURL":"https://www.moma.org/media/W1siZiIsIjUyMDkyMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=001db0918f1f3304","placement":{"kind":"wall","wall":0,"lane":0,"u":2.128,"y":1.52},"texture":"textures/79668.jpg","thumb":"thumbs/79668.jpg","seen":["abstract shapes"],"tags":["1940s","bright","canvas","cubism","monumental","muted","oil","painting","warm","abstract shapes","somber"],"roomTags":["africaine","sence"],"docent":"Here we have The Kitchen — a painting by the Spanish artist Pablo Picasso, from Paris, November nineteen forty-eight. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. In the picture, look for the abstract shapes. Picasso was part of the cubism movement."},{"id":80669,"title":"Grand Jazz Band (New Orleans)","artist":"Jean Dubuffet","artistBio":"(French, 1901–1985)","artistGender":"(male)","date":"December 1944","medium":"Oil and tempera on canvas","credit":"Gift of Nina and Gordon Bunshaft","classification":"Painting","dimensions":"45 1/8 x 57 3/4\" (114.6 x 146.7 cm)","size":[1.467,1.146],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and tempera on canvas, December 1944","blurb":"Painting in oil and tempera on canvas, December 1944. 115 cm × 147 cm. Jean Dubuffet (French, 1901–1985). Acquired by the Museum in 1968 — Gift of Nina and Gordon Bunshaft.","blurbSource":"catalogue","acquired":"1968","cid":"1633","url":"https://www.moma.org/collection/works/80669","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTA0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3b6538a844271a01","placement":{"kind":"wall","wall":1,"lane":0,"u":2.845,"y":1.52},"texture":"textures/80669.jpg","thumb":"thumbs/80669.jpg","seen":["group of people","dancing"],"tags":["1940s","canvas","dark","oil","painting","tempera","warm","group of people","dancing","joyful"],"roomTags":["africaine","sence"],"docent":"Before you is Grand Jazz Band (New Orleans) — a painting by the French artist Jean Dubuffet, December nineteen forty-four. Dubuffet was part of the outsider art movement. Tempera: pigment bound in egg, which dries within minutes and cannot be blended once down."},{"id":432933,"title":"Héritage 2 from the series Masks","artist":"Angèle Etoundi Essamba","artistBio":"(Dutch of Cameroonian descent, born 1962)","artistGender":"(female)","date":"1999","medium":"Gelatin silver print","credit":"Committee on Photography Fund","classification":"Photograph","dimensions":"15 × 18 7/16\" (38.1 × 46.8 cm)","size":[0.506,0.406],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1999","blurb":"Photograph in gelatin silver print, 1999. 41 cm × 51 cm. Angèle Etoundi Essamba (Dutch of Cameroonian descent, born 1962). Acquired by the Museum in 2022 — Committee on Photography Fund.","blurbSource":"catalogue","acquired":"2022","cid":"134681","url":"https://www.moma.org/collection/works/432933","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNjE2NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c6ef63d90711ca6c","placement":{"kind":"wall","wall":2,"lane":0,"u":8.023,"y":1.52},"texture":"textures/432933.jpg","thumb":"thumbs/432933.jpg","seen":["human face"],"tags":["1990s","dark","gelatin","monochrome","photograph","print","silver","warm","women artists","human face","somber"],"roomTags":["africaine","sence"],"docent":"Here we have Héritage 2 from the series Masks — a photograph by Angèle Etoundi Essamba, nineteen ninety-nine. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. In the picture, look for the human face."},{"id":79980,"title":"African Play, IV","artist":"Willi Baumeister","artistBio":"(German, 1889–1955)","artistGender":"(male)","date":"1942","medium":"Oil on board","credit":"Gift of Mr. and Mrs. F. Taylor Ostrander","classification":"Painting","dimensions":"14 1/8 x 18 1/8\" (35.7 x 45.9 cm)","size":[0.459,0.357],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on board, 1942","blurb":"Painting in oil on board, 1942. 36 cm × 46 cm. Willi Baumeister (German, 1889–1955). Acquired by the Museum in 1966 — Gift of Mr. and Mrs. F. Taylor Ostrander.","blurbSource":"catalogue","acquired":"1966","cid":"392","url":"https://www.moma.org/collection/works/79980","imageURL":"https://www.moma.org/media/W1siZiIsIjYxNDg4MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=74fa9febb41c40c2","placement":{"kind":"wall","wall":2,"lane":0,"u":10.197,"y":1.52},"texture":"textures/79980.jpg","thumb":"thumbs/79980.jpg","tags":["1940s","muted","oil","painting","warm","somber"],"roomTags":["africaine","sence"],"docent":"This is African Play, four — a painting by the German artist Willi Baumeister, nineteen forty-two. The piece is oil on board, about 36 by 46 centimeters."},{"id":451132,"title":"Ivory Coast Baulé","artist":"Norman Lewis","artistBio":"(American, 1909–1979)","artistGender":"(male)","date":"1935","medium":"Pastel on fine sandpaper","credit":"Acquired through the generosity of Marlene Hess and James D. Zirin in honor of Christophe Cherix","classification":"Drawing","dimensions":"sheet (irreg.): 22 × 14 1/4\" (55.9 × 36.2 cm)","size":[0.362,0.559],"depth":0.0,"sizeSource":"cc0-columns","summary":"Drawing in pastel on fine sandpaper, 1935","blurb":"Drawing in pastel on fine sandpaper, 1935. 56 cm × 36 cm. Norman Lewis (American, 1909–1979). Acquired by the Museum in 2023 — Acquired through the generosity of Marlene Hess and James D. Zirin in honor of Christophe Cherix.","blurbSource":"catalogue","acquired":"2023","cid":"3524","url":"https://www.moma.org/collection/works/451132","imageURL":"https://www.moma.org/media/W1siZiIsIjU2ODA5NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7727fcbc31e0bf36","placement":{"kind":"wall","wall":0,"lane":0,"u":5.459,"y":1.52},"texture":"textures/451132.jpg","thumb":"thumbs/451132.jpg","seen":["human face","carved figure","portrait of a person"],"tags":["1930s","drawing","pastel","seascape","warm","works on paper","human face","carved figure","portrait of a person","somber"],"roomTags":["africaine","sence"],"docent":"Before you is Ivory Coast Baulé — a drawing by Norman Lewis, nineteen thirty-five. Pastel: pigment in stick form, laid down dry, which is why the colour is as strong as pigment gets and why it can still smudge. Somewhere in there: the carved figure, and the portrait of a person. Lewis was part of the abstract expressionism movement."},{"id":29847,"title":"Face in Profile (plate, page 21) from Corps perdu","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"1949, published 1950","medium":"Engraving from an illustrated book with twenty engravings, ten aquatints (one with drypoint), one drypoint, and one etching (including wrapper front)","credit":"The Louis E. Stern Collection","classification":"Illustrated Book","dimensions":"plate: 16 1/8 × 12 1/8\" (40.9 × 30.8 cm); sheet: 15 3/8 × 11 1/8\" (39 × 28.2 cm)","size":[0.275,0.354],"depth":0.0,"sizeSource":"cc0-columns","summary":"Engraving from an illustrated book with twenty engravings, 1949, published 1950","blurb":"Engraving from an illustrated book with twenty engravings, 1949, published 1950. 35 cm × 28 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1964 — The Louis E. Stern Collection.","blurbSource":"catalogue","acquired":"1964","cid":"4609","url":"https://www.moma.org/collection/works/29847","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NDU5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=765b39a7f7246a1a","placement":{"kind":"wall","wall":0,"lane":0,"u":7.678,"y":1.52},"texture":"textures/29847.jpg","thumb":"thumbs/29847.jpg","tags":["1940s","bright","cubism","etching","illustrated book","intimate","warm","works on paper"],"roomTags":["africaine","sence"],"docent":"Here we have Face in Profile (plate, page 21) from Corps perdu — an illustrated book by Picasso, nineteen forty-nine, published nineteen fifty. An engraving, cut directly into metal with a burin, so every line tapers as the hand pushes and lifts. It is among the palest things in this museum — measured, almost the whole surface reads as light."},{"id":29845,"title":"\"Présence\" (chapter title, page 13) from Corps perdu","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"1949, published 1950","medium":"Aquatint from an illustrated book with twenty engravings, ten aquatints (one with drypoint), one drypoint, and one etching (including wrapper front)","credit":"The Louis E. Stern Collection","classification":"Illustrated Book","dimensions":"composition (irreg.): 12 3/8 × 9 3/16\" (31.5 × 23.4 cm); sheet: 15 3/8 × 11 1/8\" (39 × 28.2 cm)","size":[0.234,0.315],"depth":0.0,"sizeSource":"cc0-columns","summary":"Aquatint from an illustrated book with twenty engravings, 1949, published 1950","blurb":"Aquatint from an illustrated book with twenty engravings, 1949, published 1950. 32 cm × 23 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1964 — The Louis E. Stern Collection.","blurbSource":"catalogue","acquired":"1964","cid":"4609","url":"https://www.moma.org/collection/works/29845","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NDI4NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f9be2f48aa4363cf","placement":{"kind":"wall","wall":2,"lane":0,"u":12.235,"y":1.52},"texture":"textures/29845.jpg","thumb":"thumbs/29845.jpg","seen":["group of people"],"tags":["1940s","bright","cubism","etching","illustrated book","intimate","muted","warm","works on paper","group of people"],"roomTags":["africaine","sence"],"docent":"This is \"Présence\" (chapter title, page 13) from Corps perdu — an illustrated book by Picasso, nineteen forty-nine, published nineteen fifty. Aquatint from an illustrated book with twenty engravings, ten aquatints (one with drypoint), one drypoint, and one etching (including wrapper front) — about 32 by 23 centimeters. In the picture, look for the group of people."},{"id":29846,"title":"Coupling (plate, page 17) from Corps perdu","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"1949, published 1950","medium":"Engraving from an illustrated book with twenty engravings, ten aquatints (one with drypoint), one drypoint, and one etching (including wrapper front)","credit":"The Louis E. Stern Collection","classification":"Illustrated Book","dimensions":"composition (irreg.): 11 7/16 × 8 5/16\" (29 × 21.1 cm); sheet: 15 3/8 × 11 1/8\" (39 × 28.2 cm)","size":[0.211,0.29],"depth":0.0,"sizeSource":"cc0-columns","summary":"Engraving from an illustrated book with twenty engravings, 1949, published 1950","blurb":"Engraving from an illustrated book with twenty engravings, 1949, published 1950. 29 cm × 21 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1964 — The Louis E. Stern Collection.","blurbSource":"catalogue","acquired":"1964","cid":"4609","url":"https://www.moma.org/collection/works/29846","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NDI4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=507c49317011c91f","placement":{"kind":"wall","wall":0,"lane":0,"u":9.821,"y":1.52},"texture":"textures/29846.jpg","thumb":"thumbs/29846.jpg","seen":["abstract shapes"],"tags":["1940s","bright","cubism","etching","illustrated book","intimate","warm","works on paper","abstract shapes"],"roomTags":["africaine","sence"],"docent":"Here we have Coupling (plate, page 17) from Corps perdu — an illustrated book by Picasso, nineteen forty-nine, published nineteen fifty. The piece is engraving from an illustrated book with twenty engravings, ten aquatints (one with drypoint), one drypoint, and one etching (including wrapper front), about 29 by 21 centimeters."},{"id":52259,"title":"African Sculpture","artist":"Walker Evans","artistBio":"(American, 1903–1975)","artistGender":"(male)","date":"1935","medium":"Gelatin silver print","credit":"Transferred from The Museum of Modern Art Library, New York","classification":"Photograph","dimensions":"18 5/16 × 7 3/4\" (46.5 × 19.7 cm)","size":[0.197,0.465],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1935","blurb":"Photograph in gelatin silver print, 1935. 46 cm × 20 cm. Walker Evans (American, 1903–1975). Acquired by the Museum in 1941 — Transferred from The Museum of Modern Art Library, New York.","blurbSource":"catalogue","acquired":"1941","cid":"1777","url":"https://www.moma.org/collection/works/52259","imageURL":"https://www.moma.org/media/W1siZiIsIjI1NzU0MiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0c262eb37ad08e7e","placement":{"kind":"wall","wall":0,"lane":0,"u":11.925,"y":1.52},"texture":"textures/52259.jpg","thumb":"thumbs/52259.jpg","seen":["carved figure"],"tags":["1930s","dark","gelatin","monochrome","photograph","photography","print","silver","carved figure"],"roomTags":["africaine","sence"],"docent":"You're looking at African Sculpture — a photograph by Walker Evans, nineteen thirty-five. It's gelatin silver print, about 46 by 20 centimeters. Evans was part of the social realism movement."},{"id":80913,"title":"Disks in Echelon","artist":"Barbara Hepworth","artistBio":"(British, 1903–1975)","artistGender":"(female)","date":"1935","medium":"Padouk wood","credit":"Gift of W. B. Bennet","classification":"Sculpture","dimensions":"12 1/4 x 19 1/4 x 8 7/8\" (31.1 x 49.1 x 22.5 cm)","size":[0.491,0.311],"depth":0.225,"sizeSource":"cc0-columns","summary":"Sculpture in padouk wood, 1935","blurb":"Sculpture in padouk wood, 1935. 31 cm × 49 cm × 22 cm. Barbara Hepworth (British, 1903–1975). Acquired by the Museum in 1936 — Gift of W. B. Bennet.","blurbSource":"catalogue","acquired":"1936","cid":"2600","url":"https://www.moma.org/collection/works/80913","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNjkzNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bfb336a1b69a9108","placement":{"kind":"case","case":0,"x":5.649,"z":4.996,"y":1.016},"texture":"textures/80913.jpg","thumb":"thumbs/80913.jpg","tags":["1930s","muted","sculpture","warm","women artists","wood"],"roomTags":["africaine","sence"],"docent":"You're looking at Disks in Echelon — a sculpture by the British artist Barbara Hepworth, nineteen thirty-five. Hepworth was part of the Catalan modernism movement. Padouk wood — about 31 by 49 centimeters."},{"id":81224,"title":"Bird-Head (Oiseau-tête)","artist":"Max Ernst","artistBio":"(French and American, born Germany. 1891–1976)","artistGender":"(male)","date":"1934-35","medium":"Bronze","credit":"Acquired through the James Thrall Soby Bequest","classification":"Sculpture","dimensions":"20 5/8 x 15 x 10 3/8\" (52.4 x 38 x 27.3 cm)","size":[0.38,0.524],"depth":0.273,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1934-35","blurb":"Sculpture in bronze, 1934-35. 52 cm × 38 cm × 27 cm. Max Ernst (French and American, born Germany. 1891–1976). Acquired by the Museum in 1983 — Acquired through the James Thrall Soby Bequest.","blurbSource":"catalogue","acquired":"1983","cid":"1752","url":"https://www.moma.org/collection/works/81224","imageURL":"https://www.moma.org/media/W1siZiIsIjIyMjE3NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7c7fba87749e3beb","placement":{"kind":"case","case":0,"x":6.499,"z":4.996,"y":1.122},"texture":"textures/81224.jpg","thumb":"thumbs/81224.jpg","seen":["carved figure"],"tags":["1930s","animals","bronze","figure","muted","sculpture","seascape","surrealism","warm","carved figure"],"roomTags":["africaine","sence"],"docent":"This is Bird-Head (Oiseau-tête) — a sculpture by Max Ernst, nineteen thirty-four to nineteen thirty-five. Cast in bronze, almost always by the lost wax method, in which the model is destroyed to release the metal."},{"id":81046,"title":"Spoon Woman","artist":"Alberto Giacometti","artistBio":"(Swiss, 1901–1966)","artistGender":"(male)","date":"1926-27 (cast 1976)","medium":"Bronze","credit":"Acquired through the Mrs. Rita Silver Fund in honor of her husband Leo Silver and in memory of her son Stanley R. Silver, and the Mr. and Mrs. Walter Hochschild Fund","classification":"Sculpture","dimensions":"57 x 20 1/4 x 8 1/4\" (144.8 x 51.4 x 21 cm)","size":[0.514,1.448],"depth":0.21,"sizeSource":"cc0-columns","summary":"Sculpture in bronze, 1926-27 (cast 1976)","blurb":"Sculpture in bronze, 1926-27 (cast 1976). 145 cm × 51 cm × 21 cm. Alberto Giacometti (Swiss, 1901–1966). Acquired by the Museum in 1986 — Acquired through the Mrs. Rita Silver Fund in honor of her husband Leo Silver and in memory of her son Stanley R. Silver, and the Mr. and Mrs. Walter Hochschild Fund.","blurbSource":"catalogue","acquired":"1986","cid":"2141","url":"https://www.moma.org/collection/works/81046","imageURL":"https://www.moma.org/media/W1siZiIsIjIyMzA1OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=25c47971e09a0aa5","placement":{"kind":"plinth","x":7.476,"z":4.996,"plinth":0.55,"fw":0.864,"fd":0.56,"face":[0,-1]},"texture":"textures/81046.jpg","thumb":"thumbs/81046.jpg","seen":["carved figure"],"tags":["1920s","bright","bronze","figure","monochrome","sculpture","surrealism","carved figure"],"roomTags":["africaine","sence"],"docent":"This is Spoon Woman, modelled by Alberto Giacometti between nineteen twenty-six and nineteen twenty-seven. The body is a spoon: the concave bowl becomes the belly, on the model of West African ceremonial spoons that Paris artists were looking at closely in those years. This is a bronze cast made in nineteen seventy-six."}]},{"gallery":"521","title":"American Idioms","origin":[70.51,47.39],"polygon":[[0.0,0.0],[11.419,0.0],[11.419,9.992],[0.0,9.992]],"size":[11.42,9.99],"ceiling":4.6,"outdoor":false,"doors":[[3,5.0,1.6],[0,5.71,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[11.419,9.992],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,10.869],"height":4.6,"kind":"perimeter","edge":2},{"origin":[11.419,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,9.442],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,4.51],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[6.91,10.869],"height":4.6,"kind":"perimeter","edge":0},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,9.992],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.442],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"15 works, 1925–1952 — Alice Neel and Andrew Wyeth; mostly painting and prints.","music":"modal","artworks":[{"id":78560,"title":"Parade","artist":"Peter Blume","artistBio":"(American, 1906–1992)","artistGender":"(male)","date":"1930","medium":"Oil on canvas","credit":"Gift of Abby Aldrich Rockefeller","classification":"Painting","dimensions":"49 1/4 x 56 3/8\" (125.1 x 143.2 cm)","size":[1.432,1.251],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1930","blurb":"Painting in oil on canvas, 1930. 125 cm × 143 cm. Peter Blume (American, 1906–1992). Acquired by the Museum in 1935 — Gift of Abby Aldrich Rockefeller.","blurbSource":"catalogue","acquired":"1935","cid":"617","url":"https://www.moma.org/collection/works/78560","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODA0NSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ba5832cd6c0216ec","placement":{"kind":"wall","wall":0,"lane":0,"u":1.266,"y":1.52},"texture":"textures/78560.jpg","thumb":"thumbs/78560.jpg","tags":["1930s","canvas","golden","muted","oil","painting","dramatic"],"roomTags":["american","idioms"],"docent":"Before you is Parade — a painting by Peter Blume, nineteen thirty. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days."},{"id":78455,"title":"Christina's World","artist":"Andrew Wyeth","artistBio":"(American, 1917–2009)","artistGender":"(male)","date":"1948","medium":"Tempera on panel","credit":"Purchase","classification":"Painting","dimensions":"32 1/4 x 47 3/4\" (81.9 x 121.3 cm)","size":[1.213,0.819],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in tempera on panel, 1948","blurb":"Painting in tempera on panel, 1948. 82 cm × 121 cm. Andrew Wyeth (American, 1917–2009). Acquired by the Museum in 1949 — Purchase.","blurbSource":"catalogue","acquired":"1949","cid":"6464","url":"https://www.moma.org/collection/works/78455","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=92a6f9ac461b51aa","placement":{"kind":"wall","wall":1,"lane":0,"u":1.157,"y":1.52},"texture":"textures/78455.jpg","thumb":"thumbs/78455.jpg","seen":["field of grass","portrait of a person"],"tags":["1940s","muted","painting","tempera","warm","field of grass","portrait of a person","eerie"],"roomTags":["american","idioms"],"docent":"This is Christina's World, painted by Andrew Wyeth in nineteen forty-eight. Christina Olson was his neighbour in Maine and refused a wheelchair all her life. The field is painted from her height, as she pulls herself home across it."},{"id":79467,"title":"Liquor Store Window","artist":"Fannie Hillsmith","artistBio":"(American, 1911–2007)","artistGender":"(female)","date":"1946","medium":"Tempera, oil, and sand on canvas","credit":"Purchase","classification":"Painting","dimensions":"32 x 34 1/8\" (81.3 x 86.7 cm)","size":[0.867,0.813],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in tempera, oil, and sand on canvas, 1946","blurb":"Painting in tempera, oil, and sand on canvas, 1946. 81 cm × 87 cm. Fannie Hillsmith (American, 1911–2007). Acquired by the Museum in 1947 — Purchase.","blurbSource":"catalogue","acquired":"1947","cid":"2654","url":"https://www.moma.org/collection/works/79467","imageURL":"https://www.moma.org/media/W1siZiIsIjE3NjkyOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=624cf10e23b03815","placement":{"kind":"wall","wall":2,"lane":0,"u":1.228,"y":1.52},"texture":"textures/79467.jpg","thumb":"thumbs/79467.jpg","seen":["abstract geometric"],"tags":["1940s","canvas","dark","interior","oil","painting","tempera","warm","women artists","abstract geometric","somber"],"roomTags":["american","idioms"],"docent":"This one's called Liquor Store Window — a painting by the American artist Fannie Hillsmith, nineteen forty-six. Tempera: pigment bound in egg, which dries within minutes and cannot be blended once down. In the picture, look for the abstract geometric."},{"id":78559,"title":"Kenneth Fearing","artist":"Alice Neel","artistBio":"(American, 1900–1984)","artistGender":"(female)","date":"1935","medium":"Oil on canvas","credit":"Gift of Hartley S. Neel and Richard Neel","classification":"Painting","dimensions":"30 1/8 x 26\" (76.5 x 66 cm)","size":[0.66,0.765],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1935","blurb":"Painting in oil on canvas, 1935. 76 cm × 66 cm. Alice Neel (American, 1900–1984). Acquired by the Museum in 1988 — Gift of Hartley S. Neel and Richard Neel.","blurbSource":"catalogue","acquired":"1988","cid":"4253","url":"https://www.moma.org/collection/works/78559","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1NjM4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f748bc1cbfe38a7c","placement":{"kind":"wall","wall":3,"lane":0,"u":7.543,"y":1.52},"texture":"textures/78559.jpg","thumb":"thumbs/78559.jpg","seen":["portrait of a person"],"tags":["1930s","canvas","dark","monochrome","oil","painting","warm","women artists","portrait of a person","somber"],"roomTags":["american","idioms"],"docent":"You're looking at Kenneth Fearing — a painting by Alice Neel, nineteen thirty-five. The piece is oil on canvas, about 76 by 66 centimeters. In the picture, look for the portrait of a person. Neel was part of the Expressionism movement."},{"id":425483,"title":"Tongues (Holy Rollers)","artist":"Archibald John Motley Jr.","artistBio":"(American, 1891–1981)","artistGender":"(male)","date":"1929","medium":"Oil on canvas","credit":"Bequest of Janice H. Levin (by exchange)\r\n","classification":"Painting","dimensions":"29 1/4 × 36 1/8\" (74.3 × 91.8 cm)","size":[0.918,0.743],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1929","blurb":"Painting in oil on canvas, 1929. 74 cm × 92 cm. Archibald John Motley Jr. (American, 1891–1981). Acquired by the Museum in 2021 — Bequest of Janice H. Levin (by exchange).","blurbSource":"catalogue","acquired":"2021","cid":"133044","url":"https://www.moma.org/collection/works/425483","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNDUzNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a194e28ce778216d","placement":{"kind":"wall","wall":0,"lane":0,"u":4.043,"y":1.52},"texture":"textures/425483.jpg","thumb":"thumbs/425483.jpg","seen":["dancing"],"tags":["1920s","canvas","dark","muted","oil","painting","warm","dancing","joyful"],"roomTags":["american","idioms"],"docent":"Here we have Tongues (Holy Rollers) — a painting by the American artist Archibald John Motley Jr., nineteen twenty-nine. It's oil on canvas, about 74 by 92 centimeters. You can pick out the dancing."},{"id":78330,"title":"House by the Railroad","artist":"Edward Hopper","artistBio":"(American, 1882–1967)","artistGender":"(male)","date":"1925","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"24 x 29\" (61 x 73.7 cm)","size":[0.737,0.61],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1925","blurb":"Painting in oil on canvas, 1925. 61 cm × 74 cm. Edward Hopper (American, 1882–1967). Acquired by the Museum in 1930 — Given anonymously.","blurbSource":"catalogue","acquired":"1930","cid":"2726","url":"https://www.moma.org/collection/works/78330","imageURL":"https://www.moma.org/media/W1siZiIsIjQ2ODQxNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=643eef4c12d91b26","placement":{"kind":"wall","wall":1,"lane":0,"u":3.539,"y":1.52},"texture":"textures/78330.jpg","thumb":"thumbs/78330.jpg","seen":["house"],"tags":["1920s","canvas","muted","oil","painting","house","eerie"],"roomTags":["american","idioms"],"docent":"This is House by the Railroad, painted by Hopper in nineteen twenty-five. Hitchcock borrowed this lonely mansard house for Psycho, and the Addams Family borrowed it after him — a painting that quietly became the shape American film reaches for when it wants dread."},{"id":100241,"title":"Gladiators","artist":"Philip Guston","artistBio":"(American, born Canada. 1913–1980)","artistGender":"(male)","date":"1940","medium":"Oil and pencil on canvas","credit":"Gift of Edward R. Broida","classification":"Painting","dimensions":"24 1/2 x 28 1/8\" (62.2 x 71.4 cm)","size":[0.714,0.622],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil and pencil on canvas, 1940","blurb":"Painting in oil and pencil on canvas, 1940. 62 cm × 71 cm. Philip Guston (American, born Canada. 1913–1980). Acquired by the Museum in 2005 — Gift of Edward R. Broida.","blurbSource":"catalogue","acquired":"2005","cid":"2419","url":"https://www.moma.org/collection/works/100241","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTQ2NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=092d488077c75a71","placement":{"kind":"wall","wall":0,"lane":0,"u":6.462,"y":1.52},"texture":"textures/100241.jpg","thumb":"thumbs/100241.jpg","seen":["war"],"tags":["1940s","canvas","dark","muted","oil","painting","warm","war","dramatic"],"roomTags":["american","idioms"],"docent":"This one's called Gladiators — a painting by the American artist Philip Guston, nineteen forty. Guston was part of the abstract expressionism movement. It's oil and pencil on canvas, about 62 by 71 centimeters. You can pick out the war."},{"id":79129,"title":"The Subway","artist":"José Clemente Orozco","artistBio":"(Mexican, 1883–1949)","artistGender":"(male)","date":"1928","medium":"Oil on canvas","credit":"Gift of Abby Aldrich Rockefeller","classification":"Painting","dimensions":"16 1/8 x 22 1/8\" (41 x 56.2 cm)","size":[0.562,0.41],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1928","blurb":"Painting in oil on canvas, 1928. 41 cm × 56 cm. José Clemente Orozco (Mexican, 1883–1949). Acquired by the Museum in 1935 — Gift of Abby Aldrich Rockefeller.","blurbSource":"catalogue","acquired":"1935","cid":"4430","url":"https://www.moma.org/collection/works/79129","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTEwMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=41a2cd610bdbef54","placement":{"kind":"wall","wall":3,"lane":0,"u":10.055,"y":1.52},"texture":"textures/79129.jpg","thumb":"thumbs/79129.jpg","seen":["train"],"tags":["1920s","canvas","dark","muted","oil","painting","warm","train","somber"],"roomTags":["american","idioms"],"docent":"This is The Subway — a painting by the Mexican artist José Clemente Orozco, nineteen twenty-eight. The piece is oil on canvas, about 41 by 56 centimeters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. You can pick out the train."},{"id":73669,"title":"Barber Shop Chord","artist":"Stuart Davis","artistBio":"(American, 1892–1964)","artistGender":"(male)","date":"1931","medium":"Lithograph","credit":"Gift of Abby Aldrich Rockefeller","classification":"Print","dimensions":"composition: 14 × 19\" (35.5 × 48.2 cm); sheet: 17 1/4 × 21 5/8\" (43.8 × 54.9 cm)","size":[0.482,0.355],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, 1931","blurb":"Print in lithograph, 1931. 36 cm × 48 cm. Stuart Davis (American, 1892–1964). Acquired by the Museum in 1940 — Gift of Abby Aldrich Rockefeller.","blurbSource":"catalogue","acquired":"1940","cid":"1412","url":"https://www.moma.org/collection/works/73669","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNzMyOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6760dd7994632802","placement":{"kind":"wall","wall":1,"lane":0,"u":5.556,"y":1.52},"texture":"textures/73669.jpg","thumb":"thumbs/73669.jpg","seen":["abstract shapes"],"tags":["1930s","lithograph","monochrome","print","warm","works on paper","abstract shapes"],"roomTags":["american","idioms"],"docent":"This is Barber Shop Chord — a print by the American artist Stuart Davis, nineteen thirty-one. Davis was part of the American modernism movement. A lithograph, drawn in grease on stone: the stone is wetted so the ink takes only where the drawing is. Nothing is cut away. In the picture, look for the abstract shapes."},{"id":76210,"title":"Landscape with Steer","artist":"Jackson Pollock","artistBio":"(American, 1912–1956)","artistGender":"(male)","date":"c. 1936–37","medium":"Lithograph","credit":"Gift of Lee Krasner Pollock","classification":"Print","dimensions":"composition: 13 11/16 × 18 5/8\" (34.7 × 47.3 cm); sheet: 15 13/16 × 22 7/8\" (40.2 × 58.1 cm)","size":[0.473,0.347],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, c. 1936–37","blurb":"Print in lithograph, c. 1936–37. 35 cm × 47 cm. Jackson Pollock (American, 1912–1956). Acquired by the Museum in 1980 — Gift of Lee Krasner Pollock.","blurbSource":"catalogue","acquired":"1980","cid":"4675","url":"https://www.moma.org/collection/works/76210","imageURL":"https://www.moma.org/media/W1siZiIsIjIxOTg1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b331908e262b9299","placement":{"kind":"wall","wall":2,"lane":0,"u":3.798,"y":1.52},"texture":"textures/76210.jpg","thumb":"thumbs/76210.jpg","seen":["war"],"tags":["1930s","abstract expressionism","landscape","lithograph","muted","print","warm","works on paper","war","dramatic"],"roomTags":["american","idioms"],"docent":"This is Landscape with Steer — a print by the American artist Jackson Pollock, around nineteen thirty-six to nineteen thirty-seven. It's lithograph, about 35 by 47 centimeters. Pollock was married to Lee Krasner — who also hangs in this museum."},{"id":60548,"title":"Homestead","artist":"Thomas Hart Benton","artistBio":"(American, 1889–1975)","artistGender":"(male)","date":"1938","medium":"Lithograph","credit":"Purchase","classification":"Print","dimensions":"composition: 10 3/16 × 13 1/8\" (25.9 × 33.4 cm); sheet: 11 3/4 × 15 13/16\" (29.9 × 40.2 cm)","size":[0.334,0.259],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, 1938","blurb":"Print in lithograph, 1938. 26 cm × 33 cm. Thomas Hart Benton (American, 1889–1975). Acquired by the Museum in 1953 — Purchase.","blurbSource":"catalogue","acquired":"1953","cid":"483","url":"https://www.moma.org/collection/works/60548","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MTgxNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e025b7a077441d26","placement":{"kind":"wall","wall":1,"lane":0,"u":7.371,"y":1.52},"texture":"textures/60548.jpg","thumb":"thumbs/60548.jpg","seen":["war"],"tags":["1930s","bright","intimate","lithograph","muted","print","warm","works on paper","war","calm"],"roomTags":["american","idioms"],"docent":"Before you is Homestead — a print by the American artist Thomas Hart Benton, nineteen thirty-eight. It's lithograph, about 26 by 33 centimeters. Benton was part of the Regionalism movement."},{"id":62270,"title":"Man Reading","artist":"Louise Bourgeois","artistBio":"(American, born France. 1911–2010)","artistGender":"(female)","date":"1940–44","medium":"Lithograph","credit":"Gift of the artist","classification":"Print","dimensions":"composition: 9 1/16 × 12 5/16\" (23 × 31.2 cm); sheet: 11 5/8 × 16 1/16\" (29.5 × 40.8 cm)","size":[0.312,0.23],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, 1940–44","blurb":"Print in lithograph, 1940–44. 23 cm × 31 cm. Louise Bourgeois (American, born France. 1911–2010). Acquired by the Museum in 1990 — Gift of the artist.","blurbSource":"catalogue","acquired":"1990","cid":"710","url":"https://www.moma.org/collection/works/62270","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NjYyNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b26a64ee89cc5175","placement":{"kind":"wall","wall":0,"lane":0,"u":8.577,"y":1.52},"texture":"textures/62270.jpg","thumb":"thumbs/62270.jpg","seen":["mother and child","window"],"tags":["1940s","figure","intimate","lithograph","muted","print","warm","women artists","works on paper","mother and child","window"],"roomTags":["american","idioms"],"docent":"Here we have Man Reading — a print by the American artist Louise Bourgeois, nineteen forty to nineteen forty-four. Lithograph — about 23 by 31 centimeters. Somewhere in there: the mother and child, and the window."},{"id":75650,"title":"In the Spring","artist":"Grant Wood","artistBio":"(American, 1891–1942)","artistGender":"(male)","date":"1939","medium":"Lithograph","credit":"Gift of Kathleen L. Westin","classification":"Print","dimensions":"composition: 9 × 11 15/16\" (22.9 × 30.4 cm); sheet: 11 13/16 × 16\" (30 × 40.6 cm)","size":[0.304,0.229],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, 1939","blurb":"Print in lithograph, 1939. 23 cm × 30 cm. Grant Wood (American, 1891–1942). Acquired by the Museum in 1979 — Gift of Kathleen L. Westin.","blurbSource":"catalogue","acquired":"1979","cid":"6439","url":"https://www.moma.org/collection/works/75650","imageURL":"https://www.moma.org/media/W1siZiIsIjI1NjY0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=0b6a6739846c98d7","placement":{"kind":"wall","wall":0,"lane":0,"u":10.487,"y":1.52},"texture":"textures/75650.jpg","thumb":"thumbs/75650.jpg","seen":["portrait of a person","soldier"],"tags":["1930s","bright","intimate","lithograph","muted","print","warm","works on paper","portrait of a person","soldier","somber"],"roomTags":["american","idioms"],"docent":"Here we have In the Spring — a print by Grant Wood, nineteen thirty-nine. It's lithograph, about 23 by 30 centimeters. In the picture, look for the soldier."},{"id":76186,"title":"Mask","artist":"Yasuo Kuniyoshi","artistBio":"(American, born Japan. 1889–1953)","artistGender":"(male)","date":"1948","medium":"Lithograph","credit":"Given anonymously","classification":"Print","dimensions":"composition: 14 7/8 × 10 1/2\" (37.8 × 26.7 cm); sheet: 17 × 13 1/4\" (43.2 × 33.7 cm)","size":[0.267,0.378],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in lithograph, 1948","blurb":"Print in lithograph, 1948. 38 cm × 27 cm. Yasuo Kuniyoshi (American, born Japan. 1889–1953). Acquired by the Museum in 1964 — Given anonymously.","blurbSource":"catalogue","acquired":"1964","cid":"3296","url":"https://www.moma.org/collection/works/76186","imageURL":"https://www.moma.org/media/W1siZiIsIjE4MDg1MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c66e76b2741b931b","placement":{"kind":"wall","wall":1,"lane":0,"u":9.079,"y":1.52},"texture":"textures/76186.jpg","thumb":"thumbs/76186.jpg","seen":["human face","portrait of a person"],"tags":["1940s","bright","intimate","lithograph","muted","print","warm","works on paper","human face","portrait of a person","somber"],"roomTags":["american","idioms"],"docent":"Here we have Mask — a print by the American artist Yasuo Kuniyoshi, nineteen forty-eight. Kuniyoshi was part of the Catalan modernism movement. The piece is lithograph, about 38 by 27 centimeters. You can pick out the human face."},{"id":81740,"title":"Apartment","artist":"Isamu Noguchi","artistBio":"(American, 1904–1988)","artistGender":"(male)","date":"Kamakura, 1952","medium":"Unglazed Seto red stoneware","credit":"Nina and Gordon Bunshaft Bequest","classification":"Sculpture","dimensions":"37 1/2 x 12 1/4 x 6 3/4\" (95.2 x 31.3 x 17 cm)","size":[0.311,0.952],"depth":0.171,"sizeSource":"cc0-columns","summary":"Sculpture in unglazed Seto red stoneware, Kamakura, 1952","blurb":"Sculpture in unglazed Seto red stoneware, Kamakura, 1952. 95 cm × 31 cm × 17 cm. Isamu Noguchi (American, 1904–1988). Acquired by the Museum in 1994 — Nina and Gordon Bunshaft Bequest.","blurbSource":"catalogue","acquired":"1994","cid":"4324","url":"https://www.moma.org/collection/works/81740","imageURL":"https://www.moma.org/media/W1siZiIsIjMwMjM5MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dafe7ffe12a0eec2","placement":{"kind":"plinth","x":5.71,"z":4.996,"plinth":0.774,"fw":0.661,"fd":0.521,"face":[0,-1]},"texture":"textures/81740.jpg","thumb":"thumbs/81740.jpg","seen":["carved figure"],"tags":["1950s","monochrome","sculpture","carved figure"],"roomTags":["american","idioms"],"docent":"You're looking at Apartment — a sculpture by the American artist Isamu Noguchi, from Kamakura, nineteen fifty-two. Unglazed Seto red stoneware — about 95 by 31 centimeters."}]},{"gallery":"522","title":"Art of This Century","origin":[57.38,37.4],"polygon":[[0.0,0.0],[24.551,0.0],[24.551,9.991],[0.0,9.991]],"size":[24.55,9.99],"ceiling":4.6,"outdoor":false,"doors":[[3,5.0,1.6],[0,4.28,1.6],[2,5.71,1.6],[2,17.98,1.6],[1,3.57,1.6]],"partitions":[],"cases":[{"x":9.081,"z":4.995,"w":1.7,"d":0.8,"h":0.85}],"walls":[{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[5.48,24.000999999999998],"height":4.6,"kind":"perimeter","edge":0},{"origin":[24.551,9.991],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[6.91,16.78],"height":4.6,"kind":"perimeter","edge":2},{"origin":[24.551,9.991],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[19.18,24.000999999999998],"height":4.6,"kind":"perimeter","edge":2},{"origin":[24.551,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[4.7700000000000005,9.440999999999999],"height":4.6,"kind":"perimeter","edge":1},{"origin":[24.551,9.991],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,4.51],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,9.991],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,3.8000000000000003],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,9.991],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[6.2,9.440999999999999],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,3.0800000000000005],"height":4.6,"kind":"perimeter","edge":0},{"origin":[24.551,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":1}],"decor":null,"intro":"25 works, 1936–1990 — Alexander Calder and Louise Bourgeois; mostly painting and prints.","music":"modal","artworks":[{"id":78651,"title":"The Vertigo of Eros","artist":"Roberto Matta","artistBio":"(Chilean, 1911–2002)","artistGender":"(male)","date":"1944","medium":"Oil on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"6' 5\" x 8' 3\" (195.6 x 251.5 cm)","size":[2.515,1.956],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1944","blurb":"Painting in oil on canvas, 1944. 1.96 m × 2.52 m. Roberto Matta (Chilean, 1911–2002). Acquired by the Museum in 1944 — Given anonymously.","blurbSource":"catalogue","acquired":"1944","cid":"3842","url":"https://www.moma.org/collection/works/78651","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTQ0MyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c93e21b63272422b","placement":{"kind":"wall","wall":0,"lane":0,"u":6.738,"y":1.52},"texture":"textures/78651.jpg","thumb":"thumbs/78651.jpg","tags":["1940s","canvas","dark","monochrome","monumental","oil","painting","warm","eerie"],"roomTags":["century","this"],"docent":"Before you is The Vertigo of Eros — a painting by the Chilean artist Roberto Matta, nineteen forty-four. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. It is one of the largest things in this museum — about 17 times the area of a typical work here. Matta was part of the surrealism movement."},{"id":79691,"title":"Slow Swirl at the Edge of the Sea","artist":"Mark Rothko","artistBio":"(American, born Russia (now Latvia). 1903–1970)","artistGender":"(male)","date":"1944","medium":"Oil on canvas","credit":"Bequest of Mrs. Mark Rothko through The Mark Rothko Foundation, Inc.","classification":"Painting","dimensions":"6' 3 3/8\" x 7' 3/4\" (191.4 x 215.2 cm)","size":[2.152,1.914],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1944","blurb":"Painting in oil on canvas, 1944. 1.91 m × 2.15 m. Mark Rothko (American, born Russia (now Latvia). 1903–1970). Acquired by the Museum in 1981 — Bequest of Mrs. Mark Rothko through The Mark Rothko Foundation, Inc.","blurbSource":"catalogue","acquired":"1981","cid":"5047","url":"https://www.moma.org/collection/works/79691","imageURL":"https://www.moma.org/media/W1siZiIsIjE1OTIxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=32b56c8242162538","placement":{"kind":"wall","wall":1,"lane":0,"u":7.986,"y":1.52},"texture":"textures/79691.jpg","thumb":"thumbs/79691.jpg","tags":["1940s","canvas","monumental","oil","painting","seascape","warm","joyful"],"roomTags":["century","this"],"docent":"This is Slow Swirl at the Edge of the Sea — a painting by the American artist Mark Rothko, nineteen forty-four. Rothko was part of the abstract expressionism movement. The piece is oil on canvas, about 1.9 by 2.2 meters."},{"id":78719,"title":"The She-Wolf","artist":"Jackson Pollock","artistBio":"(American, 1912–1956)","artistGender":"(male)","date":"1943","medium":"Oil, gouache, and plaster on canvas","credit":"Purchase","classification":"Painting","dimensions":"41 7/8 x 67\" (106.4 x 170.2 cm)","size":[1.702,1.064],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil, gouache, and plaster on canvas, 1943","blurb":"Painting in oil, gouache, and plaster on canvas, 1943. 106 cm × 170 cm. Jackson Pollock (American, 1912–1956). Acquired by the Museum in 1944 — Purchase.","blurbSource":"catalogue","acquired":"1944","cid":"4675","url":"https://www.moma.org/collection/works/78719","imageURL":"https://www.moma.org/media/W1siZiIsIjIwMzA5OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=f48e80764b10412a","placement":{"kind":"wall","wall":2,"lane":0,"u":20.324,"y":1.52},"texture":"textures/78719.jpg","thumb":"thumbs/78719.jpg","tags":["1940s","abstract expressionism","canvas","dark","gouache","monochrome","oil","painting","plaster","dramatic"],"roomTags":["century","this"],"docent":"Before you is The She-Wolf — a painting by the American artist Jackson Pollock, nineteen forty-three. Pollock was married to Lee Krasner — who also hangs in this museum. Gouache, which is watercolour made opaque with chalk so it covers the paper rather than staining it."},{"id":79474,"title":"Garden in Sochi","artist":"Arshile Gorky","artistBio":"(American, born Van Province, Ottoman Empire (now Turkey). c. 1904–1948)","artistGender":"(male)","date":"1941","medium":"Oil on canvas","credit":"Purchase Fund and gift of Mr. and Mrs. Wolfgang S. Schwabacher (by exchange)","classification":"Painting","dimensions":"44 1/4 x 62 1/4\" (112.4 x 158.1 cm)","size":[1.581,1.124],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1941","blurb":"Painting in oil on canvas, 1941. 112 cm × 158 cm. Arshile Gorky (American, born Van Province, Ottoman Empire (now Turkey). c. 1904–1948). Acquired by the Museum in 1942 — Purchase Fund and gift of Mr. and Mrs. Wolfgang S. Schwabacher (by exchange).","blurbSource":"catalogue","acquired":"1942","cid":"2252","url":"https://www.moma.org/collection/works/79474","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNDMxNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=213cd1765dfc7c7c","placement":{"kind":"wall","wall":3,"lane":0,"u":5.764,"y":1.52},"texture":"textures/79474.jpg","thumb":"thumbs/79474.jpg","tags":["1940s","abstract expressionism","canvas","dark","golden","muted","oil","painting"],"roomTags":["century","this"],"docent":"You're looking at Garden in Sochi — a painting by Arshile Gorky, nineteen forty-one. It's oil on canvas, about 1.1 by 1.6 meters."},{"id":79492,"title":"Diary of a Seducer","artist":"Arshile Gorky","artistBio":"(American, born Van Province, Ottoman Empire (now Turkey). c. 1904–1948)","artistGender":"(male)","date":"1945","medium":"Oil on canvas","credit":"Gift of Mr. and Mrs. William A. M. Burden","classification":"Painting","dimensions":"50 x 62\" (126.7 x 157.5 cm)","size":[1.575,1.267],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1945","blurb":"Painting in oil on canvas, 1945. 127 cm × 158 cm. Arshile Gorky (American, born Van Province, Ottoman Empire (now Turkey). c. 1904–1948). Acquired by the Museum in 1985 — Gift of Mr. and Mrs. William A. M. Burden.","blurbSource":"catalogue","acquired":"1985","cid":"2252","url":"https://www.moma.org/collection/works/79492","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNDMxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=1d569fc72b2044cd","placement":{"kind":"wall","wall":4,"lane":0,"u":1.337,"y":1.52},"texture":"textures/79492.jpg","thumb":"thumbs/79492.jpg","tags":["1940s","abstract expressionism","canvas","monochrome","oil","painting","eerie"],"roomTags":["century","this"],"docent":"This one's called Diary of a Seducer — a painting by Gorky, nineteen forty-five. Oil on canvas — about 1.3 by 1.6 meters."},{"id":80413,"title":"Two Sisters","artist":"John D. Graham","artistBio":"(American, born Ukraine. 1886–1961)","artistGender":"(male)","date":"1944","medium":"Oil, enamel, pencil, charcoal, and casein on board","credit":"Alexander M. Bing Fund","classification":"Painting","dimensions":"47 7/8 x 48\" (121.4 x 121.8 cm)","size":[1.218,1.214],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil, enamel, pencil, charcoal, and casein on board, 1944","blurb":"Painting in oil, enamel, pencil, charcoal, and casein on board, 1944. 121 cm × 122 cm. John D. Graham (American, born Ukraine. 1886–1961). Acquired by the Museum in 1968 — Alexander M. Bing Fund.","blurbSource":"catalogue","acquired":"1968","cid":"2284","url":"https://www.moma.org/collection/works/80413","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUxOCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4ea3e75931520dea","placement":{"kind":"wall","wall":0,"lane":0,"u":9.966,"y":1.52},"texture":"textures/80413.jpg","thumb":"thumbs/80413.jpg","tags":["1940s","charcoal","muted","oil","painting","warm","somber"],"roomTags":["century","this"],"docent":"This is Two Sisters, by John Graham, nineteen forty-four — oil, enamel, pencil, charcoal and casein worked together on a board. Graham was born in Kyiv, arrived in New York in the twenties, and was the figure who introduced a generation of American painters to what was happening in Paris."},{"id":80127,"title":"Slowly Toward the North","artist":"Yves Tanguy","artistBio":"(American, born France. 1900–1955)","artistGender":"(male)","date":"1942","medium":"Oil on canvas","credit":"Gift of Philip Johnson","classification":"Painting","dimensions":"42 x 36\" (106.7 x 91.4 cm)","size":[0.914,1.067],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1942","blurb":"Painting in oil on canvas, 1942. 107 cm × 91 cm. Yves Tanguy (American, born France. 1900–1955). Acquired by the Museum in 1943 — Gift of Philip Johnson.","blurbSource":"catalogue","acquired":"1943","cid":"5804","url":"https://www.moma.org/collection/works/80127","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNDYxOSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=c85dcb2e6b4638a7","placement":{"kind":"wall","wall":0,"lane":0,"u":12.395,"y":1.52},"texture":"textures/80127.jpg","thumb":"thumbs/80127.jpg","tags":["1940s","canvas","cool","dark","monochrome","oil","painting","surrealism","war","eerie"],"roomTags":["century","this"],"docent":"Here we have Slowly Toward the North — a painting by the American artist Yves Tanguy, nineteen forty-two. Oil on canvas — about 1.1 by 0.9 meters. It is among the darkest surfaces here: measured across the whole picture it gives back very little light."},{"id":78728,"title":"Meditation on an Oak Leaf","artist":"André Masson","artistBio":"(French, 1896–1987)","artistGender":"(male)","date":"1942","medium":"Tempera, pastel and sand on canvas","credit":"Given anonymously","classification":"Painting","dimensions":"40 x 33\" (101.6 x 83.8 cm)","size":[0.838,1.016],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in tempera, pastel and sand on canvas, 1942","blurb":"Painting in tempera, pastel and sand on canvas, 1942. 102 cm × 84 cm. André Masson (French, 1896–1987). Acquired by the Museum in 1950 — Given anonymously.","blurbSource":"catalogue","acquired":"1950","cid":"3821","url":"https://www.moma.org/collection/works/78728","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTUxNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7a58a3e073da394e","placement":{"kind":"wall","wall":1,"lane":0,"u":11.33,"y":1.52},"texture":"textures/78728.jpg","thumb":"thumbs/78728.jpg","tags":["1940s","canvas","dark","muted","painting","pastel","surrealism","tempera","dramatic"],"roomTags":["century","this"],"docent":"You're looking at Meditation on an Oak Leaf — a painting by the French artist André Masson, nineteen forty-two. Tempera: pigment bound in egg, which dries within minutes and cannot be blended once down."},{"id":80636,"title":"Milky Way","artist":"Janet Sobel","artistBio":"(American, born Ukraine. 1894–1968)","artistGender":"(female)","date":"1945","medium":"Enamel on canvas","credit":"Gift of the artist's family","classification":"Painting","dimensions":"44 7/8 x 29 7/8\" (114 x 75.9 cm)","size":[0.759,1.14],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in enamel on canvas, 1945","blurb":"Painting in enamel on canvas, 1945. 114 cm × 76 cm. Janet Sobel (American, born Ukraine. 1894–1968). Acquired by the Museum in 1968 — Gift of the artist's family.","blurbSource":"catalogue","acquired":"1968","cid":"5503","url":"https://www.moma.org/collection/works/80636","imageURL":"https://www.moma.org/media/W1siZiIsIjE2MjA0MSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9c58b6c944006836","placement":{"kind":"wall","wall":0,"lane":0,"u":14.594,"y":1.52},"texture":"textures/80636.jpg","thumb":"thumbs/80636.jpg","tags":["1940s","canvas","monochrome","painting","warm","women artists","eerie"],"roomTags":["century","this"],"docent":"Here we have Milky Way — a painting by Janet Sobel, nineteen forty-five. Enamel on canvas — about 1.1 by 0.8 meters."},{"id":79929,"title":"Untitled","artist":"Norman Lewis","artistBio":"(American, 1909–1979)","artistGender":"(male)","date":"1949","medium":"Oil on canvas","credit":"Gift of The Friends of Education of The Museum of Modern Art","classification":"Painting","dimensions":"26 7/8 x 31 7/8\" (68.3 x 81 cm)","size":[0.81,0.683],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1949","blurb":"Painting in oil on canvas, 1949. 68 cm × 81 cm. Norman Lewis (American, 1909–1979). Acquired by the Museum in 1998 — Gift of The Friends of Education of The Museum of Modern Art.","blurbSource":"catalogue","acquired":"1998","cid":"3524","url":"https://www.moma.org/collection/works/79929","imageURL":"https://www.moma.org/media/W1siZiIsIjIwNzY0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=48dbd45d57b884b0","placement":{"kind":"wall","wall":0,"lane":0,"u":16.741,"y":1.52},"texture":"textures/79929.jpg","thumb":"thumbs/79929.jpg","tags":["1940s","canvas","dark","muted","oil","painting","warm","eerie"],"roomTags":["century","this"],"docent":"Here we have Untitled — a painting by the American artist Norman Lewis, nineteen forty-nine. Oil on canvas — about 68 by 81 centimeters."},{"id":297568,"title":"Green Tea","artist":"Leonora Carrington","artistBio":"(British, 1917–2011)","artistGender":"(female)","date":"1942","medium":"Oil on canvas","credit":"Gift of the Drue Heinz Trust (by exchange)","classification":"Painting","dimensions":"24 × 30\" (61 × 76.2 cm)","size":[0.762,0.61],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1942","blurb":"Painting in oil on canvas, 1942. 61 cm × 76 cm. Leonora Carrington (British, 1917–2011). Acquired by the Museum in 2019 — Gift of the Drue Heinz Trust (by exchange).","blurbSource":"catalogue","acquired":"2019","cid":"993","url":"https://www.moma.org/collection/works/297568","imageURL":"https://www.moma.org/media/W1siZiIsIjQ1MDk1NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=7c17655a0061bb12","placement":{"kind":"wall","wall":1,"lane":0,"u":13.978,"y":1.52},"texture":"textures/297568.jpg","thumb":"thumbs/297568.jpg","tags":["1940s","canvas","muted","oil","painting","surrealism","women artists","eerie"],"roomTags":["century","this"],"docent":"Here we have Green Tea — a painting by the British artist Leonora Carrington, nineteen forty-two. It's oil on canvas, about 61 by 76 centimeters."},{"id":61227,"title":"Laocoön","artist":"Stanley William Hayter","artistBio":"(British, 1901–1988)","artistGender":"(male)","date":"1943","medium":"Engraving and etching","credit":"Purchase","classification":"Print","dimensions":"plate: 12 1/4 × 21 3/4\" (31.1 × 55.2 cm); sheet: 15 1/16 × 24 1/8\" (38.2 × 61.3 cm)","size":[0.552,0.311],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in engraving and etching, 1943","blurb":"Print in engraving and etching, 1943. 31 cm × 55 cm. Stanley William Hayter (British, 1901–1988). Acquired by the Museum in 1943 — Purchase.","blurbSource":"catalogue","acquired":"1943","cid":"2558","url":"https://www.moma.org/collection/works/61227","imageURL":"https://www.moma.org/media/W1siZiIsIjIwODE0MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=8b638429f89e8d1b","placement":{"kind":"wall","wall":3,"lane":0,"u":8.731,"y":1.52},"texture":"textures/61227.jpg","thumb":"thumbs/61227.jpg","seen":["abstract shapes"],"tags":["1940s","etching","print","warm","works on paper","abstract shapes","dramatic"],"roomTags":["century","this"],"docent":"You're looking at Laocoön — a print by the British artist Stanley William Hayter, nineteen forty-three. An engraving, cut directly into metal with a burin, so every line tapers as the hand pushes and lifts. You can pick out the abstract shapes."},{"id":63307,"title":"Amazon","artist":"Stanley William Hayter","artistBio":"(British, 1901–1988)","artistGender":"(male)","date":"1945","medium":"Engraving and etching","credit":"Philip Johnson Fund","classification":"Print","dimensions":"plate: 24 1/2 × 15 7/8\" (62.2 × 40.3 cm); sheet: 29 15/16 × 20 1/4\" (76 × 51.4 cm)","size":[0.403,0.622],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in engraving and etching, 1945","blurb":"Print in engraving and etching, 1945. 62 cm × 40 cm. Stanley William Hayter (British, 1901–1988). Acquired by the Museum in 1945 — Philip Johnson Fund.","blurbSource":"catalogue","acquired":"1945","cid":"2558","url":"https://www.moma.org/collection/works/63307","imageURL":"https://www.moma.org/media/W1siZiIsIjIyMDY5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a76145ad914e2b0e","placement":{"kind":"wall","wall":2,"lane":0,"u":23.276,"y":1.52},"texture":"textures/63307.jpg","thumb":"thumbs/63307.jpg","tags":["1940s","bright","etching","muted","print","warm","works on paper"],"roomTags":["century","this"],"docent":"You're looking at Amazon — a print by Hayter, nineteen forty-five. The piece is engraving and etching, about 62 by 40 centimeters."},{"id":78423,"title":"Napoleon in the Wilderness","artist":"Max Ernst","artistBio":"(French and American, born Germany. 1891–1976)","artistGender":"(male)","date":"1941","medium":"Oil on canvas","credit":"Purchase and exchange","classification":"Painting","dimensions":"18 1/4 x 15\" (46.3 x 38.1 cm)","size":[0.381,0.463],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1941","blurb":"Painting in oil on canvas, 1941. 46 cm × 38 cm. Max Ernst (French and American, born Germany. 1891–1976). Acquired by the Museum in 1942 — Purchase and exchange.","blurbSource":"catalogue","acquired":"1942","cid":"1752","url":"https://www.moma.org/collection/works/78423","imageURL":"https://www.moma.org/media/W1siZiIsIjUxNzQzMSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=011fe05f092c6467","placement":{"kind":"wall","wall":0,"lane":0,"u":18.699,"y":1.52},"texture":"textures/78423.jpg","thumb":"thumbs/78423.jpg","seen":["carved figure"],"tags":["1940s","canvas","cool","monochrome","oil","painting","surrealism","carved figure","eerie"],"roomTags":["century","this"],"docent":"This is Napoleon in the Wilderness — a painting by Max Ernst, nineteen forty-one. Oil on canvas — about 46 by 38 centimeters. You can pick out the carved figure."},{"id":49011,"title":"Central Park South, New York","artist":"Ted Croner","artistBio":"(American, 1922–2005)","artistGender":"(male)","date":"1948","medium":"Gelatin silver print","credit":"Gift of the artist","classification":"Photograph","dimensions":"10 15/16 × 13 3/4\" (27.8 × 34.9 cm)","size":[0.349,0.278],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1948","blurb":"Photograph in gelatin silver print, 1948. 28 cm × 35 cm. Ted Croner (American, 1922–2005). Acquired by the Museum in 1993 — Gift of the artist.","blurbSource":"catalogue","acquired":"1993","cid":"1312","url":"https://www.moma.org/collection/works/49011","imageURL":"https://www.moma.org/media/W1siZiIsIjE4ODU5MCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=734b3dabb1b32a86","placement":{"kind":"wall","wall":0,"lane":0,"u":20.426,"y":1.52},"texture":"textures/49011.jpg","thumb":"thumbs/49011.jpg","seen":["city street","skyscraper"],"tags":["1940s","dark","gelatin","intimate","monochrome","photograph","print","silver","city street","skyscraper","eerie"],"roomTags":["century","this"],"docent":"Here we have Central Park South, New York — a photograph by the American artist Ted Croner, nineteen forty-eight. A gelatin silver print — the standard black-and-white photograph of the twentieth century, paper coated in gelatin holding light-sensitive silver, developed by hand in a tray. In the picture, look for the city street and the skyscraper."},{"id":82482,"title":"New York","artist":"Andreas Feininger","artistBio":"(American, born France. 1906–1999)","artistGender":"(male)","date":"1947","medium":"Gelatin silver print","credit":"Gift of Wysse Feininger in memory of her husband Andreas","classification":"Photograph","dimensions":"10 11/16 × 13 7/16\" (27.2 × 34.2 cm)","size":[0.342,0.272],"depth":0.0,"sizeSource":"cc0-columns","summary":"Photograph in gelatin silver print, 1947","blurb":"Photograph in gelatin silver print, 1947. 27 cm × 34 cm. Andreas Feininger (American, born France. 1906–1999). Acquired by the Museum in 2001 — Gift of Wysse Feininger in memory of her husband Andreas.","blurbSource":"catalogue","acquired":"2001","cid":"1831","url":"https://www.moma.org/collection/works/82482","imageURL":"https://www.moma.org/media/W1siZiIsIjEzNjU3OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=dd4b85db698f0935","placement":{"kind":"wall","wall":1,"lane":0,"u":16.379,"y":1.52},"texture":"textures/82482.jpg","thumb":"thumbs/82482.jpg","seen":["lettering","skyscraper","city street"],"tags":["1940s","gelatin","intimate","monochrome","photograph","print","silver","lettering","skyscraper","city street","eerie"],"roomTags":["century","this"],"docent":"This is New York, photographed by Andreas Feininger in nineteen forty-seven. He shot the city with very long lenses from a great distance, which flattens twenty blocks into a single wall of buildings. The print came to the museum from his widow, in his memory."},{"id":68022,"title":"Boxwood 6PM","artist":"Louise Bourgeois","artistBio":"(American, born France. 1911–2010)","artistGender":"(female)","date":"c. 1945, reprinted 1990","medium":"Etching","credit":"Gift of the artist","classification":"Print","dimensions":"plate: 11 15/16 × 4 3/4\" (30.4 × 12 cm); sheet: 17 5/16 × 12 7/8\" (44 × 32.7 cm)","size":[0.327,0.44],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Print in etching, c. 1945, reprinted 1990","blurb":"Print in etching, c. 1945, reprinted 1990. 30 cm × 12 cm. Louise Bourgeois (American, born France. 1911–2010). Acquired by the Museum in 1993 — Gift of the artist.","blurbSource":"catalogue","acquired":"1993","cid":"710","url":"https://www.moma.org/collection/works/68022","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NjUzMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3e7789284eef30eb","placement":{"kind":"wall","wall":4,"lane":0,"u":4.116,"y":1.52},"texture":"textures/68022.jpg","thumb":"thumbs/68022.jpg","seen":["carved figure"],"tags":["1940s","bright","etching","muted","print","warm","women artists","works on paper","carved figure"],"roomTags":["century","this"],"docent":"Before you is Boxwood 6PM — a print by the American artist Louise Bourgeois, around nineteen forty-five, reprinted nineteen ninety. An etching: the plate is covered in wax, drawn through with a needle, and the acid does the cutting."},{"id":68009,"title":"Boxwood Noon","artist":"Louise Bourgeois","artistBio":"(American, born France. 1911–2010)","artistGender":"(female)","date":"c. 1945, reprinted 1990","medium":"Etching","credit":"Gift of the artist","classification":"Print","dimensions":"plate: 11 15/16 × 4 3/4\" (30.4 × 12 cm); sheet: 17 5/16 × 12 13/16\" (44 × 32.5 cm)","size":[0.325,0.44],"depth":0.0,"sizeSource":"cc0-freetext","summary":"Print in etching, c. 1945, reprinted 1990","blurb":"Print in etching, c. 1945, reprinted 1990. 30 cm × 12 cm. Louise Bourgeois (American, born France. 1911–2010). Acquired by the Museum in 1993 — Gift of the artist.","blurbSource":"catalogue","acquired":"1993","cid":"710","url":"https://www.moma.org/collection/works/68009","imageURL":"https://www.moma.org/media/W1siZiIsIjIyNDA2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=249bb92b6702f006","placement":{"kind":"wall","wall":0,"lane":0,"u":22.126,"y":1.52},"texture":"textures/68009.jpg","thumb":"thumbs/68009.jpg","tags":["1940s","bright","etching","monochrome","print","warm","women artists","works on paper"],"roomTags":["century","this"],"docent":"Before you is Boxwood Noon — a print by Bourgeois, around nineteen forty-five, reprinted nineteen ninety. The piece is etching, about 44 by 32 centimeters."},{"id":68036,"title":"Boxwood Midnight","artist":"Louise Bourgeois","artistBio":"(American, born France. 1911–2010)","artistGender":"(female)","date":"c. 1945, reprinted 1990","medium":"Etching","credit":"Gift of the artist","classification":"Print","dimensions":"plate: 11 15/16 × 4 3/4\" (30.4 × 12 cm); sheet: 17 5/16 × 12 7/8\" (44 × 32.7 cm)","size":[0.12,0.304],"depth":0.0,"sizeSource":"cc0-columns","summary":"Print in etching, c. 1945, reprinted 1990","blurb":"Print in etching, c. 1945, reprinted 1990. 30 cm × 12 cm. Louise Bourgeois (American, born France. 1911–2010). Acquired by the Museum in 1993 — Gift of the artist.","blurbSource":"catalogue","acquired":"1993","cid":"710","url":"https://www.moma.org/collection/works/68036","imageURL":"https://www.moma.org/media/W1siZiIsIjE2NjUzNCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=40f1c221c2efe2de","placement":{"kind":"wall","wall":0,"lane":0,"u":23.711,"y":1.52},"texture":"textures/68036.jpg","thumb":"thumbs/68036.jpg","tags":["1940s","bright","etching","intimate","print","warm","women artists","works on paper"],"roomTags":["century","this"],"docent":"Before you is Boxwood Midnight — a print by Bourgeois, around nineteen forty-five, reprinted nineteen ninety. The piece is etching, about 30 by 12 centimeters."},{"id":81784,"title":"Untitled (Bébé Marie)","artist":"Joseph Cornell","artistBio":"(American, 1903–1972)","artistGender":"(male)","date":"early 1940s","medium":"Papered and painted wood box, with painted corrugated cardboard bottom, containing doll in cloth dress and straw hat with cloth flowers, dried flowers, and twigs, flecked with paint","credit":"Acquired through the Lillie P. Bliss Bequest (by exchange)","classification":"Sculpture","dimensions":"23 1/2 x 12 3/8 x 5 1/4\" (59.7 x 31.5 x 13.3 cm)","size":[0.315,0.597],"depth":0.133,"sizeSource":"cc0-columns","summary":"Sculpture in papered and painted wood box, early 1940s","blurb":"Sculpture in papered and painted wood box, early 1940s. 60 cm × 32 cm × 13 cm. Joseph Cornell (American, 1903–1972). Acquired by the Museum in 1980 — Acquired through the Lillie P. Bliss Bequest (by exchange).","blurbSource":"catalogue","acquired":"1980","cid":"1247","url":"https://www.moma.org/collection/works/81784","imageURL":"https://www.moma.org/media/W1siZiIsIjE5ODI4NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=fb42ba2cf466e2e8","placement":{"kind":"case","case":0,"x":9.081,"z":4.995,"y":1.158},"texture":"textures/81784.jpg","thumb":"thumbs/81784.jpg","seen":["carved figure"],"tags":["1940s","cardboard","monochrome","sculpture","warm","wood","carved figure","eerie"],"roomTags":["century","this"],"docent":"This is Untitled, called Bébé Marie, made by Joseph Cornell in the early nineteen fortyies. A papered wood box holds a doll in a cloth dress and a straw hat, and around her, dried flowers and twigs flecked with paint. Cornell built these boxes at his kitchen table in Queens, out of things bought secondhand."},{"id":81902,"title":"Gibraltar","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"1936","medium":"Lignum vitae, walnut, steel rods, and painted wood","credit":"Gift of the artist","classification":"Sculpture","dimensions":"51 7/8 x 24 1/4 x 11 3/8\" (131.7 x 61.3 x 28.7 cm)","size":[0.613,1.317],"depth":0.287,"sizeSource":"cc0-columns","summary":"Sculpture in lignum vitae, walnut, steel rods, and painted wood, 1936","blurb":"Sculpture in lignum vitae, walnut, steel rods, and painted wood, 1936. 132 cm × 61 cm × 29 cm. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1966 — Gift of the artist.","blurbSource":"catalogue","acquired":"1966","cid":"922","url":"https://www.moma.org/collection/works/81902","imageURL":"https://www.moma.org/media/W1siZiIsIjEyNjYwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=3cbf8e643428b7c2","placement":{"kind":"plinth","x":10.533,"z":4.995,"plinth":0.592,"fw":0.963,"fd":0.637,"face":[0,-1]},"texture":"textures/81902.jpg","thumb":"thumbs/81902.jpg","tags":["1930s","monochrome","sculpture","steel","wood"],"roomTags":["century","this"],"docent":"Before you is Gibraltar, made by Alexander Calder in nineteen thirty-six from lignum vitae, walnut, steel rods and painted wood. Lignum vitae is among the densest woods there is — it sinks in water — and Calder has balanced it on rods so the whole thing looks provisional."},{"id":81431,"title":"Spider","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"1939","medium":"Painted sheet aluminum, steel rod, and steel wire","credit":"Gift of the artist","classification":"Sculpture","dimensions":"6' 8 1/2\" x 7' 4 1/2\" x 36 1/2\" (203.5 x 224.5 x 92.6 cm)","size":[2.245,2.035],"depth":0.926,"sizeSource":"cc0-columns","summary":"Sculpture in painted sheet aluminum, steel rod, and steel wire, 1939","blurb":"Sculpture in painted sheet aluminum, steel rod, and steel wire, 1939. 2.04 m × 2.25 m × 0.93 m. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1966 — Gift of the artist.","blurbSource":"catalogue","acquired":"1966","cid":"922","url":"https://www.moma.org/collection/works/81431","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTIzNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=9dc265bd219cf134","placement":{"kind":"plinth","x":12.431,"z":4.995,"plinth":0.55,"fw":2.595,"fd":1.276,"face":[0,-1]},"texture":"textures/81431.jpg","thumb":"thumbs/81431.jpg","seen":["abstract shapes"],"tags":["1930s","aluminum","bright","monochrome","monumental","sculpture","steel","abstract shapes"],"roomTags":["century","this"],"docent":"This one's called Spider — a sculpture by Calder, nineteen thirty-nine. Calder was part of the kinetic art movement. It's painted sheet aluminum, steel rod, and steel wire, about 2 by 2.2 meters."},{"id":81834,"title":"Constellation with Red Object","artist":"Alexander Calder","artistBio":"(American, 1898–1976)","artistGender":"(male)","date":"Roxbury, Connecticut, 1943","medium":"Painted wood and steel wire","credit":"James Thrall Soby Fund","classification":"Sculpture","dimensions":"24 1/2 x 15 1/4 x 9 1/2\" (62.2 x 38.7 x 24.1 cm)","size":[0.387,0.622],"depth":0.241,"sizeSource":"cc0-columns","summary":"Sculpture in painted wood and steel wire, Roxbury, Connecticut, 1943","blurb":"Sculpture in painted wood and steel wire, Roxbury, Connecticut, 1943. 62 cm × 39 cm × 24 cm. Alexander Calder (American, 1898–1976). Acquired by the Museum in 1943 — James Thrall Soby Fund.","blurbSource":"catalogue","acquired":"1943","cid":"922","url":"https://www.moma.org/collection/works/81834","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMTg3NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=b77318438cca98be","placement":{"kind":"plinth","x":14.217,"z":4.995,"plinth":0.939,"fw":0.737,"fd":0.591,"face":[0,-1]},"texture":"textures/81834.jpg","thumb":"thumbs/81834.jpg","seen":["abstract shapes"],"tags":["1940s","bright","monochrome","sculpture","steel","wood","abstract shapes"],"roomTags":["century","this"],"docent":"Before you is Constellation with Red Object — a sculpture by Calder, from Roxbury, Connecticut, nineteen forty-three. The piece is painted wood and steel wire, about 62 by 39 centimeters."},{"id":2192,"title":"Multi-use Chair","artist":"Frederick Kiesler","artistBio":"(American, born Austria-Hungary. 1890–1965)","artistGender":"(male)","date":"1942","medium":"Oak and linoleum","credit":"Edgar Kaufmann, Jr. Purchase Fund","classification":"Design","dimensions":"33 3/8 x 15 5/8 x 35\" (84.8 x 39.7 x 88.9 cm)","size":[0.397,0.848],"depth":0.889,"sizeSource":"cc0-columns","summary":"Design in oak and linoleum, 1942","blurb":"Design in oak and linoleum, 1942. 85 cm × 40 cm × 89 cm. Frederick Kiesler (American, born Austria-Hungary. 1890–1965). Acquired by the Museum in 1948 — Edgar Kaufmann, Jr. Purchase Fund.","blurbSource":"catalogue","acquired":"1948","cid":"3091","url":"https://www.moma.org/collection/works/2192","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDMyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=30436fe24db2ba74","placement":{"kind":"plinth","x":15.079,"z":4.995,"plinth":0.826,"fw":0.747,"fd":1.239,"face":[0,-1]},"texture":"textures/2192.jpg","thumb":"thumbs/2192.jpg","seen":["chair"],"tags":["1940s","bright","design","muted","warm","chair"],"roomTags":["century","this"],"docent":"Before you is Multi-use Chair — a design object by the American artist Frederick Kiesler, nineteen forty-two. The piece is oak and linoleum, about 85 by 40 centimeters. You can pick out the chair."},{"id":2207,"title":"Multi-use Chair","artist":"Frederick Kiesler","artistBio":"(American, born Austria-Hungary. 1890–1965)","artistGender":"(male)","date":"1942","medium":"Oak and linoleum","credit":"Edgar Kaufmann, Jr. Purchase Fund","classification":"Design","dimensions":"33 3/8 x 15 5/8 x 35\" (84.8 x 39.7 x 88.9 cm)","size":[0.397,0.848],"depth":0.889,"sizeSource":"cc0-columns","summary":"Design in oak and linoleum, 1942","blurb":"Design in oak and linoleum, 1942. 85 cm × 40 cm × 89 cm. Frederick Kiesler (American, born Austria-Hungary. 1890–1965). Acquired by the Museum in 1948 — Edgar Kaufmann, Jr. Purchase Fund.","blurbSource":"catalogue","acquired":"1948","cid":"3091","url":"https://www.moma.org/collection/works/2207","imageURL":"https://www.moma.org/media/W1siZiIsIjIxMDMyNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=30436fe24db2ba74","placement":{"kind":"plinth","x":15.947,"z":4.995,"plinth":0.826,"fw":0.747,"fd":1.239,"face":[0,-1]},"texture":"textures/2207.jpg","thumb":"thumbs/2207.jpg","seen":["chair"],"tags":["1940s","bright","design","muted","warm","chair"],"roomTags":["century","this"],"docent":"Before you is Multi-use Chair — a design object by Kiesler, nineteen forty-two. It's oak and linoleum, about 85 by 40 centimeters."}]},{"gallery":"523","title":"Portraits in Wartime","origin":[81.93,37.4],"polygon":[[0.0,0.0],[5.995,0.0],[5.995,7.137],[0.0,7.137]],"size":[6.0,7.14],"ceiling":4.6,"outdoor":false,"doors":[[3,3.57,1.6]],"partitions":[],"cases":[],"walls":[{"origin":[5.995,0.0],"dir":[0.0,1.0],"normal":[-1.0,0.0],"span":[0.55,6.587],"height":4.6,"kind":"perimeter","edge":1},{"origin":[0.0,0.0],"dir":[1.0,0.0],"normal":[-0.0,1.0],"span":[0.55,5.445],"height":4.6,"kind":"perimeter","edge":0},{"origin":[5.995,7.137],"dir":[-1.0,0.0],"normal":[-0.0,-1.0],"span":[0.55,5.445],"height":4.6,"kind":"perimeter","edge":2},{"origin":[0.0,7.137],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[0.55,2.3699999999999997],"height":4.6,"kind":"perimeter","edge":3},{"origin":[0.0,7.137],"dir":[0.0,-1.0],"normal":[1.0,0.0],"span":[4.7700000000000005,6.587],"height":4.6,"kind":"perimeter","edge":3}],"decor":null,"intro":"4 works, 1935–1940 — Georges Braque and Joan Miró; mostly painting.","music":"modal","artworks":[{"id":78315,"title":"Woman with a Mandolin","artist":"Georges Braque","artistBio":"(French, 1882–1963)","artistGender":"(male)","date":"1937","medium":"Oil on canvas","credit":"Mrs. Simon Guggenheim Fund","classification":"Painting","dimensions":"51 1/4 x 38 1/4\" (130.2 x 97.2 cm)","size":[0.972,1.302],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, 1937","blurb":"Painting in oil on canvas, 1937. 130 cm × 97 cm. Georges Braque (French, 1882–1963). Acquired by the Museum in 1948 — Mrs. Simon Guggenheim Fund.","blurbSource":"catalogue","acquired":"1948","cid":"744","url":"https://www.moma.org/collection/works/78315","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTI0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=a642e720365b40d2","placement":{"kind":"wall","wall":0,"lane":0,"u":2.018,"y":1.52},"texture":"textures/78315.jpg","thumb":"thumbs/78315.jpg","tags":["1930s","canvas","cubism","dark","figure","monochrome","music","oil","painting","warm","somber"],"roomTags":["portraits","wartime"],"docent":"This one's called Woman with a Mandolin — a painting by the French artist Georges Braque, nineteen thirty-seven. Oil on canvas — pigment ground into a slow-drying oil, which is what lets a painter go back into wet paint for days. It is among the darkest surfaces here: measured across the whole picture it gives back very little light. Braque was part of the cubism movement."},{"id":80604,"title":"Self-Portrait I","artist":"Joan Miró","artistBio":"(Spanish, 1893–1983)","artistGender":"(male)","date":"Paris, October 1937-March 1938","medium":"Pencil, crayon, and oil on canvas","credit":"James Thrall Soby Bequest","classification":"Painting","dimensions":"57 1/2 x 38 1/4\" (146.1 x 97.2 cm)","size":[0.972,1.461],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in pencil, crayon, and oil on canvas, Paris, October 1937-March 1938","blurb":"Painting in pencil, crayon, and oil on canvas, Paris, October 1937-March 1938. 146 cm × 97 cm. Joan Miró (Spanish, 1893–1983). Acquired by the Museum in 1979 — James Thrall Soby Bequest.","blurbSource":"catalogue","acquired":"1979","cid":"4016","url":"https://www.moma.org/collection/works/80604","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTAwMCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d3c2350ebc44f4cf","placement":{"kind":"wall","wall":1,"lane":0,"u":1.681,"y":1.52},"texture":"textures/80604.jpg","thumb":"thumbs/80604.jpg","seen":["portrait of a person"],"tags":["1930s","canvas","monochrome","oil","painting","portrait","self-portrait","surrealism","warm","portrait of a person","somber"],"roomTags":["portraits","wartime"],"docent":"Before you is Self-Portrait I — a painting by the Spanish artist Joan Miró, from Paris, October nineteen thirty-seven-March nineteen thirty-eight. Pencil, crayon, and oil on canvas — about 1.5 by 1 meters. Miró was part of the surrealism movement."},{"id":80360,"title":"Woman Dressing Her Hair","artist":"Pablo Picasso","artistBio":"(Spanish, 1881–1973)","artistGender":"(male)","date":"Royan, June 1940","medium":"Oil on canvas","credit":"Louise Reinhardt Smith Bequest","classification":"Painting","dimensions":"51 1/4 x 38 1/4\" (130.1 x 97.1 cm)","size":[0.972,1.302],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Royan, June 1940","blurb":"Painting in oil on canvas, Royan, June 1940. 130 cm × 97 cm. Pablo Picasso (Spanish, 1881–1973). Acquired by the Museum in 1995 — Louise Reinhardt Smith Bequest.","blurbSource":"catalogue","acquired":"1995","cid":"4609","url":"https://www.moma.org/collection/works/80360","imageURL":"https://www.moma.org/media/W1siZiIsIjE1MTQ4OCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=ea8543db5670fd21","placement":{"kind":"wall","wall":0,"lane":0,"u":4.889,"y":1.52},"texture":"textures/80360.jpg","thumb":"thumbs/80360.jpg","tags":["1940s","canvas","cubism","dark","figure","monochrome","oil","painting","somber"],"roomTags":["portraits","wartime"],"docent":"This is Woman Dressing Her Hair — a painting by Pablo Picasso, from Royan, June nineteen forty. The piece is oil on canvas, about 1.3 by 1 meters."},{"id":79990,"title":"The Portrait","artist":"René Magritte","artistBio":"(Belgian, 1898–1967)","artistGender":"(male)","date":"Brussels 1935","medium":"Oil on canvas","credit":"Gift of Kay Sage Tanguy","classification":"Painting","dimensions":"28 7/8 x 19 7/8\" (73.3 x 50.2 cm)","size":[0.502,0.733],"depth":0.0,"sizeSource":"cc0-columns","summary":"Painting in oil on canvas, Brussels 1935","blurb":"Painting in oil on canvas, Brussels 1935. 73 cm × 50 cm. René Magritte (Belgian, 1898–1967). Acquired by the Museum in 1956 — Gift of Kay Sage Tanguy.","blurbSource":"catalogue","acquired":"1956","cid":"3692","url":"https://www.moma.org/collection/works/79990","imageURL":"https://www.moma.org/media/W1siZiIsIjI2MzU0NiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=6307c8d6131774ff","placement":{"kind":"wall","wall":1,"lane":0,"u":4.319,"y":1.52},"texture":"textures/79990.jpg","thumb":"thumbs/79990.jpg","seen":["food on a table","eye"],"tags":["1930s","canvas","muted","oil","painting","portrait","self-portrait","surrealism","warm","food on a table","eye","somber"],"roomTags":["portraits","wartime"],"docent":"This one's called The Portrait — a painting by the Belgian artist René Magritte, Brussels nineteen thirty-five. Oil on canvas — about 73 by 50 centimeters. Somewhere in there: the food on a table, and the eye."}]}],"passages":[{"between":["500","502"],"axis":"x","rect":[81.93,6.04,86.05,8.64]},{"between":["507","508"],"axis":"x","rect":[34.54,6.69,36.83,9.29]},{"between":["512","516"],"axis":"x","rect":[23.12,26.68,25.41,29.28]}]}